It looks like Loki‘s Natalie Holt has already found her next project. The composer took to Twitter to announce that she’ll be working on the upcoming HBO Max film Batgirl. Last we heard of the project, they were preparing to film in Glasgow and it seems that production is picking up the pace if they already added their composer. The unique soundtrack of the Disney+ series was a standout and makes her addition an exciting prospect on what direction they might take.
Holt has built up quite the reputation in the industry with her work on Paddington, Deadwater Fell, and BBC’s Wallander. She’s even played the closing ceremony of the Olympic games, as she’s an accomplished violinist. It’s exciting to see her join another comic book adaptation to lend her unique voice to the industry. We cannot wait to listen to what she has planned for her Batgirl soundtrack.
Superhero movies and television have dramatically increased in quantity in this early part of the 21st century. Where only the most iconic heroes used to be recognized by the general public – think Superman, Batman, Spider-Man – even non-comic book fans now can list their favorite superheroes by the dozen. While DC entertainment and its characters seem eternally well-known and loved, the change in the conversation around superheroes on screen is in no small part due to the wild success of the Marvel Cinematic Universe.
Superheroes and their film and television exploits in particular have found their way into what feels like nearly every part of society. They routinely bring in over one billion dollars per film at the box office and inspire millions of fans. Still, the biggest award shows in the game, the Academy Awards and the Emmys, have long notoriously snubbed superheroes, or anything comic book-related. While WandaVision and The Falcon and the Winter Soldier have managed to secure Marvel Studios’ first Emmy nominations, its WandaVision’s astonishing 23 nominations – and currently 2 wins – are making headlines and history. So, is Marvel Studios’ first Emmy-winning series simply an anomaly? Almost certainly not. Looking at the history of how superhero visual entertainment has fared at major award shows, it’s pretty clear that the trend going forward is more critical recognition of the genre. In honor of WandaVision, let’s look at the Emmys. It’s an incredibly shortlist of winners.
In 1978, Mariette Hartley was nominated for Outstanding Lead Actress in a Drama Series for The Incredible Hulk and actually took home the same Emmy in 1979, marking the first nomination and win for a comic book superhero franchise. The Incredible Hulk’s success remained the only Emmy recognition for a whopping 42 years until DC’s Watchmen opened the floodgates in 2020. The series won 11 Emmys out of 26 nominations including Best Limited Series, Outstanding Lead Actress, Supporting Actor, and Outstanding Writing for a Limited Series. Watchmen’s resounding success after virtually no recognition of the genre hasn’t slipped away quietly.
This year’s Emmys have recognized several comic book adaptation series including WandaVision, The Falcon and the Winter Soldier, The Boys, and The Umbrella Academy.WandaVision (along with The Boys) also follows Watchmen’s recognition in major above-the-line categories. Those include Outstanding Lead Actress, Actor, Limited Series, Supporting Actress, Directing, and Writing (twice) for a Limited or Anthology Series. The door for comic book superhero movies apparently blew right open for the Television Academy.
Historically, superhero films have fared slightly better as the Academy Awards, or Oscars. Still, only nine comic book superhero movies have actually secured a win—and they are not at all what you would guess. Superhero movies have been recognized, generally, in technical categories, such as Best Makeup and Hairstyling, Visual Effects, etc. In fact, Suicide Squad (2016)is an Oscar-winner for the former category, and Spider-Man 2 also took home an awardin the latter. Two wins have been as Best Animated Features. In 2009, The Dark Knight became the first to win an Oscar in a major, above-line category with Heath Ledger’s posthumous award for Best Supporting Actor, and boasted 8 total nominations.
It was not until ten years later in 2019 that Black Panther, among its seven nominations, became the first comic book superhero movie to be nominated for the coveted Best Picture category. It also took home 3 awards, giving Marvel Studios its first Oscars. In 2020, though, Joker, the iconic DC character made history again with a superhero record-breaking 11 nominations, including for Best Picture, Best Actor, Best Director, Best Adapted Screenplay, Best Editing, and Best Cinematography. The film nabbed only two awards though, including Best Score and Best Actor for Joaquin Phoenix’s performance.
It is clear that award shows are beginning to recognize the superhero genre. Still, it has not been a gradual increase over the decades. Instead, it arguably did not begin until the 2000s, and truly not until the late 2010s and early 2020s. As clear with this year’s Emmys, superhero film and television are finally getting the official acclaim that is arguably long overdue. The question is why, and more importantly, why so much seemingly all at once. Are superhero series and movies actually getting better or are more and more critics simply becoming fans themselves? The answer is probably both.
