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  • EXCLU: Joel McHale to Team with Justin Long and Malin Akerman for ‘GAMER DOWN’

    EXCLU: Joel McHale to Team with Justin Long and Malin Akerman for ‘GAMER DOWN’

    After some digging, we got our hands on a rather interesting exclusive. It looks like a brand new film has been in the works titled Gamer Down. This film will bring together Joel McHale of Community fame, Justin Long (Live Free or Die Hard, Galaxy Quest), and Watchmen‘s Malin Akerman. So far, they are the only actors confirmed for the film, but casting is already well underway. Gamer Down will focus on a man named Finn Bryant, who seems to have a bad gaming habit. He funds it through card-counting but still piles on debt. So that he can get out of it, he joins a brand new rehab center that specalizes in gaming addiction. There he runs into the eccentric guru Slate, who will make his life at the center quite the chaotic experience.

    In the meantime, his step-brother Jamie is using his brother’s account to get close to a girl named Christina. She is part of Finn’s online guild, so he tries to impress her yet also manages to lose a very valuable item. He starts getting trapped in the lie and dives deep into the world of online gaming. Justin Long is set to play Finn with Joel McHale set as the eccentric guru Slate. Malin Akerman will play the role of Cristina but there is no mention of who will play Jamie. The description already promises a rather interesting comedy that could shed some light on the trappings of online gaming. Jillian Armenante is currently set to direct the film, which was written by Steve Weinberger and Marvin Willson. It will be interesting to see how they tackle the topic of gaming addiction that has become a hot discussed topic with games featuring microtransactions and gacha-elements.

  • Jared Leto to Return as Joker for ‘Zack Snyder’s Justice League’

    Jared Leto to Return as Joker for ‘Zack Snyder’s Justice League’

    The fabled Snyder Cut of 2017’s Justice League will be making its way to HBO Max sometime next year. Just recently, it was revealed that Zack Snyder would indeed be returning behind the camera to work on additional photography for his director’s cut. It was reported that Ben Affleck, Henry Cavill, Gal Gadot, Ray FisherAmber Heard, and Ezra Miller were set to return for additional scenes. It would allow Snyder to add the scenes he wasn’t able to finish during its initial production before Joss Whedon took over. In a sudden twist, it’s now being reported that Jared Leto’s clown prince of crime will also return to the big screen as part of this new vision of the team-up film.

    Leto previously played the Joker in the 2016 film Suicide Squad. His take on the role stirred quite a controversy due to his very unique depiction of the clown prince of crime. It’s unclear how big of a role Leto will have in the film but most likely isn’t much, as he wasn’t included in the original cut released back in 2017. We might get him in some flashbacks depicting what truly happened to Robin, which was briefly teased in Batman v Superman: Dawn of Justice.

    Along with this news, it’s also been confirmed that Jon Berg, Geoff Johns, and Joss Whedon will not be receiving credits on this cut of the film. They are also in no way involved in the new production. Now that it is officially titled Zack Snyders Justice League, we cannot wait to see his initial villain come to life once the film is released on HBO Max.

    Source: Hollywood Reporter 

     

  • Three New Spider-Man Suits Coming on the Remastered PS4 Version of ‘Marvel’s Spider-Man’

    Three New Spider-Man Suits Coming on the Remastered PS4 Version of ‘Marvel’s Spider-Man’

    Confirmed by the Community Director at Insomniac Games.

     

    Recently, Sony Entertainment discussed some new details regarding a remastered release of the popular game, Marvel’s Spider-Man, which is included with Marvel’s Spider-Man: Miles Morales: Ultimate Edition. From ray-tracing and high-quality graphics to controversial changes to Peter Parker’s original design, the game had a lot of changes that excited fans to play the game once again. The most popular topic of conversation amongst fans was the confirmation of The Amazing Suit being available in the game, along with 2 more suits that are planned to be revealed in the future.

     

     

    Originally, fans had their concerns regarding these suits. Many believed that these suits would’ve been locked behind a huge paywall for the console and the release of Marvel’s Spider-Man: Miles Morales: Ultimate Edition. Well, James Stevenson confirmed today via Twitter that The Amazing Suit and more will be available on the PS4 version of the game as well, with details pending.

