Tag: TV

  • Marvel Studios’ Brad Winderbaum Promoted to Head of Streaming, Television and Animation

    Marvel Studios’ Brad Winderbaum Promoted to Head of Streaming, Television and Animation

    There have been many rumblings surrounding Marvel Studios’ future expansions. We’ve heard the first inklings that they’ll explore new avenues with more animated series heading our way. Ever since WandaVision was released, we’ve seen the company exploring more possibilities to tell its stories in new and interesting ways. Well, it seems the company is all in with their streaming future, as Brad Winderbaum was officially nominated to the position of Head of Streaming, Television, and Animation at Marvel Studios.

    The announcement comes at a perfect time as the first animated series by Marvel Studios, the multiverse exploring What If. Winderbaum has been with the company for quite some time, as he was in the trailer back in 2007 when Kevin Feige, Jon Favreau, and Robert Downey Jr. worked on the Iron Man script. Little would they know at the time just how far the franchise would grow. He started as the assistant to Lois D’Esposito and has quite a history with the company.

    Their media ventures were once quite splintered with the entire TV department working directly under Marvel, while Kevin Feige worked for Bob Iger directly. In 2019, he took over the department and replaced Jeph Loeb. While the brand has made animated series dating all the way back to the 1960s, it’s the first time Marvel Studios is taking this venture. They are also exploring an animated expansion of their core franchise, as What If is part of their ever-expanding Marvel Cinematic Universe. So, we can expect a lot more series in the companies’ future.

    Source: The Hollywood Reporter

  • The Brilliance Behind ‘WHAT IF…?’

    The Brilliance Behind ‘WHAT IF…?’

    Ever since disclosing its Phase 4 lineup, Marvel Studios has been pretty straightforward in that it’s making the Multiverse a reality within the MCU. From the Doctor Strange sequel title to the way Loki played out. We also can’t forget the cameos set to appear in Spider-Man: No Way Home, as we are heading down a very strange yet fascinating rabbit hole. It’s a concept that, if done right, can propel the MCU to new heights, but that comes with a few hurdles along the way. And What If…? seems like the right way to try and overcome some of those.

    As we’ve heard many times, the possibilities in terms of storylines are now pretty much endless. There’s an infinite number of universes with an infinite number of characters defining their own paths in an infinite number of ways. In order to capture the magnitude of all of this, Marvel Studios needs to step up and not limit itself in terms of what it will and will not feature in upcoming projects. To barely scratch this concept’s surface would feel like a disservice to audiences that have now been led to believe that anything can happen. This means bringing into the franchise a significant number of new characters, stemming from all those infinite possibilities the MCU has opened itself to.

     

     

    By introducing those new characters, or Variants as we’ve learned to call them, that’ll end up playing an important role going forward, you now need to make sure audiences acknowledge the differences between them. You need to make sure those same differences are felt on a deep level in order to make them appear singular. As such, it becomes more meaningful. Spider-Man: No Way Home is somewhat bypassing all those concerns by bringing back variations of characters people already have a connection with, which is certainly one way to go about it. It is something that might happen with a few more characters down the line. But as for all the others, you needed a vehicle to let them shine and present themselves before bringing them into the larger picture. And that’s where the What If…? concept proves a worthy one.

    By giving us an anthology-like format, where every week we’ll be presented with updated characters with new motivations, as well as coming from new universes with different paradigms to them, you allow for a higher number of character introductions at a faster pace. There is no need for a long-form story. We’re basically being given plot beats that are already familiar, but that still need to be seen in a different light. As we eventually approach an event where most universes are brought together in live-action, the time given to all these variants will be worth it as it will make their introductions all the more impactful.

     

     

    In terms of the style of the show, you can’t hide from the fact that we’re getting the first animated MCU series. And even though it may help in terms of bringing in a whole new segment of younger fans, it’s a choice that ultimately respects the scale and scope of the universes these characters must live and thrive in. Following a decade of movies where the MCU has gone to outer space, featured battles with armies of thousands, introduced time travel and magic, you needed to maintain the level spectacle that we‘ve come to expect from Marvel properties. Through animation, it’s easier (and cheaper, thus making it viable) to bring to life all the sets and setpieces needed to elevate each reality to the grand scale of their Sacred Timeline counterpart.

    By going the animation route also makes it feasible to bring back so many familiar faces, even if not all of the actors are returning. Not mentioning the money that would have to be involved to get entire casts to return had these been live-action roles, the sheer magnitude of the scheduling would probably prevent many of the appearances we will end up getting on the show. By allowing each role to be recorded at a convenient time (perhaps lending to some lackluster vocal performances), scheduling conflicts are averted, and the story can go wherever it wants to with no limitations in terms of who can and cannot make an appearance.

