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  • Frankensteining the Ultimate MCU Villain

    Frankensteining the Ultimate MCU Villain

    There was a time when one of the top criticisms the Marvel Cinematic Universe faced was that the films had a “villain problem.” This wasn’t entirely inaccurate, because unlike with well-known heroes like Batman and Spider-Man, the earliest MCU films were about establishing who our long-term protagonists would be, more than establishing who would be their foils.

    But as the quality of the offerings have improved, so too has Marvel’s ability to introduce heroes and progress their stories in the projects of others, leaving the films with more real estate to give their antagonists room to flourish. Add in the way that some villains’ stories intertwined with those of the heroes, and that has provided the ingredients for the introduction of villains who leave an impression on audiences even after they’re vanquished. And in a storytelling form that thrives on characters returning and resurfacing, that has been invaluable.

    But what if someone were to scour the first 4 phases of the MCU and create a new and formidable villain, stitched together from antagonists past? From which five villains would you take component parts for this unholy union, and which parts would you use? This piece purports to answer that question. Behold, our Villain Frankenstein!

    The Commitment of Thanos

    For most fans, Thanos is either #1 or #1A on their list of favorite MCU villains. And why wouldn’t he? In Avengers: Infinity War he defeated the Avengers handily while throwing timeless verbal barbs in their direction — not to mention fragments of nearby moons. He humbled the Hulk, victimized the Vision, and laid waste to worlds, all in the name of balancing the universe through the eradication of half its sentient life. So thorough was his victory, and so committed was he to achieve that victory, that audiences couldn’t help but begrudgingly give him respect.

    But beyond the respect for how formidable he was, audiences also considered, because of Thanos’ commitment to his vision for the universe, and his willingness to sacrifice and risk everything for it, the possibility that just maybe he had a point. Does the world warrant a biblical-style purge? Indeed, sometimes it feels like it does. Can the idea of killing half of everyone indiscriminately and leaving survivors to make a better universe in its aftermath seem oddly plausible? Yes! So we can understand a villain who takes years, stretched across multiple films, acquiring the MacGuffins and putting the pieces into place, doing so in service of a victory of that scale. That his Snap was ultimately reversed is immaterial; his impact is still being felt. Thanos showed that it was possible for the villain to win, and because it took five years for that win to be overcome, the MCU, and its audience, was forced to marinate in his message.

    The Righteousness of Killmonger

    Before “Thanos Was Right,” it was Erik “Killmonger” Stevens in Black Panther who articulated a worldview that resonated with audiences, despite being ultimately villainous. Colonization and oppression, particularly at the hands of Europeans, have ravaged the Global Majority, marginalizing them, and creating an underclass throughout the world who need to rise up and achieve liberation by striking back. And in the utopian nation of Wakanda reside the tools that could make this global revolution possible. By sitting back and letting all the horrors be visited on people of color throughout the world by imperial powers, Wakanda abdicated a responsibility that should have been a moral imperative. And if Killmonger led them, the formerly powerless would rise up worldwide and become a new power, a new empire, that would strike fear in the hearts of any that opposed them.

    Yes, of course, that goes too far. But up until the point that it goes too far, we find ourselves nodding our heads in condemnation for the “comfortable” who sit idly by while others are oppressed. We admire the fact that a young boy left orphaned in an Oakland housing project was able to mold himself into a fierce fighter, a tactical genius, and an engineering wunderkind, with nary a Bat insignia to speak of. Instead, he wears on his body the scars of all the killing he had to do to put himself on the Wakandan throne — even the killing of his own people. And he scoffs at the fact that Wakandans debate intervention while innocents suffer and die in the imperial yoke. It’s a message that continues to resonate today, as the masses cry out for someone who will do whatever is necessary to defeat tyranny, including getting their hands dirty.

    In our hearts, we know that Erik honed himself into something sharp and hard because his world wouldn’t let him be anything different, and when he does die in Black Panther, it’s tragic. But we also know that there are billions subjected to that same world, many making similar choices, because sharp and hard is what makes survival more likely than not. So villain or no, there’s something to the idea of the Wakandan spear that strikes at the heart of the powers that be in order to liberate the powerless. At times, we wanted to believe Killmonger could be that spear of righteousness, and it’s an epic villain whose cause is so sympathetic that you almost want to take it up alongside them.

