Tag: One Piece

  • Den Den Murphy Episode 12 – Chapter 1039 and 1040

    Den Den Murphy Episode 12 – Chapter 1039 and 1040

    Suki and Joe have two whole chapters to catch up with, as Law and Kid finally take down Big Mom. Not only that, but they also discuss the bizarre “no ice cream on set” rule from One Piece‘s live-action series.

  • Netflix’s Approach to ‘One Piece’s New Logo is to Reflect Its “Cinematic Scale”

    Netflix’s Approach to ‘One Piece’s New Logo is to Reflect Its “Cinematic Scale”

    It’s crazy to look back at the build-up to Netflix’s live-action adaptation of One Piece and for some time all we had was a logo. To be fair, we had a single message from manga creator Eiichiro Oda for almost 4 years before the series picked up any steam, but the new logo was the first sign of the series actually happening. A redesign of such an iconic logo was going to face some criticism but we got a very Western take on the iconic logo.

    The 3D model of the lettering is something that’s not too uncommon in modern film or TV logos, but there are some nice touches that pay tribute to the original, such as the anchor in the “E” at the end and the straw hat-wearing skull in the “O”. There are even some small additions such as a mini Luffy hiding in the nose of the skull, which is a great little detail. In a new piece on the creative director Arisu Kashiwagi (Stranger Things) she offered some insight into how they approached the design.

    The goal of Netflix’s live action brand identity is to further evolve One Piece into a compelling, modern brand – one that elevates the epic fantasy pirate genre while standing the test of time. By adding dimension, textural realism, drama, and a hint of humor, the new identity captures the eccentric, whimsical nature of the One Piece world and the cinematic scale of their wild, nautical adventures.

    Arisu Kashiwagi

    The piece highlights they wanted to include elements from the original manga logo while simplifying elements. There are some added details to the logo as the “weathered textures add life and realism to the title representing the many adventures that the Straw Hat Pirates crew have encountered at sea.” Part of me does wish that the logo may change throughout the series’ run and we see more and more of the weathered design as time goes on, reflecting the challenges they face throughout the Grand Line.

    Still, i’s a good logo that mostly stays true to the original and the adaptation fits the fact it’s a live-action take on manga classic. The fact Luffy is in the nose rather than replacing the “I” was a nice touch, even if it would be nice if the rope was a bit more representative, especially with the rather simple font choice. Still, the texture addition is a nice touch, and hope to see it fully animated, which may add to the experience.

    Source: Arisu

  • New ‘One Piece’ Set Photo Teases Updated Going Merry Design

    New ‘One Piece’ Set Photo Teases Updated Going Merry Design

    So far, it seems that most of what we see from Netflix’s live-action One Piece set has been primarily the various ships that will be featured in the series. We got a pretty good look at Alvida’s iconic ship that also hinted at the added detail of hearts on the Miss Love Duck’s sail. Some time ago, we also got some set photos from the Going Merry. It’s the Straw Hats signature ship that they got their hands on after meeting Usopp as a gift from Kaya. Well, a new set of photos found their way online teasing that Merry will get an updated design from what we saw of it previously.

    The new images were shared by @suppertim3 and it once again features Alvida’s ship, which certainly towers over the Going Merry. Of course, there’s also the difference of its placement but Merry always was meant for a smaller crew and it still won’t be the same size as Alvida’s ship given it has three masts, which is common for Barques. You can see the new photos right here:

    Miss Love Duck hasn’t changed much from the last time we saw it, but there are some noticeable differences if you compare what we saw before. First off, there are some added details on the sides of the ship that seem inspired by the figurehead. The twirl at the end was normally in the middle section of the boat So, it’s great they included it even as they try to keep the ships as realistic as possible. It’s a great added design that adds some flair. What is quite surprising is that Merry’s mouth seems to be open.

    Here’s the last full look we had of the ship from some time ago. It’s curious how the sails are still missing for some reason:

    Image

    Perhaps the ship is shocked by what’s going to happen to it once they cross the Grand Line? Jokes aside, if we compare the photos we can clearly see that the twirls are still part of its design, but they may have tested out the look to find that delicate balance of adaptation and realism. The sheep figurehead generally seems more realistic in the latest set photo.

    What also stands out is that the stern is quite different from the previous version, as it may have been made smaller. Perhaps to make room for Nami’s future orange trees, but they’re certainly were some changes made. It might end up being for a different ship and they still have the more accurate design somewhere that we saw some time ago, but we won’t know for sure until we get an official look or at least a close-up.

