Tag: HBO Max

  • The Artist Who Inspired Denis Villeneuve’s ‘DUNE’

    The Artist Who Inspired Denis Villeneuve’s ‘DUNE’

    Dune is an incredibly diverse and culturally rich story. Frank Herbert introduced us to many interesting cultures, factions, and places, which influenced the entire broad thematic spectrum of Dune. Despite this, Herbert was not famous for his elaborate descriptions of places, landscapes, or costumes. Instead, he focused on a varied narrative that presented the viewer with different perspectives and heavily delves into characters’ psychology.

    The lack of a consistent stylistic vision of the world presented by Herbert made this subject open to several artists. When we take a look at the film adaptations of Herbert’s work, we can see that each of them approached the visual aspect of this world in a different way. You can see this most clearly in Alejandro Jodorowsky‘s unfinished version of Dune, and Villeneuve’s film. Jodorowsky intended to go for a visual extravaganza, collaborating with famed artist Mobius. Mobius’ concept art later inspired many artists with its creativity, psychedelic and fantasy.

    Villeneuve, on the other hand, focuses on the rawness and brutality of Herbert’s world. He doesn’t hide the inspiration he draws from the colors of John Schoenherr‘s works that appear on the illustrated edition of Dune. Even Herbert himself once pointed out that this vision is the closest to what he had imagined.

    However, there is another artist who has influenced Denis Villeneuve’s vision in a much greater way: Wojtek Siudmak.

    The Works of Wojtek Siudmak are beautiful and powerful hypnotism. Once encountered, they remain rooted in our memory like intimate revelations about ourselves. It seems as if the artist’s raw material originated from our own unconscious. His vision captivates the viewers with their profundity. Though nobody has yet managed to crack open the door to the future, Wojtek Siudmak already anticipates it and watches, with his curious eyes, eternal beings floating in a world where time and space are no longer constrained by the fundamental laws of nature. 

    Denis Villeneuve, The Worlds Of Wojtek Siudmak, Rebis, 2021

    Wojtek Siudmak has been creating interstellar hyper-realistic illustrations related to Dune for many years. The most famous works of his are from the Polish edition published by Rebis, which have become a unique project worldwide. His works have become an inspiration for many artists like Federico Fellini, Jean-Jacques Annaud and George Lucas, who mentioned that “there’s a powerful tranquility in Wojtek Siudmak’s creations, and endless to explore and invent”.

    artist: Wojciech Siudmak

    Exploring the world of Dune through the perspective of Siudmak’s images is an amazing experience on its own. The world he envisions is based on complex and multilayered storylines dealing with messianism, criticism of religion up to ecology, and even tribalism.

    In his images, people become victims of their arrogance and blindness in the desire for evolution, which turned out to be a cul-de-sac. In these illustrations, humanity is caught in a conflict between rationalism and the surreal creation of the world that is manifested in such magical and abstract imagery. These paintings exude sensuality, intimacy, and eroticism, which is the highlighting of the human soul as its bodily manifestation and power of consciousness.

    Siudmak portrays many iconic things from Dune in a way that intrigues and thrills with ingenuity and surreal empiricism. In addition to drawing from Siudmak’s sense of monumentalism, female persuasion, and oneiric atmosphere, Villeneuve also takes inspiration from his architecture. Many of Siudmak’s works show monumental, brutalist structures, which with their ancient appearance refer to (in this world) prehistoric cultures such as Greek, Egyptian or Gothic.

    In the world of Siudmak, a man is faced with a question of what reality is and whether a man can control and change it with his mind, adjusting time and matter to his perception. The works of the Polish artist will always stay with me. I am glad that they have become an integral part of the world of Dune. Today, Siudmak is one of the icons of this universe. 

