Tag: Anime

  • ‘Astro Boy’ Reboot in Development by ‘Miraculous’ Creator

    ‘Astro Boy’ Reboot in Development by ‘Miraculous’ Creator

    It looks like Astro Boy, the iconic anime series from 1963, is once again making its return. Variety has just unveiled that Tomas Astruc, who created the popular animated series Miraculous – Tales of Ladybug and Cat Noir, is working on the animated adaptation. Method Animation, who worked on that series as well as The Little Prince, will work on the new series together with Shibuya Productions.

    The series was adapted from the original manga by Osamu Tezuka, which has sold over 100 million copies worldwide and was the franchise to set the path to modern Japanese anime. The simple concept of a child-like robot also became an iconic element of the industry, which would eventually also spark similar ideas such as Megaman. The following statement was shared on its international production.

    Tezuka’s original comics were far advanced in delivering a powerful message to readers worldwide. These fantastic stories of the little boy who flies are all about strong values that still resonate today for a global audience.

    It seems that this adaptation is seemingly going to be a timeless adaptation. Astruc will direct 52 half-hour episodes for the series which will be CGI-3D. So, we can expect a style quite similar to Miraculous. Still, it’s great to see the classic anime character getting another adaptation of this childhood classic.

    Source: Variety

  • GEEKED WEEK: New Anime Series Based on Junji Ito’s Horror Stories in Development

    GEEKED WEEK: New Anime Series Based on Junji Ito’s Horror Stories in Development

    It looks like after the bad reception of the Junji Ito Collection, Netflix is trying its hand at bringing the famed horror mangaka’s visions to life in a new anime series. While the preview only gives us a slight look at some concept art drawn by Ito himself, they haven’t offered much on how they’ll bring the series to life outside of multiple series planned to get added over time which are eyeing a 2023 release.

    So far, they have confirmed that the three parts will be released: Tomie, Soichi, and the Hanging Blimp shorts. The series will be titled Junji Ito MANIAC and it’s kind of great to have an additional statement made by the creator himself. It should be noted that Cartoon Network is also actively developing an adaptation of his iconic horror manga, Uzumaki.

  • GEEKED WEEK: First Look at Upcoming Anime Projects Heading to Netflix

    GEEKED WEEK: First Look at Upcoming Anime Projects Heading to Netflix

    We’ve got a first look at some new anime series heading to Netflix. They’ve been busy working with some talented animation artist in the industry to bring some iconic new series to life, such as Exception. A new sci-fi series where people explore the galaxy to find a new home to terraform.

    That#s not all, as there’s also a new project from Wit Studio titled Moonrise, which will very likely bring us some beautiful animations as they did with Bubble and Attack on Titan.

    Last but not least, it looks like Netflix is actively working on a The Seven Deadly Sins spinoff that’ll explore the story of Tristan, Meliodas’ son in a new two-part film series.

  • REVIEW: ‘Bubble’ is a Beautiful Film With a Messy Pacing

    REVIEW: ‘Bubble’ is a Beautiful Film With a Messy Pacing

    Netflix’s latest anime film to grace the streaming service is Bubble. Tetsurō Araki‘s latest film after his work on Kabaneri of the Iron Fortress: The Battle of Unato is based on a script by Gen Urobuchi and its character designs are from the mind behind Death Note, Takeshi Obata. So, the film has gathered quite a talented group to explore a world where strange bubbles have scattered across the world and turned Tokyo into a strange post-apocalyptic world that has been flooded after a mysterious explosion created a new world for the young people to turn into their personal playground. Can the latest film by WIT Studio offer a compelling mystery and heartfelt story?

    Our story mainly focuses on a young boy named Hibiki, who is voiced by Jun Shison, and a group of kids that made the best of the strange gravity phenomenon that has reshaped Tokyo. Various groups have formed that started their own game to capture the flag while running around the overgrown and flooded city. Hibiki is his team’s ace as he has the strange ability to use bubbles as a way to get across dangerous rifts, but prefers working on his own. That is until a mysterious girl saves him and he starts to open up to others.

    Hibiki’s story is generally the strongest aspect of this film, as we see this longer slowly open up and fully embrace the importance of working with his team. Uta, the name given to the girl, becomes a key part of that journey and there also are some underlying romantic teases added in to further build their relationship. At the core of the story, it’s more a character study than anything else and it’s given a beautiful package, as the animation is definitely a stand-out in this project.