The superhero genre of the past was traditionally represented by flat “popcorn” flicks that simply brought comic book characters directly off the pages they came from. The goal was pure, simple entertainment with “shiny” action and larger-than-life science fiction-type stories devoid of much else. To some, the genre still carries that stigma and the assumption is that these movies and television series are nothing more than fun money-making ploys. However, as anyone who has watched enough of them can tell you, there is so much more going on lately.
The sheer amount of films and shows have created an entirely new following and system of storytelling. An easy explanation is that, with countless properties being adapted and created, each one has to fight its way to being better than others in order for itself to stay afloat. A better explanation, though, is that the world has become so accustomed to superheroes and their stories that film and television makers can now shift their focus away from the classic empty but shiny plots to showcase and deliver deeper and more meaningful stories, using the genre as a vessel to do so.
While award shows have not traditionally been kind to comic book superheroes, the change can be seen, particularly just in the past few years. If this year’s Emmys, with WandaVision’s already noteworthy success, are any indication of what is to come, these beloved stories might be poised to be at the podium in record number in the near future.
Batman is all the rage right now. Next year will see not one but three live-action Batmen on the big screen. The interesting part is that two of them will star in the same movie. Since production on The Flash began, director Andy Muschietti has been dropping emblem reveals for his film’s protagonist. Many fans are eager to see the return of Ben Affleck as Batman and assumed Batman Day would be the day, but to not avail. To catch us off-guard, Muschietti did indeed share a tease, just a day late.
In a new Instagram post, the director revealed another look at a costume for the upcoming film, but this time it’s sending some mixed signals. What we’ve got this time around is a Batsuit belonging to Keaton but seems to have been spray-painted red with a yellow lightning bolt over the bat. It seems this could be a look at one of Barry’s possible suits in the film. There are also some noticeable differences from previous teases.
In Justice League, it is revealed that Barry’s suit is made out of the same materials Nasa uses to protect its spaceships from burning up once they re-entered Earth’s atmosphere. To keep it from falling apart, it is held together with wiring. Barry used this suit to run around in as it’s the only material that can withstand his abilities. There’s a chance that his suit cannot withstand whatever leads him into the multiverse and is destroyed upon arrival. This old Batsuit acts as a replacement until he eventually gets his new suit revealed at last year’s Fandome, which we saw in some set photos. It’ll be interesting to see if we get a closer look at this year’s DC FanDome.
After a long time, DC finally got its own fanfare that kicked off any of the latest films of the DC Extended Universe. It became an exciting staple for the brand and became an immediately recognizable sound that this was, indeed, a DC project. Yet, many were a bit confused when it ended up missing in the release of Shazam. Many were confused by this move and it looks like director David F. Sandberg is rectifying that with the upcoming release of the sequel Shazam: Rage of the Gods.
The director took to Instagram sharing a brief video teasing the iconic opening and confessing to the fact that he just forgot to include it in the first. He did jokingly tease that he has no idea if it might remain, as who knows if they might change the design by 2023. While he’s most likely joking, it’s not uncommon for redesigns to happen over time and even Marvel Studios changed their logo alongside the intro after some time.
The fanfare getting lost on the cutting room floor in the first film does show that sometimes productions can get quite crazy. They work on these films up until the last minute at times. Still, it’s great to use this mistake to advertise its inclusion in the sequel while also offering an update on the film’s production. We’ll see if it’ll stick around until its release.
The first Suicide Squad film wasn’t exactly a fan-favorite, but it was able to bring a ton of money at the box office with $700M+ in total. With money like that, how could you not greenlight a sequel and try to duplicate that success?. While we did eventually get a sequel with James Gunn’s The Suicide Squad, there was a very different sequel in development early on.
Before Gunn was brought onto the project, director Gavin O’Connor was originally going to be picking up the reigns from David Ayer, as he moved onto a Gotham City Sirens film, which has still yet to make any movement. After a long silence, the director recently went onto the Playlist podcast where he opened up about his sequel that never was.
What happened there was I wrote a deal to write a script, and they knew what I was writing. At that level, with those kinds of movies, with that budget, no one’s just going off and writing something without walking them through what the movie’s gonna be, and everyone was cool with it.
