The following article will include spoilers on the post-credit sequences of Ms. Marvel. So, only continue at your own risk.
Ms. Marvel‘s post-credit sequence may be among the Disney+ series’ best, especially given how it offers a curious segway into the upcoming The Marvels while also keeping things a bit confusing to let Nia DaCosta put the pieces together as she needs it. Luckily, Ms. Marvel’s head writer confirmed one thing: that wasn’t Kamala Khan transforming into Brie Larson‘s Carol Danvers but rather them switching places.
Kamala doesn’t turn into Carol. […] It’s an important distinction, just because in the comic books, that’s something that [Kamala] does — she can change the way she looks and she looks like Carol Danvers in Issue 1 of the comic book. She’s not turning into Carol [on the show]. That’s Carol Danvers standing in Kamala’s bedroom.
Bisha K. Ali
It definitely had many wondering what exactly happened, as it opened up many questions about how they swapped places, how it connects to her bangle, and the reveal of her potentially having the mutant gene. At this point, there are a lot of possibilities going into the The Marvels and how they might tackle her relationship with Carol. Who knows how she’ll be meeting her idol who found out she has a room filled with posters of her face plastered across them.
If you haven’t yet missed out on the latest episode of Ms. Marvel, it’s about time you do so before continuing to read up on the big reveal from the finale.
The latest episode of Ms. Marvel has arrived with a bombshell of a revelation. Towards the end of the episode, Kamala Khan’s friend uses the wording “mutation” with the theme song that’ll be used in X-Men ’97. As it turns out, it seems that was the initial idea when they were creating Ms. Marvel as revealed by one of her co-creators, Sana Amanat.
Here’s a really important thing that people do not know – when we were thinking about the character of Kamala back, back, back in the day in 2012, 2013, when [G.] Willow [Wilson, comic book writer] and myself were ideating, we originally wanted to make her a mutant. That was the whole intention, to be able to do that.” In the series, they were able to get back to that initial idea. “Is she a mutant, question mark?
Sana Amanat
It’s not surprising that they considered it, especially with how the Terrigen bomb concept was introduced for a new race, the NuHumans which technically were a new generation of Inhumans. She goes on to highlight what their main focus always was when it came to her character in the Disney+ service, which she helped produce.
The bigger story really is the origin of Kamala, and everyone has been just trying to pin down what she is. We leaned into that – it’s like, we’re not going to give you that answer, because when you’re telling a story about identity, everyone is so obsessed with labelling people and putting them in a box. I think that’s the journey of this entire season – she’s been looking for that box, even though she doesn’t need it.
Sana Amanat
The fact they managed to pull off their initial plans in the series is a nice touch, which brings their ideas full circle. Especially in how they added elements to make the name and even her logo part of her cultural background rather than purely inspired by Captain Marvel. If they get a chance to further explore it, it’ll be interesting to see where her character goes.
Ms. Marvel is definitely among the best of what Disney+ has to offer. Yet, it did fumble one aspect a bit and that was the main antagonists throughout the season, the Clandestines. We don’t get a lot of time with them and while early on their introductions are quite menacing, the resolution surrounding them was quite rushed and may have left some scratching their head.
Now, head writer Bisha K. Ali revealed that they originally had bigger plans for them, but due to COVID, they ended up losing out on some opportunities. As some might forget, we’re still in the middle of COVID with many restrictions still affecting productions worldwide. So, scheduling and availability are still an issue.
No. I would say that a lot is missing. There are, like, essays we’ve written about the Clandestines, the Noor dimension, the Red Daggers and about how it’s all connected to everything else. There are huge swathes of character arcs that for the purpose of being able to make this in the time that we had, with the situation that changed [due to] COVID — I think we miss out a lot on some of the parallels between the two different kinds of families. I think we’ve missed out a lot on some of the character development for the Clandestines. I wish I could have shown you more of what we had.
Bisha K. Ali
There were definitely some parallels hinted at with the family holding together, but sadly the six-episode format doesn’t really offer the time to explore it fully, which has been criticized by many as one of the Disney+ series’ flaws.
So that emotional climax was about two women, a different kind of mother and about Kamala representing her kind of family. And those two things completely smashing into each other. That moment was all about Kamala coming into her fight style, which is always defensive. She always talks people down first. Her goal is always, “Hey, how are you feeling? Can we resolve this without anyone getting hurt?” You see that again in the finale as well. So it was always built that way, that this event where the universe gets subsumed by another universe, that wouldn’t happen.