  • ‘DOOM PATROL’ Spinoff ‘DEAD BOY DETECTIVES’ In The Works at HBO Max

    ‘DOOM PATROL’ Spinoff ‘DEAD BOY DETECTIVES’ In The Works at HBO Max

    The third season of Doom Patrol is quickly approaching, as the season premiere rears its face on September 23rd, exclusively on HBO Max. The Titans spinoff has made quite the name for itself, with its off-beat and distinct comic book sensibilities. This popularity seems to have paid off as a spin-off of the spin-off is now in the works at HBO Max, and will follow the adventures of Charles Rowland and Edwin Paine in the Dead Boy Detectives.

    HBO Max has ordered a pilot for what could be a potential new property for the franchise. The project is being written by Steve Yockey, who will serve as an executive producer on the project alongside Jeremy Carver. This will mark yet another DC property to fall under Greg Berlanti’s umbrella with Berlanti Productions, who is also set to produce the pilot.

    Though the pilot is currently set to begin filming in November, no names are currently attached to the project. Sebastian Croft and Ty Tennant are will play Charles Rowland and Edwin Paine in the upcoming season of Doom Patrol, but neither actor is currently believed to be attached to the project.

    This wouldn’t be the first time an actor was recast for a spin-off, with actor Bruno Bichir was replaced by Timothy Dalton as Niles Caulder when the show scored its spin-off. The series will follow the characters, created by Neil Gaiman, as they remain in the world of the living to solve paranormal crimes, instead of moving on into the afterlife.

    SOURCE: Variety

  • REVIEW: ‘TITANS’ Season 3 Episode 6 – Lady Vic

    REVIEW: ‘TITANS’ Season 3 Episode 6 – Lady Vic

    Rounding out the first half of Season 3, Episode 6, “Lady Vic”, teaches us that the tragedy of Titans is that history seems doomed to repeat itself time and time again. With an entire season’s worth of story focused on the workings of Gotham City, nothing seems to move on—the villains and emotional anchors are old Gotham standards that are lingering around for Titans without effort or unique takes on familiar stories. The Titans themselves are falling into circular rhythms as well. Episode 6 has a few other notable features but it is undeniably and inescapably all about the Robin complex. The “be a better Batman” marquee slogan of this season is wildly ironic at this point. There is absolutely no problem with irony but Titans has to be somewhat intentional with it before it can land.

    First, Kory and Blackfire’s continuing arc is pretty frustrating. It is abundantly obvious that Blackfire’s presence will backfire sooner rather than later, yet Kory keeps her around in Wayne Manor with her new family and hopes for the best. It feels very forced, awkward, and lazy to have her evil sister simply start existing within the Titans framework with so little context for her being any kind of beneficial to the season’s overall plot.

    Unfortunately, the villain situation continues to devolve. While the duality of Jason and Scarecrow was already diluting the evildoing, now the two have split up and have vaguely different goals based on the same original plan. Yet, what exactly are their goals? To take over Gotham? To what extent? To what end? One of the last notes we get on this subject is Jason uncomfortably standing on the street and watching other people commit crime after using the anti-fear gas. The one villain-related device that the show did utilize well was emphasizing newcomer (to Titans) Lady Vic’s violence. In her scenes, the show uses a lot more blood and gore than it has been using this season. Because the style actually stands out, it made that aspect of Lady Vic more pronounced and maybe the character punchier, which is sorely needed considering that otherwise, the character is almost entirely blank.

    Make no mistake, Titans Season 3 has kept one major theme alive and (sometimes?) well—the Bat Family, specifically all Robins, are doomed to drown in the endless cycle of Bruce Wayne’s dark influence, self-doubt, angsty outbursts, returning to Bat origins, succumbing to Bruce Wayne’s dark influence, self-doubt, and on and on and on. The whole saga of it in Titans is such a fine example of rinse and repeat. While the tedious repetition of the plot that is history repeating itself without self-awareness could probably be saved, though, if the show leaned into it aggressively. 

