It has come. The moment most of us probably dreaded. Warner Bros. already delayed the release for Wonder Woman 1984. It’s generally looking grim for any releases in October after Tenet barely scraped by in cinemas. We knew that this would signify more delays in the near future. Now, it looks like Marvel Studios and Disney are contemplating delaying Black Widow according to Variety. They do not add what release date they might be considering for now.
To some degree, November releases seemed still pretty safe for now but that might change soon. 2020 could be the first time we’ve had an entire year without a single Marvel Cinematic Universe entry since 2009. WW84 is still slated to release in December, a week after WB’s other tentpole film Dune is slated to air but even those release dates are questionable for now.
Keep in mind, Variety has no official confirmation. They add that they got no comment from a Disney spokesperson. If Disney decides to stick to an only in theaters release for Black Widow, it’s definitely getting delayed. Tenet barely managed a $200 million worldwide, so most studios are going to have to expect a weak Box Office performance for some time. Even if they postpone it to 2021, that year is filled to the brim with releases. They will end up cannibalizing each other so they might not even break-even after the delay.
Disney’s best option is to minimize costs through a direct income. They already tested it out with Mulan on Disney+. They don’t have to share the income and can draw in additional subscribers. It may be the best investment long-term. Even if they do go the Premium Access route, they may delay it to make sure they can probably market the film’s release. The article also states they are planning to release Soulon Disney+, so it seems quite likely.
Production has resumed on Marvel Studios COVID-delayed projects and Ms. Marvel and Hawkeye are set to start before the end of the year. She-Hulk is set to kick off in 2021 and now the studio has entered into negotiations with director Kat Coiro, whose previous works include It’s Always Sunny In Philadelphia and Shameless, to direct the pilot and multiple other episodes in the shows first season. Coiro will also serve as an executive producer on the project. It was reported earlier that a potential production start date would be eyeing a February 2021 start date and looks to be filming in Atlanta.
The titular role of Jennifer Walters has yet to be cast, along with any other role in the project. The most recent update we heard on casting was that the studio was eyeing an Alison Brie-type actress for the role of She-Hulk but news on that has yet to surface. She-Hulk will air exclusively on the Disney+ streaming service and currently has no set release date, but is rumored to premier some time in 2022.
Jennifer Walters, aka She-Hulk first appeared in “The Savage She-Hulk” #1 in February 1980 and was created by Stan Lee and John Buscema. Walters was a Lawyer who was involved in a tragic accident and gains her Hulk-like abilities after a blood transfusion from her the cousin, the one and only Bruce Banner. Jennifer is able to maintain her personality even after Hulking out unlike her cousin who usually flies into an uncontrollable rage.
Marvel Studios is slowly restarting its productions. We just recently got some set photos from Falcon and the Winter Soldier showing off Bartoc the Leaper and Agent 13. Even as the pandemic still looms over everyone’s head, they are trying to plan out the next production starts. Looks like one more is joining the club, as both The Direct and Illuminerdi reported the show is eyeing a production start for 2021. It seems that they will try to kickstart production in February. They are currently eyeing Atlanta to film the series, which has become a staple for the franchise’s productions. As of now, the only MCU series without a production start is Moon Knight.
So far, we only know that they are eyeing an Alison Brie-type actress for the titular role. Yet, we haven’t heard anything since. Hopefully, we get some kind of casting announcement in the coming months before production starts. Mark Ruffalo has already expressed his interest in appearing on the show. It would be strange not to include Jennifer Walters’ cousin whose blood transfer turned her into She-Hulk. Hulk and Banner have fused into Professor Hulk, so it won’t be cheap to include him. It also opens up the question of how they will approach She-Hulk’s transformation. CGI seems like the obvious choice, so maybe this show will have a smaller episode count to avoid budgetary issues.