     

    What if…?"-Trailer & Co.: Alles zur animierten Marvel-Serie | film.at

     

    So being, What If…? is instilling the MCU with a much-needed variety of universes that seem to manage to live up to the possibilities the MCU opened itself to. On paper, it seems to be just what the MCU needed going forward. With both its format and its style pointing in the right direction, all that’s left to be seen is if what matters most, the character development that’s been at the heart of the MCU’s success manages to deliver.

  • ‘AHSOKA’ Seeking to Cast Live-Action Sabine Wren

    ‘AHSOKA’ Seeking to Cast Live-Action Sabine Wren

    It was with little surprise that Lucasfilm announced to be developing a live-action Ahsoka series, following her live-action introduction in the second season of The Mandalorian. Ever since that announcement on December 10, 2020, that fans have eagerly awaited the confirmation that Mandalorian warrior Sabine Wren would be appearing alongside Rosario Dawnson‘s Ahsoka Tano, as her search for their long-lost friend Ezra Bridger continues.

     

    Sabine Wren | StarWars.com

     

    This news has now seemingly been confirmed in a trade interview by Brad Winderbaum, head of streaming, television, and animation over at Marvel Studios, where, when referring that animation characters have often made the jump to live-action, it reads:

    Dawson is leading a live-action Ahsoka spinoff for Disney+, with sources saying Lucasfilm is looking for an actress to star opposite Dawson as Mandalorian warrior Sabine Wren.

    With Mena Massoud reportedly being the front runner to play live-action Ezra Bridger, and Lars Mikkelsen linked to the Admiral Thrawn role, all that’s missing is from Ahsoka‘s main cast is someone for the Sabine part. And we now have confirmation that Lucasfilm is indeed looking for someone to play the former Ghost crew member.

    If rumors are true, they’ll also be joined by The Clone Wars character Barriss Offee. It seems worlds are colliding in the upcoming Ahsoka series, which will unite many open story points from Star Wars many animated series. It always opens up the potential to also expand into additional spin-offs that continue to expand upon the galaxy’s lore and visit the many unexplored corners along the way.

    Source: THR

  • Donald Glover Leaves FX For Multi-Year Contract with Amazon

    Donald Glover Leaves FX For Multi-Year Contract with Amazon

    Fans of superstar Donald Glover often find themselves discussing his long list of accomplishments. It looks like they can add another multi-year contract to that list. The Hollywood Reporter has revealed that Glover has exited his previous arrangement with Disney and FX to enter a contract with Amazon, which is reportedly worth eight-figures. The deal includes multiple projects, which will air as part of a content channel that is dedicated to Glover. His brother Stephen Glover, frequent writing partner and co-creator of Atlanta, also signed over to Amazon as part of the deal. The first content to come out of the signing will most likely be a new Mr. and Mrs. Smith reboot, which was announced via Instagram only days ago. Glover will be joined by Phoebe Waller-Bridge, who skyrocketed to stardom with Amazon’s hit Fleabag.

    In addition to starring in various projects, the actor-musician will also produce several new series. One of these is in early development, which will go by Hive. The show will center around a Beyonce-like figure and includes former First Daughter Malia Obama as part of the writing staff. Hive‘s showrunner will be Janine Nabers, who is best known for her work on HBO’s Watchmen. 

    Luckily for fans, this move will not affect the fan-favorite show, Atlanta. The Emmy-award-winning FX series already got renewed for two more seasons. The third season will enter production in March. It’s been almost three years since the second season aired in 2018. Luckily, Glover took to his social media recently to ensure viewers that writing for the future of the show is going very well. The next seasons are aiming to air back-to-back.

    Source: The Hollywood Reporter, Deadline

  • The Penguin

    The Penguin

    Premiere: Fall 2024

    In September 2021, six months ahead of the release of The Batman, it was revealed that Matt Reeves was developing a Max streaming series centered around Colin Farrell‘s Oz Cobblepot. Directed by Craig Zobel, the spinoff began production in 2023 and will follow Oz’s rise in Gotham following the events of The Batman.

    Cast

    • Colin Farrell as Oz Cobblepot/The Penguin
    • Cristin Milioti as Sofia Falcone
    • Clancy Brown as Sal Maroni
    • Michael Zegan as Alberto Falcone
    • Rhenzy Feliz in an unknown role
    • Michael Kelly in an unknown role
    • Shohreh Aghdashloo in an unknown role
    • Deirdre O’Connell in an unknown role