Gavin O’Connor
O’Connor also went into how the project ended up scrapped and how a managerial shake-up affected his film. He even goes on to highlight the direction he was taking with his project.
What happened was during the latter part of writing the script there was a whole regime change at DC, and when that happened, they wanted it to be a comedy. And I’m like, ‘i’m not writing a comedy.‘ I mean, It [was] fun, but it’s not a yuk-fest. And the new regime wanted a different movie than I was writing.
Gavin O’Connor
While it would’ve been neat to see what he had in store for viewers, audiences and critics alike seemed pretty satisfied with Gunn‘s vision. It seems that the comedic direction did help win some viewers over. It’ll be interesting to see if a third installment finds its way into the franchise, or DC moves on to exploring the stories from the individual members, as Peacemaker gets his own HBO Max series.
The Shazamily is returning with both the cast and director picking up their respective roles for another electrifying ride through the DCEU. It was announced last year at DC Fandome that the next film in the franchise would be titled Shazam: Fury of The Gods, leading many to wonder just what gods they’d be facing since they’d all been killed by Ares centuries ago.
While the second Shazam film isn’t set to release until 2023, director David Sandberg announced yesterday that filming has wrapped. This has left quite a large gap of time in between the end of production and release allowing for some speculation to begin.
With filming having already concluded and release so far out, what could occupy all that time aside from post-production? Possibly pre-production on a third film. One of the biggest issues the films face is with its actors. The cast is mostly made up of child actors who’ve all began to sprout up quite fast in the past years. The issue they need to avoid here is most likely the child actors outgrowing the actors who play their powered-up counterparts. With all this time in between, With how much time they have in between releases, they could easily get cameras rolling sometime in 2022 following post-production on Fury of the Gods.
Shazam: Fury of the Gods is currently set to release on June 2nd, 2023 with Zachary Levi set to return as Captain Marvel. The film will see the family up against the daughters of Atlas with Helen Mirren and Lucy Liu set to play two of the older sisters, Hespera and Kalypso.
Things are moving quite fast on the Batgirl film after spending years in development hell. Once the film found its directors, it was off to the races. It was announced just a few weeks ago that actress Leslie Grace would indeed be putting on the cape and cowl to suit up as the titular hero in her very own solo film.
While the film has set no release date for its HBO Max debut, production seems to be ramping up with Glasgow Live reporting it is set to kick off in November. Batgirl will mark the third DC film to make its way to Glasgow as the setting for Gotham city after The Batman and The Flash both recently wrapped up filming there. Directors Adil El Arbi and Bilall Fallah both recently arrived in Glasgow to do some scouting ahead of principal photography.
With filming on the project beginning so soon and recent sets in Glasgow being a hot spot for paparazzi, it’s likely DC Fandome could give us not just a release date, but our first look at Grace suited up to avoid the first photos coming from the streets of Glasgow.
Batgirl will be directed by El Arbi and Fallah, with a script written by Christina Hodson, who previously wrote both Birds of Prey and The Flash. The film will also see the return of JK Simmons as Commissioner Gordon, following his short appearance in Justice League.
UPDATE: It looks like we’ll have to wait a bit more on Bloodsport’s future in the DCEU, as The Suicide Squad director James Gunn took to Twitter to share that there is no project currently in development. While he did state we can expect more from the character in the future, he denies that anything has currently moved forward:
It would appear the rivalry between Bloodsport and Peacemaker won’t stop on the big screen. An exclusive report from My Cosmic Circus indicates Idris Elba’s fan favorite mercenary could follow in Peacemaker’s footsteps and get his own spin-off from The Suicide Squad. While no further information could be learned at this time, the report does mention that Elbahas expressed enthusiasm towards returning to the Bloodsport role before. This makes the actor’s potential return more likely, and he even revealed what he’d like to see the spin-off entail:
It wouldn’t be next, it would be what came before. I would be really interested to see why he went to jail, why did he shoot Superman. I would love to see that narrative come alive
It’s not known if the spin-off would be a theatrical film or yet another HBO Max original, but a duel between Elba and Henry Cavill’s Superman seems like something people would turn up for. The character of Robert DuBois has a relatively long history in the comics, so there’s a fairly decent amount that the project’s developers could draw from. Until then, director James Gunn’s first Suicide Squad spin-off Peacemaker is set to debut on HBO Max sometime in 2022. Perhaps Bloodsport could be one of the filmmaker’s next projects after Guardians of the Galaxy Vol. 3?
