A long time ago, before Netflix’s live-action One Piece series even started production, we got a good look at Sanji actor, Taz Skylar, showing off his skills kicking. It’s one of the character’s iconic aspects besides his ability to turn anything into a delicious meal. Many wondered how they’d attempt to bring his moves to life, especially in how flashy they are showcased in the original manga by Eiichiro Oda. A new video from Skylar highlights just how far his training has come.
In a new video as shared by @OP_Netflix_Fan on Twitter, we get a good look at just how far his training has come along. Skylar has actively shared how he’s prepared for the One Piece role, such as attending kitchen courses alongside training with his stunt doubles. We sadly still haven’t gotten a good shot of him in costume, and how they might tackle his moves cinematically, but the dedication showcased is definitely praise-worthy.
— ONE PIECE NETFLIX FAN (@OP_Netflix_Fan) July 4, 2022
We haven’t seen much on how the training has come together for Zoro actor Mackenyu, but there was a leaked production image that hinted at these the three-sword style. One Piece continues to shape up as a promising project that’ll hopefully set a new direction for live-action manga adaptations. With many promising practical sets and some visually stunning designs, the only thing we haven’t gotten a glimpse at from the project is their costumes. so, we’ll see if they might give us our first look once they’ve wrapped production and entered the post-production phase.
Aramis Knight’s Kareem stepped immediately into action in Episode 4 of Ms. Marvel and, for much of the episode, didn’t get a chance to slow down. The formidable Pakistani hero played a large role in Kamala’s trip to Pakistan, both in the books and in the series, but with the nearly non-stop action in the episode, the audience didn’t really come to know much about Kareem. In an exclusive interview, Knight talks about what he’d like explore about the character in the future and his budding relationship with Ms. Marvel.
I would love to see Kareem’s training regimen. I just think that’d be super interesting. He comes in as a hero who is powerless so to be able to keep up with these people who do have powers he has to train every single day of his life and I think seeing parts of that-seeing things that he does to become the superhero that he is-I think that would be super interesting. I would also love for people to meet Kareem’s family.
Aramis Knight
Marvel Studios has certainly shown a willingness to go beyond the source material in developing the characters in their shared cinematic universe. They’ve already taken a step in that direction with Kareem by making him part of an order of Red Daggers, so it wouldn’t be surprising if they continued to do so if the character returns for another season. Though Kareem played a pretty major role in his time in the comics, he’s only had a few appearances so there’s room for the Ms. Marvel creative team to work. And according to Knight, he hopes that part of that work is taking on a mentor role with Kamala.
Even more than that, I become a great ally for Kamala and, in a way, I become somewhat of a mentor in that she’s a newfound superhero to someone who’s kind of worked his whole life with this organization so there’s a lot for her to learn from him. And I think I do take on that mentor role a bit, although there’s also the banter, you know, the bit of flirtation, it kind of all plays into it, I think.
Aramis Knight
Fans are certainly hoping for a second season of the hit streaming series and given the path Kareem’s character follows in the comics, there is certainly room for him to return to help Kamala and complicate things a little for her as well.
The first four episodes of Ms. Marvel are now streaming on Disney Plus with Episode 5 debuting Wednesday, July 6th.
There was a time when one of the top criticisms the Marvel Cinematic Universe faced was that the films had a “villain problem.” This wasn’t entirely inaccurate, because unlike with well-known heroes like Batman and Spider-Man, the earliest MCU films were about establishing who our long-term protagonists would be, more than establishing who would be their foils.
But as the quality of the offerings have improved, so too has Marvel’s ability to introduce heroes and progress their stories in the projects of others, leaving the films with more real estate to give their antagonists room to flourish. Add in the way that some villains’ stories intertwined with those of the heroes, and that has provided the ingredients for the introduction of villains who leave an impression on audiences even after they’re vanquished. And in a storytelling form that thrives on characters returning and resurfacing, that has been invaluable.
But what if someone were to scour the first 4 phases of the MCU and create a new and formidable villain, stitched together from antagonists past? From which five villains would you take component parts for this unholy union, and which parts would you use? This piece purports to answer that question. Behold, our Villain Frankenstein!
