Tag: TV

  • Contestants Describe Netflix’s ‘Squid Game’ Reality Show as “Inhumane” and a “Warzone”

    Contestants Describe Netflix’s ‘Squid Game’ Reality Show as “Inhumane” and a “Warzone”

    Many scratched their heads when it was first announced that Netflix didn’t learn the core lesson from their hit series Squid Game. A series about having people play childish games for survival to win money shared a deep look into how far the disparity between the rich and poor can push individuals. Yet, somehow Netflix thought it was a good idea to create an actual reality TV show adapting the concept for those willing to win big.

    Of course, there’s the popularity of the original series and a chance to win money that’ll get people interested in giving it the chance. The same seems to be the case for John, a British contestant, who was among the 228 contestants that got kicked from Squid Game: The Challenge during its first game Red Light Green Light. In an exposé from The Sun, a British tabloid, it was described as “Squid Game Horror in UK.” It seems contestants were left in an airplane hanger freezing and were forced to hold poses for up to 30 minutes. Some describe it as a “warzone” due to the freezing temperatures.

    Though, Netflix has swiftly called out that they cared “deeply” for the health and safety of everyone involved. They also highlight that “participants were prepared for” the freezing weather. Though some speaking directly with Variety highlighted this wasn’t, in fact, the case. Keep in mind, no one is being paid to participate and supposedly the game would take around two hours to play. Yet, it ended up taking around seven hours at zero degrees Celsius while filming in Bedford.

    It seems many collapsed as it wasn’t only the time they spent during the game but also an 8-hour prep time. John, whose true name remains anonymous, stated that: “This is not a Bear Grylls survival show. If they had told us it was going to be that cold, no one would have gone through with it.” Though another player from the UK highlighted that it wasn’t “as extreme as people are saying,” but it’s also not “as minimal as is being conveyed by Netflix.”

    The player highlights that “the conditions were absolutely inhumane and had nothing to do with the game” comparing it to Survivor or Naked and Afraid. It seems that they were woken up at 3.30 AM and brought to a Royal Air Force hanger. They did indeed wear the same Squid Game track suits but they weren’t made for the weather. They were informed to take their jackets with them due to the weather and were given warmers, as well as thermal underwear and socks.

    The issue however was that they did not have access to their phones, so they could not tell just how much time truly elapsed. It just becomes a waiting game in the cold with a few heaters keeping you warm if you’re close enough. once the games started, they couldn’t wear their jackets anymore to keep the visual from the original alive and everyone had to showcase their number. It seems fake blood was involved from devices on their chest. It seems the longest wait during the game from the iconic doll lasted up to 26 minutes, which supposedly was done to “assess the gameplay.”

    They also weren’t allowed to use the bathroom or take water breaks during the elongated production timeline. So, everyone involved was freezing, thirsty, and just hoping that it would finally end. Sources from Variety seem to indicate medics were called in up to eleven times and that breaks weren’t allowed. They wouldn’t return between 7 PM to midnight to their rooms without having had dinner. Production ordered pizza but there wasn’t enough and some went to bed hungry.

    Squid Game: The Challenge is seemingly facing quite the issues behind-the-scenes though there’s an implication they aren’t understaffed even with someone claiming they were. Studio Lambert isn’t new to reality series and it’s unclear where it truly went wrong. The Garden is also involved and managing 456 contestants was simply too much of a tall order for everyone involved even if 228 left after the first game. It’s definitely on them for filming this in the conditions they are in and in a time where the weather simply isn’t conducive to anyone’s health for longer stretches of time. We’ll have to see if this series will even see the light of day at this rate.

    Source: The Sun via Variety

  • ‘One Piece’ Star Reveals Why Netflix’s Adaptation Replaced Luffy’s Sandals

    ‘One Piece’ Star Reveals Why Netflix’s Adaptation Replaced Luffy’s Sandals

    After a long wait, the first look at the live-action adaptation of One Piece has finally arrived. We not only got a poster teasing Monkey D. Luffy but also a special image offering a good look at the cast members that’ll become permanent parts of the Straw Hat pirates. Yet, there has been some controversy surrounding the first look.