Sony has been very focused on creating their own Spider-Man inspired universe. Originally, The Amazing Spider-Man 2 was going to be the jumping-off point for many stories. Even the Sinister Six were going to get their own film at one point. Even as that film bombed at the Box Office, they never gave up that dream. Once Marvel Studios got involved with the reboot of Spider-Man: Homecoming, they had another chance. It started with Venom that was a surprise Box Office hit. They already finished production on Jaret Leto‘s Morbius with a Venom sequel already underway. Now, we also got the announcement that Olivia Wilde will direct a film focused on Spider-Woman. As far as we know, Marvel Studios is only involved with the TomHolland-led Spider-Man films. This could change very soon though. In an interview with Entertainment Weekly, Wilde may have slipped and confirmed that Kevin Feige is heavily involved.
Listen to me try to avoid Kevin Feige‘s pellet gun.
This might confirm that creatively Marvel Studios is heavily involved with this project, something that’s been a topic of conversation at Murphy’s Multiverse for quite some time. Back in February, we first speculated that the film might be set in the MCU; then, in March, the Charleses discussed a rumored new deal between Disney and Sony on an episode of Murphy’s Law. In the comics, Jessica Drew has many ties throughout the comics. She is a close friend of Carol Danvers and was an agent of S.H.I.E.L.D. She also became an agent of S.W.O.R.D. in the comics, who will make an appearance in Disney+’s WandaVision show. Most notably though, she was the character that was replaced by the Skrull queen Veranke during the Secret Invasion storyline. There are rumors that Captain Marvel 2 may adapt this storyline so her introduction as part of the MCU seems like a perfect choice.
The first season of Lucasfilm’s The Mandalorian brought us smaller scale stories in the world of Star Wars. But that’s all about to change. Season 2 is bringing us the first live-action appearance of fan-favorite Ahsoka Tano, the return of Boba Fett, as well as the introduction of several other characters coming in from the novels and animated projects, making the adventures of Din Djarin, aka The Mandalorian, a bit more crowded.
And finally, after the release of several pictures, we’ve now got our first glimpse at some footage from Season 2, with the debut of the long-awaited trailer.
Many have stated that the future of Star Wars should be in streaming shows, and season 2 of The Mandalorian may prove to be the springboard that helps launch several other live-action series whose protagonists will initially be introduced to audiences starting this October 30th only Disney+, when The Mandalorian season 2 is set to premiere.
Falcon and the WinterSoldier has finally entered production again. Alongside it, we are getting a few more screenshots from the set. This time, it seems to confirm the appearance of a strongly rumored character from MCU’s past. Back in March, the Weekly Planet podcast reported that George St-Pierre might return as Batroc the Leaper. He first appeared in Captain America: The Winter Soldier during the opening sequence. Now, as production resumes we got our first look at him in costume for the Disney+ series. As we can’t share pictures here, you can check them out by clicking here.
At first glance, it’s a great rendition of the character’s costume from the comics. The colors combined with the shirt-jacket combination is a simple but great way to reinvent his previous adaptation. Hopefully, we get a lot more from him throughout this series than we did in Winter Soldier. Also, can we just talk about how amazing Emily VanCamp looks in that suit? If they are being filmed together, it may be an attack on her by the mercenaries. Most likely, Zemo orchestrated the attack to get his message across. It will be interesting to see how this fits into Falcon and Winter Soldiers’ overarching story.
We finally got some news for an upcoming Marvel Studios film. Jonathan Majors has been cast in a major role for Ant-Man’s threequel. Deadline’s sources indicated that he will play Kang the Conqueror This is huge especially with the Young Avengers rumors. At some point, M.O.D.O.K. was even going to be heavily featured. This film may truly become a cornerstone of the Marvel Cinematic Universe moving forward. This casting announcement seems like a natural follow-up to recent news. A lot of hints have been building up that make Kang the perfect successor to Thanos. Let’s look at some of the hints that may have teased his addition to the franchise. There is also a good chance this might be a very different version of Kang than we are use to.