    Source: Twitter

  • Zoro Has Been Found as Mackenyu Joins ‘One Piece’ Production

    Zoro Has Been Found as Mackenyu Joins ‘One Piece’ Production

    Ever since the cast arrived in South Africa to film Netflix’s live-action adaptation of One Piece, there was an ongoing joke that Zoro actor Mackenyu was seemingly absent. The actor is mostly quiet on his Social Media, and it led to a funny running gag with the cast that he was just in character, as Zoro is famous for getting lost. Future Luffy actor Inaki Godoy even shared images of him going on the hunt to find the actor which led to a viral joke under the hashtag #FindingZoro. After a long bout of silence, it seems that Mackenyu has finally joined the production as he joins the rest with an image of his seat.

    In the comments, you can see the rest of the cast having their fun, such as Emily Rudd stating “oh so u found your way” to poke fun at his absence. She was the first of the core cast to share a photo from the set, as it started last week. Mackenyu only joining this week is curious as it opens up the question if they are starting production on his part in the Romance Dawn arc.

    There have been theories he’s been avoiding any photos due to having dyed his hair green to bring Zoro to life, but there was one image of him training the three-sword style. We’re still waiting for any announcements of the supporting cast, especially for big-name characters like Gol D. Roger, Shanks, or Mihawk that have small yet essential roles in the East Blue Arc. They might have not started work with them and their announcements might follow once they start work involving the characters.

    Source: Instagram

  • REVIEW: Onigashima Continues to Burn in ‘One Piece’ 1038

    REVIEW: Onigashima Continues to Burn in ‘One Piece’ 1038

    It’s just showdown after showdown in the Onigashima raid, which is still not even close to leaving steam. The latest chapter included some great small moments as we take a short break from Kaido and Luffy’s showdown. One Piece‘s chapter 1038 gives us a vignette of where everyone else currently is while catching back up with Kid and Law’s battle with Big Mom, who isn’t going to go down that easily.

    The cover story this time is quite surprising as it seems Niji and Yonji of Germa 66 have been caught by the Big Mom Pirates. So, either they might return to free them, or Sanji gets a chance to save his family once again in the near future, but mostly cause it’s hard to believe that his father would go back and save his sons. Yet, who knows if he had a bit of a change of heart after the events from the Whole Cake Arc.

    It’s great to see Jimbei back, as he mostly took a backseat since his confrontation with Who’s Who. His saving of the samurai was a great moment, as we also see that the spreading flames have wrecked the entire place. Even Chopper gets to return as his super tiny form has expired and he returned to normal. It’s sweet to see him instantly care about Zoro, who is going through something of his own.

    Speaking of, what in the world is Eiichiro Oda doing playing with our hearts? It’s so strange to see the freaking Grim Reaper stand above him right after Chopper discusses the pain he’ll go through. Though the arms and close-up of the face make me think this is a fake-out and it’s probably Brook. How he got his hands on a scythe is a different story, but it seems like the most logical reason the literal embodiment of death appears here. Luckily, Franky is on his way to help.

    Izo has been taking quite the beating to give Usopp enough time to get the Red Scabbards away from the battlefield. The interesting aspect is the confrontation with CP0, which probably won’t end well given that the Beast Pirates have pushed him to his limits. It doe make you wonder if an eventual confrontation between the secret organization and the Straw Hats. Going by the direction they are heading, it seems they might end up catching up with Usopp.

    I am always excited to see Yamato – who I still hope joins the crew – and it’s great to see her showcase her abilities. It still seems like a shame how little we saw of her fight against Kaido. She’s also a perfect counter to the flaming ball of vengeance, as she just made it in time to keep it from blowing the whole island up. I am curious just how Yamato might manage to get it away from the explosives and weapons, as it’s very unlikely the island will just blow up.

    Now, it’s finally time to talk about Big Mom’s battle against Kid and Law. It’s not going so great for them, as she seemingly towers over them and mocks the young pirates. It almost looks like the two might have met their match, but she is certainly pushing beyond her limits. Her main goal is to return to Kaido’s side adds a nice level of urgency to this fight, especially as Law continues to keep the fighting going.

    We once again get the return of his Awakening through Kroom, which offers a clearer picture of what it can do. The fact he can warp the reality of an object adds quite a curious element to his ability, especially how his sword goes through Mom without actually cutting through her. Perhaps this ability is deeply connected to the fruit’s famous ability to give someone immortality. Kid also makes a grand effort by pulling in all the metal around him to create a giant raging bull, as both proclaim she will not get to the roof.

