Tag: TV

  • Marvel Studios Finds its Composer for ‘Secret Invasion’

    Marvel Studios Finds its Composer for ‘Secret Invasion’

    We’re already about to see Ant-Man and the Wasp: Quantumania, but we know tiny bout what exactly is happening on the Disney+ side of things. There have been a few teases of projects getting postponed and we still have no release date for Secret Invasion; Marvel Studios’ return to exploring the more grounded, spy-centered aspect of its franchise.

    While we still wait for a new trailer and release date, it seems we got at least a minor update for the show created by Mr. Robot‘s Kyle Bradstreet. According to the always reliable Film Music Reporter, Kris Bowers has joined the project as its composer. He’s worked on quite a variety of projects ranging from Dear White People. the popular Bridgerton series, Green Book, and even Space Jam: A New Legacy. So, he definitely has an interesting variety of projects on his back but may have the opportunity to work on many others similar to how Michael Giacchino became quite a favorite.

    The first tease we got for Secret Invasion hinted at a very grounded take on the original, which is likely to upset some hoping to see a bunch of Skrull-replaced Avengers. Still, the story does lend itself to Marvel Studios to attempt their own take on what Andor accomplished. Plus, if you get someone as talented as Bradstreet to direct a series for you, you’ll be sure to give him as much freedom to make it work and play with your head throughout.

    Source: Film Music Reporter

  • REVIEW: ‘The Last of Us’ Explores the Darker Side of Love in Heartbreaking Fifth Episode

    REVIEW: ‘The Last of Us’ Explores the Darker Side of Love in Heartbreaking Fifth Episode

    *SPOILERS*

    Another week, another reminder: The Last of Us is a love story, and sometimes, love can be destructive. Thus far on their journey, Pedro Pascal‘s Joel and Bella Ramsey‘s Ellie have seen devotion take many forms. They’ve witnessed Marlene and Tess’ reserved commitment to responsibility, Bill’s tender endearment to his beloved partner, and now, Henry’s brotherly protection of his vulnerable sibling, Sam. More importantly, however, they’ve seen the consequences that come with each of those stories, and the variable effects that pure love can have on a person and those around them. In Endure and Survive, the series’ stellar fifth episode, the protagonists are forced to explore the darker side of intimacy and learn that love doesn’t always have a happy ending.

    To address the elephant in the room, the closing moments of Endure and Survive are incredibly difficult to watch. The episode does an extremely efficient job of introducing Lamar Johnson and Keivonn Woodard as their respective characters early, bringing the show back to the uniquely semi-anthological feel it’s crafted throughout the season, and making their ultimate demise hurt all the more. Not only that, but the duo excel in their roles, evoking exactly the same sense of innocence and optimism that Sam and Henry represented in the original 2013 video game. Much like the other pairs of survivors Joel and Ellie have met on their travels, they mean more than the physical function they serve. They are hope, compassion, and the dream of a better future. So, when they inevitably meet their end, it’s absolutely devastating.

    As painful as it is, however, it’s also essential to Joel and Ellie’s own development. No matter what happens in The Last of Us, or who else is present, the story will always come back to Joel and Ellie. That is the singular, unwritten rule of the series. Sam and Henry, as wonderful as they are, exist almost purely to put the show’s protagonists through a certain level of trauma together. The chemistry between the four survivors is immaculate, and for a moment, it seems Joel and Ellie have found a scenario where they can be happy. The beginnings of an informal family. It’s enough for Ellie, and even Joel, to briefly let their emotional guard down, something that they won’t be as quick to do after Sam and Henry’s deaths. Ramsey is particularly excellent in the final scene of Endure and Survive, where Ellie’s freshly hardened exterior is on full display.

    If Bill and Frank, in all their glory, were meant to show Joel the potential of a lasting relationship, then Sam and Henry are there to remind him what can happen on the other end of the spectrum. Love, for all its worth, is also the foundation behind some of life’s cruelest acts. There are consequences to letting people open your heart, both good and bad, and The Last of Us is hellbent on spelling this out at every turn. Luckily, it has a sublime cast and talented creatives bringing its heartbreaking spectacle to life. They make the worst of it all feel immensely human, which is also perhaps why fans are so compelled to watch in spite of all the hurt.

    Also of note in this episode is the work done with Melanie Lynskey‘s Kathleen. The Last of Us operates best in a grey area and has always maintained this by pitting Joel and Ellie against enemies who aren’t exactly straightforward baddies. Yes, Kathleen is willing to perform acts of violence that would even give Joel pause, but showrunner Craig Mazin does his best to make it clear that doesn’t come from nowhere. Just like everything else in this episode, it emerges from the darkest corner of love. She is human, and her susceptibility to grief also makes her volatile. Joel and Ellie may not be there yet, but there’s nothing to say one or both of them couldn’t reach that point eventually. Not even Henry, who reveals he’s also committed ostensibly atrocious acts in the name of love, is safe from his own humanity. It all comes together so nicely and is simply genius storytelling.