A New Generation
Let’s get the obvious aspect out of the way first. Kang’s introduction is a heavy indicator that the Young Avengers will have a role as well. Let’s start with who exactly Kang is. Nathaniel Richards was from the 31st century and believed to be a descendant of Reed Richards. Not only that, but there is also the theory that he is also related to Doctor Doom. It is why he ended up using Victor von Doom’s technology to travel back in time, even become the famous Pharao Rama-Tut. His heir was non-other than En Sabah Nur, also known as the mutant Apocalypse. After overshooting his original timeline, he ends up conquering a war-torn Earth and becoming the infamous Kang the Conqueror. At one point, he decides to save his younger self and showed him the unexplored past. This version was saved from the moment he would turn evil and rejects that future. He dons the Iron Lad moniker and is the founder of the Young Avengers.
That’s a lot of connections throughout the Marvel Universe in just one character. Our main focus is the connection with Young Avengers. Nathaniel is the one that brings the team together after the Avengers disbanded. We are currently facing a timeline in the MCU without the Avengers. Tony Stark has passed away. Thor decided to join the Guardians off into space. Rogers was able to return to his own time and live a fulfilling life. Even their headquarters was blown up by Thanos. There seems to be nothing left as everyone is heading off into their own adventure. So, a new generation will take over to continue their legacy. How does this all connect to Ant-Man? Well, his daughter Cassie has aged up after the events of Avengers: Endgame. In the comics, she is a member of the team and is known as Stature. She tries to follow in his footsteps as many others find their protegés forcing him into a mentor role alongside Hope van Dyne.
Low-Key Connections
Stature isn’t the only connection we have between Kang and Ant-Man. There is also the elephant in the room. Tony Stark invented time travel through the quantum realm in Avengers: Endgame. Through their travels, they ended up creating a splinter of different timelines by stealing the Infinity Stones. There is a good chance these actions created a version of earth that will end up being torn apart by war. One particular timeline, in particular, seems like the best candidate that would lead to the creation of Kang. Tony accidentally manages to drop the Tesseract that lets Loki escape from Thor’s clutches rather than facing Odin’s judgment. Even as Captain America returned the borrowed Infinity Stones, this timeline has been changed the most. It also is the only one that is getting a spin-off with next year’s Loki series on Disney+.
Why does that matter? Well, Loki will introduce the Time Variance Authority (TVA). They are responsible for the multiverse and keeping timelines consistent, which is a perfect choice for this multiverse tale. Their existence is also a major hint at how Stark’s invention of time travel may have had some bigger implications. Marvel’s time cops haven’t always been successful at keeping the timeline in check, especially when Kang was involved. Keep in mind that Ant-Man 3 is currently slated for 2022. It’s a surprisingly early announcement, which could hint at Kang’s appearance in this Disney+ series. They could introduce him early to build up the character before appearing in the Ant-Man threequel.
Loose Adaptation
Jonathan Majors‘ version of the character could be a unique take on the character. Marvel Studios isn’t a stranger to adapting the villain’s backstories to fit the overarching plot. Ultron was a creation of Hank Pym in the comics. It wasn’t until Age of Ultron that he got connected to Tony Stark. The original article by Deadline highlights this very fact. Also, he may not be the only villain. We could still see M.O.D.O.K. as the main antagonist with Kang pulling the strings. He may have been a wealthy benefactor that saved A.I.M. and gave them technology way beyond their time. Similar to Thanos, Marvel Studios might want to build him up throughout multiple cameos. He is known as a major Avengers villain. The Conqueror won’t be taken down so easily by a group of teenagers.
If Kang is given a new spin, there is a chance we won’t see the classic interpretation of Iron Lad either. First of all, the Fantastic Four haven’t been introduced yet. So, they might try to build a connection to existing characters. Similar to how Ultron, they may change his origin while keeping some defining aspects alive. A while back, there was the rumor of an Ironheart series being in development. It would be easier to combine her stories with Nathaniel’s rather than juggle two separate characters inspired by Iron Man. It would make sense if he was her descendant from the future. No matter what route they take, Iron Man is a likely connection to remain consistent in the adaptation. Hell, maybe even use some elements from The Avengers: Earth’s Mightiest Heroes. Captain America’s survival altered his timeline in the show pushing him to conquer the present-day Earth. Rogers’ choice of staying in the past may work as his main motivation to travel to the present day within the MCU. They might not reveal his connection to Ironheart until a later entry. Kang is such a great character to introduce. He is exactly what Tony warned the Avengers about back in Endgame. When you mess with time, it tends to mess back.