    It’s not too surprising as anime live-action adaptations haven’t had the best track record. There are promising signs that this series might break that curse given Eiichiro Oda‘s heavy involvement and the showrunner’s active involvement in the community. Still, there will always be changes when bringing something to live action and one big change that stood out was that Luffy no longer wears his sandals but rather shoes.

    Luckily, Nami actress Emily Rudd took to her personal Instagram account to reveal why they made the change, as first shared by @OP_Netflix_Fan on Twitter. And the decisions on why they moved away from his usual footwear is a bit expected given the challenges of kicking people with open shoes.

    Sandals unfortunately are not the safest footwear to do stunt work in, and we didn’t want y’all to miss out on the amazing work [Inaki Godoy] can do and did.

    Emily Rudd

    It makes sense that they’d want to keep their stunt work as safe as possible, and while many want to point out that Luffy not carrying shoes fits his character but the shoes being used do the same thing. It doesn’t really matter if he slips into sandals or shoes he doesn’t have to tie, as he remains as carefree as ever. Plus, it’s impressive to think the cast was able to bring their own stunts to life and just adds that personal note to bringing these characters to live-action.

    Source: Twitter

  • Ed Brubaker’s ‘Criminal’ In Development at Amazon

    Ed Brubaker’s ‘Criminal’ In Development at Amazon

    Amazon Studios is negotiating to bring Ed Brubaker‘s creator-owned comic book series, Criminal, to the small screen. The series debuted in 2006 and has been awarded three Eisner Awards and has always been among the most in-demand books on shelves. Brubaker has been one of comics’ most prolific creators of the 2000s, writing for both DC and Marvel, where he and artist Sean Phillips first launched Criminal under their Icon imprint.

    According to the trade report, Brubaker will serve as the showrunner and executive producer for the Amazon adaptation and is currently putting together a writers room. Criminal is set in the fictional Center City where mini-arcs follow rotating protagonists and their connection to generational crime.

    Source: Deadline

  • Release Date and Episode Titles Revealed for Volume 2 of ‘Star Wars: Visions’

    Release Date and Episode Titles Revealed for Volume 2 of ‘Star Wars: Visions’

    One of Disney +’s best Star Wars projects to date was 2021’s nine-episode anime anthology, Star Wars: Visions. The series consisted of shorts inspired by and set in the Star Wars galaxy that were not mandated to exist within the canonical timeline. The shorts were well received and a second season was ordered up fairly quickly and set for 2023. With Season 2 of The Bad Batch, Season 3 of The Mandalorian and Ahsoka all on the slate, 2023 is a busy year for Star Wars and fans wondered where Volume 2 of Visions might fit. Now we know.

    In an official release from Disney, Senior Vice President Franchise Content & Strategy at Lucasfilm James Waugh revealed that Volume 2 of Star Wars: Visions will stream on Disney Plus on Star Wars Day/May 4th! Like the first season, Volume 2 will consist of nine episodes from different animation studios, which were revealed in a Tweet.

    Waugh, who serves as an executive producer on Visions, talked about the studios and the “incredible” shorts they have put together for Volume 2.

    With Volume 2, we expanded our canvas to take audiences on a global tour of some of the most talented creators from around the world. Every short is incredible, full of heart, scope, imagination, and the values that make stories distinctly Star Wars — all while opening up bold new ways of seeing what a Star Wars story can be.

    James Waugh

    The release was accompanied by the episode titles, which are listed below with their animation studios and directors. The studios and directors are all newcomers to the series.

    • “Sith” (El Guiri, Rodrigo Blaas)
    • “Screecher’s Reach” (Cartoon Saloon, Paul Young)
    • “In the Stars” (Punkrobot, Gabriel Osorio)
    • “I Am Your Mother” (Aardman, Magdalena Osinska)
    • “Journey to the Dark Head” (Studio Mir, Hyeong Geun Park)
    • “The Spy Dancer” (Studio La Cachette, Julien Chheng)
    • “The Bandits of Golak” (88 Pictures, Ishan Shukla)
    • “The Pit” (D’art Shtajio and Lucasfilm Ltd., LeAndre Thomas and Justin Ridge)
    • “Aau’s Song” (Triggerfish, Nadia Darries and Daniel Clarke)

    May the 4th be with you!