    The Resources of Wenwu

    The Ten Rings organization was introduced to fans in the very first MCU movie, Iron Man as a shadowy terrorist network, yet we learn years later in Shang-Chi and The Legend of The Ten Rings that their roots stretch back millennia, and their origins lie in ten mystical artifacts of immense power, wielded by Xu Wenwu. With these Rings, Wenwu is able to take down kingdoms and annihilate armies singlehandedly and is granted near-immortality, inspiring the devoted and fanatical following which provides the foundation for his international criminal empire.

    In the Ten Rings, Wenwu established a clandestine organization with the resources to rival Hydra, which for the most part had been able to prosper despite the existence of S.H.I.E.L.D., the emergence of the Avengers, and the rampage of the Ronin. And his identity as the head of the organization was secret enough that an actor could be installed as a figurehead with no one in law enforcement having a clue.

    Although by the end of Shang-Chi, leadership of the Ten Rings organization has passed from Wenwu to his daughter Xu Xialing, and custody of the Rings themselves has passed to his son Shang-Chi, it should not be forgotten that for thousands of years, this martial arts master and criminal mastermind possessed ten of Earth’s most powerful weapons, and had an army of operatives at his disposal all over the world. It’s certainly disappointing that we mostly got to see the fall of Wenwu, rather than his rise and reign. But the glimpses we did see were of a formidable man who built an empire that was not to be trifled with. And there is a certain irony to the fact that his other defining characteristic, family man — exemplified by his desire to see his children extend his legacy — ended up being fulfilled in his death. He was a cruel and overbearing dad, and yet, he still managed to get his way. How villainous is that?

    The Sex Appeal of Hela

    Does a great villain have to be sexy? Of course not. However, great villains are often charismatic, confident, graceful, and lithe, and there’s something sensually appealing about a character who is uninhibited and unabashedly bad. From the moment she first steps out of the portal in Thor: Ragnarok like some kind of goth goddess, Hela was capable of stealing the spotlight from both the hunky and handsome Thor and the devilishly charming Loki, chewing scenery, smashing Mjolnir, and establishing her dominance. She laid waste to Asgard and looked fabulous doing it. Whether you’re male or female, a villain who can make you swoon, despite knowing that their intentions are far from pure…well, let’s just say that Tumblr exists for a reason.

    The MCU was reluctant to have female villains for a long time, and I suspect part of the issue was presenting an antagonist who could convincingly present a physical threat to male heroes. Well in the Goddess of Death, Taika Waititi was able to give us all of that, as Hela stepped on the necks of every male character and dared them to beg for more. When she instructs them to take to their knees and submit to her will, we as an audience are kind of hoping she gets to do her worst. Every moment she strokes her hair, tilts her head back, and unleashes her thorny antlers becomes instantly iconic because she’s about to do Very Bad Things that we can’t wait to see.

    There have been a lot of formidable villains in the MCU, but none other than Hela have served such looks while also serving up so much death and destruction. This goddess deserves her spot in the pantheon.

    The Gravitas of the Kingpin

    Wilson Fisk’s physical stature certainly looms large, and so does his influence. Whether he’s the Big Bad of Daredevil willing to bash a head in for embarrassing him in front of Vanessa, or on Hawkeye tearing a car door off the hinges, the unbridled rage of the Kingpin is intimidating. However, even more intimidating is his soft-spoken, measured approach to getting his point across the other 90% of the time. As portrayed by Vincent D’Onofrio, Wilson Fisk is a man capable of conveying menace in an anecdote, inspiring fear in even the pauses between his words. You cross him at your peril, and Fisk speaks like a man who knows that, and most importantly, knows that you know it.

    Kingpin is a villain that commands both our attention and our respect, even though he isn’t the most charismatic in his oratory. He isn’t going to drop a smooth one-liner or dazzle us with his charm. He is, however, going to be riveting in his determined and deliberate delivery of a dramatic monologue. And monologues are a great villain’s stock in trade.

    Villainy is a complex stew. There’s not an exact formula that can be relied upon to create a timeless villain. But if you were trying to create a blueprint, so that you could build an elite supervillain in a lab, this would be a great starting point. We’ve got some great villains coming down the pipeline in the months and years ahead. Let’s see how they measure up.

  • ‘Love and Thunder’s Chris Hemsworth on the Qualities of Thor He Finds Most Relatable

    ‘Love and Thunder’s Chris Hemsworth on the Qualities of Thor He Finds Most Relatable

    Taika Waititi certainly took Thor in a very different direction from Thor: Ragnarok. While some weren’t too pleased with the more comedic direction, it does seem like it reinvigorated the cast and crew to continue telling the story of the God of Thunder. Thor: God of Thunder will even be the first time that one of the Marvel Cinematic Universe franchises gets the fourth entry.