According to Deadline, Jonathan Majors (Da 5 Bloods, Lovecraft Country) has signed on for a lead role in Marvel Studios upcoming Ant-Man 3. Sources close to the project have indicated that Majors will play Kang the Conqueror, one of the Avengers greatest villains.
The possibility of Kang appearing in Ant-Man 3 not only fits with the continued buzz that Peyton Reed’s third Ant-Man film will be a much bigger film than the previous two installments, but also might lend further credence to rumored appearance of the Young Avengers, first reported on Murphy’s Law Podcast. In the comics, the Young Avengers formed when a younger version of Kang traveled back in time to avoid becoming his evil, future self. That younger version, under the name Iron Lad, helped bring the heroes together to take on his future self.
The downtime caused by this quarantine has offered me some opportune time to get back in touch with my gaming roots. The last console I owned was a Playstation 2 which should give you an idea of what generation of video games I peaked on. Everything that came after, I missed out on. So as I relive the carefree gaming days of my youth, I thought it’d be a fun idea to review some of the games I missed out on.
It is a stormy night and you’re the sole passenger in a rowboat, escorted by two bickering Brits towards a lighthouse. You arrive at the door and see a bloodied note warning you of the task ahead, “Save the girl and wipe away your debt.” You enter the lighthouse and realize it is empty, save for you, a bloodied corpse, and a radio faintly broadcasting vaudevillian music. Each creaking step you take fills the lighthouse with dread. You make your way to the top where a locked door awaits you. Upon opening it, the grey sky surrounding you turns red, and from the heavens erupts deafening horns. A chair beyond the door calls for you. You sit down and the moving contraptions around you make it apparent that the lighthouse is a missile silo. All of a sudden, you are skyrocketed through the heavens. None of it makes sense until you reach the wild blue yonder where you see magnificent cities floating above the clouds. There’s that moment of clarity once the pod you’re strapped onto slowly lands on this floating city. It’s the first of many moments of clarity in the game where all the craziness you witness starts to make sense.
You play as Booker DeWitt, a hired gun tasked to rescue a woman named Elizabeth from the ultra-religious dystopian city of Columbia. Standing between you and Elizabeth are two warring political factions, a delusional prophet, a flying bird robot, and a series of tears through the space-time continuum that permeate the reality you inhabit. It’s a pulpy trek through this steampunk metropolis as you fight the establishment and enemies of the state alike with wacky guns and potions that give you superhuman abilities.
I’ve never been so enamored with a video game’s aesthetic way like the Bioshock franchise’s. Steampunk wasn’t a word that existed in my own vocabulary until I knew this franchise existed. The visual palette, aesthetic, and art direction of the game is simply a thing that draws you in. Even as I was phasing out of my gaming days in the late noughties, just seeing the first game’s poster and the way its underwater steampunk world was presented made me want to at least experience that. With Bioshock Infinite, I was finally able to experience what it’s like to briefly exist in a world as rich and beautiful as Bioshock’s.
The floating city of Columbia is a sight to behold. Nevermind the fact that character models resemble one another and you run into the same person every 20 steps. The city lives and breathes as you stroll through its alleys and plazas. I spent the first couple of hours of the game just simply observing every remotely interesting item I could find – a newspaper on some countertop, a print ad for magical potions, a statue of some white dude, ultra-religious paraphernalia, a mechanized human being displayed at a freak show among many others. The way the game uses the social upheaval that gripped America at the turn of the 20th century to underscore the pulpiness of the art direction and create something that’s out of this world yet wildly familiar is amazing. This world is layered to the core, with easter eggs in every corner that archive moments that led to the creation of Columbia and why the world is the way it is. There’s something in every nook and cranny of this game that’ll pique one’s curiosity which makes whatever limited exploration options you have worthwhile, to say the least.
