Tag: Netflix

  • Contestants Describe Netflix’s ‘Squid Game’ Reality Show as “Inhumane” and a “Warzone”

    Contestants Describe Netflix’s ‘Squid Game’ Reality Show as “Inhumane” and a “Warzone”

    Many scratched their heads when it was first announced that Netflix didn’t learn the core lesson from their hit series Squid Game. A series about having people play childish games for survival to win money shared a deep look into how far the disparity between the rich and poor can push individuals. Yet, somehow Netflix thought it was a good idea to create an actual reality TV show adapting the concept for those willing to win big.

    Of course, there’s the popularity of the original series and a chance to win money that’ll get people interested in giving it the chance. The same seems to be the case for John, a British contestant, who was among the 228 contestants that got kicked from Squid Game: The Challenge during its first game Red Light Green Light. In an exposé from The Sun, a British tabloid, it was described as “Squid Game Horror in UK.” It seems contestants were left in an airplane hanger freezing and were forced to hold poses for up to 30 minutes. Some describe it as a “warzone” due to the freezing temperatures.

    Though, Netflix has swiftly called out that they cared “deeply” for the health and safety of everyone involved. They also highlight that “participants were prepared for” the freezing weather. Though some speaking directly with Variety highlighted this wasn’t, in fact, the case. Keep in mind, no one is being paid to participate and supposedly the game would take around two hours to play. Yet, it ended up taking around seven hours at zero degrees Celsius while filming in Bedford.

    It seems many collapsed as it wasn’t only the time they spent during the game but also an 8-hour prep time. John, whose true name remains anonymous, stated that: “This is not a Bear Grylls survival show. If they had told us it was going to be that cold, no one would have gone through with it.” Though another player from the UK highlighted that it wasn’t “as extreme as people are saying,” but it’s also not “as minimal as is being conveyed by Netflix.”

    The player highlights that “the conditions were absolutely inhumane and had nothing to do with the game” comparing it to Survivor or Naked and Afraid. It seems that they were woken up at 3.30 AM and brought to a Royal Air Force hanger. They did indeed wear the same Squid Game track suits but they weren’t made for the weather. They were informed to take their jackets with them due to the weather and were given warmers, as well as thermal underwear and socks.

    The issue however was that they did not have access to their phones, so they could not tell just how much time truly elapsed. It just becomes a waiting game in the cold with a few heaters keeping you warm if you’re close enough. once the games started, they couldn’t wear their jackets anymore to keep the visual from the original alive and everyone had to showcase their number. It seems fake blood was involved from devices on their chest. It seems the longest wait during the game from the iconic doll lasted up to 26 minutes, which supposedly was done to “assess the gameplay.”

    They also weren’t allowed to use the bathroom or take water breaks during the elongated production timeline. So, everyone involved was freezing, thirsty, and just hoping that it would finally end. Sources from Variety seem to indicate medics were called in up to eleven times and that breaks weren’t allowed. They wouldn’t return between 7 PM to midnight to their rooms without having had dinner. Production ordered pizza but there wasn’t enough and some went to bed hungry.

    Squid Game: The Challenge is seemingly facing quite the issues behind-the-scenes though there’s an implication they aren’t understaffed even with someone claiming they were. Studio Lambert isn’t new to reality series and it’s unclear where it truly went wrong. The Garden is also involved and managing 456 contestants was simply too much of a tall order for everyone involved even if 228 left after the first game. It’s definitely on them for filming this in the conditions they are in and in a time where the weather simply isn’t conducive to anyone’s health for longer stretches of time. We’ll have to see if this series will even see the light of day at this rate.

    Source: The Sun via Variety

  • ‘One Piece’ Star Reveals Why Netflix’s Adaptation Replaced Luffy’s Sandals

    ‘One Piece’ Star Reveals Why Netflix’s Adaptation Replaced Luffy’s Sandals

    After a long wait, the first look at the live-action adaptation of One Piece has finally arrived. We not only got a poster teasing Monkey D. Luffy but also a special image offering a good look at the cast members that’ll become permanent parts of the Straw Hat pirates. Yet, there has been some controversy surrounding the first look.