Bisha K. Ali
It definitely is a shame, and we’ll hopefully get more opportunities to explore the dimension Noor in the future. Many are hoping for the series to get a second season, which would allow her to further explore her connection to that dimension, and potentially wrap up where exactly the story is heading with Kamran. So, here’s hoping an announcement is just around the corner.
Ms. Marvel has sadly come to an end with quite an exciting post-credit sequence teasing her arrival in The Marvels. Many believed the film would just lead into the film, but it is left open in a perfectly ambiguous way for anyone to interpret whatever it might mean. Yet, there’s also hope that Ms. Marvel ends up getting multiple seasons moving forward and it seems the main star, Iman Vellani, shares that sentiment as well. She also hinted she would love to explore something similar to Spider-Man‘s films acting as fallout of big events.
Yet, it seems that the actress may have also given away a tiny plot point we can expect in the Captain Marvel sequel. In her interview with Stylecaster, the actress reveals that she would love to explore Kamala’s storyline after the events of The Marvel‘s, where “she’s fought with her idol.”
It would be fun to see Kamala post-’The Marvels’ after she’s fought with her idol. It’s similar to what Spider-Man went through after fighting with the Avengers in ‘Civil War’ and going back to the friendly neighborhood thing.
Iman Vellani
We have no idea what the storyline is going to be, but it does seem fitting if they explore her connection to Captain Marvel. Ms. Marvel is definitely among the disney+ shows that deserve a second season and there’s a lot of potential in seeing how she adjusts to doing something more grounded.
For starters, this was the biggest surprise to have happened in the Disney+ era of Marvel Studios. Both in terms of what this means for the future of the Marvel Cinematic Universe and in the viewing experience. Kamala Khan being revealed as the audience’s first mutant in the MCU opens the door for endless possibilities of speculation and theorizing on how some of the most-anticipated characters will enter future projects. For the character herself, Kamala Khan makes all the sense in the world to be a mutant (as she very likely would’ve been in the comics if the X-Men film rights weren’t elsewhere in 2013). And having the first mutant story be distinctly about a government that fears and discriminates against super-powered individuals highlights that Kevin Feige and co. are good hands to shepherd the X-Men back to the big screen. With both Doctor Strange in the Multiverse of Madness and now Ms. Marvel this year giving early glimpses into the concept of mutants (and with X-Men ‘97 slated for 2023), the radar for Marvel Studios potentially announcing a mutant-related project at San Diego Comic Con or D23 has certainly increased.
Anthony Canton III
Ms. Marvel’s finale followed through on its series mission by giving us Kamala Khan and her world. That world was on display as good as any Disney+ series has had to this point. With that being said, the reveal of Kamala being a mutant laced with the X-Men: The Animated Series theme was an all time moment for the new MCU.
This reveal is symbolism that Iman Vellani is a major player and rightfully so. Kamala has the keys to the MCU and you can slot her anywhere and she has an impact. In terms of representation in actuality and in this universe these are the new stories that the fandom claims to want. Now we have them and more. While we have more questions to answer with Carol Danvers, this was Ms. Marvel’s moment. Standing ovation.
Dalbin Osorio
Ms. Marvel is no worse than the third best Disney+ show. It would take a lot to supplant the WandaVision/Loki duplex, and Ms. Marvel came close, but an underwhelming villain choice stops it from that top tier. HOWEVER… this isn’t about the show as it is about the fact that, baby, there be mutants in the MCU! That’s right: Ms. Marvel is the MCU’s first mutant (that we know of, but more on that in a sec), and what a glorious reveal it was. You have to hand it to Kevin Feige: he said that everything will be revealed and Marvel didn’t really deviate from the Phase 4 plan even when people criticized it for its “aimless” trajectory. I think this change really grounds her firmly in the MCU’s history (hello Eternals and X-Men ’97 theme music), present (this post-Endgame world that’s rapidly becoming populated by enhanced individuals), and future (Kang is coming). Making her a mutant also makes her powers easy to explain because a mutation is much easier to explain than a Terrigen Bomb going off somewhere on Earth-616 and us never hearing about it. It, also, sets the stage for there being other mutants out there who are populating the world now, and clearly Damage Control won’t be the only ones after them. All in all, a great choice.