    It really needs to be praised for just how beautifully animated the film is. The bubbles from the title are visually stunning and there’s a great combination of 3D with traditional animation. Yet, when the series decides to close in on a character’s face, especially Uta, they push their animation budget to its limit. The finale especially had some stunning visuals that were quite memorable, as they make the most out of a simple concept of a bubble-filled world. It also has some creative camera work to add some tension to the Parkour that is heavily present in this film, as they jump from one collapsed building to the next.

    With all this praise, I sadly have to say that the overall experience with the film didn’t quite land for me. The world they live in is quite memorable, and while I do wish I spent more time with it, the way it ties its world-building to the core narrative feels quite disconnected. We set up a grand mystery on why Tokyo ends up being flooded, especially as it’s the only location that is going through this scenario. The youth seemingly used it as a safe haven to live their life and barter resources through competitions of capture the flag. All sounds good and helps flesh out this world, but the problem is that it acts more like a distraction than an integral aspect of the story.

    The games feel like a great bridge to introduce characters at a fast pace, while also giving us some genuine fun action sequences. At first, the parkour inclusion felt natural but as the film went on, you slowly get this sinking feeling that the film was built around that concept rather than vice versa. The film takes a sudden break for a music video of parkour and bubbles. It looks great, but sometimes it just turns into a music video or the biggest threat is the environment. We get introduced to concepts that should add, but we never get a feeling of just how dangerous it really is. At times, there’s a lack of really letting sink in just how dangerous this post-apocalyptic environment truly is.

    Throughout the film’s runtime, it feels like two separate stories are meshed together rather than them weaving in and out of each other. There’s a moment that comes out of nowhere to paint and briefly derails the story for a bit before introducing the actual threat for the finale. There’s no real build-up throughout the film to really sink in what their life is like, which isn’t helped by the pacing throughout. The only real connective tissue from one event to the next is Uta and a musical theme that introduces a rather abstract concept into the story.

    Bubble‘s strongest moments are when we just get some slice of life. Every time this cast of characters interacts or talks, it’s a fun film as they play off of their dynamic. You get a feeling of how they live in this world. While I do think it could’ve used more showcase of how dangerous it is, especially as later moments suddenly amp up the dangers which weren’t present earlier, it was great to see this group make the best of the situation. We get some adorable moments, and great character development but sadly just not a strong enough focus on what exactly the story wants to be about.

    It’s definitely a visual spectacle and the team behind it must be huge fans of parkour for how many movements they threw in. Sadly, it does seem like that takes over and downplays a really interesting world to play around with. I would gladly revisit a story in this world, but I do feel like the one presented here struggled to really bring its ideas together. So, even with my complaints the film is worth checking out but may be a one-time watch.

  • First Look at ‘The Lord of the Rings’ Anime Film; Eyeing 2024 Release

    First Look at ‘The Lord of the Rings’ Anime Film; Eyeing 2024 Release

    Here’s a surprising reveal out of left-field, but Variety has shared a first look at the upcoming original anime feature titled The Lord of the Rings: The War of the Rohirrim. It’s being produced by New Line Cinema and Warner Bros. Animation and will release on April 21st, 2024. Blade Runner: Black Lotus producer Joseph Chou is working on the project through his studio Sola Entertainment with Kenji Kamiyama taking over directing duties.

    Here’s the first look at the upcoming anime, which will take place around two centuries before The Hobbit and is about the exploits of Helm Hammerhand, and the creation of Helm’s Deep. The Two Towers fans might be excited to explore the origins of this iconic location. it’s our first look at the film which was announced last year, but we’ll still have to wait a bit until we can watch it.

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    The Middle Earth franchise has seen quite the revival with this anime prequel and the upcoming Amazon live-action series. Warner Bros. will be trying to make the best of it, especially as the franchise is currently for sale as well. Who knows if we also get some more announcements in the near future once a buyer has been found, who’ll definitely try to bank on its success.