     

     

    This is certainly exciting news for Spider-Man fans and gaming fans alike who have not been able to get their hands on the PS5 pre-orders.

     

  • Short List for ‘BLACK ADAM’ JSA Member Cyclone Revealed

    Short List for ‘BLACK ADAM’ JSA Member Cyclone Revealed

    Even though it currently has no set release date, casting for the highly anticipated Black Adam film is becoming quite the weekly event and it seems DC and WB are beginning to close in on multiple actresses for the role of Maxine Hunkel, Aka Cyclone, in the upcoming superhero flick that’ll see the rise of the fallen champion, Teth-Adam.

    Rumor: Black Adam Is Looking for an Actress to Play Red Tornado's Granddaughter Cyclone - Bounding Into Comics

    The studio is reportedly eyeing Dora and Transformers star Isabella Merced and singer-songwriter Leslie Grace, who will make her feature film debut in next year’s musical In The Heights. Cyclone is set to be one of the film’s female leads, having been bumped up a few pegs after Hawkgirl was removed from the film in order to let this character step into the spotlight a bit more. Cyclone was one of the members of the JSA confirmed at the DC Fandome Event and both rumored choices fits into the rumored “Alexandra Shipp Type” they were searching for.

     

    Black Adam will star Dwayne “The Rock” Johnson, Aldis Hodge, Sarah Shahi, and Noah Centineo with Jaume Collet-Serra set to direct and currently has no set release date but with production set to begin next spring it’s likely the film could see a late 2022 release.

    Source: Illuminderi

  • ‘THE MANDALORIAN’: What to Expect from Season Two

    ‘THE MANDALORIAN’: What to Expect from Season Two

    This is the way.

    The live-action Star Wars series, The Mandalorian, is set to make its way back to our small screens on October 30th, streaming exclusively on Disney+. The hit series stars Pedro Pascal as Din Djarin, Gina Carino as Cara Dune, Carl Weathers as Greef Karga, and of course, the star of the show, Baby Yoda aka the Child. As of now, the plot synopsis for the show sets up The Mandalorian and the Child as they “continue their journey, facing enemies and rallying allies as they make their way through a dangerous galaxy in the tumultuous era after the collapse of the Galactic Empire.” However, very little is known about this upcoming season outside of what has been shown in the trailers. Even they’re pretty vague, but that doesn’t stop someone like me from putting the pieces together and trying to fill in the blanks. And that’s what this article aims to achieve. So let’s get right into what we can expect from season two of The Mandalorian.

     

    (Left to right) Gina Carano is Cara Dune, Pedro Pascal is Din Djarin and Carl Weathers is Greef Karga in The Mandalorian, season two.

     

    “I’ve been quested to bring this one back to its kind.”

    Now, we know from the last episode of The Mandalorian in Season One that The Armorer tasked Din Djarin on the quest to lead the Child back to its kind; “a race of enemy sorcerers” known as the Jedi. As we know, most of the Jedi were killed after Order 66, and the only Jedi technically remaining in this point in time, which would be after the events of Return of the Jedi, would be Luke Skywalker, Princess Leia Organa, and Ahsoka Tano. Now, obviously, we’re most likely not going to see the Skywalkers on this side of the galaxy anytime soon, so my best bet would be on Mando trying to locate Ahsoka Tano, who we know will be appearing in the series and be portrayed by Rosario Dawson

     

     

    In Star Wars lore, the last time we saw Ahsoka was at the very end of Star Wars: Rebels, where she was waiting for Sabine Wren to go and locate the missing Jedi, Ezra Bridger, who sacrificed himself at the end of the show to save his crew and friends from Admiral Thrawn and the Empire. Now, we don’t know exactly if Ahsoka and Sabine were able to locate Ezra, but we might get an update on that in the show. But back to the matter at hand, if the Mandalorian is indeed setting up a meeting between Din Djarin and Ahsoka Tano, then he would have to find her, mainly since most of the galaxy believes her to be dead (See: The Twilight of the Apprentice from Star Wars Rebels). But the galaxy is a very big place, so where would she be? Here’s where it gets interesting.

     

    “If I can locate other Mandalorians, they can guide me.”