Joseph Aberl
Did not see coming that Ms. Marvel would end up being the one to set up the mutants in the Marvel Cinematic Universe. Marvel Studios perfectly baited us with WandaVision and a cameo in Multiverse of Madness to make many think we’d not get any hints until after Fantastic Four. Yet, here they are using a familiar theme to slowly build up their arrival and also use it as a way to connect Kamala Khan to a bigger universe; without the sacrifice of her personal journey. Can’t wait to see where it goes.
Charles Murphy
Let’s lay it right on the line. Bigotry and racism are among the deadliest social ills plaguing the world today. It’s totally irrational, patently insane to condemn an entire race—to despise an entire nation—to vilify an entire religion. Sooner or later, we must learn to judge each other on our own merits. Sooner or later, if a man is ever to be worthy of his destiny, we must fill our hearts with tolerance.
Stan Lee, Stan’s Soapbox, December 1968
Someone had to be the first mutant and I couldn’t be happier that it is Kamala. As Torbjorn pointed out, it’s incredibly likely that had Marvel already owned the live-action rights to the X-Men, she’d have been one in the comics. Kamala fits what Stan Lee and JackKirby imagined the original mutants to be when they developed them in the early 1960s as a metaphor for the hate and social injustice America was facing at the time. I’ve said for years that Kamala Khan is one of the most important characters Marvel Comics has ever created and now, as the MCU’s first mutant, she’s one of the most important characters in the future of the franchise.
The finale of Ms. Marvel gave fans more than they bargained for when it revealed Kamala Khan as the first mutant in the mainstream Marvel Cinematic Universe. For months, rumors, speculation and some spurious “leaks” all centered around Kamala being exposed to Terrigen Mist and learning of her Inhuman heritage during the finale. Instead, Marvel Studios chose to make Kamala a mutant, making her future in the MCU a complete unknown. It also seemed to spell the end of any hopes that the Inhumans would ever make their way into the stories of MCU’s Earth-616, but as it turns out, Kamala’s retcon isn’t quite the death knell for the Inhumans that it might first appear to be.
In the comics, Kamala is a NuHuman: a branch of Inhumans created en masse when Black Bolt detonated a Terrigen Bomb, causing thousands of humans of Inhuman lineage to undergo Terrigenesis and developing their Inhuman gifts. The event, which occurred in the pages of 2013’s Infinity #4, came at a time when Marvel Comics was making push to elevate the Inhumans’ popularity and, seemingly, diminish the X-Men’s. At that time, Fox still owned the live-action rights to the X-Men and Marvel Studios was hard at work building the foundation their shared cinematic universe, still years away from being the self-sustaining juggernaut it’s since become.
In hindsight, the NuHuman era was nothing short of a failure, with almost none of the characters created during that era now playing a major (or any) role within the Marvel Comics universe. In fact, the Inhumans have been rather absent from the comics in general for the past several years. Perhaps a little leave of absence will benefit the characters in the comics, allowing them to reenter the books at a later date and return to inhabit the very interesting niche they carved out after first appearing in the pages of Fantastic Four in 1965. And it’s this same niche that they could still find themselves inhabiting in the MCU, should Kevin Feige ever choose to introduce them to the 616-universe. And if that niche doesn’t quite work out, there’s another interesting option on the table as well.
The Royal Family and The Universal Inhumans
Should Feige and the Marvel Studios Parliament want to introduce the Inhumans to the MCU, the clearest path is to introduce them as the abandoned subject of Kree experimentation, as seen in the Marvel Comics. As the millena-long Kree-Skrull war raged on, the evolutionarily-stagnant Kree began experimenting on the native species of multiple plantes across the universe. In some cases, like on Earth, early life had already been experimented on by the Celestials and a latent gene that could spark the release of super powers was placed in their DNA. It’s this latent gene that eventually led to mutants on Earth and, after Kree experimentation, allowed for Terrigenesis to transform individuals. The Kree abandoned their projects across the universe following a prophecy that their experiments would produce a being that would end the Kree Empire, but not before successfully establishing metamorphic processes in place on 5 different planets: Earth, Centauri-IV, Lotlara, Kymellia and Wraithworld.