    Chris Hemsworth got a chance to share why he continues to return to the role during the official press conference for the MCU sequel and what he finds so relatable to this new version of Thor.

    Yeah, no, definitely, especially since Taika got involved.  He brought out the immature, young, adolescent quality that I embody.  And so does Thor now, which he didn’t in the original films, which was exciting and new and fresh. And that’s, you know, always the sort of North Star is about having fun, you know. 

    Chris Hemsworth

    He goes on to highlight how they developed this project and started embracing what these characters all inherently should represent: fun.

    Embodying this space as a child would and enjoying all of it and being caught up in the wonder and the fascination of all of it. And not getting bogged down in the serious sort of nature that we can when making films, you know. Personally, with these kind of films, it’s got to be fun, and that’s what we’ve done.  That’s what I’ve related to. That’s what Taika’s kind of insisted upon, and it’s been fun.

    Chris Hemsworth

    He has stated that he ran out of energy with the character at a point. If it weren’t for Taika Waititi, we may have not seen Hemsworth in the MCU for as long as we did. And it seemingly also led to Hemsworth finding the part of himself that built a better connection with the character moving forward as he may still have some energy left to continue his journey through the franchise.

  • ‘Andor’ Creator Explains Series’ Unique Timeline Structure

    ‘Andor’ Creator Explains Series’ Unique Timeline Structure

    The next big live-action series from Lucasfilm’s Star Wars universe is Andor, the Rogue One prequel starring Diego Luna as Rebel spy Cassian Andor. An origin story of sorts, the show will span five years of the titular character’s life, finally giving viewers a look into Andor’s adventures with the growing Rebellion and leading directly into his final days stealing the Death Star plans. However, with Andor already confirmed to last just two seasons, many fans have found themselves wondering how those five years will be broken up and explored in so few episodes.

    Speaking with Empire Magazine, series creator Tony Gilroy explained that the first season, due in August, will focus solely on the first of those five years, while the second batch of episodes will cover the next four in blocks:

    The scale of the show is so huge. Directors work in blocks of three episodes, so we did four blocks [in Season 1] of three episodes each. We looked and said, ‘Wow, it’d be really interesting if we come back, and we use each block to represent a year. We’ll move a year closer with each block.’ From a narrative point of view, it’s really exciting to be able to work on something where you do a Friday, Saturday and Sunday, and then jump a year.

    Tony Gilroy

    So, to translate, that means Andor Season 2 will consist of 12 episodes, with each set of three taking place in a different year. It’s a unique storytelling tactic that should help to keep audiences on their toes and diversify the content of the season in really exciting ways. Early rumors for the project had indicated it would last a full five seasons, with each telling the tale of a year in Andor’s life. This may not have turned out to be true, but the reality of the situation will hopefully make for a more streamlined experience all around.

    Andor debuts on Disney+ on August 31st.

    Source: Empire

  • ‘Ms. Marvel’ From Page to Screen: Episode 4

    ‘Ms. Marvel’ From Page to Screen: Episode 4

    With Ms. Marvel’s Episode 4, entitled “Seeing Red,” the series’ connection to Ms. Marvel comics is on full display. In Episode 1, we looked at how the series adapted from the comics the moment Kamala’s powers were activated; for Episode 2 we delved into the comics’ and series’ introduction and handling so far of the character Kamran; and in Episode 3 we looked at the interesting source material for the series’ villains, the Clandestines. This week, we look at the Red Dagger(s) introduced and how they compare to Red Dagger in the comics.

    Ms. Marvel #23 (2017)

    In the show, Kamala meets the Red Dagger while in Karachi. When she is investigating the train station looking for answers about the train in her vision, she is attacked by the Red Dagger. He then reveals that he knew she was Djinn because he could sense the Noor energy she was using. When he found out she was related to Aisha, he took her to the base of the Red Daggers where she met fellow Red Dagger Waleed. He explained to her that Clandestines come from another dimension that exists all around ours, but with a veil of energy that separates the two. 