The Commitment of Thanos
For most fans, Thanos is either #1 or #1A on their list of favorite MCU villains. And why wouldn’t he? In Avengers: Infinity Warhe defeated the Avengers handily while throwing timeless verbal barbs in their direction — not to mention fragments of nearby moons. He humbled the Hulk, victimized the Vision, and laid waste to worlds, all in the name of balancing the universe through the eradication of half its sentient life. So thorough was his victory, and so committed was he to achieve that victory, that audiences couldn’t help but begrudgingly give him respect.
But beyond the respect for how formidable he was, audiences also considered, because of Thanos’ commitment to his vision for the universe, and his willingness to sacrifice and risk everything for it, the possibility that just maybe he had a point. Does the world warrant a biblical-style purge? Indeed, sometimes it feels like it does. Can the idea of killing half of everyone indiscriminately and leaving survivors to make a better universe in its aftermath seem oddly plausible? Yes! So we can understand a villain who takes years, stretched across multiple films, acquiring the MacGuffins and putting the pieces into place, doing so in service of a victory of that scale. That his Snap was ultimately reversed is immaterial; his impact is still being felt. Thanos showed that it was possible for the villain to win, and because it took five years for that win to be overcome, the MCU, and its audience, was forced to marinate in his message.
The Righteousness of Killmonger
Before “Thanos Was Right,” it was Erik “Killmonger” Stevens in Black Panther who articulated a worldview that resonated with audiences, despite being ultimately villainous. Colonization and oppression, particularly at the hands of Europeans, have ravaged the Global Majority, marginalizing them, and creating an underclass throughout the world who need to rise up and achieve liberation by striking back. And in the utopian nation of Wakanda reside the tools that could make this global revolution possible. By sitting back and letting all the horrors be visited on people of color throughout the world by imperial powers, Wakanda abdicated a responsibility that should have been a moral imperative. And if Killmonger led them, the formerly powerless would rise up worldwide and become a new power, a new empire, that would strike fear in the hearts of any that opposed them.
Yes, of course, that goes too far. But up until the point that it goes too far, we find ourselves nodding our heads in condemnation for the “comfortable” who sit idly by while others are oppressed. We admire the fact that a young boy left orphaned in an Oakland housing project was able to mold himself into a fierce fighter, a tactical genius, and an engineering wunderkind, with nary a Bat insignia to speak of. Instead, he wears on his body the scars of all the killing he had to do to put himself on the Wakandan throne — even the killing of his own people. And he scoffs at the fact that Wakandans debate intervention while innocents suffer and die in the imperial yoke. It’s a message that continues to resonate today, as the masses cry out for someone who will do whatever is necessary to defeat tyranny, including getting their hands dirty.
In our hearts, we know that Erik honed himself into something sharp and hard because his world wouldn’t let him be anything different, and when he does die in Black Panther, it’s tragic. But we also know that there are billions subjected to that same world, many making similar choices, because sharp and hard is what makes survival more likely than not. So villain or no, there’s something to the idea of the Wakandan spear that strikes at the heart of the powers that be in order to liberate the powerless. At times, we wanted to believe Killmonger could be that spear of righteousness, and it’s an epic villain whose cause is so sympathetic that you almost want to take it up alongside them.
The Resources of Wenwu
The Ten Rings organization was introduced to fans in the very first MCU movie, Iron Man as a shadowy terrorist network, yet we learn years later in Shang-Chi and The Legend of TheTen Rings that their roots stretch back millennia, and their origins lie in ten mystical artifacts of immense power, wielded by Xu Wenwu. With these Rings, Wenwu is able to take down kingdoms and annihilate armies singlehandedly and is granted near-immortality, inspiring the devoted and fanatical following which provides the foundation for his international criminal empire.
In the Ten Rings, Wenwu established a clandestine organization with the resources to rival Hydra, which for the most part had been able to prosper despite the existence of S.H.I.E.L.D., the emergence of the Avengers, and the rampage of the Ronin. And his identity as the head of the organization was secret enough that an actor could be installed as a figurehead with no one in law enforcement having a clue.