Over time, the experiments on Earth produced an advanced race whose superiority to early man saw them demonized. Over time, they went into hiding in a secret city, Attilan, and then the Blue Area of the Moon. This line of Inhumans produced what is known in the comics as the Royal Family, which is typically presented as Black Bolt, his wife Medusa, her sister Crystal, Black Bolt’s brother Maximus, Gorgon, Triton and Karnak. Of these, it was Black Bolt, the Midnight King of the Inhumans, that the Kree believed to be the being of prophecy. On the other planets, four queens who ruled over their own Inhuman populations were fated to join the Midnight King in ending the reign of the Kree.
It doesn’t take much to see that should Marvel Studios choose to pursue this path, there wouldn’t be much overlap with whatever Kamala Khan and the mutants get up to on Earth. Marvel Studios botched the Kree-Skrull War pretty badly in Captain Marvel and the history of early Earth pretty badly in Eternals. They could rectify both of those mistakes with an Inhumans D+ series that establishes a truer history of both and introduces the Inhuman Royal Family hidden away on the Moon. Rumors persist that the Universal Inhumans are set to make an appearance in The Marvels; if those rumors are true and Feige is introducing them to the MCU, the Royal Family should not be far behind. Make them as strange and Lee and Kirby intended them to be. Make them a hidden force in the universe. Make them what they once were before the NuHuman debacle. And should Marvel go this route, they could choose to adapt one of Marvel Comics’ best Cosmic events, War of Kings, down the road, making good on the prophecy.
The Inhumans of Earth-X
Marvel Comics has a long history of developing alternate universes where things are just a little different: let’s call this…the multiverse. One of the more dramatic reimaginings began in 1999 on Earth-9997, aka Earth X. Interestingly enough, the MCU has already dipped into Earth-X lore a bit for Eternals and they wouldn’t be wrong in wanting to further mine that territory for a different take on the Inhumans.
During the 12-issue arc, Black Bolt released Terrigen Mists on Earth, mutating almost all of Earth’s population into Inhumans. The events of Earth-9997 are set in the future of a dystopian timeline, so this won’t quite work if the 616 timeline is going to keep moving ahed. However, setting up the Inhumans as the villains of a future project and having someone, perhaps the Fantastic Four, have to stop their plan would be a great way to separate the characters from Earth’s mutants. It’s worth noting that the Inhumans of Earth X were given major redesigns by Alex Ross and, if the MCU isn’t going to go the 616 route with the characters, the Earth X designs are the only other acceptable option and would really work well if Feige wanted to introduce them as villains.
So while Ms. Marvel has all but put and end to any hopes that the NuHuman arc from the 2010s could ever work its way into the MCU, there’s still room for Black Bolt, Medusa and the rest to find a way there.
The final episode of Ms. Marvel has dropped and it’s time to talk about it. If you, however, want to remain unspoiled then only continue at your own risk.
Marvel Studios has finally made a move in regards to the slow introduction of the mutants into the Marvel Cinematic Universe. Ms. Marvel has been revealed to be the MCU’s first mutant with a nice nod and the iconic 90s theme from the animated series. As it turns out, however, this wasn’t always the plan from the get-go as head writer Bisha K. Ali revealed that it was something that was definitely a moving piece as they put the series together.
It wasn’t from the beginning [of the show]. With Marvel, something’s always a moving piece, and we’re trying to solve this question of, ‘If any of [Kamala’s family] put the bangle on, would they have powers?’ The answer was always no, from a character perspective, no.
Bisha K. Ali
It’s interesting as the way it was hinted at was that they had this in the back of their minds while writing the project. They hinted that their plans were always to change their approach to the character to fit Kamala Khan in the bigger mythos being built around the MCU. We all just assumed that they may be actually setting something up in regards to her future appearance in The Marvels, but it definitely was a surprise that they went that direction. Some still believe that this is an erasure of the Inhumans, but with the recent appearance of Black Bolt, there are many opportunities to still tie her with the Royal Family in interesting ways.
Spoiler ahead if you haven’t seen the final episode of Ms. Marvel yet. So, if you want to remain spoiler free, only continue at your own risk.
