The galaxy may be tightening under Emperor Palpatine’s grip, but the underworld is starting to push back. Lucasfilm has officially released the second, even grittier trailer for Star Wars: Maul – Shadow Lord, and it confirms that this isn’t just a survival story—it’s a declaration of war.
Launching April 6 on D+, the 10-episode series finds Sam Witwer returning as the former Sith on Janix, a planet supposedly untouched by the Imperial reach, determined to have his revenge on Darth Sidious and the Empire.
The new footage leans heavily into the “pulpy, noir” aesthetic that showrunner Dave Filoni has been teasing. Maul isn’t looking to topple the Emperor just yet. He’s looking for a “weapon” to exact his revenge for his former master’s betrayal. The trailer gives us a closer look at Devon Izara (Gideon Adlon), a disillusioned Padawan on the run after Order 66. Maul’s pitch to her is simple: “The Empire is our common enemy.” But as a voice warns in the teaser, “Maul will never be our ally.” The Empire isn’t ignoring Janix for long. We see the Eleventh Brother, aka The Crow, and Marrok, last seen in Ahsoka, leading the hunt to “lock this planet down”.
With a visual style that feels like a heavy-metal evolution of The Clone Wars, Maul–Shadow Lord looks to be giving us a Star Wars we haven’t quite seen before to kick off the Age of Maul!
If you thought the hype for Matt Murdock’s return couldn’t get any louder, Marvel Television is making sure you’re fully immersed before the first frame of Season 2 even hits your screen. Disney has officially announced the Daredevil: Born Again Official Podcast, a nine-episode video companion series launching March 17.
This isn’t just a standard promotional fluff piece; Marvel is positioning this as their first official podcast on D+, signaling a major shift in how they handle behind-the-scenes content for their heavy-hitter series.
Launching exactly one week before the March 24 premiere of Season 2, the podcast kicks off with a massive Season 1 retrospective. Episode 1 will feature Wilson Bethel, showrunner Dario Scardapane, and Marvel’s streaming skipper, Brad Winderbaum, looking back at the chaos that brought us to Fisk’s mayoral reign.
Subsequent episodes will drop alongside the series, featuring an unprecedented look at stunts, costumes, and those inevitable Easter eggs. Expect to see Charlie Cox, Vincent D’Onofrio, and Deborah Ann Woll in intimate, actors on actors style conversations. In a smart move for accessibility, the video version will stream on both Disney+ and YouTube, while audio-only listeners can find it on all major platforms like Spotify and Apple Podcasts.
The announcement also gave us a fresh look at the Season 2 logline, and it’s grim: Mayor Wilson Fisk is officially hunting Daredevil as “public enemy number one.” The tagline—Resist. Rebel. Rebuild.—suggests we’re moving away from the courtroom and into a full-blown urban insurgency.
In Season 2 of Marvel Television’s Daredevil: Born Again, Mayor Wilson Fisk crushes New York City underfoot as he hunts down public enemy number one, the Hell’s Kitchen vigilante known as Daredevil. But, beneath the horned mask, Matt Murdock will try to fight back from the shadows to tear down the Kingpin’s corrupt empire and redeem his home. Resist. Rebel. Rebuild.
-Official synopsis for Daredevil: Born Again Season 2
With a cast that includes Krysten Ritter and Matthew Lillard, the Born Again era is clearly Marvel’s new flagship. By launching this podcast, they’re creating a sticky ecosystem for fans to obsess over every detail of the Kingpin’s corrupt empire.
Marvel is taking a page out of the HBO playbook here. Shows like The Last of Us and Succession proved that a high-quality companion podcast can keep the conversation alive all week long. For a show as dense and anticipated as Daredevil, giving fans a direct line to Scardapane and the cast is the best way to ensure Born Again dominates the cultural zeitgeist through the spring.
If you’ve been a Browncoat for the last 24 years, you know that hope is a dangerous thing. We’ve been burned by revival rumors more times than a Reaver victim, but today, it looks like the Verse is finally calling us home. Deadline is reporting that 20th Television Animation is in early development on a Firefly animated series led by Captain Malcolm Reynolds himself!
For years, the hurdle for a Firefly revival has always been the aging cast and the massive budget required for a live-action space western. Animation solves both problems instantly. By moving to the same space that allowed X-Men ’97 be so successful, the studio can keep the original crew looking exactly as we remember them while Nathan Fillion—who has become the king of voice acting in recent years—leads the vocal booth.
The dedication of Firefly fans has kept this 25-year-old show relevant. Clearly, the return of Firefly is something the fans want. More importantly, it’s something they deserve.
-Nathan Fillion
While Fillion is the only one officially locked in to produce and star, the report suggests that 20th Television is in active talks with the original cast members, including Morena Baccarin, Alan Tudyk and Summer Glau.
The series is set between the ending of Firefly and the 2005 film, Serenity.