  • 5 Years in the Making: Netflix’s ‘One Piece’ is Real

    5 Years in the Making: Netflix’s ‘One Piece’ is Real

    It’s crazy to think that we first heard about the live-action One Piece series in 2017. For many years, we’ve waited for some sign of life until it suddenly picked up steam in January 2020 with creator Eiichiro Oda announcing the partnership with Netflix. We got an official logo, and a tease of the script, and finally, the project was slowly moving forward. While it wouldn’t start filming until January 2022, it still felt like we were closer than ever before. To kick off 2023, we got our first look at the series with not just one teaser poster but a second one hinting at the entire Straw Hat crew.

    It’s been a wild ride following the many steps of this production and seeing as it evolved. Showrunners Steven Maeda and Matt Owens have reassured their love for the franchise throughout the years and with Eiichiro Oda heavily involved, it almost seems like there’s a chance the anime live-action adaptation curse could finally be lifted. Netflix’s Cowboy Bebop may have been recently scolded by its creator, this project feels like there’s a chance things might go a little differently.

    Even the small details in these posters give the feeling that a lot of love and care has already been put into the project. We know the first episode will be titled Romance Dawn like the manga’s first chapter. So, it’s fitting that we get our first look at Inaki Godoy‘s Luffy staring off into the beautiful orange of dawn. We get a good look at the iconic Straw Hat and his sleeveless red shirt from the East Blue Saga. If you zoom in, the bird in the sky is a News Coo, as he even has the iconic hat and bag around his neck.

    The main cast image doesn’t give us a full look at their designs, but they are very close to what they were in the manga and anime. We have some minor details added (and people freaking out over Luffy not wearing sandals) but even seeing Usopp’s slingshot brought to life just adds that little something. We even got some iconic poses to just add that little tribute to the original. Their ship is in full display with her new figurehead, which truly brings the merry to the Going Merry.

    Many fans online noticed that this may also be a tribute to the first ending of the One Piece anime with the characters from behind staring into the ocean reflecting the orange sun of dawn. It’s a recurring element in the early days of the anime, as it was also a visual utilized in the eyecatchers that were used in between commercial breaks. Twitter user @Monkey_D_2shar even used the poster designs to bring that iconic visual to life for the live-action variation.

    We still don’t have a release date and the fact that Netflix is willing to promote a series early on without a fixed release date. It seems strange to say so but Netflix isn’t famous for truly promoting its shows and projects over a long period of time. Not only did we get cast announcements throughout last year but even a first look behind-the-scenes in a video during Netflix Geeked, their biggest live-streaming event.

    Some have some concerns but that isn’t uncommon when seeing a manga being brought to life; though did not expect issues with sandals to overshadow the complete redesign of the Going Merry. Even though some pointed out a similarity to the Cowboy Bebop premiere poster but that is mostly due to the shot from behind with an orange hue, a poster does not reflect an entire production.

    Plus, this poster isn’t with a set release date with only a few months to go like with the last Tomorrow Studios production. So, they are set to promote this over a longer period of time, and the last series to get a teaser poster was Wednesday and went on to actually get a rare Season 2 renewal from Netflix. There’s no direct correlation but if they are willing to promote it as much as possible, there’s a chance they believe in this project.

    Source: Twitter

  • HBO Max Cancels Batman Prequel Series ‘Pennyworth’

    HBO Max Cancels Batman Prequel Series ‘Pennyworth’

    The most shocking news of all time has arrived, as HBO Max has axed another series, especially a DC-related one. As Titans and Doom Patrol are coming to an end, it seems that the third season of Pennyworth will also be it’s last. The series originally premiered on Epix back in 2019 only to find its third season as an HBO Max original last year.