    Marvel Studios’ Ms. Marvel Episode 4
    Marvel Studios’ Ms. Marvel Episode 4

    Red Dagger and Kamala bond in civilian mode as he introduces her to his friends at a bonfire. Ultimately, by the end of Episode 4, the Clandestines had tracked down Kamala and attacked the group, seemingly killing Waleed before Kamala is transported to what appears to be a 1947 Karachi train station.

    What They Kept From the Comics

    Ms. Marvel #12 (2016)
    Ms. Marvel #12 (2016)
    Ms. Marvel #12 (2016)

    In Ms. Marvel, Kamala also meets Red Dagger while visiting Karachi. She does not know his true identity for quite some time, but his name is Kareem and he is a family friend. He acts as a vigilante in Karachi similar to how Ms. Marvel patrols Jersey City. 

    His look and skillset are incredibly comic accurate, and his role in Kamala’s life may track that seen in the comics. The two were introduced in both iterations when Kamala visited Karachi in an attempt to figure out who she was. In the comics, Kareem gave her a new and optimistic perspective on her role as a superhero in Jersey City. Here, he may ultimately be a significant spark in Kamala fully embracing her hero identity.

    Ms. Marvel #23 (2017)

    Kareem is also a romantic interest for Kamala in the comics, and subtle hints of that can be picked up in Episode 4. Kareem is an instrumental figure in advancing Kamala and Bruno’s romantic storyline—Kareem ends up living in Jersey City for some time, creating a love triangle—which is certainly a dynamic Ms. Marvel seems like it could lean into. 

    Ms. Marvel #23 (2017)
    Ms. Marvel #29 (2018)
    Ms. Marvel #29 (2018)

    What They Changed

    The most obvious difference between the live-action and the comics is that Ms. Marvel introduced the Red Daggers as a society with advanced technology working to protect people from things that cannot be seen. In Ms. Marvel comics, Red Dagger is simply Kareem, who is a solo vigilante-type hero. The dramatic expansion of Red Dagger in the live-action likely speaks to the need to aid and support Kamala’s mysterious and complex background/origin mystery. Introducing the Red Daggers certainly seems to have added to and advanced that aspect of the story, while still paying homage to the source material.

    Marvel Studios’ Ms. Marvel Episode 4
    Marvel Studios’ Ms. Marvel Episode 4

    As to other differences, in Ms. Marvel, Kamala meets Kareem/Red Dagger extremely early on in her hero journey. She does not even have the Ms. Marvel mantle yet or donned a full costume. In the comics, she meets him as a well-established hero and Avenger struggling to come to terms with her self-identity and confidence as a hero.

    In her meetings with Red Dagger, she learns humility when she botches a hero job in Karachi because she did not understand the workings of the area. In Jersey City, she struggled with feeling replaceable as Red Dagger immediately got the media’s attention after they stopped a runaway train. 

    Ms. Marvel #12 (2016)
    Ms. Marvel #24 (2017)

    The character’s story will continue throughout the rest of Ms. Marvel at least, but there is every reason to believe Red Dagger can serve as a sort of reflection point for Kamala like he does in the comics, but with more emphasis on her beginnings and growth into a superhero in the first place. 

    Marvel Studios’ Ms. Marvel Episode 4

    The first four episodes of Ms. Marvel are now streaming on Disney+.

  • Video Shows Tom Hiddleston, Owen Wilson Reuniting on Set for ‘Loki’ Season 2

    Video Shows Tom Hiddleston, Owen Wilson Reuniting on Set for ‘Loki’ Season 2

    Photos from the set of the second season of Loki seemed to indicate a movie theater would play a key role in scenes currently being filmed in London. Now, a behind-the-scenes set video has leaked out that confirms the importance of the theater and shows the series’ dynamic duo back together.

    Tom Hiddleston and Owen Wilson are filming a scene together at the theater and given the black suit and tie and fanfare seen in other set videos, it seems that Loki and Mobius are attending a movie premiere. The two came formed quite a bond in Season 1, but as the season ended and Loki made his way back to TVA headquarters, it was heartbreakingly revealed that the Mobius from an apparently new timeline had no knowledge of who Loki was or of the other Mobius’ friendship. Having to start over again leaves all kinds of room for interesting stories to develop and it looks like while the two are working together here, Loki’s hands may actually be restrained. We’ll have to wait for a better look to determine exactly what’s happening, but it’s great to see the two stars back together!