    Lastly, as a fan, there’s no way Endure and Survive can be discussed without mention of the Infected horde. Ever since Joel and Ellie survived that Clicker attack in the show’s second episode, the threat of Infected has been far and few between. Several locations of fan-favorite Infected encounters come and go in the series without a hint of the fungal monstrosities in sight. The reasoning behind this, that the heart of the story is about the people and not the creatures, makes total sense, but there has been a wanting desire to see the show’s heroes go up against the living undead again for a while now. With a stirring third act, HBO’s The Last of Us makes up for the intermediate absence of Infected with one fell swoop of chaos, carnage, and a big ole’ Bloater. The resulting exodus of characters is a glorious mix of pain and pleasure.

    Endure and Survive is potentially the best episode the series has yet to offer. It contains nearly every aspect of The Last of Us that makes the story memorable. The desperate exhilaration of survival, antagonists both alive and unwell, the fear of fungus, and a deep dive into the intense complexity of emotion that only Neil Druckmann and Mazin could configure. Everything boiling down to a clipboard, asking Ellie, and everyone at home, to stay awake. It’s beautiful and draining all at the same time. At this point, there’s no doubt audiences will be back for more.

  • ‘Daredevil’ Stunt Double Chris Brewster Won’t Return for ‘Daredevil: Born Again’

    ‘Daredevil’ Stunt Double Chris Brewster Won’t Return for ‘Daredevil: Born Again’

    Stunt performer Chris Brewster has a long history with Marvel Studios. Beginning with Iron Man 3, Brewster worked as a stunt double, stunt performer and fight coordinator on nearly a dozen projects, including doubling as Steve Rogers in Captain America: The Winter Soldier. More memorably (and as Brewster told us in our May 2020 interview), Brewster worked closely with Daredevil star Charlie Cox to develop the hero’s iconic fighting style in the Netflix Defenders-verse series while also serving as Cox’s stunt double.

    Brewster and Cox worked closely together for years, developing close personal and professional relationships, and the latter credited the former with being a key to the success of Daredevil. With all that history in place–and with Brewster working with Marvel Studios as recently as Ms. Marvel–it seemed a no-brainer that Brewster would go to work with Cox on Daredevil: Born Again. However, that will not be the case.

    In a response to a Tweet from #SaveDaredevil/#WeSavedDaredevil member @Kristina4109, Brewster revealed that not only is he not working on Daredevil: Born Again but also that Marvel Studios denied him the opportunity to interview for “the job.”

    Everyone involved with Born Again has hinted that the series will take the character in a new direction while also indicating that Marvel Studios would hang on to the pieces of the Netflix series that resonated with fans. While She-Hulk showed off some more acrobatic moves by the character, it seemed likely that Daredevil would still retain the bulk of the incredible martial arts abilities he showed off over 3 seasons of the Netflix show. With Brewster no longer part of the process, it seems as though Marvel Studios has chosen to completely reinvent the wheel and leave one of their longest standing and most talented stunt performers on the sideline.

  • Amazon Adapting Scott Snyder and Jock’s ‘Wytches’ as Adult Animated Series

    Amazon Adapting Scott Snyder and Jock’s ‘Wytches’ as Adult Animated Series

    The Image Comics horror series Wytches, written by Scott Snyder with art from Jock, has been picked up for adaptation at Amazon. The six-issue series, which debuted in 2014, is being developed as an animated series aimed at adults, joining Vox Machina and Invincible on the streaming series.

    Wytches is possibly my most personal work,” said Snyder, who recently saw another of his Image Comics titles, Nocterra, picked up for series as well. “It’s all about the monsters that dwell beneath the surface of things, both literally and figuratively. I’ve been intimately involved with this animated series from the start, and I can honestly say that I love this show as much as the book, if not more.

    Scottish artist Jock, with whom Snyder also worked on several different Batman-centric books at DC, put together some terrifying work on Wytches. According to Snyder, the animated nature of the Amazon series provides a better medium for Jock’s creations than live-action. “The animation brings the incredible art by Jock to life,” Snyder said, “and the episodic format expands the world of Wytches, taking the characters and mythology to terrifying new places. Jock and I are deeply grateful to Plan B Entertainment, Kevin Kolde, and Amazon Studios for believing in Wytches and giving us a chance to make this show dark, personal, twisted, and very special.

    No time frame for the development of the series was given, though Melissa Wolfe, head of animation at Amazon Studios, sounds eager to get the project to the screen.

    Driven by the pairing of Scott and Jock along with our partners at Plan B and Project 51 Productions, Wytches fuses nail-biting horror and evocative drama while unearthing the dark lore surrounding an ancient burrow of witches. Given the haunting and intimate nature of Scott and Jock’s well-regarded comic series, we are looking forward to delivering their creative vision to our global audience and expanding our growing roster of animated series.

    Melissa Wolfe

    Source: Variety

  • ‘Echo’ Producer Teases Marvel Studios “Grounded” Streaming Series

    ‘Echo’ Producer Teases Marvel Studios “Grounded” Streaming Series

    Despite plenty of rumors to the contrary, Marvel Studios’ streaming series Echo is coming to Disney Plus sooner or later. While based on comments by showrunner Marion Dayre it seems that the series won’t make its initial release window, Echo isn’t in the dire straits many rumors seemed to indicate it might be. In fact, according to Marvel Studios Parliament member and producer Stephen Broussard, things are progressing nicely on the show.