    But before that, the rinse and repeat of even just Dick Grayson this episode is almost all-consuming. Much of the episode explores his past romantic relationship with Barbara Gordon while he was still Robin and before she was Batgirl. To be fair, there is a solid tension between the ease of their past relationship and their current one which is defined by the two having more responsibilities and the respective Bat-related paths they each took. This is truly just highlighting that Dick is taking the “bad Batman” approach because Barbara really did some soul-searching and ended up going the Commissioner route because she realized the Bat situation was toxic. The two still seem circularly doomed to fall back into their old romantic relationship, though, but optimistically maybe not. But they probably will.

    The next obvious “things will never change” item is Dick hunting down Jason and Scarecrow alone and getting shot—as mentioned for the previous episode, there is non-stop chatter amongst the Titans that no one can go out and do dangerous things on their own because they are all, you know, a team and a family. But Dick does not seem even slightly regretful about it, which basically screams, “Look it’s Batman” yet again for him this season. 

    The theme we are almost exclusively drowning in is, quite frankly, that the Bat people have a lot of problems with themselves and others. Specifically, the Robins each spiral and leave the life and thus open space for a new Robin to be indoctrinated. This is perfectly played out for huge Batman and Robin fan Tim Drake’s introduction as he is violently orphaned due to Jason really letting his personal spiral infect the entire city. Titans has called out this Robin theme for years but very zealously since Episode 1 of this season. But nothing yet has changed with that story. All the Batboys are looking to be better Batmen, but Titans this season has only wanted us to know that Batman is absolute garbage, so they clearly aren’t working with much.

    Listen, despite the fact that the story seems to be maybe unintentionally repeating itself with no sense of purpose, it does still have potential to be something quite good. If the show can explore the tragedy of the doomed Robins with much more grit and darkness—and come out of it with some sort of redeeming lesson or at least somewhat differently-ending arc—we could get a genuinely compelling “be a better Batman” situation. A very dark and violent depiction of the existential meltdown of the Bat-Family, referencing the unavoidable toxicity and self-torture that being a Bat person carries, could be great. 

    Right now, it seems like the show either is not or does not want to take full advantage of that potential arc—that would be fair if it was not completely overtaking the entire show anyway. Titans may likely be ignoring or neglecting the situation it has created, which would really cause the whole thing to flop. Being more self-aware and fully embracing the irony of Dick’s and Jason’s (among others’) stories—in other words, leaning very hard into it—could make it all worth it in the end. 

  • ‘Batgirl’ Confirmed to Shoot In Glasgow

    ‘Batgirl’ Confirmed to Shoot In Glasgow

    Things are moving quite fast on the Batgirl film after spending years in development hell. Once the film found its directors, it was off to the races. It was announced just a few weeks ago that actress Leslie Grace would indeed be putting on the cape and cowl to suit up as the titular hero in her very own solo film.

    While the film has set no release date for its HBO Max debut, production seems to be ramping up with Glasgow Live reporting it is set to kick off in November. Batgirl will mark the third DC film to make its way to Glasgow as the setting for Gotham city after The Batman and The Flash both recently wrapped up filming there. Directors Adil El Arbi and Bilall Fallah both recently arrived in Glasgow to do some scouting ahead of principal photography.

    https://www.instagram.com/p/CTATfQTiOrO/?utm_source=ig_embed&utm_campaign=loading

    With filming on the project beginning so soon and recent sets in Glasgow being a hot spot for paparazzi, it’s likely DC Fandome could give us not just a release date, but our first look at Grace suited up to avoid the first photos coming from the streets of Glasgow.

    Batgirl will be directed by El Arbi and Fallah, with a script written by Christina Hodson, who previously wrote both Birds of Prey and The Flash. The film will also see the return of JK Simmons as Commissioner Gordon, following his short appearance in Justice League.

    SOURCE: GlasgowLive

  • HBO Max’s ‘BATGIRL’ Director Shares Update on Script

    HBO Max’s ‘BATGIRL’ Director Shares Update on Script

    2021 was the year of HBO Max, as Warner Bros. released all their films simultaneously on the streaming service and in theaters. The Suicide Squad became the second-highest viewed film release on HBO Max and opened up the floodgates to expand through digital-exclusive releases. Batgirl became the first DC film announced for the streaming service with Adil El Arbi and Bilall Fallah attached to direct.