If there’s one thing Marvel Studios has mastered lately, it’s the art of the creative upgrade. While we’re all waiting to see exactly how Paul Bettany’s White Vision finds his soul (and his sons) in the upcoming VisionQuest streaming series, the production has just locked in one of its most important voices yet.
According to a report from The Hollywood Reporter, Emmy-winning composer Mick Giacchino has been enlisted to score the series.
The name Giacchino carries a lot of weight in the halls of Marvel and Disney. Mick is the son of legendary composer Michael Giacchino, the man responsible for the iconic scores of Doctor Strange, the studio’s Spider-Man trilogy, and Thor: Love and Thunder.
But Mick isn’t just riding on his father’s coattails. He’s been carving out his own path in the genre space. Mick just won an Emmy for his incredible, brooding work on HBO’s The Penguin. If you loved the way that score made Gotham feel like a living, breathing weight on Oz Cobb’s shoulders, you know what he brings to the table. He’s also no stranger to the Disney machine, having recently composed the score for the Amblin-esque Star Wars: Skeleton Crew.
This is a show about the Marvel AIs. You do get to see robot Ultron, but you see a lot of James Spader and a lot of Paul Bettany together. They are very much a core dynamic of the show.
-Terry Matalas
This hire confirms that Marvel is treating VisionQuest as a premium event. By pairing a writer like Terry Matalas with a composer like Giacchino, they are aiming for the same prestige level that made WandaVision a cultural phenomenon. With James Spader returning as Ultron, the soundscape for this show needs to be massive, and Mick has proven he can handle the pressure of legacy characters.
One single line from the first teaser for HBO’s Lanterns has sent the internet into a tailspin as the first cracks in the continuity of the all-new, all-different DCU could be showing.
In a world where Nathan Fillion’s Guy Gardner is already an established, public-facing hero–as seen in last year’s Superman–why is Kyle Chandler’s Hal Jordan acting like he’s the only human to ever touch a power ring?
The Line That Launched a Thousand Theories
The moment in question occurs early in the teaser when Hal Jordan refers to himself as the only human Green Lantern in a conversation with new recruit John Stewart.
For the casual viewer, it’s a line that establishes Hal’s veteran status. For the die-hards who just watched Guy Gardner trade quips with David Corenswet’s Superman, it’s a massive continuity red flag. As seen in Superman, Guy Gardner is not just a Lantern; he’s a celebrity. So, did Marvel’s “Quality over Quantity” rival just make its first major continuity blunder?
Probably not. Knowing James Gunn, the answer is either a very specific character trait or, more likely, a shift in the timeline.
The Case for the Prequel
The leading theory—and truly the more interesting one—is that Lanterns is a prequel set years before the events of Superman.
The official synopsis for the show repeatedly refers to John Stewart as a “new recruit.” If the show were set in the current DCU timeline (late 2025/early 2026), John would be joining a world already populated by Guy Gardner and potentially other Earth-based heroes.
As has been widely discussed since the teaser debuted, Hal’s gear looks ancient. It’s weathered, tactical, and looks like it belongs in a world where the Justice Gang doesn’t exist yet. Setting the show in the early 2010s or 2020s would allow the “Earth-based mystery” to feel isolated and high-stakes without the interference of other caped icons.
While Nathan Fillion is confirmed to appear in the series, his role has been described as “smug and devious.” Fillion himself recently teased in Gizmodo that “Guy Gardner is no longer comfortable” by the end of the show. Could this suggest that Lanterns may also be Guy’s origin story—perhaps a moment where the ring chooses him after Hal’s era comes to an end?
The “Hal is a Jerk” Alternative
Of course, there is a second, much more “Green Lantern” explanation: Hal Jordan is just being Hal Jordan.
In the comics, Hal’s relationship with Guy Gardner is defined by mutual loathing. Hal famously views himself as the True Lantern of Earth. It’s entirely possible that Lanterns takes place in the present day, and Hal simply refuses to acknowledge Guy Gardner as a legit Lantern. To Hal, a loudmouth like Guy is a glitch in the system, not a partner.
However, this doesn’t explain why John Stewart—a man who presumably watches the news—wouldn’t mention the flying ginger with the bowl cut who just helped save Metropolis.
3 CENTURIES AGO, the first superpowered beings, known as METAHUMANS, appeared on earth, ushering in a new era of GODS AND MONSTERS.
3 DECADES AGO, an extraterrestrial baby was sent in a spacecraft to Earth, and adopted by Kansas farmers.
3 YEARS AGO, the baby, now grown, announced himself as SUPERMAN, the most powerful metahuman of all.
3 WEEKS AGO, Superman stopped the country of BORAVIA from invading JARHANPUR, sparking controversy around the world.
3 HOURS AGO, a metahuman called THE HAMMER OF BORAVIA attacked Superman in the city of METROPOLIS.
3 MINUTES AGO, Superman lost a battle for the first time.
From a production standpoint, the prequel angle is the smartest play for HBO. The key to prestige TV is making the story feel standalone, and setting Lanterns before Superman–especially when it’s been established that metahumans have been known for some time–opens some intriguing doors.