     

    We know that Katee Sackhoff is set to reprise her role as Bo-Katan and Temuera Morrison will make his return to the Star Wars universe portraying the first on-screen Mandalorian; Boba Fett. We can also assume that if Ahsoka Tano is set to appear in the show, then chances are we might see Sabine Wren appear as well on the show, possibly played by Sasha Banks, who was cast in the show in an unknown role but was seen in the trailer for The Mandalorian Season Two wearing a Mandalorian style cloak.

     

     

    Now in the recent special look, we know that Din Djarin will try to locate other Mandalorians who can possibly lead him to Ahsoka Tano. Perhaps he knows of a Mandalorian who was seen traveling with a Jedi. And this could lead him on an adventure where it focuses on him trying to find the other Mandalorians from the saga of Star Wars. That’s would explain why we’re headed to Tatooine for this season. That’s where we will see him encounter Boba Fett. He’ll also be looking for Bo Katan in the series, who was last seen in Star Wars Rebels on Mandalore wielding the Darksaber, which we now know its in Moff Gideon’s possession from the last episode of the Mandalorian, so we might know what happened with her and the rest of the Mandalorians after the Great Purge of Mandalore. She might guide Din to Sabine Wren, who will guide him to Ahsoka. This is how I see the show playing out, but not without some Imperial resistance along the way.

     

    “For The Empire”

     

    We know that Giancarlo Esposito is set to return as Moff Gideon for this season and he will be the main over-arching villain of this show as he is very interested in acquiring The Child for the Empire. And we know from the last episode of The Mandalorian in Season One that he has the Darksaber in his possession. The actor has explained that Moff Gideon’s past is linked to how he acquired the Darksaber. So chances are, we might see Moff Gideon in the past during the events of the Great Purge in Mandalore, while exploring the depth of this character even more. But of course, Din Djarin is ready to step up to the challenge and his allies are not too far behind.

     

    SEASON TWO OF THE MANDALORIAN PREMIERES ON OCTOBER 30TH ON DISNEY+.

  • Natalie Portman Talks ‘Thor: Love and Thunder’

    Natalie Portman Talks ‘Thor: Love and Thunder’

    “It’s going to be really Silly and Funny and Great.”

     

    This is how the Academy Award-winning actress described the upcoming MCU film, Thor: Love and Thunder (2022). Natalie Portman, who portrayed Dr. Jane Foster in the previous Thor (2011) & Thor: The Dark World (2013) films, is currently in Sydney, Australia, “prepping” for the production of Thor 4. Last night, she was interviewed on The Tonight Show with Jimmy Fallon. She was asked about the project and how she had prepared for the project. “I’m playing the Mighty Thor…There were some graphic novels where Jane Foster becomes Thor and it’s going to be really silly and funny and great.” She also described that she had been exercising for the role, joking about the process as “tiring after working out…and during…and before.”

     

     

    She continued the interview by showing praise for Taiki Waititi, the director of Thor: Ragnarök (2017) & now, Thor: Love and Thunder (2022). “He’s wonderful. I’m very excited to be a part of it all.”

     

    THOR LOVE AND THUNDER IS SET TO PREMIERE February 11, 2022, STARRING Chris Hemsworth, Tessa Thompson, and Natalie Portman.

     

    Source: The Tonight Show with Jimmy Fallon

  • Justin Lin Set to Direct the Final Two ‘Fast & Furious’ Films

    Justin Lin Set to Direct the Final Two ‘Fast & Furious’ Films

    Fast & Furious is a rather fascinating franchise. It started off with street races before they were jumping between buildings with their cars. It also was a Box Office juggernaut, so it didn’t seem possible it would ever end. Well, in a surprising twist, Deadline has exclusively reported that Justin Lin will return to direct the final two films in the series. As such, the eleventh film will continue the story of Vin Diesel, Michelle Rodriguez, Tyrese Gibson, Ludacris, Jordana Brewster, Nathalie Emmanuel, and Sung Kang. It isn’t confirmed yet but they believe that Chris Morgan will return to pen the script.