Although by the end of Shang-Chi, leadership of the Ten Rings organization has passed from Wenwu to his daughter Xu Xialing, and custody of the Rings themselves has passed to his son Shang-Chi, it should not be forgotten that for thousands of years, this martial arts master and criminal mastermind possessed ten of Earth’s most powerful weapons, and had an army of operatives at his disposal all over the world. It’s certainly disappointing that we mostly got to see the fall of Wenwu, rather than his rise and reign. But the glimpses we did see were of a formidable man who built an empire that was not to be trifled with. And there is a certain irony to the fact that his other defining characteristic, family man — exemplified by his desire to see his children extend his legacy — ended up being fulfilled in his death. He was a cruel and overbearing dad, and yet, he still managed to get his way. How villainous is that?
The Sex Appeal of Hela
Does a great villain have to be sexy? Of course not. However, great villains are often charismatic, confident, graceful, and lithe, and there’s something sensually appealing about a character who is uninhibited and unabashedly bad. From the moment she first steps out of the portal in Thor: Ragnarok like some kind of goth goddess, Hela was capable of stealing the spotlight from both the hunky and handsome Thor and the devilishly charming Loki, chewing scenery, smashing Mjolnir, and establishing her dominance. She laid waste to Asgard and looked fabulous doing it. Whether you’re male or female, a villain who can make you swoon, despite knowing that their intentions are far from pure…well, let’s just say that Tumblr exists for a reason.
The MCU was reluctant to have female villains for a long time, and I suspect part of the issue was presenting an antagonist who could convincingly present a physical threat to male heroes. Well in the Goddess of Death, Taika Waititi was able to give us all of that, as Hela stepped on the necks of every male character and dared them to beg for more. When she instructs them to take to their knees and submit to her will, we as an audience are kind of hoping she gets to do her worst. Every moment she strokes her hair, tilts her head back, and unleashes her thorny antlers becomes instantly iconic because she’s about to do Very Bad Things that we can’t wait to see.
There have been a lot of formidable villains in the MCU, but none other than Hela have served such looks while also serving up so much death and destruction. This goddess deserves her spot in the pantheon.
The Gravitas of the Kingpin
Wilson Fisk’s physical stature certainly looms large, and so does his influence. Whether he’s the Big Bad of Daredevilwilling to bash a head in for embarrassing him in front of Vanessa, or on Hawkeyetearing a car door off the hinges, the unbridled rage of the Kingpin is intimidating. However, even more intimidating is his soft-spoken, measured approach to getting his point across the other 90% of the time. As portrayed by Vincent D’Onofrio, Wilson Fisk is a man capable of conveying menace in an anecdote, inspiring fear in even the pauses between his words. You cross him at your peril, and Fisk speaks like a man who knows that, and most importantly, knows that you know it.
Kingpin is a villain that commands both our attention and our respect, even though he isn’t the most charismatic in his oratory. He isn’t going to drop a smooth one-liner or dazzle us with his charm. He is, however, going to be riveting in his determined and deliberate delivery of a dramatic monologue. And monologues are a great villain’s stock in trade.
Villainy is a complex stew. There’s not an exact formula that can be relied upon to create a timeless villain. But if you were trying to create a blueprint, so that you could build an elite supervillain in a lab, this would be a great starting point. We’ve got some great villains coming down the pipeline in the months and years ahead. Let’s see how they measure up.
The next big live-action series from Lucasfilm’s Star Wars universe is Andor, the Rogue One prequel starring Diego Luna as Rebel spy Cassian Andor. An origin story of sorts, the show will span five years of the titular character’s life, finally giving viewers a look into Andor’s adventures with the growing Rebellion and leading directly into his final days stealing the Death Star plans. However, with Andor already confirmed to last just two seasons, many fans have found themselves wondering how those five years will be broken up and explored in so few episodes.
Speaking with Empire Magazine, series creator Tony Gilroy explained that the first season, due in August, will focus solely on the first of those five years, while the second batch of episodes will cover the next four in blocks:
The scale of the show is so huge. Directors work in blocks of three episodes, so we did four blocks [in Season 1] of three episodes each. We looked and said, ‘Wow, it’d be really interesting if we come back, and we use each block to represent a year. We’ll move a year closer with each block.’ From a narrative point of view, it’s really exciting to be able to work on something where you do a Friday, Saturday and Sunday, and then jump a year.