2021 was the year of HBO Max, as Warner Bros. released all their films simultaneously on the streaming service and in theaters. The Suicide Squad became the second-highest viewed film release on HBO Max and opened up the floodgates to expand through digital-exclusive releases. Batgirl became the first DC film announced for the streaming service with Adil El Arbi and Bilall Fallah attached to direct.
We haven’t heard much on it since the casting of Leslie Grace as Barbara Gorden last month, but it looks like the script has gotten finalized. Arbi took to Instagram to share an update on the project, which he also did during his work on Ms. Marvel, and gives us our first confirmation that Christina Hodson‘s script Luckily, Slash Film saved an image of the script as Instagram Stories are available for a limited time. While not revealing any details, it does give us a hint that production is fast-tracked and we may expect the release sooner rather than later.
DC has kept the script under wraps for quite some time. There’s still some uncertainty if we might see the return of a Commissioner Gordon from a previous DC film, or if we might explore a brand new universe. There’s the rumor that J. K. Simmons might reprise his brief role from Justice League. As The Batman will introduce Jeffrey Wright as the same character which will act as its own separate continuity from the one we started following since Man of Steel. It’s going to be interesting to see how the DCEU continues to expand in the future.
After the explosive success that was The Suicide Squad, the team is bound to make a return at some point. When that day eventually comes, Gunn has taught us how much value this franchise gains from a new writer and director. While keeping the films subtly separate, I believe it’s time to explore what happened between The Suicide Squad and Birds of Prey, which allows Rick Flag and Captain Boomerang to return for one of the many other missions hinted at by both them in the opening of James Gunn‘s film.
The premise for this pitch would follow Amanda Waller sending out a team to Pozharnov, Russia. If the location sounds familiar, it’s where the Justice League faced off against Steppenwolf and his army of Parademons. However, the location would now be the temporary base of operations for Intergang, who’ve moved in on the terraformed territory and salvaged leftover Apokolyptian tech. They’ve started reengineering it for sale to capitalize on the tragedy. While they’ve been a mostly Superman antagonist, the group should take a Hydra-like role in the DCEU, acting in the shadows with its ties to Apokolips.
The latest verison of the gang would be lead by Bruno and Moxie Manheim, Doctor Polaris, Neutron, Toyman, and Deathstroke, who were sent to keep things on track by the one bankrolling the operation, Lex Luthor. Deadshot returns with another team consisting of hand-picked members especially suited for this mission to search and and shut down Intergangs operation.
The roster could include Poison Ivy, Killer Frost, Rick Flag, Count Vertigo, Parasite, Nightshade, Killer Moth, Clock King, Captain Boomerang, and Copperhead. This time around, there’s no diversion with a team but rather two groups with specific missions to accomplish. In typical Waller tradition, she doesn’t inform them of each other’s existence, which leads to an unexpected confrontation.
The one notable absence in this film would be Harley, and while she’s been a staple in the past two films, it’s time to move on. Captain Boomerang teased he’s been on different missions when he asked her surprised what she was doing back in prison. I think exploring those missions getting to know some past fan favorites, even more, would be much more beneficial. Placing it during Birds of Prey also gives a good reason why Harley is absent and gives us a new perspective on the team that might also explore why Waller continues to fall down a darker path.
Cookie Consent
We use cookies to improve your experience on our site. By using our site, you consent to cookies.
This website uses cookies
Websites store cookies to enhance functionality and personalise your experience. You can manage your preferences, but blocking some cookies may impact site performance and services.
Essential cookies enable basic functions and are necessary for the proper function of the website.
Name
Description
Duration
Cookie Preferences
This cookie is used to store the user's cookie consent preferences.
30 days
These cookies are needed for adding comments on this website.
Name
Description
Duration
comment_author_email
Used to track the user across multiple sessions.
Session
comment_author_url
Used to track the user across multiple sessions.
Session
comment_author
Used to track the user across multiple sessions.
Session
Statistics cookies collect information anonymously. This information helps us understand how visitors use our website.
Google Analytics is a powerful tool that tracks and analyzes website traffic for informed marketing decisions.
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
__utma
ID used to identify users and sessions
2 years after last activity
__utmt
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
Marketing cookies are used to follow visitors to websites. The intention is to show ads that are relevant and engaging to the individual user.
Pinterest Tag is a web analytics service that tracks and reports website traffic.