I’ll admit that I was sort of taken aback at how the enemies were mostly composed of confederate soldiers and rebels. Part of me was expecting to fight creatures spawned from the mind of Guillermo del Toro. However, in the few instances that you get to fight the odd creature, they are a treat to against. You have these KKK sorcerers carrying coffins that are made up of crows and they teleport everywhere. You have the Handyman, disabled people that are forcibly put in mechanized bodies that go haywire – a huge pain in the ass to fight. By far the scariest is the Boy of Silence, who serve as watchmen in the asylum portion of the game. They let out a blood-curdling scream the minute they spot you and sic a bunch of powerful insane asylum patients on you. I’ve never been more terrified to sneak through a corridor since I played Alien: Isolation a couple of years ago.
Gameplay-wise, Bioshock Infinite very rustic. It’s a no-frills, uber-simple shooter that barely takes any steps to reinvent the wheel. You shoot, reload, and pick up ammo from corpses. Rinse-repeat. The Vigors and the tears, however, keep things interesting. The aforementioned magical potions keep the battlefield wildly interesting as it offers you a slew of magical traps and abilities. There’s one that allows you to summon a murder of crows to attack the enemy. A personal favorite is the one that allows you to possess grunts and mechanized enemies and have them fight for you. Again, it doesn’t change the game but it’s a nice addition to keep things interesting.
BioShock Infinite revolves around an Aristotelian tragedy with tragic heroes, grounded in a floating city set in 1912.
Arguably, the game’s biggest weakness is its linearity. With a world this expansive and rich, the lack of exploration possibilities and a progression system feels somewhat disappointing. The game literally tells you to follow a line as you navigate through the various districts of Columbia. You can take the occasional turn and peek through the door in that corner and score these upgrades called Infusions but that’s pretty much it. There are the occasional gun and Vigor upgrades but because the game is so linear, you aren’t given the opportunity to fully explore the selection of weapons the game throws at you. I get that the open-world mechanic was never in the franchise’s DNA but man, given the chance to fully explore the world they crafted, to do sidequests, and to upgrade your skills extensively, I’d lose myself in this game entirely. When all is said and done, this complaint is a testament to how just beautifully the world is envisioned and crafted.
Bioshock Infinite, in many ways, is one big theme park ride. It’s a chaotic spectacle that delivers the thrills. Sometimes a literal roller coaster ride across the sky. Your senses assaulted by a cacophonous barrage of sounds and visuals that defy your understanding of reality. But what makes the game transcend from being merely just a spectacle is the story. It’s a Kubrickian odyssey about redemption and fate. A profound journey to undo past wrongs and confront the destinies decided by the cosmos. And that ending. That goddamn ending. Part of me wishes I played Bioshock Infinite around the time it came out just so I’d partake in the collective freakout everyone must have had with the game’s ending. The last 15 minutes of the game will go down as one of the craziest endings I’ve come across in any narrative. To be in the center of this story, to experience it from the eyes and emotions of Booker DeWitt, is something that will probably stick with me for a while. Experience this game now, if you’ve haven’t.
Avengers: Endgame brought into the MCU the use of time travel on a massive scale. The theatrical releases had already toyed with the concept when it came to Doctor Strange’s use of the Time Stone both in his solo outing and in Avengers: Infinity War, but it was only in 2019 that we got to see it put to proper use. When doing so, movies usually tend to detail the mechanics of the whole thing, forcing themselves into establishing strict ground rules in which they get to play around for a couple of hours, and Endgamewasn’t any different. But even that didn’t keep fans from theorizing around what could have truly happened in the movie and what it all meant for the future of the MCU. There was enough exposition in the movie to help people understand how it all worked, but even that didn’t stop people that were actually involved in the making of it to have very different opinions on what time travel in the MCU was really like.