    It’s not too surprising as anime live-action adaptations haven’t had the best track record. There are promising signs that this series might break that curse given Eiichiro Oda‘s heavy involvement and the showrunner’s active involvement in the community. Still, there will always be changes when bringing something to live action and one big change that stood out was that Luffy no longer wears his sandals but rather shoes.

    Luckily, Nami actress Emily Rudd took to her personal Instagram account to reveal why they made the change, as first shared by @OP_Netflix_Fan on Twitter. And the decisions on why they moved away from his usual footwear is a bit expected given the challenges of kicking people with open shoes.

    Sandals unfortunately are not the safest footwear to do stunt work in, and we didn’t want y’all to miss out on the amazing work [Inaki Godoy] can do and did.

    Emily Rudd

    It makes sense that they’d want to keep their stunt work as safe as possible, and while many want to point out that Luffy not carrying shoes fits his character but the shoes being used do the same thing. It doesn’t really matter if he slips into sandals or shoes he doesn’t have to tie, as he remains as carefree as ever. Plus, it’s impressive to think the cast was able to bring their own stunts to life and just adds that personal note to bringing these characters to live-action.

    Source: Twitter

  • 5 Years in the Making: Netflix’s ‘One Piece’ is Real

    5 Years in the Making: Netflix’s ‘One Piece’ is Real

    It’s crazy to think that we first heard about the live-action One Piece series in 2017. For many years, we’ve waited for some sign of life until it suddenly picked up steam in January 2020 with creator Eiichiro Oda announcing the partnership with Netflix. We got an official logo, and a tease of the script, and finally, the project was slowly moving forward. While it wouldn’t start filming until January 2022, it still felt like we were closer than ever before. To kick off 2023, we got our first look at the series with not just one teaser poster but a second one hinting at the entire Straw Hat crew.

    It’s been a wild ride following the many steps of this production and seeing as it evolved. Showrunners Steven Maeda and Matt Owens have reassured their love for the franchise throughout the years and with Eiichiro Oda heavily involved, it almost seems like there’s a chance the anime live-action adaptation curse could finally be lifted. Netflix’s Cowboy Bebop may have been recently scolded by its creator, this project feels like there’s a chance things might go a little differently.

    Even the small details in these posters give the feeling that a lot of love and care has already been put into the project. We know the first episode will be titled Romance Dawn like the manga’s first chapter. So, it’s fitting that we get our first look at Inaki Godoy‘s Luffy staring off into the beautiful orange of dawn. We get a good look at the iconic Straw Hat and his sleeveless red shirt from the East Blue Saga. If you zoom in, the bird in the sky is a News Coo, as he even has the iconic hat and bag around his neck.

    The main cast image doesn’t give us a full look at their designs, but they are very close to what they were in the manga and anime. We have some minor details added (and people freaking out over Luffy not wearing sandals) but even seeing Usopp’s slingshot brought to life just adds that little something. We even got some iconic poses to just add that little tribute to the original. Their ship is in full display with her new figurehead, which truly brings the merry to the Going Merry.

    Many fans online noticed that this may also be a tribute to the first ending of the One Piece anime with the characters from behind staring into the ocean reflecting the orange sun of dawn. It’s a recurring element in the early days of the anime, as it was also a visual utilized in the eyecatchers that were used in between commercial breaks. Twitter user @Monkey_D_2shar even used the poster designs to bring that iconic visual to life for the live-action variation.

    We still don’t have a release date and the fact that Netflix is willing to promote a series early on without a fixed release date. It seems strange to say so but Netflix isn’t famous for truly promoting its shows and projects over a long period of time. Not only did we get cast announcements throughout last year but even a first look behind-the-scenes in a video during Netflix Geeked, their biggest live-streaming event.