    The title was surprisingly misleading as Zoro and Sanji’s “vs.” chapter titles ended with the defeat of their enemy but seems Oda decided to mix things up this time around. Even after their defeat, they are continuing to push forward which is quite exhilarating and makes me curious what the next chapter has in store for us, as we might enter the final stage of this battle after all.

  • Den Den Murphy Episode 11 – ‘One Piece’ Arc Ranking, Chapter 1038, and Latest Netflix News

    Den Den Murphy Episode 11 – ‘One Piece’ Arc Ranking, Chapter 1038, and Latest Netflix News

    In a special live stream of the latest Den Den Murphy episode, Suki and Joe had an extra-long recording all about the latest One Piece chapter, 1038, discussing the long-awaited production start of Netflix’s upcoming live-action adaptation, and ended it with a complete rank of their favorite arcs from the entire series.

  • Netflix’s ‘One Piece’ Cast Slowly Start to Join Production

    Netflix’s ‘One Piece’ Cast Slowly Start to Join Production

    At the beginning of the week, we finally got the confirmation that Netflix’s live-action adaptation of One Piece is starting production. The team shared their excitement on Twitter and Instagram, but there was surprisingly nothing from the cast at the time. Luckily, throughout the week, the cast has been sharing their excitement with teases that they started work on the project.

    First off, Emily Rudd, who was cast as the cat burglar Nami, shared a photo of herself in a One Piece t-shirt seemingly on the way to the production alongside a first look at the seat that has her character’s name on it. The previous announcement that productions tarted from Matt Owens and Steve Maeda was in a similar style with their on-set seating.

    The future King of the Pirates, Iñaki Godoy, also followed the trend with him sharing a first look at his chair. So far, this is the only tease we got from the set, and it’s still uncertain if we might get an official look at their designs once production starts. I am a little sad that the seat doesn’t also include his signature straw hat that he’ll wear during filming.

    What about the rest? Well, it seems that these two were the only ones to share that they have joined the set which is a rather curious surprise. Mackenyu hasn’t shared much from his time in South Africa – which led to a hilarious “Finding Zoro” campaign of Godoy looking for the actor – but it seems likely he might join at a later time. Productions aren’t forced to follow the story exactly, and they may be focusing on the Orange Town storyline first which mostly featured Nami and Luffy on their own before Zoro joined later on.

    In regards to Jacob Romero Gibson and Taz Skylar, it seems they are still training and preparing for their time. Skylar recently shared an Instagram story of him getting ready to jump into an ice bath, which is commonly used to avoid muscle soreness. So, they might also follow suit with the chair image

    Source: Twitter, Instagram, Twitter

  • Netflix’s Live-Action ‘One Piece’ Series Finally Starts Production

    Netflix’s Live-Action ‘One Piece’ Series Finally Starts Production

    Spring has seemingly come early, as it looks like Netflix’s live-action adaptation has started production. At least that is what a tweet by showrunner Steven Maeda as well as the series writer and executive producer Matt Owens revealed. It’s a different approach from previous entries, as the official Netflix Geeked account usually shared the initial announcement, such as was the case with the live-action Avatar: The Last Airbender adaptation. Yet, as the account is from the States, they may follow up as filming is taking place in Cape Town and that is why the production announcement is directly through their account.

    While Maeda shared an elusive message of “The Day of the Beginning” with a straw hat keychain, Matt Owens‘ reveal came through his Instagram account that is a bit more direct in revealing that they’ve started production on One Piece.

    This moment is big for anyone following the production that was hit with delays due to COVID. The series was first announced back in 2017 by Eiichiro Oda, who was quite excited about finally finding the team that would bring his series to live-action. At the time, it seemingly was still known as Project Roger before moving on to become Project Panda at a later date. Set photos teased the construction of the Going Merry but it wasn’t until we got the official logo in September of 2021 followed by the cast announcement in November that it felt real. So, the fact it’s finally started production just adds quite a bit of excitement and hopefully, it means we’ll get the cast in their official outfits soon.

    Source: Twitter, Instagram

  • REVIEW: Kaido and Luffy Collide in ‘One Piece’ 1037

    REVIEW: Kaido and Luffy Collide in ‘One Piece’ 1037

    One Piece always seems to manage to continue to grow a world in creative ways. Elements that seemed like small tidbits from years ago can suddenly become relevant within seconds. Worldbuilding has always been Eiichiro Oda‘s greatest strength and the final moments of this chapter truly solidify that. Yet, we also get a dense chapter filled with some of the series’ best action and some actual character development for a villain, who seemingly was left behind and barely explored outside of the way he took over Wano. The battle between Luffy and Kaido may have done more for the character than the rest of the entire three acts of this storyline.