In an interview with Fandango, writers Christopher Markus and Stephen McFeely were quoted saying:
We are not experts on time travel, but the Ancient One specifically states that when you take an Infinity Stone out of a timeline it creates a new timeline. So Steve going back and just being there would not create a new timeline.
Both Ancient One and Hulk were right. You can’t change the future by simply going back to the past. But it’s possible to create a different alternate future. It’s not a butterfly effect. Every decision you made in the past could potentially create a new timeline. For example, the old Cap at the end movie, he lived his married life in a different universe from the main one. He had to make another jump back to the main universe at the end to give the shield to Sam.
They can’t both be right. But instead of trying to figure out who’s right and who’s wrong based solely on their status in the making of the movie, let us focus on what should really matter: What does the movie tell us?
In this regard, the first key moment is the Banner and Rhodey discussion just before Clint test runs the quantum suits. It’s here that we find out that you can’t change your past even if you travel back in time. What you can do is relive past situations, that become intrinsically different just because of your presence. The time flow should therefore split, creating a new branch reality. This is all basically confirmed once we get to witness the team’s time travels. Even though they all try to stay out of sight while there, and considering some of their interactions don’t actually negate events we’ve known to have occurred in the MCU, several incidents simply cannot have happened on what we might now call the MCU’s Prime Timeline. And once that becomes obvious, you understand that this now applies to every timeline created, on every trip each member of the Avengers makes, since you cannot have different mechanics to essentially the same type of actions. So now, even the most innocuous interaction in a different time stream, should make for a slightly different future than the one we’ve known to have happened in the Infinity Saga.
So where might these new timelines take the MCU moving forward? The narrative opportunities coming from these new timelines are immense, with new characters rising, and not so new characters developing in new ways. You can now nullify the status quo that has been built through the years using these new timelines, launching into storylines that have become increasingly unlikely to occur in the Prime Timeline.
So, what realities could we find developing in the branches Avengers: Endgame created in the time flow? Let’s being with the first of these new timelines to ever be created:
CLINT TRAVELS BACK IN TIME TO HIS FAMILY FARM
The date here is speculative, but considering how Clint’s daughter looks basically the same as she did in 2018, it shouldn’t be too far off.
This served as a simple test for the missions to come, so Clint didn’t have the time to impact this new timeline in any meaningful way. He took his kid’s baseball mitt back to 2023, and that’s about it. The Butterfly Effect might turn this into some world world-shattering event but that would be unlikely.
TONY, STEVE, BANNER, AND SCOTT TRAVEL BACK TO THE BATTLE OF NEW YORK
Steve’s interactions with Rumlow, Sitwell, and 2012’s Cap could probably all be accredited to 2012’s Loki impersonating him, making it easy to imagine the timeline wouldn’t be that impacted. What is not so easy to sweep under the rug is the fact that Loki got away with the Space Stone. The consequences are huge since now Thor isn’t able to take both his brother and the stone back to Asgard, directly influencing the events of Thor: The Dark World as well as everything that came after that.
THOR AND ROCKET TRAVEL BACK TO ASGARD
Thor and Rocket’s actions could actually fit into what we saw happening on Asgard in Thor: The Dark World. All it takes is for Frigga to have kept her conversation with her son to herself and continue on with her day as if it never took place. But since a new timeline was created, things could have evolved through a different path. Frigga didn’t want to hear what her son was about to tell her about her future, but who’s to know if she didn’t end up taking precautions after he left? Maybe she didn’t die that day. Maybe someone else did. This could be an interesting path going forward, making for a different Asgard that wouldn’t be so pervious to Hella a few years later, of that could maybe even allow for her showing up ahead of schedule. Ragnarok could turn out to have a very different outcome.
NAT, CLINT, RHODEY, AND NEBULA TRAVEL TO MORAG
Nat and Clint then fly to Vormir, still in 2014’s timeline.