    We haven’t heard much on it since the casting of Leslie Grace as Barbara Gorden last month, but it looks like the script has gotten finalized. Arbi took to Instagram to share an update on the project, which he also did during his work on Ms. Marvel, and gives us our first confirmation that Christina Hodson‘s script Luckily, Slash Film saved an image of the script as Instagram Stories are available for a limited time. While not revealing any details, it does give us a hint that production is fast-tracked and we may expect the release sooner rather than later.

    DC has kept the script under wraps for quite some time. There’s still some uncertainty if we might see the return of a Commissioner Gordon from a previous DC film, or if we might explore a brand new universe. There’s the rumor that J. K. Simmons might reprise his brief role from Justice League. As The Batman will introduce Jeffrey Wright as the same character which will act as its own separate continuity from the one we started following since Man of Steel. It’s going to be interesting to see how the DCEU continues to expand in the future.

    Source: Slash Film

  • ‘WW84’s Patty Jenkins Speaks Out on HBO Max’s Digital Hybrid Release Model

    ‘WW84’s Patty Jenkins Speaks Out on HBO Max’s Digital Hybrid Release Model

    If there’s one thing we’ll take away from 2021, it’s the constant war between distributors and their talent. Scarlett Johansson famously sued Disney for releasing Black Widow on Disney+ Premier Access and going against her contract. There have been many fears regarding what the digital release might do mean for the industry moving forward, as the pandemic still continues to rage on.

    Of course, when exhibitors were holding this year’s CinemaCon event, there was going to be a lot of dismay on these recent strategies. Yet, it looks like one person joined in on the conversation, as Wonder Woman 1984’s director Patty Jenkins openly shared her thoughts on the digital day and date release strategy from HBO Max. She stated the following after the disheartening debut of her film back in December while many theaters were still just opening.

    It was detrimental to the movie. I knew that could have happened I don’t think it plays the same on streaming, ever. I’m not a fan of day-and-date and I hope to avoid it forever. I make movies for the big screen experience

    Patty Jenkins

    She also openly stated she would not make a film for Netflix or any other streaming service, as she also points out the challenges of handling a limited run in theaters. While she also openly criticized exhibitions avoidance of change over the years, it’s still showing that Warner Bros’ decision to release all films simultaneously on HBO Max throughout the year left some scars. Yet, their strategy paid off as the pandemic continues to threaten theatrical experiences to this day, and it took quite some time before cinema was able to recover. Right now, it’s a hard decision to make for anyone in the industry and it’s uncertain how long it’ll drag out moving forward.

    Source: Deadline

  • UPDATE: Mischa Green Confirmed to Pen Jurnee Smollett-led ‘BLACK CANARY’ Film

    UPDATE: Mischa Green Confirmed to Pen Jurnee Smollett-led ‘BLACK CANARY’ Film

    UPDATE: Well, it didn’t take long for Cinelinx’s story to get confirmed, as The Hollywood Reporter and Collider both confirmed that Misha Green is, in fact, working on a Black Canary project. Producer Sur Kroll is also set to return. Jurnee Smollett will reprise the role from the Birds of Prey film.

    Source: Collider, Hollywood Reporter

    It looks like those rumors surrounding a Jurnee Smollett spin-off from Birds of Prey and the Fantabulous Emancipation of One Harley Quinn might have gotten a bit more traction. Cinelinx’s Jordan Maison shared a story that Lovecraft Country‘s Misha Green may have joined the project to write the script. Their sources share that originally this project was going to be a series before moving to a direct-to-HBO Max film being the focus.

    It’s not the first time a DC project is taking this strategy as Batgirl and Blue Beetle are in development as streaming-exclusive projects. If there’s something to these rumors, Jurnee Smollett would return to play the character. There’s no word if these rumors turn out to be true if it’s a direct continuation of the film or even acts as a prequel. We’ve gotten teased her mother had the same ability, which might get explored in more detail in a film.