By setting Lanterns in the past, Gunn, Chris Mundy, and Tom King can deliver a True Detective style thriller that isn’t burdened by the “Where was Superman during this?” question. It allows the Hal/John dynamic to be the center of the universe, building the foundation of the Green Lantern Corps lore before we see them fully integrated into the larger DCU battles of 2027 and beyond.
And then it leaves plenty of room to ask questions about why neither Hal nor John are present in Superman. Do Hal and John get wrapped up in something that takes them both into space to investigate further? Or maybe just John?
Whether it’s a prequel or just a case of selective memory from a jaded Hal Jordan, the mystery is officially part of the marketing and the human Lantern discrepancy is likely the first breadcrumb in a trail that leads directly to the ancient horror at the heart of the series.
For a while, it looked as though Disney was cooling off on the live-action remake machine; however, the studio is officially looking to the small screen to expand one of its most lucrative sub-franchises. Deadline is reporting today that Disney is in early development on Tink, a live-action series for D+ centered on the iconic fairy.
Rumblings of a solo Tinker Bell live-action project date way back in 2015 when Reese Witherspoon was attached to star and produce. Since then, the project has shifted shapes more times than a changeling—moving from a feature film to a rumored Jennifer Lawrence vehicle, and now evolving into high-budget streaming series.
The series is described as a reimagining of the Disney Fairies lore, moving away from the Peter Pan narrative to focus squarely on the politics and magic of Pixie Hollow. This isn’t just a side story; Disney is reportedly treating this as their version of a “magical procedural,” exploring the different fairy talents (water, light, animal, etc.) that made the direct-to-video animated films such a juggernaut in the late 2000s.
While no cast has been officially announced, the creative muscle behind the scenes is what has us interested. The show is being developed with a “prestige” lens, aiming to capture the same visual wonder as Peter Pan & Wendy but with the serialized depth of a show like Once Upon a Time.
This move confirms a major shift in Disney’s strategy. By moving smaller IPs like Tinker Bell to D+, they’re able to world-build in a way a 90-minute movie doesn’t allow. If Tink is a hit, it opens the door for a massive live-action Fairies universe—merchandise, spin-offs, and theme park ties included. After years of DisneyToon Studios being shuttered, it looks like the wings are finally back on.
Just when you thought the discourse around The Acolyte was cooling down, Leslye Headland has thrown a thermal detonator into the room.
Headland confirmed that had the show been grantedba second season by Dave Filoni and his Jedi council, Yoda wouldn’t have been portrayed as the Grand Master savior fans expected. Instead, he would have been complicit in Vernestra Rwoh’s cover-up of the massacre at Brendok.
According to Headland, who revealed the plan on The George Lucas Talk Show, the move would be consistent with Yoda’s behavior as seen in the Clone Wars, referring to the Jedi Council’s occasional moral flexibility during the war; however, applying that to a pre-war era where the Jedi were at their peak is a move that would not have sat incredibly well with one of the world’s most consistently displeased fandoms.
For sure. Yeah. Don’t come at me in the comments, because he does it in Clone Wars. So I don’t want to hear about it.
-Leslye Headland
Headland’s comments confirm that despite being set during The High Republic, The Acolyte was never interested in the Golden Age of the Jedi. It was always about the rot and showing that it had taken root in the Order long before the beginning of The Skywalker Saga.
Like Castle, Jones will be teaming up with Daredevil to take on Wilson Fisk as Mayor Kingpin looks to tighten his grip on New York City. If you’re looking to catch up on some of the major storylines that might intersect during the new season, we’ve got you covered with…The Ultimate List of What to Watch Before Daredevil: Born Again Season 2!
Daredevil follows Matt Murdock, attorney by day and vigilante by night. Blinded in an accident as a child, Murdock uses his heightened senses as Daredevil, fighting crime on the streets of New York after the sun goes down. His efforts are not welcomed by Wilson Fisk — aka Kingpin — and others whose interests collide with those of Daredevil. Though Murdock’s day job portrays a man who believes in the criminal justice system, his alter ego suggests otherwise, as he takes the law into his own hands to protect his neighborhood.
_Official synopsis for Daredevil, via Disney Plus
Wilson Fisk isn’t just a crime boss anymore; he’s an institution. In Season 1, we saw him consolidate power and launch the Anti-Vigilante Task Force (AVTF). Heading into Season 2, he is no longer running for office—he is running the city, and his first order of business is ensuring there is no room left for a Devil in Hell’s Kitchen.
Daredevil, Season 1 (2015)
🍅 99%
In the inaugural season of Daredevil, Wilson Fisk wasn’t just a villain; he was a dark mirror held up to Matt Murdock’s own ambitions for Hell’s Kitchen. If you’re tracking the DNA of the current Mayor of New York, it all starts here, in the shadows of a city he claimed to love while simultaneously tearing it apart.