    Some have some concerns but that isn’t uncommon when seeing a manga being brought to life; though did not expect issues with sandals to overshadow the complete redesign of the Going Merry. Even though some pointed out a similarity to the Cowboy Bebop premiere poster but that is mostly due to the shot from behind with an orange hue, a poster does not reflect an entire production.

    Plus, this poster isn’t with a set release date with only a few months to go like with the last Tomorrow Studios production. So, they are set to promote this over a longer period of time, and the last series to get a teaser poster was Wednesday and went on to actually get a rare Season 2 renewal from Netflix. There’s no direct correlation but if they are willing to promote it as much as possible, there’s a chance they believe in this project.

    Source: Twitter

  • ‘Warrior Nun’ Showrunner Reveals Netflix Wide Mandate for 8 Episode Seasons

    ‘Warrior Nun’ Showrunner Reveals Netflix Wide Mandate for 8 Episode Seasons

    Netflix is no stranger to shorter season episode counts, as they reshaped the way drama and comedy series would be structured. The once 22-episode runs from broadcasts started to go down to the famous 13-episode era that kicked off when Daredevil was released. Yet, we’ve seen that episode count continue to decline with more ten-episode seasons and as of late, a focus on eight episodes.

    As it turns out though, this isn’t something that a group of creatives indirectly decided together but rather a new mandate set by Netflix. Warrior Nun showrunner Simon Barry revealed it in an interview with Be More Super Podcast that around the time they were writing their second season, that mandate was introduced and allowed them to adapt their scripts.

    We knew it was going to be eight in the writing room because the Netflix mandate wasn’t a budget thing. It was Netflix shifting all their shows to eight-episode seasons, their studio shows I should say, not the shows they acquire and broadbust but the ones they make inhouse as a studio. So, we knew that Netflix decided to make this shift across the board but it wasn’t something Warrior Nun was being punished for anything, we existed long enough to see it go from 10 to 8 for everyone.

    Simon Barry

    The first season of Warrior Nun was still part of the ten-episode era and many worried that perhaps the episode reduction was due to some criticism of that first entry. Yet, it seems they merely swiftly adjusted before entering production and had to rewrite the entire show; even if that sadly didn’t help them from getting canceled after the second season was released back in November.

    Given the timing, this news also matches with our exclusive a year ago that the live-action One Piece series has also reduced its episode count to eight. It was initially announced with ten episodes all the way back in 2020 but the timing would match with the new mandate. The Witcher also was quite a success with that same episode count back in 2019 and may have inspired the new standard.

    Source: YouTube

  • No Mercy: Netflix Puts ‘Cobra Kai’ in a Bodybag

    No Mercy: Netflix Puts ‘Cobra Kai’ in a Bodybag

    The end of Cobra Kai has been revealed. In an official announcement from show creators Josh Heald, Jon Hurwitz, and Hayden Schlossberg that the Karate Kid sequel series will conclude following its upcoming sixth season. The Ralph Macchio and William Zapka-led series followed the characters of the hit 1980’s film franchise decades later as they resurrected the karate world of their childhood and rekindled rivalries for a new generation.

    Premiering in 2018, the series initially began as a YouTube Premium series for its first two seasons before moving to Netflix for the remainder of its run. Cobra Kai has been one of the highest-viewed and most successful shows on the Netflix slate. Critics have lauded the show’s ability to capture the comedic elements and melodrama that made Karate Kid successful, but while also resonating with the modern generation.

    In the official press release from the creators, it was mentioned that the team hopes to be able to tell future stories in the world down the road. Heald, Hurwitz, and Schlossberg should have ample amounts of stories to choose from based on the large ensemble amassed over the five seasons so far.

    There is no word on when audiences should expect the sixth and final season to premiere on Netflix. However, logic would dictate that a late 2023 or early 2024 release is highly possible.

    Source: Instagram

  • Netflix Unveils 2023 Film Slate

    Netflix Unveils 2023 Film Slate

    In a series of #NetflixSavetheDates tweets, Netflix rolled out its 2023 film slate which includes some impressive talent in front of and behind the cameras. Here’s a month-by-month breakdown of what’s coming from the streamer in 2023!