Tony Gilroy
So, to translate, that means Andor Season 2 will consist of 12 episodes, with each set of three taking place in a different year. It’s a unique storytelling tactic that should help to keep audiences on their toes and diversify the content of the season in really exciting ways. Early rumors for the project had indicated it would last a full five seasons, with each telling the tale of a year in Andor’s life. This may not have turned out to be true, but the reality of the situation will hopefully make for a more streamlined experience all around.
In the show, Kamala meets the Red Dagger while in Karachi. When she is investigating the train station looking for answers about the train in her vision, she is attacked by the Red Dagger. He then reveals that he knew she was Djinn because he could sense the Noor energy she was using. When he found out she was related to Aisha, he took her to the base of the Red Daggers where she met fellow Red Dagger Waleed. He explained to her that Clandestines come from another dimension that exists all around ours, but with a veil of energy that separates the two.
Marvel Studios’ Ms. Marvel Episode 4
Marvel Studios’ Ms. Marvel Episode 4
Red Dagger and Kamala bond in civilian mode as he introduces her to his friends at a bonfire. Ultimately, by the end of Episode 4, the Clandestines had tracked down Kamala and attacked the group, seemingly killing Waleed before Kamala is transported to what appears to be a 1947 Karachi train station.
What They Kept From the Comics
Ms. Marvel #12 (2016)
Ms. Marvel #12 (2016)
Ms. Marvel #12 (2016)
In Ms. Marvel, Kamala also meets Red Dagger while visiting Karachi. She does not know his true identity for quite some time, but his name is Kareem and he is a family friend. He acts as a vigilante in Karachi similar to how Ms. Marvel patrols Jersey City.
His look and skillset are incredibly comic accurate, and his role in Kamala’s life may track that seen in the comics. The two were introduced in both iterations when Kamala visited Karachi in an attempt to figure out who she was. In the comics, Kareem gave her a new and optimistic perspective on her role as a superhero in Jersey City. Here, he may ultimately be a significant spark in Kamala fully embracing her hero identity.
Ms. Marvel #23 (2017)
Kareem is also a romantic interest for Kamala in the comics, and subtle hints of that can be picked up in Episode 4. Kareem is an instrumental figure in advancing Kamala and Bruno’s romantic storyline—Kareem ends up living in Jersey City for some time, creating a love triangle—which is certainly a dynamic Ms. Marvel seems like it could lean into.
Ms. Marvel #23 (2017)
Ms. Marvel #29 (2018)
Ms. Marvel #29 (2018)
What They Changed
The most obvious difference between the live-action and the comics is that Ms. Marvel introduced the Red Daggers as a society with advanced technology working to protect people from things that cannot be seen. In Ms. Marvel comics, Red Dagger is simply Kareem, who is a solo vigilante-type hero. The dramatic expansion of Red Dagger in the live-action likely speaks to the need to aid and support Kamala’s mysterious and complex background/origin mystery. Introducing the Red Daggers certainly seems to have added to and advanced that aspect of the story, while still paying homage to the source material.
Marvel Studios’ Ms. Marvel Episode 4
Marvel Studios’ Ms. Marvel Episode 4
As to other differences, in Ms. Marvel, Kamala meets Kareem/Red Dagger extremely early on in her hero journey. She does not even have the Ms. Marvel mantle yet or donned a full costume. In the comics, she meets him as a well-established hero and Avenger struggling to come to terms with her self-identity and confidence as a hero.
In her meetings with Red Dagger, she learns humility when she botches a hero job in Karachi because she did not understand the workings of the area. In Jersey City, she struggled with feeling replaceable as Red Dagger immediately got the media’s attention after they stopped a runaway train.
Ms. Marvel #12 (2016)
Ms. Marvel #24 (2017)
The character’s story will continue throughout the rest of Ms. Marvel at least, but there is every reason to believe Red Dagger can serve as a sort of reflection point for Kamala like he does in the comics, but with more emphasis on her beginnings and growth into a superhero in the first place.