When we first meet Fisk, he is a ghost—a name that causes men to commit suicide rather than speak it. He isn’t interested in being a crime lord in the traditional sense; he views himself as a visionary philanthropist. His goal in Season 1 was to gentrify Hell’s Kitchen by any means necessary—extortion, murder, and the systematic demolition of the neighborhood’s soul to build something pristine in its place. The most critical thread from Season 1 that weaves into Born Again is his relationship with Vanessa Marianna. She is the anchor that prevents him from being a mindless beast and instead turns him into a calculated tactician. His vulnerability through her is exactly what Matt Murdock eventually exploits, leading to the “mutually assured destruction” pact that defined their rivalry for years. Long before he was a politician, Fisk was practicing his stump speech. In Season 1, he attempted to step into the light as a Good Samaritan to counter the narrative of the masked vigilante. This was the beta test for his 2026 Mayoral campaign. He learned early on that public perception is more powerful than even his brute strength.
Runtime: 11 hours and 40 minutes
Murphy’s Memo: If you want to understand why Fisk is so effective as Mayor, watch 1.08, “Shadows in the Glass.” It’s the definitive look at the trauma that shaped the monster that now runs the greatest city in the world.
Daredevil, Season 2 (2016)
🍅 81%
While Season 1 was about Fisk building an empire, Season 2—specifically his stint in Ryker’s Island—was about him mastering the art of the long game. Even behind bars, Fisk proved that a cage is just another room to run a business from. Indeed, Wilson Fisk’s Season 2 arc may ultimately have proven to be the secret ingredient to his eventual Mayoral win.
Fisk begins Season 2 at his lowest point, but he doesn’t stay there long. This season is a masterclass in institutional capture. He doesn’t fight the prison system; he buys it. By the time Frank Castle arrives on the scene, Fisk has already turned the guards into his personal security detail and the inmates into his infantry: he is the Kingpin of Ryker’s. The most pivotal moment for the future of the MCU’s New York happens in a blood-soaked prison hallway. Fisk manipulates the Punisher into eliminating a rival, effectively handing Fisk total control of the prison’s black market. This taught Fisk a lesson he uses as Mayor: vigilantes are tools. He realizes that a man of action like Castle can be pointed at a problem to solve it, a tactic we see him replicate in Born Again by weaponizing official task forces to do his dirty work under the color of law. The brief, violent meeting between Matt and Fisk in the prison visitation room is the spark for Born Again. When Matt threatens Vanessa’s safety, the Good Samaritan facade officially dies. Fisk doesn’t just want to beat Matt anymore; he wants to destroy the very idea of a hero. This interaction is where Fisk realizes that to truly win, he has to change the rules of the city so that Matt’s brand of justice is no longer just illegal, but obsolete.
Runtime: 12 hours and 15 minutes
Murphy’s Memo: If you’re short on time, skip toEpisode 9, “Seven Minutes in Heaven.” It’s the definitive look at Fisk’s transition from a businessman to the Kingpin. It’s the blueprint for how he eventually treats New York City: as a prison where he holds all the keys.
Daredevil, Season 3 (2018)
🍅 97%
In Season 3, Fisk orchestrates a move from Ryker’s to a luxury penthouse by turning the FBI into his personal concierge service. He paints himself as a victim of the system and a cooperator helping the government take down even worse criminals. He realizes that if you can control the narrative, you don’t have to hide in the shadows. He begins to position himself as a man who was unfairly persecuted by vigilantes and a corrupt legal system—a platform he eventually rides all the way to City Hall.
Of course, Fisk’s greatest achievement in Season 3 wasn’t beating Daredevil; it was corrupting Benjamin Poindexter. By turning a decorated federal agent into a mass murderer dressed as Daredevil, Fisk effectively turned the public against their hero. The season ends with Fisk back in a cell, but the damage was already done. He had successfully mapped out the corruptibility of every major institution in New York—the courts, the FBI, and the press. When he returns to the public eye in Born Again, he isn’t trying to corrupt the system from the outside anymore; he has become the system.
Runtime: 11 hours and 15 minutes
Murphy’s Memo: If you want to see Fisk at his most terrifyingly brilliant, watch Episode 4, “Blindsided.” It’s the famous one-take prison riot, but more importantly, it shows the sheer scale of his influence. It proves that even when he’s losing, Wilson Fisk is always three moves ahead of the Devil of Hell’s Kitchen.
Hawkeye (2021)
🍅 92%
Following the events of DaredevilSeason 3, Fisk was supposedly neutralized. Matt Murdock had him pinned with a mutually assured destruction pact involving Vanessa. But as we’ve seen in the MCU, the Blip changed the rules of the game. While the world was mourning half its population, Fisk was quietly rebuilding. By the time we catch up with him in Hawkeye, he’s no longer just a rumor in Hell’s Kitchen; he’s a man looking to reclaim a city that belongs to him.