    January

    27th-You People

    Kenya Barris makes his feature directorial debut in You People which examines “an interfaith, culture-clash twist on the relationship rite of passage.” Jonah Hill plays Ezra Cohen who meets and falls in love with Lauren London’s Amira Mohammed. But in the twist you never saw coming, Ezra’s “progressive and semi-woke” Jewish parents (Julia Louis-Dreyfus and David Duchovny) and Amira’s conservative Muslim parents (Eddie Murphy and Nia Long) get involved and hilarity (probably) ensues.

    February

    10th-Your Place or Mine

    From the mind of the Brosh McKenna, the writer of The Devil Wears Prada and 27 Dresses, comes the answer to the question you never asked nor needed answered: what happens when romcom overachievers Reese Witherspoon and Ashton Kutcher make a romcom together? Your Place or Mine will answer that question by forcing the two together when Kutcher’s Peter and Witherspoon’s Debbie, besties who have known each other for years, “take over each others’ homes and responsibilities for a week, they realize that maybe they’ve been living the life they think they should, instead of the one they really need.”

    March

    10th-Luther: The Fallen Sun

    The great Idris Elba returns to his greatest role as detective John Luther. Cynthia Erivo, Andy Serkis and Dermot Crowley will share the screen with Elba as he does “whatever it takes to catch a killer.”

    31st-Murder Mystery 2

    The dynamic duo of Adam Sandler and Jennifer Aniston are back for the sequel to 2019’s Murder Mystery. The cleverly titled Murder Mystery 2 will see the clumsy amateur dicks take on an “even more mysterious case” than they solved in Murder Mystery.

    May

    12th-The Mother

    J-Lo is still making movies and in Niki Caro‘s The Mother, she portrays “a female assassin comes out of hiding to protect the daughter she gave up years before.” Misha Green and Peter Craig join Jenny from the Block in the action-thriller.

    June

    1st-Extraction 2

    Stuntman turned director Sam Hargrave reunites with Chris Hemsworth to tell the next chapter in the story of Tyler Rake in Extraction 2. “After barely surviving the events of the first movie”, Rake is tasked with another deadly mission: rescuing the battered family of a ruthless Georgian gangster from the prison where they’re being held. Golshifteh Farahani and Adam Bessa reprise their roles as Nik Khan and Yaz Khan and are joined by Olga KurylenkoDaniel Bernhardt and Tinatin Dalakishvili.

    July

    21st-They Cloned Tyrone

    John Boyega, Netflix mainstay Jamie Foxx, and Teyonah Parris star in the directorial debut of Juel Taylor. The film is “a timely and mind-bending thriller” that sees a “series of eerie events thrusts an unlikely trio onto the trail of a nefarious government conspiracy in this pulpy mystery caper.”

    August

    11th-Heart of Stone

    Peaky Blinders Tom Harper directs Gal Gadot in Heart of Stone. Gadot plays Rachel Stone, a secret agent who “lives off the adrenaline” and finds herself as “the only one standing between world peace and global destruction.

    25th-Lift

    Director F. Gary Gray looks to be revisiting his Fast and the Furious days in Lift. An international heist crew is recruited to prevent a terrorist attack and must pull off the heist on a plane mid-flight at 36,000 feet! Lift boasts an incredible cast led by Kevin Hart, Gugu Mbatha-Raw and Vincent D’Onofrio with Úrsula Corberó, Billy Magnussen, Jacob Batalon, Jean Reno and Sam Worthington joining along.

    October

    13th-Damsel

    Millie Bobby Brown stars in Oscar-nominee Juan Carlos Fresnadillo‘s (28 Weeks Later) subversive Damsel. The film, co-starring Angela Bassett, Robin Wright and Nick Robinson, will follow Brown as a damsel in distress who “realizes that no one is coming and that she must save herself.”