    Currently, his fifth film in the franchise, F9, is still in post-production. It will add Charlize Theron, John Cena, Helen Mirren, Cardi B, and Ozuna to its cast. They also started experimenting with spin-offs like the recent Hobbs & Shaw that focused on Dwayne Johnson and Jason Statham‘s characters. It is uncertain if they will also return to the main franchise’s finale. It is crazy to think how far this franchise has come since it started in 2001. Next year will mark its 20th anniversary, so it is fitting for the next installment to release next year. There were jokes about the crew potentially heading to space next, but Michelle Rodriguez may have confirmed more craziness.

    Source: Deadline, Collider

  • ‘PAPER GIRLS’ Adaptation Shifts Into Gear at Amazon

    ‘PAPER GIRLS’ Adaptation Shifts Into Gear at Amazon

    Back in July, Amazon gave the green light to Paper Girls, a series based on the Brian K. Vaughan and Cliff Chiang comic that was published by Image Comics from 2015 to 2019. Now, a new casting call has surfaced that is anything but surprising, but that shows that development on the show is probably ramping up, with more details sure to surface in the coming weeks.

    The comic centers on the time-traveling adventures of a group of four young, you guessed it, paper girls, back in the year 1988. Erin, Mac, KJ, and Tiffany don’t start off as the best and closest of friends, but through their shared experiences of fighting to save the world and trying to travel back home, that will undoubtedly change.

    The new casting call lists the four characters as being 11-12 years old, with their backgrounds, ethnicity, and personalities fitting the comics’ to perfection. Erin, Asian American, the group’s new girl. Mac, tough as nails, raised in an abusive home, a survivor. Karina, the wealthy, over-protected white girl that dreams of rebelling and that loves sports. Tiffany, African American, the brains in the group, addicted to videogames. These were always to be the four characters the show could not deviate from, so it’s only natural they are the first priorities when it comes to the casting process. Hopefully, we’ll get some more updates sooner rather than later, as production should be eyeing a March start date.

    This is a show that is sure to make a huge impact in the way Stranger Things did back in 2016. As such, the comic it’s based on was listed here in Murphy’s Multiverse as one that could make for an amazing small-screen adaptation.

  • How the Success of ‘Genshin Impact’ Only Adds to the Current AAA Gaming Industry Standards

    How the Success of ‘Genshin Impact’ Only Adds to the Current AAA Gaming Industry Standards

    So far, I haven’t talked about one of this year’s biggest surprise hits, Genshin Impact. To those few that don’t know what I am talking about, the game in question is a free-to-play mobile game strongly inspired by The Legend of Zelda: Breath of the Wild. You enter an open world of Teyvat. There you meet Paimon, who will help you find your lost twin after you got separated in a fight. It is easy to recognize thanks to its anime aesthetic and memorable design. I did call it a mobile game, but it has been made available via PlayStation and Windows. There are even plans to add it to Nintendo Switch later in the year. Yet, the game’s success might set a scary precedent for the gaming industries’ future development in an era where an entire genre is already facing massive issues for its focus on microtransactions.

    Genshin Impact’s…Impact

    It is an understatement to call this game a massive success for the Chinese developer miHoYo. The game has garnered $100 million within its first two weeks. These sales numbers make this game the most successful Chinese release we’ve seen on a global scale. Of course, Genshin‘s marketing push was also nothing to scoff at. As of now, miHoYo has made back its development costs and can be considered profitable in record time. So, you might be wondering how this game made its money on a free-to-play basis? Well, the game’s core monetization lies in its Gacha-mechanic. It is a gambling concept where you can unlock characters and weapons by using real-world money.

     

     

    The Washing Post’s own Gene Park wanted to get one character based on their design and ended up spending $90 to get one of them. Some have reported receiving the same items multiple times after investing a considerable amount. This type of game is something that has become almost standard within the mobile industry. There are even studies on these topics, such as the Fear-of-Missing-Out being a factor in its success. The company already had experience with this model thanks to its predecessor Honkai Impact 3. The game builds on familiar grounds and the companies’ past experiences. Even Wired’s review of the game highlighted that its quality overshadows its basis as a clone.

    Genshin Impact‘s greatest strength lies in its use of the anime aesthetic that simplifies the designs. The environments are brimming with life through simple shading effects that can easily pop out on a mobile device or screen. They also put a lot of work into creating unique regions. It focused on a single-player experience with some multiplayer thrown in. Yet, at its core, it is still pay-to-win, as stronger characters are behind a paywall. Controversy does exist, but it isn’t as aggressive as with other titles.