    Though it received a new title, as it was now titled Pennyworth: The Origin of Batman’s Butler to ensure we knew its DC ties. Yet, outside of the absurdity in its name, there wasn’t much buzz surrounding a Batman prequel about Alfred Pennyworth. Still, it did manage to go on for multiple seasons, a rarity in the streaming age. HBO Max has shared the following statement on its cancelation:

    While HBO Max is not moving forward with another season of ‘Pennyworth: The Origin of Batman’s Butler,’ we are very thankful to creator Bruno Heller and executive producers Matthew Patnick, Danny Cannon and John Stephens, along with Warner Bros. Television, for their brilliant, unique, gripping depiction of the origin of Alfred Pennyworth, one of the most iconic characters in the Batman world. An incredible blend of action, drama and humor, for three seasons, ‘Pennyworth: The Origin of Batman’s Butler’ has taken fans on a mind-bending ride into Alfred’s eccentric world and the beginnings of cutting-edge super heroes and super villains

    It’s definitely interesting to see what projects end up scrapped and others will continue. Superman and Lois is still set to have at least one more season as James Gunn and Peter Safran prepare their plans for their take on a connected DC Cinematic Universe. Pennyworth b being scrapped was probably the one project most expected wouldn’t survive after it moved to HBO Max, but it still left its own impact with three seasons.

    Source: Variety

  • REVIEW: ‘The Bad Batch’ Brings Back The Chosen One

    REVIEW: ‘The Bad Batch’ Brings Back The Chosen One

    When Star Wars: The Clone Wars was canceled abruptly in 2013, it left numerous planned storylines laying on the drawing board. One of these unused concepts, perhaps the best of the lot, was set to focus on the kindly Wookies and their homeworld of Kashyyyk. The abandoned four-episode arc would have explained Yoda’s vague Episode III – Revenge of the Sith line about having “good relations” with the planet and its people, teaming the famed Jedi Master with both the Bad Batch and the Wookies in a battle against the Separatists and their Trandoshan allies. In this week’s episode of Star Wars: The Bad Batch, this plot is revived, albeit condensed, and replaces Yoda with a far more important figure from George Lucas‘ lore – Gungi, the legendary Wookie Padawan.

    Titled Tribe, the sixth episode of The Bad Batch‘s second season is, without a doubt, one of the series’ best overall. Admittedly, the return of Gungi, who hasn’t been seen since his brief introduction in The Clone Wars‘ fifth season, plays a huge role in the amount of palpable joy felt throughout the 25-minute installment. Simply put, it’s great fun to watch him do anything, and it’s honestly sort of shocking it’s taken this long for him to pop up again. While it’s always enjoyable to see unique characters achieve worthwhile screen time, using one like the Force-sensitive Wookie, who has deep connections to multiple aspects of the universe he exists in, as a means of mixing fan service with actual thematic storytelling is just a stellar move to make.

    Tribe makes an obvious effort to compare Gungi with its own Omega, crafting a mirrored experience between the two young heroes as lost members of their respective tribes (that’s the title!), struggling to be innocent in a world rebuilt for the immoral. As unsubtle as it is, the theme works wonderfully, inserting a simple message into the midst of some pretty cool, fairly grand world-building. It’s enough to make a viewer wish The Bad Batch spent more time fleshing out arcs, as opposed to moving on so quickly between episodes. The original four-episode plan contained a multitude of details and features that could have easily transitioned from The Clone Wars era to the time of its sequel series, but instead, the writers packed as much as they could from that longer pitch into only a single entry, resulting in a somewhat rushed adaptation of a larger tale.

    (L-R): Hunter, Omega, Tech, Gungi, Wrecker, Echo, and Wookies atop Mylaya in a scene from “STAR WARS: THE BAD BATCH”, season 2 exclusively on Disney+. © 2023 Lucasfilm Ltd. & ™. All Rights Reserved.

    That being said, what actually makes it to the screen in Tribe is impeccable. Kashyyyk, which continues to be one of the Star Wars franchise’s best locations, creates a beautifully dynamic setting for the show’s protagonists to function. The Wookies’ connection to the planet’s wildlife, and its flora, help bolster the action sequences and set up some rather gratifying payoffs in the episode’s third act. Additionally, it looks pretty awesome when Wookies show up to fight Trandoshans on massive cats with bat-like ears. It’s the type of “wow factor” that Star Wars can fully lean into without betraying its defining thematic elements, and honestly, probably should happen more often. Also, Our Lord and Savior Gungi the Wookie Jedi finally coming into his own as a warrior and peacekeeper is the stuff dreams are made of and is likely to be exactly what Star Wars fans dream about after seeing the episode.