The ending of Ms. Marvel did a lot. It felt like the perfect double-whammy as not only did we get the return of Brie Larson to the Marvel Cinematic Universe since her cameo in Shang-Chi and the Legend of the Ten Rings, but also the reveal of the first mutant in the MCU. Now, it wasn’t explicitly stated that she is a mutant but anyone that loves the X-Men: The Animated Series‘ theme would instantly make the combination with the word “Mutation.” In a way, it’s our first official acknowledgment of the team in the mainline MCU, and Iman Vellani shares how she freaked out when she found out.
They sent me, and only me, the draft [of the final episode], and I immediately freaked out. I emailed Kevin Feige in all caps. I was like, are you doing this like for real? Are you sure? I’m so honored! I was like yelling at him through an email. I was freaking out. This is the biggest deal in the world, and the fact that it’s happening in our show is crazy. People are going to lose their minds. They’re going to lose everything. I did. It’s truly a really big deal.
Iman Vellani
We’re naturally left with more questions than answers. The X-Men‘s only confirmed future appearance is through the animated sequel series to the iconic 90s animated series. With the iconic theme song making a repeated return, perhaps they are part of this franchise after all and we’ll meet a very different team that’s always been there. Of course, we also saw that version of Professor X in Multiverse of Madness is part of another dimension. So, they kind of paid tribute to it while also keeping the door open. Perhaps SDCC has some answers for us soon.
Kamala Khan’s bangle has been front and center over the course of all six episodes of Ms. Marvel, but even after the series wrapped, the bangle’s story seemingly just got a lot more interesting. The shocking post-credit scene sees Kamala’s bangle take on a life of its own, apparently energizing on its own before mysteriously sucking Kamala away and leaving Carol Danvers in her place. While it all seems pretty confusing, turning to the comics can provide some understanding.
As seen in the opening moment of Episode 3, “Destined”, the bangle worn by Kamala was originally taken from the arm of a blue being and is one of a pair of bands. Following Episode 3, it seemed pretty clear that the bangles were probably either the Quantum Bands or Nega-Bands from the pages of Marvel Comics. The events of the post-credit scene all but confirm that speculation as they showcase one of the capabilities associated with the Nega-Bands: the ability for the wearers to trade places with one another.
In the comics the Nega-Bands were created by the Kree as replicas of the Quantum Bands and while they share similar powers, they aren’t exactly the same. Most importantly, the Quantum Bands draw their power from the Quantum Zone while the Nega-Bands draw their power from the Negative Zone. It seems incredibly likely that the MCU’s version of the bands are an amalgamation of the two. Able to create energy constructs like the Quantum Bands, they are also now capable of allowing people to swap places with one another, like the Nega-Bands, as seen in the post-credit scene.
The swap seems to have been ripped straight from the pages of Marvel Comics where Kree hero Mar-Vell used the Nega-Bands to swap places with super-normie Rick Jones. Of interest to the process was that the swap always left one or the other of Mar-Vell or Jones trapped in the Negative Zone. Applying that comic book lesson to the events of the Ms. Marvel post-credit scene, it would appear that Carol makes the jump from either the already-established Quantum Realm or the soon-to-be-established-in-The-Marvels-Negative Zone. Whichever of those two places Marvel Studios chooses to call it, the implications are clear: when Carol jumped into Kamala’s room, Kamala jumped to wherever it was Carol was.
It’s unclear if Carol was wearing what might have been the other band on her wrist (in the comics they haven’t always looked the same and have been reshaped over time), but it is clear that the bands will play a large role in the plot of next summer’s Captain Marvel sequel, The Marvels. Also of interest is how Kamala’s mutant genetics allow her access to the powers of the band. In the comics, the latent X-gene was implanted into early man’s DNA by Celestials, allowing for the possibility of super-powered evolution should they ever be activated. Given the alien nature of the bands, it’s possible they were created by the Celestials, or other Cosmic beings, and simply ended up on the arm of the deceased Kree seen in Episode 3.
Whatever the nature and origin of the bands, they’ve changed Kamala Khan’s life forever and, much like the ten rings did to Shang-Chi, pushed her into a larger universe. It’s reasonable to assume that some of the first act of The Marvels will explain much more about the bands while resolving the issue of Kamala being trapped in another dimension. Fans will have to wait just over a year to find out more as The Marvels is currently set to hit theaters on July 28th, 2023.
