It looks like the Loki series has passed the torch to a new generation, as not only will directors Justin Benson and Aaron Moorhead take over what Kate Herron started, but it looks like Michael Waldron is no longer serving as its head writer. In an interview with Digital Spy, the Doctor Strange in the Multiverse of Madness writer revealed that Eric Martin has taken over that position.
Well, I mean, look, everything leads into everything, right? We’ve hired a couple of great directors. [Justin] Benson and [Aaron] Moorhead [Loki season two directors] are brilliant. And Eric Martin has taken over as head writer for season 2. So the creative team is fantastic. As Tom [Hiddleston, who plays Loki] once said, there’s plenty more mischief to come.
Michael Waldron
It’s interesting how Marvel studios is moving away from the usual TV structure by not having an ongoing showrunner, but swapping out teams with each new season or series. In a way, it keeps each project fresh and introduces a new vision that can take over, but it does also come at the cost that they might feel a bit disjointed. In the case of Loki, the first season will lead directly into the second, as set up by its final moments.
The challenge moving forward, especially if they go with multi-seasonal formats, is that they will fall into the issue of some connections being dependent on a film, or another series. If Loki shows up in other multiversal storylines, it becomes a bit confusing when jumping into a third season only to find out that there’s an entire character arc or storyline that was missed out. It’ll be interesting to see how they handle that moving forward, but it’s great to see Waldron‘s trust in the new team that is continuing what they built up.
Moon Knight has been a show that stands on its own two feet even among the ever-growing Marvel Cinematic Universe. Episode 4 started a new direction for the series, as what looks like a globe-trotting adventure may have actually been in the Marc Spector’s mind all along. The next episode did return to the usual adventure, as he and his alter Steven Grant took a path down memory lane and were faced with a new challenge, as Ammit unleashes her chaos upon the world. Intersected during those segments, we return to Marc being confronted by a psychiatrist version of Arthur Harrow. As we go into the finale, the trailers are teasing something familiar for Marvel fans, but I have a different hope going in.
I adored the direction set by the fourth episode, as it played with our minds and created the illusion that everything that has happened was just within Marc’s mind. The series has been mostly disconnected from the rest of the MCU and embraced the iconic run by Lemire and Smallwood. It sadly is still a more restrained version of that story, but that’s not uncommon within adaptation. As Marc has found some kind of “peace” at the end of the last episode, I have one quandary going into the finale. I want it to keep playing with our heads.
Even as he continues his journey to regain his powers as the Moon Knight and Khonshu to fight Harrow. We get a bombastic fight, as teased in the latest teasers with Harrow using the powers of Ammit. But, in reality, we continue to splice his discussion with the psychiatrist as we further unravel his mind. Suddenly, he has a revelation and just takes in the reality that he is, inf act, a superhero and has to take down the next great evil. We suddenly return to those moments of the power struggle as Moon Knight falls back into the territory set up earlier in the season.
He saves the day. Moon Knight is reunited with Layla and Khonshu. Everything is back to where it should be. Yet, something seems off about it all. The ending is almost too perfect, as every piece of the puzzle has fallen together as it should. Suddenly, the rug is pulled from under him and reality is changed once again. The series ends on a note that perhaps there’s still more to this story to be told, as it continues to keep its focus primarily on his mental issues and the challenges of living with DID.
Of course, the series may take a safe route, but the thought of even the final playing with our expectations would be the perfect way to leave us off with the character. Perhaps everything that happened in the finale is actually part of a movie set, similar to Grant’s role in the Lemire and Smallwood run. We switch between these realities, making it harder to put together what is and isn’t real.
If you’re wondering what that means for the character’s future in the MCU, it gives us the perfect opportunity for a character that keeps us on our toes. While we may see the return of Moon Knight, there’s enough vagueness to never truly give away what exactly happened. He can still be a character that is unhinged and hard to truly pinpoint given his DID. I personally would love a second season to build upon the insanity and leave us with any questions, but if this remains as a limited series, they could still keep us guessing.