    Yet, if it turns out to be a sequel, they might explore her time with the titular Birds of Prey, which formed at the end of the first film. It’s surprising they wouldn’t give the team a sequel before splintering the group, but next to Harley Quinn, she was one of the big draws for the release. Smollett‘s work on Lovecraft Country also might be a reason why Green may have joined the project. So, we’ll see if there’s an announcement coming our way during this year’s DC FanDome.

    Source: Cinelinx

  • REVIEW: ‘TITANS’ Season 3 Episode 4: Blackfire

    REVIEW: ‘TITANS’ Season 3 Episode 4: Blackfire

    After a relatively strong start for Titans, Episode 4 is starting to show a few more cracks in the operation. We interrupt a functional story with a new side story that doesn’t quite land on the same planet we’ve been working with. Optimistically, Episode 4 may just be an innocent stumble along the way to a satisfying story. Pessimistically, the episode might be foreshadowing the slow unraveling of the rest of the season—only the coming weeks will tell.

    Titans Recap & Spoilers: Season 3, Episode 4, 'Blackfire' | CBR

    The episode briefly explores the emotional aftermath of Hank’s dramatic death last episode. Dawn is shockingly composed given the fact that Hank’s death is technically, or at least directly, her fault. This is all used as an excuse for her character to exit the series for the foreseeable future. It’s fully cemented that Titans has no vision to see Hank and Dawn as two separate people, but while it may have been interesting to explore her individual character more, the show never made her a particularly interesting one, to begin with. She and Hank always came across as unneeded filler, and maybe the series is trying to remedy that.

    Unfortunately, it seems as though the show decided that the exit of two peripheral and plot-overflowing characters was the perfect time to add another significant character alongside a side plot that overpacks the existing story in the same way. While the Red Hood chronicle continues, Kory a.k.a. Starfire is handed a major arc in the form of her sister, Blackfire. The lazy arc origin does suit the story itself sadly – it’s bland. How the murderous, vengeful, Queen Blackfire managed to find herself completely helpless in a government lab secured by one person is supposedly explained, but it will just never be okay.

    Titans saison 3 : Damaris Lewis (Blackfire) promue à un rôle régulier |  COMICSBLOG.fr

    The situation makes both sisters and their powers come across as relatively arbitrary and insignificant. This is more a shame considering that Starfire’s character already suffered from that. It begs the question of whether the series is concerned with her being overpowered and is going out of its way at every turn to dampen her. Spending episodes with her blacking out and having visions just felt like a return to her amnesia in the first season. In any event, maybe the dynamic between the two rivals could have dormant potential, but hope for that feels lost on the delivery. At times it could be hard to watch given the dry and empty performances which automatically took you out of any scene.

    Turning to our main story, it’s obvious that history repeats itself. While it could be an interesting theme to explore, it still sometimes seems unintentional at this point. Despite overwhelmingly constant reminders throughout the series as a whole that no Titan should go out on their own to confront a villain, Dick decides to once again do exactly that. Instead of being “a better Batman”, he is being as “Batman” as he can be. On one hand, it seems to suit his character—it’s fun to see him act so in control and with so much dark confidence, but the outcome is the same and he inadvertently lets both Jason and Scarecrow loose.

    Rounding Up the Easter Eggs in the Titans Season 3 Premiere | DC

    The good news is that having them together should fuel their master plan. However, the bad news is that the master plan doesn’t seem like much of a plan. Sure, we will probably get more elaboration on what the pair are up to down the line, but it’s looking like Scarecrow will more or less reduce Jason to assistant villain without anyone taking the place of head villain. Suffice to say, Titans has more “villain problems” on the horizon. Unless someone can truly climb the criminal ladder and sit on a throne of captivation, it’s going to be underwhelming. 

    Overall, the fourth episode keeps the Gotham City plot intact, though its potency may be severely threatened by the shift in villain dynamics now that Scarecrow is more in play. The episode tries to spice things up with the Starfire-Blackfire arc, but it is genuinely not compelling nor well-executed. The noticeable housekeeping and streamlining of storylines and characters Titans undertook at the beginning of this season is, unfortunately, looking to be in jeopardy now. Fingers crossed things will reorganize themselves, take a look in the mirror, and be better Batmen. 