Marvel Studios’ Ms. Marvel Episode 4
The first four episodes of Ms. Marvel are now streaming on Disney+.
Photos from the set of the second season of Loki seemed to indicate a movie theater would play a key role in scenes currently being filmed in London. Now, a behind-the-scenes set video has leaked out that confirms the importance of the theater and shows the series’ dynamic duo back together.
Tom Hiddleston and Owen Wilson filming Loki Season 2 in London tonight 🤩 credit @irene_slytherclaw pic.twitter.com/QvdfLzpCqp
Tom Hiddleston and Owen Wilson are filming a scene together at the theater and given the black suit and tie and fanfare seen in other set videos, it seems that Loki and Mobius are attending a movie premiere. The two came formed quite a bond in Season 1, but as the season ended and Loki made his way back to TVA headquarters, it was heartbreakingly revealed that the Mobius from an apparently new timeline had no knowledge of who Loki was or of the other Mobius’ friendship. Having to start over again leaves all kinds of room for interesting stories to develop and it looks like while the two are working together here, Loki’s hands may actually be restrained. We’ll have to wait for a better look to determine exactly what’s happening, but it’s great to see the two stars back together!
Season 2 of Loki, one of Marvel Studios’ most popular streaming series to date, is now in production in London and some intriguing set photos have now made their way online. The first season of the streamer shot in Atlanta and did so mostly in studio, meaning set leaks were extraordinarily rare. Getting a look at these set photos this early into production on Season 2 is extra exciting.
It looks as though Loki Season 2 is shooting on location at London’s Noel Theater and, according to the movie posters put up for the shoot, it’s likely that this portion of the show is set in 1974 or 1975.
As seen in pics, there’s a combination of real-life and in-universe films being advertised at the theaters. Herbie Rides Again, Airport 1975 and Earthquake all hit theaters in UK 1974, with Earthquake debuting in late November. The three other movie posters on display at the fictional Leopold Theater are wonderful Easter eggs. One is a film starring Kingo of the Eternals, another is for a film entitled Phone Ranger and the final two are for a horror film entitled Zaniac. Phone Ranger and Zaniac are among the deepest of DEEP cuts Marvel Studios has ever dropped in a production as both are incredibly obscure comic book characters.
Interestingly enough, the first look at Loki, presented by Kevin Feige back in 2019, featured the God of Mischiefoutside of a movie theater in what appeared to by 1975 New York. That concept was never explored in Season One, but it looks like Season 2 will make good on it and that a movie will be premiering at the Leopold Theater. Whether or not Loki will be there and what he’ll get up to remains to be seen, but it’s worth noting that the end of Season 1 took place in a timeline where thing in the TVA were a little different and Loki didn’t seem to have any allies there, meaning we might see him hopping around a bit while on the run.
The Umbrella Academy has always felt like the little show that could. The cult Netflix series debuted in 2019 to mixed reviews, but has since found it’s footing and, after three zany seasons, has left fans begging for more. In a sea of comic book adaptations and uber-popular superheroes, the wonky cast of characters that inhabit the world created by Gerard Way somehow manage to be uniquely likable.
Season 3 saw the titular characters, once again, trying to prevent the end of the world. Their antics saw them existing in a timeline they shouldn’t and, after 10 episodes, the Umbrellas have inexplicably put themselves in a place to start over for a fourth time – in a brand new reality with no superpowers. With so much room to run creatively, showrunner Steve Blackman spoke to The Hollywood Reporter about his plans for the future of the series:
We haven’t been picked up — I have my fingers crossed. But I know what season four is in my head. I’ve already sort of worked out the beginning, middle and end of it. When I started this thing, I sort of knew four seasons of the show. I have nothing passed that in my brain, but I’ve sort of kept to a trajectory. So, I have a really good sense of what season four would be, and it should be just as bonkers as the other seasons — what a challenge these superheroes, this family has being powerless.