    27th-Pain Hustlers

    Directed by Harry Potter universe vet David Yates, Pain Hustlers stars Emily Blunt, Chris Evans, Andy Garcia and Catherine O’Hara. Blunt stars as a single mom who “falls into a lucrative but ultimately dangerous scheme selling prescription drugs”

    November

    17th-A Family Affair

    Nicole Kidman, Zac Efron and Joey King star in a romcom that tells the story of a young woman, her mother and her movie star boss. A Family Affair was directed by Oscar nominee Richard LaGravenese.

    22nd-Leo

    An animated “coming-of-age musical comedy”, Leo stars Adam Sandler and Bill Burr. The film, which tells the story of the last year of elementary school as seen through the eyes of a lizard who is a class pet, Leo is directed by Robert Marianetti, David Wachtenheim and frequent Sandler collaborator Robert Smigel.

    December

    8thLeave the World Behind

    Written and directed by Mr. Robot creator Sam Esmail, Leave the World Behind is a “tense thriller about two strangers who interrupt a family’s vacation bearing news of a mysterious blackout.” Mahershala Ali, Julia Roberts, Kevin Bacon, Ethan Hawke and Myha’la lead the ensemble cast.

    22ndRebel Moon

    Director Zack Snyder space opera is loaded with talent. Sofia Boutella, Djimon Hounsou, Ed Skrein, Michiel Huisman, Doona Bae, Ray Fisher and Staz Nair star alongside Charlie Hunnam and Anthony Hopkins. Rebel Moon tells the story of a peaceful colony on the edge of the galaxy is threatened by the armies of a tyrannical regent named Balisarius (Skrein). The desperate civilians dispatch Kora (Boutella), a young woman who has a mysterious past to seek out warriors from nearby planets to help them challenge the regent.

    Sources: Twitter, TUDUM

  • First Look at ‘Mighty Morphin Power Rangers’ 30th Anniversary Special

    First Look at ‘Mighty Morphin Power Rangers’ 30th Anniversary Special

    It’s crazy to think that the Mighty Morphin Power Rangers were released 30 years ago. The franchise has been a chlidhood memory many cherish. Recently, the franchise has seen a big boom in popularity once again, especially with the Boom! Studios comic series. They have revisited some familiar characters from the original franchise while also introducing a really interesting multiversal twist on what makes a Power Rangers storyline.

    Netflix has been hard at work on its own cinematic universe inspired by the original series, but it seems they also have something quite special in mind. As revealed on Twitter, Netflix will premiere a 30th-anniversary special on April 19th titled Mighty Morphin Power Rangers: Once & Always. It’ll see the return of some of the show’s original stars including Barbara Goodson, who voiced Rita Repulsa, David Yost, Walter E. Jones, and who knows who else might appear.

    That is not all, as the official Power Rangers account, which shared its own unique anniversary logo, also offered a trailer teasing the new anniversary and some new footage they’ve filmed.

    Who knows if they have more planned for this year, and perhaps we’ll finally get some news on the Netflix series that’ll be showrun by Jenny Klein. Dino Fury even broke the two-season tradition for the anniversary, as it returns for an additional season before whatever the future has in store for the franchise. Here’s looking forward to what else might be on its way. Still, there’s also that feeling of sadness after the tragic passing of Jason David Frank, but his spirit lives on with the franchise.

    Source: Twitter

  • ‘One Piece’ Showrunner Teases Mihawk as His “Favorite Character” in the Netflix Adaptation

    ‘One Piece’ Showrunner Teases Mihawk as His “Favorite Character” in the Netflix Adaptation

    One Piece‘s live-action adaptation will offer a new take on the iconic manga from Eiichiro Oda. We were lucky to follow the production with various set photos that teased larger-than-life production. They are using real boats to showcase some iconic iconography from the original series, and we’re still anxiously awaiting a first look at the costumes of the various actors.

    While joining the One Piece community discussing the last year, showrunner Matt Owens got the opportunity to offer some minor tidbits on what to expect. In it, he revealed that his new favorite character from the live-action adaptation is Mihawk, played by Steven Ward.

    I will say that my favorite character in the live-action is Mihawk. I will say that.