  • Leaked ‘Loki’ Season 2 Set Photos Tease 70’s Setting

    Leaked ‘Loki’ Season 2 Set Photos Tease 70’s Setting

    Season 2 of Loki, one of Marvel Studios’ most popular streaming series to date, is now in production in London and some intriguing set photos have now made their way online. The first season of the streamer shot in Atlanta and did so mostly in studio, meaning set leaks were extraordinarily rare. Getting a look at these set photos this early into production on Season 2 is extra exciting.

    It looks as though Loki Season 2 is shooting on location at London’s Noel Theater and, according to the movie posters put up for the shoot, it’s likely that this portion of the show is set in 1974 or 1975.

    As seen in pics, there’s a combination of real-life and in-universe films being advertised at the theaters. Herbie Rides Again, Airport 1975 and Earthquake all hit theaters in UK 1974, with Earthquake debuting in late November. The three other movie posters on display at the fictional Leopold Theater are wonderful Easter eggs. One is a film starring Kingo of the Eternals, another is for a film entitled Phone Ranger and the final two are for a horror film entitled Zaniac. Phone Ranger and Zaniac are among the deepest of DEEP cuts Marvel Studios has ever dropped in a production as both are incredibly obscure comic book characters.

    Interestingly enough, the first look at Loki, presented by Kevin Feige back in 2019, featured the God of Mischiefoutside of a movie theater in what appeared to by 1975 New York. That concept was never explored in Season One, but it looks like Season 2 will make good on it and that a movie will be premiering at the Leopold Theater. Whether or not Loki will be there and what he’ll get up to remains to be seen, but it’s worth noting that the end of Season 1 took place in a timeline where thing in the TVA were a little different and Loki didn’t seem to have any allies there, meaning we might see him hopping around a bit while on the run.

  • ‘Thor: Love and Thunder’ to Include Songs from Guns N’ Roses, ABBA, Dio, and More

    ‘Thor: Love and Thunder’ to Include Songs from Guns N’ Roses, ABBA, Dio, and More

    As much as we love the soundtracks for the Marvel Cinematic Universe films, there’s also something great about hearing iconic songs as needle drop moments. Director Taika Waititi famously added Led Zeppelin‘s Immigrant Song into Thor: Ragnarok which added one of the film’s most iconic moments. Now, a new list has been revealed of twelve songs we can expect in his sequel, Thor: Love and Thunder, which includes ABBA, Guns N’ Roses, and so many more.

    • Guns N’ Roses – Welcome to the Jungle
    • Guns N’ Roses – Paradise City
    • Ginger Johnson – Old Spice Sea Chanty
    • ABBA – Our Last Summer
    • Michael Raphael – Fighting
    • Enya – Only Time
    • Mary J. Blige – Family Affair
    • Ciara – Goodies
    • Guns N’ Roses – Sweet Child O’ Mine
    • Guns N’ Roses – November Rain
    • Dio – Rainbow in the Dark

    It’s definitely quite the line-up that’ll surely be promising for those hoping to see the Thor fourquel offer the perfect atmosphere like the trailer. Guns N’ Roses seemed like a sure addition, as it’s been hinted at that it’s been an influence on the film’s general style and direction. It’s definitely looking to be one of the Marvel Cinematic Universe’s more stylized fares and if it hits the right notes, these needle drops may be stuck in our minds long after we leave the theaters.

    Source: The Direct

  • ‘Minions: The Rise of Gru’ Pulls in Massive $127.9M Domestically in 4 Days While ‘Lightyear’ Continues to Drop

    ‘Minions: The Rise of Gru’ Pulls in Massive $127.9M Domestically in 4 Days While ‘Lightyear’ Continues to Drop

    I think no one saw this coming but it seems that Minions: The Rise of Gru has pulled in an astonishing $108.51M in three days. As it was July 4th weekend, it has ended its total weekend run with $127.9M, which is now the second-best opening for any Despicable Me film with the original minions slightly ahead at $115.7M over three days. The exciting aspect is that this success on top of Top Gun: Maverick‘s continued hold is projecting this weekend as one that might even beat out 2019; something no one could’ve imagined when the pandemic took its toll. In a way, the final missing piece of the box office drive may have finally been brought back.

    Of course, upcoming releases could still hit some snags. Lightyear was a surprise hit for Pixar, which has been steadily losing momentum after only three weeks. It’s ironic given how Minions is also just a spinoff of an existing franchise, but it does have the advantage of having a direct connection, unlike Lightyear which only uses the name of one of the Toy Story franchise’s characters. Sadly, it seems that it may not even beat The Good Dinosaur‘s run in theaters, which was its worst performer so far. Still, Rise of Gru is way ahead of projections that had it at $75M with a second analysis moving closer to $100M.