    If I bring it up, it may be good to start there with a look at this latest chapter. Kaido reveals he had a secret up his sleeve all along. He’s an alcoholic. Okay, technically yes but the point is that alcohol seems to make him unleash most of his abilities. We get some Drunk fu from a man who can turn into a fire-breathing dragon and he is taking it out on Luffy. the different phases showing a personality that he had seemingly hidden away. The Emperor of the Sea is having fun as someone is finally putting up a challenge. His smile also fits perfectly into King’s flashbacks on when he believed he may be Joy Boy.

    Most of the chapter is about this fight, as we get some creative sequences with Kaido switching between the different moves. You can see Luffy smiling at times throughout, and he’s gotten quite creative in how he takes on his enemy. That headbutt looks quite painful and there’s a lot of weight to the events that are unfolding. You can feel every single punch as the battle continues to unfold. It seems uncertain if the fight will truly come to an end in the next few chapters, but we’re definitely in the endgame now.

    The big revelation at the end, however, is the true selling point of this chapter. 1037 randomly moves to the Red Line’s Sacred Marijoa. Suddenly, the Five Elders are discussing a secret Devil Fruit. Something about one that hasn’t awakened in “centuries upon centuries” and even was given a fake name. As this is being discussed, the World Government’s ships are closing in on Wano. Yet, a giant shadow has arrived and is ready to take care of an issue the Straw Hats never realized they had. It’s the giant elephant known as Zunesha, who has been traveling for quite some time to a specific location. Could that have been Wano all along?

    So, the lines on the Devil Fruit seem to imply the awakening has a connection to the giant elegant, but they imply that it hasn’t reached its true power in a long time. Plus, if you think about it: there have been two massive teases in this arc. First, we find out that Who’s Who was supposed to be guarding the Gomu Gomu no Mi, but it ended up getting stolen by the Shank’s crew. Secondly, Kid and Law have revealed they already had their awakenings at some point in time. Last, but certainly not least, the chapter is all about Kaido and Luffy’s fight. So, it seems very possible that Luffy’s original fruit might be hiding a rather curious secret that we’ll find out about in the next few chapters.

  • ‘One Piece’s Taz Skylar Talks Preparing for the Role of Sanji

    ‘One Piece’s Taz Skylar Talks Preparing for the Role of Sanji

    It’s been some time since we found out who the cast was for Netflix’s live-action adaptation of One Piece. A lot of young talent is getting the chance to bring one of the world’s most popular manga to life. With Eiichiro Oda supervising the project and praising the cast of the series, it added some excitement to what they might bring to the table. Among them is Taz Skylar who was cast as the Straw Hats’ chef. He recently was interviewed by Nuit Magazine and revealed he’s been actively preparing for the role months before the announcement.

    I was in Hamlet at The Young Vic whilst also doing two to three hours of Tae-Kwon-Do training a day + chef training after the show in the evenings and it was a lot to handle whilst also trying to keep my centre of gravity as a human… But now, I’ve reached a point where I’m just kinda like… “You’re just gonna do your fucking best bro” and whatever happens fucking happens. If I walk on to set thinking “how are people wanting me to play this” I’m bound to fail… If walk on to set thinking, “this role is mine now and I’m going to rip it to shreds and pour my heart and soul into it” I’m always going to be proud of it

    Taz Skylar
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    As we saw with the recent set videos, they are all in with this project. The fact he was not only training Tae-Kwon-Do but also taking cooking lessons shows how dedicated they are to staying true to the characters. Instead of just finding a stand-in for those scenes, it seems he’ll do most of the cooking personally throughout the series. He also highlights how he relates to Sanji in how trauma shapes a person.

    Sanji’s a person who had to fend for himself from a young age and did so by becoming a master of his trade. Weirdly I’ve lived a similar life… I left home when I was fifteen and became an apprentice to surfboard builders. All of which resemble Sanji’s mentor Zeff in some way or another. And I learned to fend for myself through trial and error. This was all before I started acting and writing. His trauma and his reasons for leaving are the thing that drives his behaviour in adulthood… I have my own things I was running away from and which drive my own behaviour now… But we won’t go into those, that’s a whole other story. 

    Taz Skylar

    It certainly sounds promising how much he reflects on the role. He does mention Zeff, who has yet to be cast officially. It’s uncertain if their adaptation of the East Blue Saga might also reference some revelations we uncover at a later time. Still, it certainly seems like he is excited for the role and with the training, we cannot wait to see him show off his kicking skills once the series eventually releases.

    Source: Nuit Magazine