Reality is a fragile thing, and who knows what the future has in store for the character, which technically is probably making the limited episode count a bit frustrating. Still, there’s so much potential here to expand upon and use that vagueness to play with our perception. A sequel season could even play around with the Marvel Cinematic Universe as such without having to directly connect to the rest. It would be a shame to fall into some familiar territory, but even so, it wouldn’t go against what the series set up. Given it may be a limited run, it sadly does also limit its potential in some ways.
Marvel Studios has quite the week and weekend planned for fans, with both the premiere of Doctor Strange in the Multiverse of Madness and the finale of Moon Knight dropping within days of each other. Despite naturally needing to compete for attention from the highly-anticipated Doctor Strangesequel, Moon Knight has made a name for itself and fans are eagerly awaiting what the finale of the series has in store.
The Disney+ series’ finale remains mysterious, but the show’s focus on the character dynamics between Marc Spector and Steven Grant is likely to continue to be showcased. Oscar Isaac so far has been praised for his performance of the two characters, connected by Marc Spector’s dissociative identity disorder. In a recent interview with Collider, Isaac opened up even more about how he tackled the role. Interestingly, he described his take on Steven as being on the autism spectrum, something not acknowledged with respect to any other character in the MCU:
You know, I saw him as a bit on the spectrum. I actually loved watching Love on the Spectrum. That was like one of my favorite things to look at, because I just found it so moving and touching because it’s people that… All the same feelings we have in those situations, but they just haven’t developed all the masks to hide it all. So there was cues that I took from that. I imagined him as quite tall but wanting to feel smaller when he walks through rooms and things, and just played with the physicality and then just a very open face, which reminded me of my clown days back at school, where you play with the red nose and the way that it opens up your face, and then doing the opposite of that with Marc, making him, although much more present, like a marble in the middle of a room, but also tighter in the face and closed off. Lots of defenses up.
Oscar Isaac
For one, the significance of representing autism–even if not explicitly recognized in the series–is another example of how Marvel Studios is starting to open the door to a wider range of underrepresented groups in the universe. While this may have been more of a creative choice on Isaac’s part, the showrunners undoubtedly gave him that creative freedom. Obviously, in general, this allowed for a stunning performance by Isaac, and it crafted rich and well-developed characters to explore. It seems like a reason to be optimistic about creative freedom given to talent going forward in the MCU, which is a topic in many fans’ minds. In an event, it is another look at fan-favorite Steven Grant’s personality and how detail-oriented Isaac was in his performances.
The first five episodes of Moon Knight are now streaming on Disney+.
Last week’s fifth episode, “Asylum”, didn’t do much to clear things up for me. The episode did quickly reveal that Marc and Steven were on a boat headed through the underworld on which they had to weigh their hearts to see if they were balanced enough to make it into The Field of Reeds. When the scale wouldn’t balance, they were forced to relive a series of rough memories that led Marc to create a second personality.
Steven was forced to relive some of Marc’s worst memories: the drowning of his brother, Randall. Marc’s mom went crazy, blaming Marc for it, and became hateful and abusive. Marc and Steven’s hopes that their trip through these memories would balance their scales were dashed, and the goddess Taweret’s ship kept taking them to their destination. The ship was boarded by a bunch of souls from the sands and a big fight followed that ended with Steven falling overboard and turning into stone. Losing Steven made Marc’s heart balance, allowing him to pass into the Field of Reeds. So he’s dead??!
Arlyn’s Assumptions
For the first time in a Marvel Studios series, I have no idea how it’s going to end. Marc will obviously have to make it back out of the Field of Reeds, free Khonshu, and reclaim his power as Moon Knight, but given where he left off and the fact that the other gods aren’t too fond of Khonshu, it’s hard to guess which one, if any, will help Marc return and stop Harrow. Marc has had some help along the way, if you remember though, so it’s possible that Hathor, the Egyptian goddess of many things, including fate, might return.
The season finale of Moon Knight streams tomorrow!
Marvel Studios’ Moon Knight is heading into its finale after a powerful and emotional fifth episode last week. We saw Marc Spector and Steven Grant attempt to tip the scales, but not without some heartbreaking revelations. Now we have plenty to wrap up in one episode, but what are the most important plot threads? Let’s take a deeper look at what we might expect going into the final episode of this Disney+ series.
Will we see Jake Lockley?