    This success is also a good sign for Illumination’s future projects. While the IP has also landed on a specific meme status with people arriving in theaters in suits, they generally have been the face of the company. They have a few big projects on the way, especially their cooperation with Nintendo which will see the latest attempt at a cinematic experience starring everyone’s favorite plumber, Mario. So, we’ll see if the film can continue this hold going into its second weekend or also potentially face a harsher drop with the arrival of Thor: Love and Thunder.

    Source: The Numbers, THR

  • Marvel Studios President Reveals Why Thor is the MCU’s First Fourth Parter

    Marvel Studios President Reveals Why Thor is the MCU’s First Fourth Parter

    Thor will be the first Marvel Studios franchise to get the fourth installment treatment with Thor: Love and Thunder. Taika Waititi is back in the directing chair, who took over with Thor: Ragnarok. He took the franchise in a completely new direction; focusing more on Chris Hemsworth‘s comedic chops. In the official press conference for the upcoming Marvel film, Marvel Studios president Kevin Feige revealed why Hemsworth‘s Thor is the first to get four entries.

    I think they respond to Chris Hemsworth, and I think they respond to everything that he can do. And Taika certainly brought another dimension that was always there within Chris.  There were moments, even going back to EPK interviews between the two of them on our New Mexico set, where Chris was…  I was like, “Is he trying to be funny?  Or is it…?  No, he is being funny.  He’s, like, hilarious.”  And beginning to…  And I saw a clip of Ultron the other day, where he’s trying to make Ruffalo feel better about smashing a bunch of people, and it’s so funny. 

    Kevin Feige

    Age of Ultron definitely set up Thor’s future in a more comedic role, even The Dark World; faults and all; had some hilarious moments when the Odinson brothers interacted. So, it was luckily Taika Waititi that approached Marvel and told them to make use of Hemsworth‘s comedic chops.

    And it’s so…  it’s like this expert timing.  And Taika was like, “What are you guys doing with him just, you know, holding a hammer up with lightning?  Let’s do that and tap into everything Chris can do.” So, I think the audience responds to that.  And for so long, we said, “Well, he’s a Norse god.  How do we make him relatable?”  And spent so much time, I think, making sure that the audience connected with him, that they are so with him now that yes, we could go to a part four.

    Kevin Feige

    They certainly put in the work and it’s great to see Chris Hemsworth enjoy his time with the character. He especially was happy for the new direction with the return of Natalie Portman as Jane Foster, who’ll definitely set up a new dynamic. Plus, we also have the already comedic-focused Guardians of the Galaxy joining this time around, who are definitely going to add some unique flair and comedy bits. Early reactions definitely teased Waititi‘s comedic chops are at a new high and it’ll definitely be interesting to see if there might even be a fifth installment in his future.

  • Russo Brothers Praise Marvel Studios President of Putting the X-Men “Aside for a While”

    Russo Brothers Praise Marvel Studios President of Putting the X-Men “Aside for a While”

    Many have been wondering where exactly the X-Men are. There have been hints that they could get added to the Marvel Cinematic Universe, as many looked to projects like WandaVision or Doctor Strange in the Multiverse of Madness to set up their existence.

    Yet, Marvel has been playing coy and not rushing out their introduction. It’s also something that the Russo Brothers highly praised that Marvel Studios president Kevin Feige has been focusing on introducing other characters instead.

    That was one of my favorite comics growing up, Wolverine. One of my prized possessions is ‘Incredible Hulk 181,’ which was the first appearance of Wolverine. It’s an important part of my comic book collection. Wolverine being so essential to the X-Men, of course, that would be a fun project to work on and find a new way into it. But I do think that’s probably something that Kevin has rightfully put aside for a while to introduce some new characters to the world and bring that back when it’s ready.

    Russo Brothers

    It makes sense as the X-Men are an already well-established franchise due to 20th Century Fox’s time with them. While many were hit or miss, it still produced some iconic Marvel entries. So, it’s also a challenge to reintroduce these characters without ignoring their legacy.

    Russo Brothers have proven they have a way of handling massive casts of characters, which is why they have been considered as the right choice for a revival. Yet, many would also like to see their return to the Avengers franchise. Perhaps the upcoming events might clue us in on Marvel Studios’ future plans.

    Source: Twitter via FandomWire