After the chaos of the Blip, Fisk didn’t just survive; he adapted. While the world was reeling from the Snap, Fisk was rebuilding his empire from the ground up, using the Tracksuit Mafia as his blunt-force instrument. In Hawkeye, we see a Fisk who is less concerned with “Rabbit in a Snowstorm” and more concerned with territorial dominance. He’s grittier, he’s wearing the comic-accurate Fat Man floral and he’s more physically imposing than ever. The finale of Hawkeyesaw Fisk take an arrow to the chest and survive a massive explosion, establishing his increased durability in the MCU. But more importantly, it provided the physical scar that fuels his platform in Born Again. When he’s shot in the eye by Maya, it doesn’t break him but rather gives him a visual receipt of the vigilante violence he promises to end as Mayor.
Runtime: 4 hours and 2 minutes
Murphy’s Memo: If you’re watching for the lore, pay attention to the Eleanor Bishop connection. It proves that Fisk’s reach extends into the highest levels of New York’s elite social circles. He isn’t just a criminal; he’s a partner to the city’s power brokers. Watch Episode 6, “So This Is Christmas?”—it’s the moment the Kingpin officially became a Big Game player in the Disney+ era.
If Hawkeyewas the physical return of the Kingpin, Echowas the psychological rebirth. The Marvel Spotlight series took Fisk away from the skyscrapers of Manhattan and dropped him into the dust of Oklahoma, forcing him to confront the one thing he can’t control: his own legacy. His appearance in Echo ultimately serves as the origin story of Mayor Fisk.
In Echo, we see a version of Fisk that is deeply unsettled. His obsession with Maya Lopez isn’t just about power; it’s about his desperate need for love and validation. When Maya uses her ancestral powers to force Fisk to relive his childhood trauma—the hammer, his father, the blood—it doesn’t cure him. Instead, it strips away the last of his hesitation. He leaves Oklahoma with a singular focus: if he cannot be loved as a father, he will be feared as a ruler. While Fisk was away chasing Maya, New York was falling apart…at least that’s what he took away from the news. The series subtly establishes that the city is exhausted. The street-level heroes are scattered, and the public is tired of the collateral damage. Fisk realizes that the city doesn’t need a savior; it needs a manager. The real catalyst for Fisk’s political career happens in the back half of a private jet. After a brutal psychic and physical confrontation with Maya Lopez in Oklahoma, a battered Fisk is seen watching NY1. The anchors are discussing the lack of a “fighter” in the upcoming New York City mayoral race—someone who isn’t a career politician, someone who understands the pain of the people.
Runtime: 3 hours and 30 minutes
Murphy’s Memo: Do not skip the Episode 5 post-credits scene. It is a true prologue to Born Again. It turns a series about Maya Lopez into the definitive launchpad for the next five years of the MCU’s New York. It’s the moment Wilson Fisk decides that instead of breaking the law, he’s going to BE the law.
Season 1 of Daredevil: Born Again wasn’t just a revival; it was a total restructuring of the power balance in New York City. The second half of the season serves as the immediate prologue to the chaos of Season 2; it’s where the Cold War between Matt Murdock and Wilson Fisk finally went hot and the series turned back to its Netflix roots.
The most shocking element of Season 1 was the dismantling of Matt Murdock’s support system. The loss of Foggy didn’t just break Matt’s heart; it broke his faith in the legal system and became the reason behind the more aggressive stance Matt seems poised to take in Season 2. Without Foggy to act as his moral North Star, the Devil is less interested in courtrooms and more interested in the rooftops.
Runtime: 7 hours and 6 minutes
Murphy’s Memo: Fisk returns to New York with a refined strategy. He leans into his history not as a criminal, but as a survivor and a builder. His platform is simple and terrifying: Anti-Vigilantism. He frames heroes like Daredevil and the Punisher as the source of New York’s chaos. Fisk isn’t just making local laws; he’s trying to set a national precedent. If he can prove that New York is safer without vigilantes, he becomes a candidate for the White House, though it’s clear his rise to political power will not go unchallenged. Watching Episode 9, “Straight to Hell”, may indeed be all you need to prepare for Season 2.
When a tragedy puts an the end to her short-lived career as a superhero, Jessica settles in NYC and opens her own detective agency, called Alias Investigations, which seems to be called into cases involving people who have special abilities. Suffering from post-traumatic stress syndrome, Jessica wants to do good, but her primary interest isn’t in saving the world, it’s saving her apartment and getting through each day. Based on a graphic novel intended for adults, this is not a superhero story for the kids.
-Official synopsis for Jessica Jones, via Disney Plus
Jessica Jones, Season 1 (2015)
🍅 94%
In Season 1, Jessica wasn’t trying to save the world; she was trying to survive a predator. Her battle with Kilgrave was a masterclass in how power—specifically the power to control others—destroys lives. In Born Again Season 2, Wilson Fisk has the legislative power to ruin anyone who speaks out and his jackbooted group of Anti-Vigilante Task Force goons to enforce his law. Jessica understands the mental toll of fighting an untouchable monster, making her a perfect ally for Matt.