There have been hints and nods to a third personality throughout every part of the series. In “Asylum,” there’s a 20-second stretch where it seems that during his conversation with Dr. Harrow, Marc seemingly seems off. His accent changes and he seems way more unhinged than usual. As fellow Murphy’s Multiverse scribe Mary Maerz detailed last week, we have enough pieces for the puzzle. It’s time to see Jake and how he fits into the larger narrative of the story.
Will there be a concrete MCU reference in the show?
One of the most common refrains in praise of Moon Knight is that there are no outward MCU references. It’s in its own part of the world telling a self-contained story. With all that being said, you have to wonder if Marvel decides to drop in something that pushes the story forward. With the Werewolf by Night-focused Halloween special coming later this year and Moon Knight’s comic book connection, it does open up a possible connection. Odds would say no but you can’t help but wonder if they find a way to fit it into the overall story.
When Khonshu gets freed and this is all over, what are his plans?
Earlier in the series, it felt that Marc was always trying to protect Layla from Khonshu’s plans to use her as an avatar. That didn’t feel like it was dropped in the show for giggles. It’s clear that Khonshu will be freed again and Marc will have to deal with that once the fight with Ammit and Harrow concludes. This show has always felt like control was one of its main themes since the outset. The expectation is we’ll come full circle in some type of way. Though, who knows if there’s more to Khonshu than we might expect at first.
How will Arthur Harrow’s story end?
Arthur Harrow has been one step ahead of everyone since the very beginning of the series. His plan looks like it’s reaching its apex of success. We have a decent idea that Moon Knight will overcome the adversity he’s facing and defeat Harrow and the one he serves, Ammit. It’s all about how we get there, and how Arthur closes out his run. Most MCU villains usually don’t survive, so the hope is there’ll be a creative and satisfying close to Harrow’s character.
Will we see Steven Grant again?
Seemingly lost to the Duat at the conclusion of “Asylum”, Steven Grant sacrificed his life to save Marc. It puts the remaining Alter in an unenviable position of having to fight without his companion. Steven has been very popular and it was a tough ending for the character. It does beg the thought of whether he’s actually gone through. Marc could use that intelligence and quick wit in the final fight. Here’s to hoping we get one more visit with Mr. Grant and maybe even his Mr. Knight.
The Moon Knight finale is sure to leave us with more questions than answers. The hope is those questions tantalize and fascinate us, and the answers feel gratifying as a viewer.
Disney has been focused on creating various spinoffs from their live-action remakes. While the Beauty and the Beast project is now on hold indefinitely, it seems we finally got an update on the Prince Anders-focused spinoff for Aladdin. Billy Magnussen took on the role and was going to be the focus of the new series, which would explore the fictional European kingdom of Skanland.
Not much was actually known about the project, and we haven’t heard anything about it since its release three years ago. Magnussen did offer an update during an interview with ScreenRant. While it seems the project is still in its writing phases, the actor confirms that it is still “in development” and teases what’s to come for Prince Anders’ story.
It’s in development. We are in the stages of rewrites right now, and it’s still moving forward. Yeah, it’s really exciting … I loved making that character up, and to have the opportunity to create a world and a story with him in it has really been a treat. I love that. That’s what I really love about this industry; to play in such a way like that … To be the not-Prince-Charming Prince, you know? We always see Prince Charming, so I was like, ‘Let’s mix it up.”
Billy Magnussen
It’ll be interesting to see how long it’ll take before the spinoff finds its way to Disney+. The three-year difference in addition to how long production will need, the momentum of building upon the original release might’ve been missed. Still, it’s great they are still actively working on it and Prince Anders’ popularity after the initial release might still make it work more as an original story rather than as an Aladdin spinoff.
Disney and Marvel Studios have something special planned for their upcoming release of Ms. Marvel. While it’s still planned as a weekly release on Disney+ worldwide, it seems like there will be a special release in Pakistan. Ms. Marvel will release in theaters across the country. Not only will they create a special format for all six episodes, but it’ll be made available in three parts.
As revealed by Sharmeen Obaid Chinoy on her official Instagram account, the six episodes will release in batches of two, which are set to find their way to Pakistani theaters on June 16th, June 30th, and finally on July 14th. It’s a way to celebrate the first Pakistani Marvel superhero and offer it to the country that doesn’t yet have Disney+ access.