    Source: Variety

  • Netflix Developing a ‘Scott Pilgrim’ Anime Adaptation

    Netflix Developing a ‘Scott Pilgrim’ Anime Adaptation

    The cult phenomenon that is Scott Pilgrim is once again being primed for an adaptation, only this time it will look a little bit different. Netflix, along with Universal Content Productions, is developing a new take on the fan-favorite franchise in the form of an anime adaptation. The show, which has yet to receive a full series order, is currently being written by Bryan Lee O’Malley, the original artist, and creator of the comic book that started it all. He will also serve as an executive producer on the anime with BenDavid Grabinski, who previously worked as the showrunner on Nickelodeon’s revival of Are You Afraid of the Dark?.

    This will be the second major adaptation of the graphic novel series that ran from 2004 to 2010. It follows the life of the titular character, a part-time musician and full-time slacker, as he falls in love with the highly mysterious Ramona Flowers and goes to war with her powerful “seven evil exes”. Acclaimed director Edgar Wright adapted the concept into a 2010 live-action film titled Scott Pilgrim vs. The World, a project which has since become a staple in the genre.

    Audiences hold the movie, which starred Michael Cera and Mary Elizabeth Winstead, to a high standard. The bar for a new adaptation will be understandably high, but fans should feel good about the inclusion of O’Malley in the creative process. It’s also worth noting that the pages of the Scott Pilgrim comics feel incredibly well suited to the anime style and should help to deliver a truly unique series for viewers.

    Source: The Hollywood Reporter

  • How Netflix’s ‘Cowboy Bebop’ Handles the Challenge of Adaptation

    How Netflix’s ‘Cowboy Bebop’ Handles the Challenge of Adaptation

    Tomorrow Studios and Netflix probably underestimated the weight of what it means to adapt Cowboy Bebop. The series that ran back in 1998 became one of the most beloved animes over the years. The story of Spike Spiegel, Jet Black, Faye Valentine, Ein, and, of course, can’t forget Edward Wong Hau Pepelu Tivursky IV. There was already an outcry the moment they changed Faye’s outfit and we haven’t had any footage yet. Anime adaptations have faced quite the uphill battle. For every Rurouni Kenshin, there’s a Dragon Ball Evolution to balance it out. Yet, the fact there’s a scale of comparison makes the task set by Netflix even more daunting.

    Cowboy Bebop Netflix series gets fall release date and first look at John  Cho's Spike | GamesRadar+

    The thing about adaptation is the challenge in how do you approach it in the first place. Sometimes it’s a straightforward story that can easily be replicated while others have such a unique visual style that it becomes even more daunting. While Attack on Titan features humans as its main protagonists, the world invested by monstrous and purposely crudely drawn monsters forces creatives to make a choice. They can either try to replicate it in a way that stays true to the original or take a few steps to make it feel more authentic within a realistic setting.

    In the case of Cowboy Bebop, they take a very curious approach. In a way, it does feel like the anime is brought to life in many ways. Some of the action is purposefully over-the-top with some John Woo influences mixed in. It envokes the way the characters moved in the original. The environments are purposefully unique to make this feel like a living and breathing world. It took the original design and added to it to make it recognizable for Western audiences. There’s a lot more cyberpunk aesthetic added into the mix while still staying true to the original.

    Cowboy Bebop: Netflix enthüllt Starttermin & erste Fotos

    As our very own Nicole Sobon pointed out in her review, it doesn’t quite live up to the original. Yet, in a way, it never could and to some degree, it seems the showrunners are aware of that fact. They do have elements evoking that of the anime, especially with the return of musician Yoko Kanno to create the soundtrack. Every element is here that would make this feel like it invokes the series but there’s one Westernized aspect that leaves a sizeable dent of comparison as an adaptation.

    Cowboy Bebop plays switcheroo with most of the original villains to fit neatly into a cohesive package. The original series was more a bounty-of-the-week style story. Spike’s past didn’t play a role at most times and was more of a sudden appearance. Netflix and André Nemec took those elements and created an ongoing narrative that takes precedent. So, we spend a lot more time with Julia and Vicious. As a result, these very specific character archetypes were flipped on their head to fit into long-format storytelling. Alex Hassel‘s version of Spike’s nemesis works more as a deconstruction rather than an adaptation.

    Netflix's Cowboy Bebop can't ruin Vicious because Vicious sucks, actually -  Polygon

    It’s not an easy task to adapt something popular like Cowboy Bebop. It’s even more riské if you start making specific changes to fit a different narrative type. This series does lack aspects of the original that are noticeable. For example, some of the iconic bounties don’t get as much attention in service for the new Syndicate overarching plot. We frequently see characters suddenly get tied to others from the original. There’s a good chance that the fans of the original won’t like this. They changed elements to make them their own while still trying to stay true to the original. Utilizing iconic visual cues and story elements that muddles the unique aspect. It opens up the question: Why change this but keep the rest the same?