As a lawyer, Murdock looks for evidence in a courtroom; as a P.I., Jones looks for dirt in the gutters. Season 1 established Jessica as the ultimate investigator—someone who can find the unfindable skeletons in a powerful man’s closet. With Fisk running a clean administration in the public eye, Jessica’s ability to dig through the trash is exactly what the Resistance needs to expose the corruption behind the Mayor’s Safe Streets initiative.
One of Jessica’s greatest strengths in Season 1 was her refusal to play by the rules of heroism. As Fisk tightens the legal noose around vigilantes in Born Again, Jessica’s cynicism and ability to operate in the grey area, and in a city where being a hero is a crime, will be of use to Matt’s army.
Runtime: 11 hours and 10 minutes
Murphy’s Memo: If you only have time for one episode, make itEpisode 7, “AKA Top Shelf Perverts”. It perfectly illustrates Jessica’s no-nonsense approach to systemic corruption and her willingness to go to the darkest places to get the job done.
The Defenders (2017)
🍅 78%
While the individual seasons of th bNetflix series show us who these characters are, The Defenders is the only reason Born Again Season 2 works as a team-up. It’s the vibe check” for the Matt and Jessica partnership.
The chemistry between Ritter and Cox catalyzed the crossover series, providing most of the memorable moments, including the first meeting between Matt and Jessica in an interrogation room.
The Defenders took on the Hand which was an organization that owned the city’s boardrooms, police, and real estate—much like Wilson Fisk does now. The Defenders showed Matt and Jessica that they can’t beat a massive organization by playing by the rules. They had to go underground, use unconventional tactics, and rely on a found family of heroes. This playbook makes need to get pulled back out when Fisk’s Anti-Vigilante Task Force puts a target on their backs.
Murphy’s Memo: If you’re short on time, just watch Episode 3, “Worst Behavior.” The hallway fight is great, but the real gold is the banter between Matt and Jessica. It’s the definitive street-level dynamic. If Born Again Season 2 revisits that interrogation room energy, fans will find some favorite moments outside of the brutal fights sure to take place.
Runtime: 6 hours and 30 minutes
Jessica Jones Season 2 (2018)
🍅 82%
Season 2 pulled back the curtain on IGH, the shadowy organization that gave Jessica her powers through illicit medical experimentation.
Much of the second season of Jessica Jones focused on Jessica trying—and failing—to save her mother, Alisa. It was a season about the collateral damage that follows “super” people. This is a goldmine for Wilson Fisk’s propaganda machine in Born Again Season 2.
Fisk weaponized the narrative of “vigilantes causing more harm than good” to justify his crackdown at the end of Season 1. Jessica has lived that failure; she knows what it’s like when a “heroic” intervention ends in a body bag, making her a more grounded and cynical counterpoint to Murdock’s idealism.
Though it was certainly not the strongest installment in the Defenders-verse series, Season 2 tapped into Jessica’s fear that she was becoming a monster like her mother. In Born Again, Fisk will try to convince the world—and the heroes themselves—that they are the villains. Jessica’s struggle with her own identity makes her immune to Fisk’s gaslighting.
Murphy’s Memo: Take another look at Episode 11, “AKA Three Lives and Counting”. It captures Jessica’s internal struggle with the hero pabel better than almost anything else. Perhaps her appearance in Born Again isn’t so much joining Matt because she wants to save the city; she’s joining because she’s tired of people like Fisk deciding who the monsters are.
Runtime: 12 hours and 5 minutes
Jessica Jones Season 3 (2019)
🍅 73%
The final season of Jessica Jones was a masterclass in the gray areas of morality, centering on the question: “What does it actually mean to be a ‘hero’?” Though it seemed to give Jessica somewhat of a happy ending”, it could serve as connective tissue to Born Again Season 2 because it leaves Jessica at a crossroads—one that leads her straight back to the streets of New York just as Wilson Fisk is taking over.
Jessica faced Gregory Salinger, the Foolkiller, sort of, a villain who didn’t have powers but had a twisted, intellectual vendetta against gifted people. He viewed heroes as frauds who “cheat” at life…the same rhetoric used by Fisk uses in his Mayoral campaign. Salinger was the prototype for Fisk’s propaganda—proving that you don’t need a super-suit to dismantle a hero; you just need to prove they are unfair to the common man.
The series ended with Jessica at a train station, ready to leave the city behind, only to hear Kilgrave’s voice in her head telling her to give up. In an act of pure defiance, she turned back. She chose to stay and fight. By the time we see her in 2026, she has been operating in the shadows of Fisk’s New York for years, likely as one of the few unregistered P.I.s still digging for the truth.
Murphy’s Memo: Go back and watch the Series Finale (“AKA Everything”). That final shot of Jessica turning back toward the city lights is everything. It tells you that she isn’t coming back to Born Again because she’s a sidekick; she’s coming back because New York is her city, and she’ll be damned if a man like Wilson Fisk is the one who gets to save it.
We’ve got the supernatural angles, we’ve got the street-level with our announcement of Daredevil, and of course, Spidey going into the street-level heroes.