This move is definitely a great showcase of respecting the cultural background of the character and making it easier to access for those that don’t have the service. It wouldn’t be too surprising if this new theatrical release model becomes a standard for those countries that don’t yet have access to the streaming service. If the film manages to pull in an audience over the course of all three releases, it might definitely also offer a great alternative for those countries that may otherwise not have any access to the service moving forward.
Disney+ has become the best place for Marvel Studios to put the focus on characters that usually only end up on the sidelines. It looks like some actors are down to explore their characters further in a spinoff series, such as a recent reveal by Benedict Wong. You’d think that the Sorcerer Supreme, as revealed in Spider-Man: No Way Home to be Wong, would deserve his own series. In an interview with Fade to Black Podcast, he agreed with that sentiment when asked if he’d be down for his own Disney+ spinoff.
Well look, hey, I’ll just have to wait for the Wong-tourage to kind of make the placards, they’re rioting in the streets now. Hey, what do we say? It would be wonderful, wouldn’t it? I’d certainly be up for it, definitely. Where’d we go with that? We could go anywhere. So far, we always have Wong go through a portal and we don’t know what happened for the last 5 years so maybe there’s a [story] in it. Yeah, like a 5-year series. And some, they [Marvel Studios] do it so well.
Benedict Wong
He even goes on to pitch what he’d love to explore as a potential sorcerer and apprentice storyline. He highlights Ned as his potential padawan, who also revealed he had some magic in his bloodline when he summoned portals to help his friend in his battle against some multiversal foes.
I’d quite like the idea of the sorcerer and the apprentice with Ned as my apprentice. Obviously, he’s got a few of the old portal skills.
Benedict Wong
It would be a fun idea, especially as Ned set out to MIT. Him combining both worlds as a reluctant Wong takes him under his wing would be a fun comedy series. It could also pay tribute to the many apprentice-focused storylines we’ve seen in the past. Of course, it all depends on what Wong’s fate will end up being once Multiverse of Madness rolls around. Once it releases, we’ll know more.
You can watch the Interview with Fade to Black Podcast here:
If there’s ever a question on everyone’s mind when a new Marvel series or project is announced: is it canon? As it is a continuation of the original 90s series, it seems very unlikely that the series is connected, but in an interview with The Direct, head writer Beau DeMayo may have hinted that there is more to this than may meet the eye. While he doesn’t confirm anything, he does hint that their place within the wider Marvel Cinematic Universe could be revealed.
The one thing I can say towards that is, I know sometimes we say, No comment,’ and it’s like, ‘They’re just being obstinate.’ I’m gonna go with no comment here because part of the surprise will be finding that out when you experience the show.
Beau DeMayo
It definitely would make for a great surprise to find out that the X-Men have been around since the 90s. It is the first time that Marvel Studios gets to work with the IP since Disney purchased the rights back through 20th Century Fox. It’s still unclear how exactly the X-Men might arrive within the ever-expanding MCU at this point.
What does stand out is that Doctor Strange in the Multiverse of Madness will feature the return of Patrick Stewart as Professor X. We’ve gotten glimpses of what looks like his iconic yellow chair from the animated series and comics. So, the show might potentially lead to the events of his upcoming introduction. For now, we’ll have a lot of fun speculating.
This week, for the penultimate Episode 5, we compare and contrast how Moon Knight’s most iconic moment was portrayed in the series and the comics. Specifically, we look at the scene where Marc Spector becomes Khonshu’s avatar and dive into the details of the show and three major Moon Knight comics run—the original 1980 run, the Lemire/Smallwood run, and the ongoing MacKay/Cappuccio run.
Moon Knight #14 (2017)
All iterations of the classic Moon Knight scene are incredibly similar. It is the type of moment that is so attached to the hero that it somewhat defines him. As we see in Moon Knight, Marc is mortally wounded during a tomb raid. His mercenary partner Bushman killed a team of archaeologists outside of a tomb, including Layla’s father. Marc crawls into the tomb and prepares to take his own life, but he is stopped by a voice that seems to come from the statute of Khonshu that he is underneath. Khonshu tells Marc it would be a waste for him to die, that Marc has a fractured and broken mind, and that the god believes he would be a worthy candidate to be his avatar. Our protagonist agrees, and Khonshu saves his life. The last thing we see is Marc summoning the Moon Knight suit.