    Some adaptations dip their toes more into the original’s iconic visuals to bank on the contextual nostalgia. The initial trailer for Uncharted evoked quite a few elements from across the four games to do exactly that. In a way, Cowboy Bebop is a bit more restrained in that regard. It does take iconic characters from the anime but tries to add to their story. They either get an expanded backstory or visual elements that were simply taken for granted and now are given more weight. It doesn’t always hit the mark, but it is a showcase of good faith that they aren’t purely relying on nostalgia.

    Cowboy Bebop: Netflix enthüllt Bilder und November-Startdatum

    In a way, they didn’t fully buckle under the weight of this series’ reputation but still were too cautious. They took a risk and made changes, not for the sake of change but rather to expand the lore. Vicious isn’t as “vicious” as we remember, but he’s far more complex as a character. He’s flawed to also give Julia an arc by taking away their initial allure as characters. Instead of a distant dream, she is an active participant in these events. Yes, it does take away from her allure in the original but gives her something substantial in this story. We’re allowed to see her evolve throughout the show and it even opens up new avenues to make it stand out from its contemporary. Moving forward, the show may have released the shackles that held it back and can grow beyond just being an adaptation even if not every single shot hit its mark in its premiere season.

  • ‘One Piece: Red’ Film Leaks Ahead of Announcement

    ‘One Piece: Red’ Film Leaks Ahead of Announcement

    While all eyes have been on the upcoming live-action adaptation of One Piece, the franchise is preparing for a big milestone with its 1000th episode just around the corner. So, many expected some announcements around that very milestone and it seems that we got our first tease of the next One Piece film. A logo has found its way online confirming the title of the next one being One Piece: Red with some very familiar marks in the D. It’ll be the 15th entry in the movie franchise that follows up on 2019’s Stampede. The next entry is eyeing an August 6th release with manga creator Eiichiro Oda’s official statement also finding its way online early.

    @ScotchInformer also provided a rough translation of Oda’s message for the film announcement:

    We’re making a movie!! I’m tired of drawing Old Men! Let me draw female character! The current character we’re working on it is like that! And that was the beginning. Did you know that the director Taniguchi Goro, who is standing opposite to the work of One Piece was actually the first person in the world to make Luffy into an anime? Now, we’ve got some news that’ll really surprise you coming up. The new movie, “RED”!! Please look forward to it as you imagine what it’ll be like!!

    There’s also a tease of the “female character” referenced in the message that is highlighted in a banner alongside the upcoming film’s logo.

    Image

    the mentioned Goro Taniguchi is directing the film with Kuroiwa Tsutomu writing the script. Oda, of course, is acting as a supervisor and producer on the series. It seems that part of these leaks was found in the source code of the official website potentially.

    There are quite a few theories that a Shanks-centric film might be canon to the story filling in a gap while the Straw Hat pirates are busy on Wano. It’s uncertain when the current arc in the manga might end, but with the August release, there’s enough time to set up Shank’s upcoming role in the story. He’s been teased quite a bit (especially in episode 955). It’s crazy to think he’s been around since the first chapter but has a very minor role so far in the story. As the series might be nearing its end, it makes sense that he would make his move soon. It’ll be interesting to see if this film explores Shank’s story, or if it involves our favorite pirates in some capacity.

    Source: Twitter, Twitter (Translation), Twitter, Twitter

  • ‘Cowboy Bebop’ is an Important Stepping Stone for Live-Action Anime

    ‘Cowboy Bebop’ is an Important Stepping Stone for Live-Action Anime

    The first reviews have hit for Cowboy Bebop. Netflix’s latest attempt at a live-action adaptation has arrived and might just be the beginning of their future venture. There’s a noticeable trend among many that the series doesn’t quite live up to the original, which it doesn’t, and in many ways never could. Yet, there’s something rather interesting surrounding the discussion of it. The inspiration of that very discussion is a simple question on the live-action adaptations reasoning to exist, such as how Brian Lloyd of entertainment.ie put it in his review: “Why bother with this when the original anime is on Netflix?”