I’ve made it no secret that I’m a huge fan of Tatiana’s and the fun we had on She-Hulk was some of the best fun I’ve had as that character. I thought she was amazing as Jennifer Walters and I would be a huge… certainly an advocate of her showing up in our show if she’s free and available and willing and all of those things. So I would love for that to happen. I have no idea if that is possible.
–Charlie Cox on the possibility of She-Hulk appearing in Daredevil: Born Again
While Matt Murdock appeared in Spider-Man: Far From Home, Daredevil didn’t make his MCU debut until the final two episodes of She-Hulk: Attorney at Law. While some fans bristled at the more carefree vibe Cox brought to the role in his appearance, it certainly fit the tone of the series, though at this point, it seems as though Marvel has decided they’d rather have Matt suffer than find happiness in the warm embrace of Shulkie.
Runtime of Episodes 8 and 9: 1 hour and 11 minutes
The Fast Track
Today is February 10, 2026, and the clock is officially ticking. With the premiere of Daredevil: Born Again Season 2 set for March 24, 2026, you have exactly 42 days to conquer your 98-hour watchlist. To make this happen without losing your job or your mind, you need to average about 2.3 hours of Marvel per day. Here’s your Street-Level Resistance training schedule to hit that 98-hour goal by premiere night.
About Daredevil: Born Again Season 2
Season 2 of Marvel Television’s stars Charlie Cox, Vincent D’Onofrio, Wilson Bethel, Deborah Ann Woll, Margarita Levieva, Krysten Ritter, Matthew Lillard and Ayelet Zurer.
Mayor Wilson Fisk crushes New York City underfoot as he hunts down public enemy number one, the Hell’s Kitchen vigilante known as Daredevil. But, beneath the horned mask, Matt Murdock will try to fight back from the shadows to tear down the Kingpin’s corrupt empire and redeem his home. Resist. Rebel. Rebuild.
-Official synopsis for Daredevil: Born Again Season 2
The second season was created by Dario Scardapane, Chris Ord and Matt Corman. Episodes were written by Dario Scardapane (201, 202); Heather Bellson (203, 207); Chantelle M. Wells (204); Jesse Wigutow (205); Devon Kliger and Jesse Wigutow (206); Dario Scardapane and Jesse Wigutow (208) and directed by Justin Benson and Aaron Moorhead (201, 202); Solvan “Slick” Naim (203, 204); Angela Barnes (205, 206); Iain B. MacDonald (207, 208).
David Chambers is producing with Kevin Feige, Louis D’Esposito, Brad Winderbaum, Sana Amanat, Dario Scardapane, Justin Benson & Aaron Moorhead, Iain B. MacDonald, Charlie Cox and Vincent D’Onofrio executive producing.
Described by Marvel Studios’ Head of TV, Streaming, and Animation, Brad Winderbaum, as a “love letter to Hollywood” and a story “that anyone who came up in Hollywood or in the arts in general can relate to,” Marvel Television’s Wonder Man may indeed be just that…though at times anyone who did not come up in Hollywood might find themselves feeling a bit like a fifth grader on the outside of an inside joke. True to the word of Winderbaum, Wonder Man is entirely unlike anything Marvel has done because, at least in part, it feels as though it was created for the enjoyment of those who create.
A character study at its core, Wonder Man is almost entirely devoid of superhero action, choosing rather to spend its narrative currency peeling back the layers of the psyches of Simon Williams and Trevor Slattery. Like Midnight Cowboy, the film that brings the two together, Wonder Man is indeed, as advertised, a two-hander in which each of the dual protagonists recognizes the other as, perhaps, the first genuine human connection either has ever had. Over the course of seven of the eight episodes (an entire episode of Wonder Man is dedicated to NEITHER Simon nor Trevor), the leads’ personas are stripped bare, with Simon’s history told through fragmented flashbacks that deconstruct the damaged and insecure boy that lives behind the facade of an overconfident man. Simon is ALWAYS acting; however, it’s only when he realizes that he’s acting that he struggles.
As a character study devoted to the genre, Wonder Man stands apart from traditional superhero fare. By the design of co-creators Destin Daniel Cretton and Andrew Guest, the stakes of its plot are emotional rather than physical. Despite Simon being perhaps one of the MCU’s most powerful individuals, the series eschews the genre’s classic climax for one that is simply anticlimactic. The earliest marketing for the series gave away the fate of Simon’s pursuit of his dream role, even if it did cleverly conceal the project’s best twist which isn’t a revelation about Simon. As such, Wonder Man follows a couple of actors talking about acting while pursuing acting roles for the vast majority of its runtime, with very little time spent on the unnatural abilities possessed by Simon Williams. By focusing on the mundane aspects of being a powered individual in the film industry (auditions, stunt work, publicists), the show humanizes Simon. While Wonder Man does provide Simon with the occasional opportunity to show off his powers on street-level cannon fodder, there’s more tension present in scenes where he’s trying to crack the backstory of his character in American Horror Story.