Steve Blackman
If renewed, it sounds like season 4 of the super-family dramedy could be it’s last. As sad as that may sound, all good things must eventually come to an end. It’s also still possible Blackman and his team strike storytelling gold and spawn ideas for a fifth season along the way. After all, the show has now outlived its source material, meaning anything beyond this point must be wholly original.
In the latest episode of Ms. Marvel, Kamala Khan makes her travel home to not only face the visions she’s had of the Partition but also look beyond her home to see how the rest of the world faces its own heroes. In the case of Pakistan, they have the Order of the Red Daggers, which help our young heroine to understand the dangers she is facing.
In an interview with EW, Sana Amanat shared some thoughts on the idea of the Red Daggers, highlighting Sabir Pirzada’s excitement of bringing them to life and how exploring Pakistan “feels like a season 2 thing and we did it in one season.” Marvel Studios President Kevin Feige and the writing team were quite excited to tackle their story. Of course, the same goes for Amanat.
I’m a huge fan of the Red Daggers. I love making them an order. The only thing is, if you asked me what I wish that we had more time for, it would be delving into the backstory of The Order of the Red Daggers, because there’s a lot more that we were percolating on that we just didn’t have time to shoot, frankly. But I love their team-up. I know everyone’s talking about there being a romantic interest, but there isn’t right now. Okay? Everyone’s like, “really, three boys?” But we intentionally pulled back on that.
Sana Amanat
She also highlights how they approached their introduction to offer some more insight into Kamala embracing her roots, as well as what it means to be part of something much greater.
The larger intention was showcasing that Kamala has been idolizing these heroes in the Western world that look nothing like her. Then she goes back to her roots and she meets these individuals who’ve just worked really hard to be good at what they are. There’s a line that Waleed [Farhan Akhtar] says, about how the red scarf is for anyone who’s willing to put it on, it’s just a representation of what they’re trying to do. I think that’s what Waleed is trying to say: “First of all, it doesn’t really matter what you look like. It doesn’t really matter about code names or armor or what kinds of clothes that you’re wearing as long as you’re linked to something much greater.” That’s really what I think the whole point was bringing in Waleed and Kareem into this show.
Sana Amanat
Waleed and Kareem definitely added something special to the series, and it would be great to get a chance to explore their place in the world even more moving forward. Who knows if Kareem might even find his way to the West, as he becomes the fish out of water to join Kamala in a future adventure which may tie into the Red Daggers’ legacy.
If there’s one thing that the Marvel Studios series are good at it’s exploring strong themes. Moon Knight explored what it meant to explore what it means to be oneself while WandaVision focused on grief. Ms. Marvel takes a more historic look at one’s heritage and what it means to carry that torch. And it seems those themes were also considered throughout the series’ many elements.
In an interview from Entertainment Weekly, Ms. Marvel’s co-creator and producer of the Disney+ series, Sana Amanat, offered some insight into how they wanted to tie the overall themes to its main antagonists, the Clandestine. As she highlights how it takes a unique exploration of identity throughout.
I was like, “are people going to get that or no?” Ultimately, this is a story about identity. How do you understand your identity without understanding what home is and what home means to you? The Clandestines are an interesting foil in that regard, because you are talking about people being displaced, and then there are these people and here’s how they interpret their displacement. There’s a much larger metaphor there and I want to see what people think of it.
Sana Amanat
She also highlights that there may be more heading our way as we jump into the final two episodes that’ll fully explore the Partition, as well as what the future has in store for the Clandestine. Especially in how it parallels the modern-day with how Kamala Khan’s parents found their place in a new place.
I’m really interested in the post wrap-up conversations about this entire show. Because it’s very layered, you’re talking about South Asian character, but you’re also talking about a Muslim character. So, I think we intentionally tried to tell a story of what it means when you lose your home and how you try to create a new one. I mean, it’s what Kamala’s parents did. They came to a new country, they created a home for themselves here. And yet, Kamala feels like she doesn’t understand what that means. So, there’s certainly a lot of parallels and very intentionally so.
Sana Amanat
It’s always great to see how they explore these themes and have many elements tie together to add just that little something extra. It’s unclear just how they’ll wrap it all together but if the series manages to pull in its finale, we may have one of Marvel Studios’ best.
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