While the finales of Marvel Cinematic Universe series have generally struggled to stick the landing, the Ms. Marvel finale managed to do justice and provide closure to Kamala’s story while still setting up massive implications for the future of the MCU. It did gloss over most of the unanswered questions about Kamala’s powers, which is disappointing. Still, it seemed to “answer” them in one of the most exciting—and likely polarizing—ways possible.
Kamala’s story in Ms. Marvel began as a relatively small-scale tale of a superhero fangirl in Jersey City. So much of the absolute charm of the early episodes of the series is centered around her family and friends in this context. The second act of the show brought forth her mysterious and eye-opening history that brought the show to new levels of depth and intrigue. While the penultimate episode left the status of her main adversary precarious, the finale skillfully but simply brought it back to where it all started—high school.
Like any classic satisfying finale, the entire ensemble got involved in meaningful ways. The high school sequence with the Department of Damage Control was a warm reminder of the innocence and youth of the main hero and showed a glimpse of what “Ms. Marvel” could be as a hometown hero. Fans of Ms. Marvel comics will appreciate the subtle nods to the comics and the ways certain elements were rearranged in order to fit the live-action story. While much of Kamala’s reckoning with her friends and family after her reveal that she is the masked hero was too quick and smooth, it was likely the better route for the ending of such a short series.
Kamala finally got her “Ms. Marvel” moment(s) this episode as she donned her final costume, adopted her name, and took on her greatest challenge yet. Anyone familiar with her “embiggening” from the comics would be giddy to see the resemblance they gave her to her comic book counterpart in the finale. It was a mystery how Kamala would adopt “Ms. Marvel” as a mantle in live-action, but it was ultimately grounded in the name given to her by her parents, which nicely ties in the heavy family themes of the series into her superhero identity.
The main villain of the finale was set up in the post-credit scene of the first episode, though Damage Control did not play a particularly large role in the bulk of the series. So while the switch from the Clandestines back to the DODC as the adversaries is not seamless, there was enough Damage Control before the finale to require some resolution to that aspect. The organization represented a lot of Kamala’s ordinary-life struggles, so her overcoming the racist, xenophobic, and enhanced-individuals-hating villain makes the win fulfilling. The question of Damage Control still lingers, and the willingness to take the “bad apple” approach to the DODC calls into doubt how aggressive the future of that organization actually is. Similarly, Kamran ends the series in a surprising way as not quite a villain but with no real resolution.
Of course, the moment of this finale that will gobsmack countless fans is Bruno’s reveal to Kamala that she has “a mutation” in her DNA. Considering the long-running debate over Marvel Studios not making Kamala an Inhuman, the fact that she may be the first confirmed mutant of the MCU is nothing light. It is too brief to draw any major conclusions from it yet. Are there others? How long have mutants been around? How does it actually play into her powers? It is all unclear. Part of the problem is, as mentioned, that the series declined to fully explain Kamala’s powers and ultimately left the Noor dimension a vague resource to draw from in lieu of Inhuman lore. In any event, the “mutation” drop was one exciting way to finish out the finale. Because it was mentioned so late, it did not affect, confuse, or overpower the rest of the story that came before it, and it without a doubt will keep eyes on Ms. Marvel going forward.
Just as the mutant reveal sparked curiosity for the future of the character, the post-credit scene set up a predictable—but major—next step for Kamala. For whatever reason, Kamala’s bangle goes haywire and seemingly causes Carol Danvers and her to switch places, with Carol popping up in Kamala’s room. Brie Larson’s cameo is a fun, high-profile inclusion, but the fact that she and Kamala still never actually meet in the series leaves something wanting. Clearly, The Marvels will take on a huge role in exploring the next steps of Kamala’s story. Her powers are likely tied to something bigger that will play a role in that story. Even with that knowledge, the downside of Ms. Marvel was the eventual lack of answers on the mystery it created.
Looking past all the implications of Kamala’s “mutation” and The Marvels tease, the finale did an expert job of tying the series in a bow with respect to Kamala’s origin as a Jersey City superhero. The transition between the threads being weaved in Episode 5 and the final episode is a tad choppy, but ultimately the right call. Ms. Marvel ends its tenure on arguably the best finale of any MCU series, and arguably as the best series itself. Iman Vellani and the rest of the stellar cast brought the charm and heart of the beloved character to the screen, and the show is one of the few to manage the 6-episode format in a satisfying and rewarding way.
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