Though the time spent with Simon is rewarding, such little time is devoted to his innate ionic powers that the presence of the series de facto antagonists, the Department of Damage Control, feels shoehorned and contrived. Arguably, this is the one area in which Wonder Man taking place within a deeply developed shared universe based on superheroes forces a betrayal of Cretton and Guest‘s intent. Classic character studies rarely involve a conflict with an external aggressor, focusing rather on how the protagonist’s psyche prevents him from achieving his desired purpose. Given that Wonder Man thoroughly and expertly explores that avenue, it seems clear that the DODC’s inclusion was *suggested* by the Marvel Parliament rather than being narratively native. While it seems Marvel’s intent is that the DODC is destined to become the precursor of the MCU’s anti-Mutant division–even though it is not clear if Simon is a mutant in the MCU–their presence is one of the primary perplexities of the series.
Another is why Simon William is the protagonist of Wonder Man at all. Though it’s hardly the first time it has done so, Marvel Studios significantly reinvents Simon Williams–and those around him–for the MCU. And strangely, given the series’ designation as a Marvel Spotlight project–there’s no guarantee the decision to do so will eventually be paid off or explained. Yes, this Simon is prone to bouts of self-doubt, works in Hollywood and has incredible ionic powers; however, the decision to make Simon a mutant rather than a mutate strips him of the agency that made him such a polarizing character in his early adventures in the pages of Marvel Comics. An interesting choice to be sure and one that may never be liquidated. From his background to his family connections to the source of his powers, the MCU’s Simon has surprisingly little in common with his comic book counterpart…but nearly none of that matters when a star the caliber of Yahya Abul-Mateen II is involved.
In Wonder Man, Cretton and Guest created the equivalent of an HBO prestige streaming series. Rather than fill the runtime with superhero moments, Wonder Man lingers on the mundane, revealing the true natures of Simon and Trevor in a strangely slow burn for a series with such short runtimes. In the case of Simon, Wonder Man introduces an insecure man seeking validation. But brilliantly, the series uses Trevor as a dark mirror to Simon. If Wonder Man presents Simon as a study of a man trying to find himself through fame, Trevor is a study of a man who has completely lost himself to the performance. Trevor’s character study is built on the tragedy of a failed artist who finally found his greatest role by accident.
Whether he’s in a high-security prison or a warlord’s compound, Trevor’s constant performing ensures people find him too entertaining to kill. This reveals a deep instinct for self-preservation: Trevor doesn’t know how to be authentic because, in his world, being yourself gets you hurt. Strip away the accents and the anecdotes about “the stage” and his “mum” and you meet a man with a fundamental void of identity. Trevor is a character study in codependency. He needs an audience to tell him he exists. Without someone watching him, Slattery effectively vanishes. Using Trevor as a secondary character study reveals a man who uses acting as a survival mechanism and a psychological shield, serving as a near-perfect foil to Simon Williams’s worldview. And in Simon, he meets his co-dependent.
Where Trevor’s patience and experience provide him the relief of being the consummate actor, Simon holds the power of a god but the temperament of a struggling artist, creating a fish-out-of-water dynamic that makes Wonder Man such a particularly clever choice for a character study. While most superhero projects focus on the hero’s journey, Wonder Man is designed as a satirical character study, peeling back the layers of a man who is literally and figuratively performing for a living.
Tonally, Wonder Man balances comedy with a sense of isolation. Tragicomical character studies often use humor to mask a character’s deep-seated loneliness and Wonder Man is no different here, other than that it is led by Yahya Abdul-Matteen II, whose filmography reveals a generational talent.
Despite the series’ shortcomings in terms of its utility as another entry in the MCU’s shared narrative tapestry (it’s only in its last 15 minutes that Wonder Man feels like it belongs in the MCU), the series is undoubtedly one of Marvel Television’s best and, despite some other heavy competition, is carried by the studio’s strongest cast. At the end of the day, the only question that remains is why is was developed as a superhero study at all.
Four years after its debut, Hawkeye remains one of Marvel Studios’ strongest streaming series. The Christmas setting and dynamic between Jeremy Renner and Hailee Steinfeld‘s Hawkeyes made the street-level story a hit with fans and the finale seemed to set up a bright future for many of the show’s characters and some hope for a second season.
In an interview with the direct, Hawkeye writer Andrew Guest explained that while there “was talk about” a second season of the series, “the timing didn’t work out.”
There was talk at a certain point about… we did explore creatively what Season 2 of Hawkeye might be if we were able to do it. Unfortunately, the timing didn’t work out in terms of Marvel and all the various pieces that need to come together, but I loved working on ‘Hawkeye.’ I think [Jeremy] Renner and Hailee Steinfeld are so terrific together, and I would love to see more of those two.
-Andrew Guest
As has been the standard for the Multiverse Saga, one of Hawkeye‘s leads, Hailee Steinfeld, has made only one incredibly brief cameo appearance in the four years since the series hit D+. And as the Saga speeds to an end, it’s not entirely clear when she might appear again.
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