    AAA Gaming Standards

    To give an example, the recent release of Marvel’s Avengers was under fire for its microtransactions or MTX for short. They were upfront of its base as a Game-as-a-Service with no pay-to-win functions. Up to the release, they also stuck to that promise with MTX commonly used for aesthetic purposes. So, it is entirely optional if you want to invest the money, and you can select what you are buying. Moreover, all-new missions, characters, or stories are for free. So, you only pay once with additional content as a bonus. It isn’t the only game to be hit by this controversy surrounding MTX. Even Blizzard’s massive release Overwatch alongside FIFA 18, and Counter-Strike: Global Offensive were all heavily scrutinized for their inclusion. Some even playing close to the Gacha-formula with loot boxes. It went so far as the Belgium court ruling them as illegal.

    First and foremost, there is a cultural influence at play. Genshin Impact has its largest player base in China, which is pretty open to pay-to-win games. Currently, around 16 million pre-registrations are local players, which makes up 75% of its player base. Plus, keep in mind that most of these games’ players are on experiencing it through their mobile phones. Just last year, the mobile gaming market was analyzed to be around $68.5 billion, which is 45% of the gaming market at this point and still growing. It is no wonder that these gacha elements have become quite popular within the mobile market.

    There is also the topic of the AAA gaming industry and its current practices. We live in a time filled with Early Access, Beta, and other types of brandings to help players accept new standards. For example, Avengers’ release was at the boiling point of these issues. It just brought every aspect together that was criticized in the past. The game included countless brand deals, Influencer cooperations, and, to top it off, Sony wanted exclusive rights to Spider-Man on the PlayStation. These already frowned upon practices in the industry just added to the MTX discussion. AnthemDestiny, and Fallout 76 all initially released barebones with bugs. There was, of course, a range of how affected they were by this, but they establish an instant comparison point. Anthem especially is the go-to when it comes to Avengers’ current launch issues and delays. In a way, the massive appeal of the Marvel brand just put a much stronger focus on existing practices that have been becoming more and more apparent with each subsequent release.

    Early Access to Funds

    Genshin Impact wears its mobile nature on its sleeve, which makes it easier to accept its approach. It is free-to-play, so why not give it a shot and maybe throw in some money to get that one character you like. Yet, that is part of the issue. GameRant shared an article stating this approach to MTX should become an industry-standard, which I believe is a rather dangerous statement. Yes, some might get away with a free game, but the gambling aspects are rather dangerous. There is a reason that Belgium tried to outlaw these game principles, as some people are easily susceptible to this kind of design. Avengers‘ skins are heavily overpriced, but you know what you are purchasing upfront. If you are after a specific character in Genshin Impact, you might have to invest quite a bit before you get him. Gambling addiction is a real problem nowadays. Mobile games have the added issue of also being played by young and impressionable children.

    The industry is facing a massive change that is also affecting the way games are produced. Even the term “Early Access” is creating an easy way out to sell unfinished games under a specific umbrella. Hades was recently officially out of Early Access to critical acclaim, but it had time to learn since it was technically available since December 2018. Yes, the game is fantastic, but it gives others a sign that it can get away with this approach. Hell, Fortnite didn’t officially lose the Early Access status until three years after it launched, which wasn’t until this year in June. If people are willing to pay MTX even as it is in Early Access, why then risk leaving it if it can safely handwave any issues under that umbrella? Epic Games made $3 billion in profit two years ago without being officially released.

    We somehow give F2P games a pass because anyone can try it out, but you are incentivized to pay to make the grind easier. In a way, GaaS games to the opposite approach. They try to sell you on the potential of future content and its ongoing development, so you pay upfront with the option to invest more. It opens up the question if we would forgive it if it took an approach similar to Genshin Impact. We saw a recent test with Destiny 2which now has specific content available for free. If you want more, you have to pay for the complete experience. Moreover, if controversial games can make a comeback like Star Wars Battlefront II, so the risk of facing early controversies may have lost its impact outside of a temporary setback.