    With any luck, this will not be the last time audiences get a glimpse of Gungi and his (hopefully) soon-to-be-storied career, but if it is, it’s definitely a worthy send-off. Tribe is a solid grab bag of the action, emotion, and moralities that often compose the animated branch of Lucasfilm’s long-lived fictional galaxy, and both Gungi and the titular team of rebellious clones thrive for it.

  • The Skinny on The DCU’s ‘Booster Gold’

    The Skinny on The DCU’s ‘Booster Gold’

    James Gunn and Peter Safran have revealed the first half of the first chapter of the new DCU. In total, 10 projects are expected to be rolled out by the end of 2027, with 5 films and 5 streaming series adding to the interconnected Gods and Monsters story of the DCU. With so much to take in, it can be a bit overwhelming. To make it easier, here’s the skinny on Booster Gold.

    Described by Safran as “a loser from the future who uses his basic future technology to come back to today to pretend to be a superhero“, Michael Jon Carter will make his DCU debut in the HBO Max streaming series Booster Gold. The series was described as an “outright comedy” by Variety and Gunn described the story of the time-displaced 25th Century hero as “imposter syndrome as a superhero.”

    How do you deal with that?”, asked Gunn, who added that the series will focus on how Carter “tries to use this future technology to be loved by the people of today and what is really at the base of that.” Gunn also mentioned that DC Studios is already in talks with an actor for the role and given his stated desire to continue to work with the cast of Guardians of the Galaxy films, it wouldn’t be surprising if Chris Pratt were that actor.

    Sources: DC, Collider, Variety

  • ‘The Last of Us’ Viewership Continues to Grow With Each Episode

    ‘The Last of Us’ Viewership Continues to Grow With Each Episode

    Most shows follow a rather similar formula when it comes to how their viewership grows. After a strong debut, most series tend to see a drop in viewership or a strong push once strong word-of-mouth makes the rounds. Though it’s quite common that it starts dropping with the third episode, which we also saw with the monolith release of House of the Dragon last year.

    Yet, The Last of Us is beating those very odds and has seemingly gained more viewers once again going into its third episode. 6.4M viewers have joined according to Nielsen and Warner Bros. Discovery’s first-party data measurement of HBO Max streams. As such, the series has seen an increase of 12% going into Bill and Frank’s captivating story.

    As of now, the series has climbed from 4.7M viewers in its premiere episode and could potentially see another rise after the buzz the latest entry created. It would be great to know if this increase per episode also sees a boost for previous entries. Those that missed the premiere are likely catching up quickly and that rise in retention might play into HBO and HBO Max’s favor.

    It’s not surprising that HBO renewed the series for a second season early on, as there’s definitely an audience captivated by what this post-apocalypse has to offer. The show is surprisingly true to the game while adding or even expanding upon elements in interesting ways. The Last of Us’ third episode had the biggest departure from its source material but also gave us one of the most emotional entries yet. Who knows what future episodes might have to offer?

    Source: Variety

  • The Skinny on The DCU’s ‘Paradise Lost’

    The Skinny on The DCU’s ‘Paradise Lost’

    James Gunn and Peter Safran have revealed the first half of the first chapter of the new DCU. In total, 10 projects are expected to be rolled out by the end of 2027, with 5 films and 5 streaming series adding to the interconnected Gods and Monsters story of the DCU. With so much to take in, it can be a bit overwhelming. To make it easier, here’s the skinny on Paradise Lost.

    Set on the island nation of Themyscira before the birth of Wonder Woman, Paradise Lost is a “Game of Thrones’-ish story” that will explore “the political intrigue behind a society of all women,” according to Safran. Gunn expanded on Safran’s comments about the series, which he said will examine the “beautiful” and “ugly truths” behind Paradise Island.

    It’s an origin story of how this society of women came about. What does it mean? What are their politics like? What are their rules? Who’s in charge? What are the games that they play with each other to get to the top? I think it’s really exciting.

    James Gunn

    The series is being developed for HBO Max and will serve as an origin story for the Amazons, though it’s not clear what role they will have in the larger DCU narrative.

    Sources: DC, Collider, Variety