Even if the Power Stone was to be returned in a way that allowed Quill to retrieve it as was saw in Guardians of the Galaxy, the events of that movie would still be impossible to replicate moving forward. Peter Quill would never meet Gamora since she left this timeline with Thanos and so the Guardians of the Galaxy would never come to be (at least the team we’ve come to know). And with 2014’s Thanos traveling to 2023 and dying there, this timeline wouldn’t have the Mad Titan pulling the strings, orchestrating his future pursuit of the Infinity Stones. This would mean that Xandar wouldn’t be destroyed and that the entirety of the Nova Corps would still be alive. The ramifications of Thanos going missing could be felt on even on earth because, without the events of Avengers: Infinity War, the Avengers would never get back together the way they did after the events of Captain America: Civil War, amongst other things.
TONY AND STEVE TRAVEL TO CAMP LEHIGH
In the new timeline, Steve stealing the Pym Particle vials from Hank’s lab, could make Pym even more paranoid than he was when it came to the way S.H.I.E.L.D. tried to control his genius and intrude into his research. This could expedite him leaving the organization, all but making sure Janet van Dyne wouldn’t disappear after going sub-atomic on a mission in the ’80s.
Also, maybe Howard Stark became a more present father after that conversation with Tony. The “No amount of money ever bought a second of time.” that Howard once passed on to his son, and that was now said by Tony back to his dad, could help to mold a different version of Howard, that could eventually give a young Tony a different childhood. And that could end up being what makes him not becoming Iron Man down the line. Perhaps he wouldn’t use B.A.R.F. in the way he did, and that piece of technology wouldn’t get the name he gave it. Quentin Beck would have fewer reasons to hate Tony and the idea of Mysterio wouldn’t come to fruition allowing Peter Parker to enjoy a nice little trip to Europe with his friends like he always wanted.
STEVE GOES BACK TO PEGGY
The script Marvel Studios submitted for BEST ADAPTED SCREENPLAY had both the place and date Steve traveled to on it. Since it wasn’t in the movie they might very well change that in future projects, but for the sake of discussion let’s take that as what happened.
There was a line spoken by Banner, just after Steve left and didn’t return to 2023 as scheduled, which made it absolutely clear that Cap had indeed spent his entire life, not on the same timeline he had left behind.
Sam:Where is he? Banner:I don’t know, he blew right by his timestamp. He should be here.
This would mean Steve went beyond Banner’s present, having had to travel back in time to 2023, to the moment he knew his friends would be there, by the lake. This also shows us that, since Steve went back to 1949 to be with Peggy and not to mess with the Infinity Stones, that you don’t need to remove one of them to create a new time stream. What the Ancient One told Hulk back in 2013 was that by removing a stone, that reality would be left in disarray, for being unbalanced. Once Banner said he’d make sure the stones would be returned, that reality would still continue to exist, just not shrouded in darkness.
And so, since Captain America crashed into the Arctic sometime in 1945, so this would mean that, from 1949 onwards, there would be two Steve Rogers in this new timeline. One living his best life besides Peggy Carter, the other frozen inside a Nazi aircraft until being found several decades later.
Knowing what major events the future would bring, 2023’s Steve would have the possibility to try to prevent whatever he felt should be prevented. And it’s then only natural that the more he tampered with this new timeline, the more it diverged from his own. Being this, as far as we know, the furthest back someone traveled back in time, this is the timeline that could make for a more distinct 2023. The possibilities are too many to even consider.
So this is where the MCU stands at the moment. At least seven active timelines in constant evolution, and even though we are focused on the Prime Timeline for the foreseeable future, there is nothing stopping characters from the other ones from dropping by for a visit. Marvel already teased the possibility of a character being from another earth in Spider-Man: Far From Home, it’s only a matter of time they do it for real. Maybe sooner than we realize.
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ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
Marketing cookies are used to follow visitors to websites. The intention is to show ads that are relevant and engaging to the individual user.
Pinterest Tag is a web analytics service that tracks and reports website traffic.