    A Slow Expansion

    I can go on with examples, as even other genres are utilizing MTX, as Mortal Kombat 11 introduced customizable loot that you can purchase. Crash Team Racing Nitro-Fueled added microtransactions after it had already launched. Still, the point of the matter is, Genshin Impact‘s success highlights the industry’s new standard of implementing MTX, and Gacha-concepts is justified. If we accept games for a price in their early stages, we let that become a standard, no matter if Early Access, Beta, or GaaS. That umbrella term can redefine how companies approach their releases, as it worked in the past.

    I am not exempt from this. Avengers is the first time I decided to bite the bullet after being let down by the initial release of Destiny. I also enjoy Genshin Impact quite a bit, so I do enjoy spending my time playing these games. It just seems that the success of this game and its mobile background may be overshadowing the fact of how it feeds into the current gaming industry. These standards have become more apparent over time, slowly increasing with each year. Now, we are at a boiling point on the topic yet make an exception. Genshin might be a rather unique addition this year that brings with it a lot of good, but also potentially a lot of dangers. Just some food for thought, as it started to dawn on me over time as I have played most of the games mentioned in this article. Sometimes, we don’t even realize it until we are deep into it.

     

    Source: PC Gamer (Genshin Impact), South China Morning Post, The Washington Post, Research Gate, PCGamesn, Looper, MiHoYo, CNBC, DualShockers, ScreenRant, Wired, TechCrunch, Kotaku, GameRant, Trusted Reviews, Super Giant Games (Early Access), Super Giant Games, Polygon, Destructoid, GamesRadar+, Variety, ScreenRant (SW: BF2), TechCrunch, TechRadar, GameIndustry.biz, Metro, TweakTown, TechRadar, PlayStation, Forbes

  • ‘I’m Not Okay With This’ Jonathan Entwistle to Supervise ‘Power Rangers’ Film and TV Adaptations

    ‘I’m Not Okay With This’ Jonathan Entwistle to Supervise ‘Power Rangers’ Film and TV Adaptations

    Now, this is an interesting development. Last year, we found out that the creator of It’s the End of the F***ing World creator Jonathan Entwistle was hired to direct a brand new feature film on the popular Power Rangers franchise. This film would not be connected to Lionsgate 2017 reimagining of the original series that tried to focus on the Young Adult audience. At the time, it was a Box Office bomb, so the planned sequels were scrapped.

    It was also revealed that the new film would give us a story that focuses on time-travel. I even added my own approach to this story in a feature a few months ago, which you can check out here. We haven’t heard anything since, especially with rumors going around that Hasbro has canceled its contract with Toei, who provided the Sentai footage and costumes, which the franchise is based on. Well, looks like Entwhistle may have a much larger role moving forward.

    According to Hollywood Reporter, he will be responsible for overseeing the film and television adaptations. In a way, he will act as showrunner similar to Marvel Studios Kevin Feige. It also will be adapted by Hasbro’s production banner eOne, which it acquired last year. This development also means that Paramount will no longer be involved. eOne’s president Nick Meyer gave the following statement:

    Jonathan has an incredible creative vision for this iconic and hugely successful franchise, and is hands down the right architect to join us as we reimagine the television and film worlds of this property.

    Entwistle also shared his enthusiasm for his new role in the article.

    This is an unbelievable opportunity to deliver new Power Rangers to both new and existing generations of awaiting and adoring fans. We’ll bring the spirit of analog into the future, harnessing the action and storytelling that made this brand a success.

    This development would match up with the rumors that the upcoming film would branch out into a new TV series. There still is no confirmation on the Hasbro-Toei deal, so it is uncertain if they will still rely on Sentai footage. 2021 will still feature the new season Power Rangers: Dino Fury, which is based on Toei’s Kishiryu Sentai Ryusoulger. If they do try to expand into a connected universe, we might see a very different Power Rangers moving forward.

    It also opens up the question of where these series and films will find their home once they are produced. These shows could find a new home on streaming platforms that would offer higher budgets. It actually would be ironic if the strike a deal with Disney+, as the company sold the rights back to Saban back in 2010. There is a good chance they will work with Netflix after their recent release of Transformers: War for Cybertron Trilogy. No matter what, as a fan of the franchise I cannot wait to see where it is heading.

    Source: Hollywood Reporter (2019), Illuminerdi, Hollywood Reporter (2020), ScreenRant, New York Times