Marvel Studios’ Moon Knight Episode 5
Marvel Studios’ Moon Knight Episode 5
There are many aspects that are entirely consistent across the live-action series and the comics. For one, all versions begin with Marc being a part of a tomb raid with Bushman, and the villain ultimately wounds Marc. It is also integral to every Moon Knight story that he is physically under Khonshu’s statue at the time he becomes his avatar.
Moon Knight #1 (1980)
Moon Knight #14 (2017)
Moon Knight #1 (2021)
It is unclear why he dragged himself into the tomb in the show. While the current MacKay/Cappuccio does not go into it, the way Spector winds up in the tomb itself varies slightly. The series seems to have taken more from the Lemire/Smallwood in terms of Marc literally dragging himself into it. In that comics run, he is apparently lured by Khonshu’s voice. In the original run, he roams the desert before eventually being taken into the tomb by Marlene and some survivors of the raid.
Moon Knight #1 (1980)
Moon Knight #1 (1980)
Moon Knight #14 (2017)
Moon Knight #14 (2017)
Similarly, Moon Knight is more similar to the Lemire/Smallwood run in terms of Khonshu’s role. In the original, there is no dialogue that the reader sees between the two—Marc simply comes back to life after lying dead under the statue for a small amount of time. The Lemire/Smallwood run, however, features a very similar conversation to what we see in the series. This is the same run where Khonshu is trying to break Marc’s “weak” and fractured mind in order to use the human body for himself. He tells a dying Marc in both iterations about the gig of the Fist of Vengeance. As Steven tells Marc in Episode 5, it is clear that Khonshu is taking advantage of a soon-to-die mercenary with some substantial mental health issues.
One aspect that is present in all three comics versions of the scene is missing in the series. In the comics, Marc Spector the mercenary grows a conscience during the raid. In both the original and Lemire/Smallwood runs, he seems to have an ethical awakening after Bushman kills the head archaeologist, Marlene’s father. In the MacKay/Cappuccio run, the scene is brief like it is in the series, but Mr. Knight does specifically mention that he grew a conscience while on the job. In Moon Knight, we see the aftermath of the violent raid but we do not know whether or not Marc had a true “change of heart”. It makes sense that he would have, but it is not as explicit as it is in the comics.
Moon Knight #1 (1980)
Moon Knight #13 (2017)
Moon Knight #1 (2021)
Another interesting difference in the series is that no one else seemed to be present in the tomb at the time. In both the original and Lemire/Smallwood runs, his future love interest Marlene (and others) are present when he comes back to life. In the current MacKay/Cappuccio take, it is not mentioned, and the only visual we get is simply Marc’s dead body below the statue. Layla (who is a much-improved Marlene in the series) was unaware of the details of her father’s death and Marc’s involvement in it prior to Arthur Harrow telling her in Episode 4, so that seems to confirm she was not there in the tomb. It begs the question in Moon Knight: how did Marc and Layla meet?
Moon Knight #14 (2017)
Perhaps the most interesting difference is subtle but fundamental. In all comics iterations far and wide, Marc Spector is resurrected by Khonshu before becoming Moon Knight. In Episode 5, Marc does not die. Khonshu apparently heals him and keeps him from dying, but there is no resurrection. This could perhaps be an oversight brought about by the ease of dialogue between the two characters if Marc is alive throughout the conversation.
Marvel Studios’ Moon Knight Episode 5
Marvel Studios’ Moon Knight Episode 5
Still, the idea of resurrection is a major theme for Moon Knight in the comics, and so it could be a very intentional and meaningful decision. After the events of Episode 4, it looks like Marc Spector is in need of resurrection—he has had at least two (three according to the MacKay/Cappuccio run) in the comics, but they have always been major character-changing events. If Moon Knight decided that a resurrection during the series should be the character’s only one, there are strong themes connected to the hero’s “origin” that would certainly make such a moment in the series finale carry much more weight than any resurrection in a flashback.
The first five episodes of Moon Knight are now streaming on Disney+.
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