    It’s a fair question, especially with many adaptations, especially of anime, seemingly not living up to the highs of the original. Netflix kind of pushed this very question when it announced that the original 1999 anime was going to release ahead of their live-action adaptation. If they’re going to provide the classic, why invest all that money into a separate adaptation that will very likely never live up to the original due to the relevance it holds to this day. Hell, they’re going even further with a live-action adaptation planned for other beloved classic anime like One Piece, Pokémon, and even Mobile Suit Gundam.

    Cowboy Bebop review: Netflix's adaptation has heart, style, and some rough  edges - The Verge

    The series is far from where we were with projects like Death Note or the best-forgotten Dragonball Evolution. In a way, there’s a long path ahead of any of these adaptations due to fan expectations. It took years before Marvel Studios got to the point that they create believable adaptations of their comics that don’t fall into the valley of ridiculous. I mean, could you imagine ten years ago that we’ll have a film featuring a wizard traveling through the multiverse potentially facing a Lovecraftian tentacle monster as a May-opening blockbuster? We’re at a point where no one proclaims anymore: “Why not just read the comics?” but rather: “How and when will they adapt this story?” The curiosity has spread to those that don’t even read comics and created a new generation of potential readers.

    Cowboy Bebop took risks while also trying to play it safe. It’s kind of almost every adaptation does, but there’s a spark there of people that loved the original. It doesn’t always translate so easily but it does inspire. Even if this series isn’t perfect, it’s something that’ll introduce people that otherwise would have no interest in it. Yes, the original anime is available but not everyone is willing to watch everything that is out there. Countless people still downplay the relevance of storytelling through animation outside of the classic Pixar or Disney films. Anime has become more mainstream, but there’s a strong focus on specific franchises rather than the genre as a whole. Just like people didn’t take comics seriously due to it just being for “kids” for quite some time.

    Cowboy Bebop review: "A stellar remix that hits all the right notes" |  GamesRadar+

    To give an example, One Piece is a deep series of characters going through extreme hardships at times, but its cartoony exterior may keep many from wanting to check it out. The same might go for those that may be a little anxious about the more methodical pace of the original Cowboy Bebop. It’s a bounty-of-the-week series that is more philosophical and far beyond classic understandings of genre. While streamlining this story may feel far removed from the original and make you question its existence, its easier-to-digest nature is a gateway for those unwilling to check out something they may have trivialized as a “cartoon from Japan.” A flawed adaptation that comes from the right place and made by fans of the original will play an integral part as the first stepping stone where quality meets intention.

    Source: Entertainment.ie

  • New Photos Surface of Going Merry on the Netflix’s ‘One Piece’ Set

    New Photos Surface of Going Merry on the Netflix’s ‘One Piece’ Set

    We’ve been long waiting for any sign of life of the upcoming One Piece adaptation by Netflix. They’ve currently set their eyes on promoting Tomorrow Studios’ first anime adaptation with Cowboy Bebop but that doesn’t mean the adaptation of Eiichiro Oda‘s popular manga series. In September, we got our first glimpses of production gearing up in South Africa. We were also able to confirm that Black Sails and Daredevil director Marc Jobst will tackle the series’ pilot. Yet, as things have calmed down last month, some set photos have surfaced teasing the Straw Hats iconic ship, the Going Merry.

    Reddit user u/… updated a piece showcasing various updates on the Netflix series since its launch similar to what we prepared back in August. What caught our eye was the updates from October 3rd and September 25th. These link to Imgur accounts that feature new looks at the Cape Town to featuring a familiar-looking lamb head attached to one of the boats.

    It’s the first sighting since we got a glimpse back in March. They continue to confirm that production is preparing, as we’re still waiting for an exact production start date or even a glimpse at the cast. The pandemic delayed its production by quite a bit. Interestingly enough, the last time we saw photos the horns were covered. WE get a better look at them this time around, but they haven’t been colored yet. So, it’s uncertain if these are older photos that simply surfaced now again, or that step took a backseat due to production delays.

    Here’s hoping that the wait won’t take much longer until we get a new update on the production. The first teases and trailers of Cowboy Bebop did showcase a promising adaptation that tries to stay true to the original while also keeping Western tastes in mind. It’ll be interesting to see if they might utilize the upcoming 1000th episode to kick off their live-action venture.

    Source: Imgur via Reddit, Twitter