  • REPORT: ‘VELMA’ Character Descriptions Hint at HBO Max’s Reinterpretation of the Scooby Gang

    REPORT: ‘VELMA’ Character Descriptions Hint at HBO Max’s Reinterpretation of the Scooby Gang

    Scooby-Doo is no stranger to countless interpretations over the years. It has probably seen the most revamps of any franchise. Scooby-Doo! Mystery Incorporated was a personal highlight due to its overarching plot and Lovecraft-inspired elements. Yet, a brand new interpretation is heading our way with a prequel series focused on Velma.

    HBO Max announced the series in February, which will see Mindy Kaling starring in the titular role that wants to explore a time in the gang’s life without the titular pup. It’s certainly a surprising twist on the franchise and the Geeks WorldWide may have offered a closer look at the story threads. Here are the descriptions of the show’s interpretation of our favorite Mystery Inc. members:

    Scooby-Doo Animated Prequel TV Show, Velma, Coming to HBO Max
    • It looks like Shaggy is the editor-in-chief of Poortown High’s newspaper. He’ll be on the spectrum and has a hard time handling social norms especially when he is Velma’s only real friend. It looks like there’s a family secret, which he’ll need to solve with her help. So, we’ll see what pushes him towards the type of character we know him as in the series.
    • Daphne is the adopted daughter of two female police officers, who still faces daily challenges of being abandoned. There’s a curious emphasis of her red hair and she’s quite ruthless in trying to become the popular kid in their school.
    • Some characteristics remain for Fred Jones, who’ll be a “gym rat, riddled with daddy issues.” It seems that he’ll also face the trouble of never having gone puberty and is trying to hide it from Daphne, who he is dating in the series. All it takes is a false imprisonment to get the gears in motion and he learns to value Velma.

    Various character descriptions also include their parents, who might have a bigger role in the story. Scooby-Doo normally features the gang traveling the States taking down one fake ghost after another. So, only the before-mentioned Mystery Incorporated included their parents as essential characters to the mythos. Perhaps the series is taking some clues, but there’s no mention of “people in masks.”

    There’s a good chance this new interpretation also moves away from the various monsters they’ve faced in the past. Overall, it’s a bit disheartening that the clichés are still present with the character, as the popular Daphne and jock Fred seem well alive in these incarnations. Who knows if the actual show twists the interpretations presented here.

    Source: GWW

  • ‘TITANS’ Vincent Kartheiser Unlikely to Return After Season 3 Due to Misconduct Investigations

    ‘TITANS’ Vincent Kartheiser Unlikely to Return After Season 3 Due to Misconduct Investigations

    Titans‘ third season has finally and it seems its premiere is smeared with some rather surprising news. Deadline has revealed that new cast member Vincent Kartheiser will very likely not return for a fourth season due to the actor being subject to multiple investigations by the studio. It seems the actor triggered at least two complaints and two internal investigations over the course of the season’s production. He was accused of disruptive, juvenile behavior alongside inappropriate comments. All investigations were done remotely from Burbank due to COVID protocols.

    According to them, the accusations haven’t risen to the point that he would get kicked from the show’s production, but he did get a representative that was monitoring the actor’s behavior closely. Naturally, Kartheiser‘s spokesperson denies the allegations and only shared the following statement on the matter:

    Warner Bros investigated this matter and made clear to Mr. Kartheiser its expectations for behavior on the set, and he agreed to comply with their directives.

    It’s quite shocking that these allegations have only seen the light of day now. Of course, there is no official confirmation or statement by Warner Bros. So, we still need to consider there is more to this story but it’s not a great way for Titans to kick-off its third season. Kartheiser took on the role of the famous Batman villain Scarecrow and only had a one-year contract. So, it seems they might write out the character and focus on a new villain for the fourth season.

    Source: Deadline