    Matt Owens

    Of course, he doesn’t really give away any details or why he’s enjoyed the character but YouTuber Rogersbase did add a bit, as he had the opportunity to visit the set some time ago.

    I will say, I understand why Matt be saying that. I will also say that I think there is a story arc that when we get to it, people are going to be very impressed with how that story arc turns out, and looks in live-action.

    Rogersbase

    The YouTuber highlights that “he has complete faith now” after having had a chance to see the set from the arc that he is teasing. Of course, this led to many speculating what exactly he is referencing, but it seems like there’s a lot to be excited bout in how they bring this project to life. Owens did tease that we’ll get an update “very soon so we’ll have to wait a bit longer to see what the project has to offer.

    Source: YouTube

  • Live-Action ‘One Piece’ Showrunner Believes the Netflix Series can Become “an Entry Point” for New Fans

    Live-Action ‘One Piece’ Showrunner Believes the Netflix Series can Become “an Entry Point” for New Fans

    There’s always a heated discussion online about the relevance of remaking something in live-action. Some believe that these projects should remain in their original format, but there’s also an opportunity for these adaptations to draw in a completely new audience. That is something that showrunner Matt Owens seemingly believes with his adaptation of One Piece for Netflix and Tomorrow Studios.

    While being asked about the upcoming live-action adaptation, Owens got an opportunity to highlight what he and his co-showrunner Steve Maeda hope to accomplish with this show, and that is to establish this “as an entry point.” A series like One Piece consists of 1,000+ chapters and just as many anime episodes. So, it’s not an easy show to just jump into, but that is something Netflix’s One Piece can offer.

    We want to be able to use this as an entry point. We’ve all had experiences trying to get people into this who aren’t that are like: “How many chapters is it? How many episodes is the anime?” So, to be able to offer this as a new and different entry point. See, now you can jump in. Now, you can see what we were talking about.

    Matt Owens

    It’s an ambitious goal and also reflects how much care is going into this project from everyone involved. They highlight that the cast, crew, and anyone working on the project loves or fell in love with the series, ensuring they want to bring it fully to life. There’s always a challenge with adapting an animated project into live-action, but the team gives a lot of hope.

    There’s also the fact that some people simply don’t care for animation. Hollywood still struggles to highlight that animation is an art form and not just something for children. Guillermo del Toro highlighted this fact once again during his speech after winning for Pinocchio. Yet, some might not be interested to jump into an animated project or read a manga. So, the live-action project may give them that entry window to give it a chance after all.

    Source: YouTube

  • Netflix’s ‘One Piece’ isn’t “Shying Away From” the Manga’s Fantastical World

    Netflix’s ‘One Piece’ isn’t “Shying Away From” the Manga’s Fantastical World

    Things have calmed down quite a bit on the shore of the One Piece live-action series since production wrapped up some months ago. Tomorrow Studios and Netflix are working on what may be one of their most ambitious adaptations yet, as the original series by Eiichiro Oda is quite a bit different from the more grounded stories of Death Note and even Cowboy Bebop. The world includes a wide variety of creatures, cultures, and environments that are out of this world.

    There’s always some worry with live-action translations that cartoony elements may not make it into these adaptations. While visual effects have come a long way, there are still some limitations or even creatives who might be shy about fully embracing that wacky concept. Luckily, showrunner Matt Owens revealed that this series is definitely going to “look like the One Piece world” during his participation in the yearly One Piece community-driven live-cast known as the Reverie.

    The world is going to look like the One Piece world, that is what it is. Are characters going to have razor-sharp teeth when they get mad? No, we won’t have that but elements that make the One Piece world what it is, we’re not shying away from it.

    Matt Owens

    For long-time fans, this is a releasing statement to hear, especially with just how creative some of the islands become that we see in the series are. It also makes sense that we won’t be seeing the usual anime tropes for the various reaction shots, but it’s great to know that once we hit the Grand Line, there’s going to be a lot of chaos awaiting this new take on the Straw Hat pirates.

    Source: YouTube