    [Production] is going well,” Broussard told Collider. “It’s very different. Like, talking about Werewolf by Night to this. It’s a very different tonal sort of thing. I don’t want to say too much because there’s not a whole lot out there in the world, but it feels very grounded, it feels very spiritual in ways that feel fresh for us.

    Echo will tell the next chapter in Alaqua Cox‘s Maya Lopez’s MCU story following her introduction in Hawkeye. Cox will be the first Native American female to lead her own MCU series and Broussard says both she and the series are setting up as special. “Alaqua as the lead is incredibly compelling,” said Broussard of the star. “I’m sort of hard-pressed to think of something that it feels like outside in the broader realm of the MCU,” he said of Echo, “let alone within what we’ve done here. So stay tuned on that really cool stuff. It’s always about embracing whatever it is, right? Like embracing a Universal Hammer Horror film, kind of leaning into that and, I think leaning into what’s unique about any viewing property. What’s unique about this property is that it’s much more grounded, and it’s in rural Oklahoma, which is where it takes place. So it’s fun, and it’s been an amazing teamwork, and working with that team behind the scenes.

    Footage from Echo was screened exclusively at D23 and got quite a reaction from the crowd and not only for the scene featuring Maya’s reunion with Wilson Fisk. It’s good to hear a positive update about the series following months of negative rumors and speculation. Echo will likely stream sometime in late 2023 or early 2024 on Disney Plus.

    Source: Collider

  • ‘Werewolf By Night’ Was Just the Beginning of Marvel Studios’ Foray into Horror

    ‘Werewolf By Night’ Was Just the Beginning of Marvel Studios’ Foray into Horror

    Marvel Studios’ first Special Presentation, Werewolf By Night, was largely successful with critics and audiences alike when it debuted in late 2022. The self-contained story didn’t explicitly set the table for another Marvel Studios horror romp, but it did make it clear that monsters have and continue to exist in the MCU. The studio’s long-awaited Blade film is gearing up for a late May start of production and will introduce audiences to another dark corner of the universe but according to Marvel Studios Parliament member Stephen Broussard, these two projects are just the beginning of Marvel’s foray into horror.

    Well, I will say that we’re starting to introduce some cool characters that are in the darker side, the more monster side and the supernatural and the occult, in a very organic way as you’re seeing these characters pop up,” said Broussard. “I think in very organic ways, it feels like there could be ways to continue those stories in ways that feel very fresh and new and keeping our toe in that horror side of things.

    Marvel Comics has a long and distinguished stable of monsters, ghouls, ghosts and demons that would make for thrilling streaming series or films. Werewolf By Night only skimmed the surface of a giant pool of possibilities and gave fans the itch for more. Keeping the talented Gael García Bernal‘s Jack Russell at the center of their efforts would be a wise choice and telling more stories involving the surprisingly wonderful relationship between Russell and Man-Thing while they meet and introduce new monsters to the MCU might just be the surest path to success.

    Source: Comic Book

  • REVIEW: Palpatine’s Political Acumen Takes Center Stage in ‘The Bad Batch’

    REVIEW: Palpatine’s Political Acumen Takes Center Stage in ‘The Bad Batch’

    Star Wars has always been just as much of a political allegory as hit has been a series of adventures in a galaxy far, far away. The allegory certainly became more overt during the prequels, however, as those stories took the audience into the Galactic Senate where Sleepy Sheev Palpatine played the long game and finally imposed his authoritarian rule over the galaxy. Sheev’s shifty and shady machinations all served his own endgame and the Senator from Naboo used anybody and everybody he could on his way to becoming the Emperor. Once someone served Palpatine’s purpose, no amount of loyalty or years of service could spare them, a lesson towards which Season 2 of The Bad Batch had slowly been building before Episodes 7 and 8 brought the idea into the spotlight.

    The Bad Batch has taken its time dealing with the fallout from the destruction of Kamino seen in the Season 1 finale but The Clone Conspiracy and Truth and Consequences do a wonderful job of finally putting a bow on it. The two episodes weave together a nifty narrative that continues to tell the tale of the transition from the state of the galaxy in the prequels to the state of the galaxy in the original trilogy and remind the audience of the devious chess master behind it all. Now that they’ve served their purpose and all but eradicated the Jedi, the Clones, like the droid armies before them, are set to be decommissioned following the tragic “incident” that wiped out the Kaminoan cloning facilities and made the further production of Clone Troopers all but impossible.

    Senator Riyo Chuchi in a scene from “STAR WARS: THE BAD BATCH”, season 2 exclusively on Disney+. © 2023 Lucasfilm Ltd. & ™. All Rights Reserved.

    Clone Force 99 finds themselves at the center of a high-stakes mission to stop the decommissioning of Clones (part of the Defense Recruitment Bill which also proposes a conscripted military take their place) that would also expose Season 1 villain Vice Admiral Rampart’s part in the Kaminoan genocide. Alas, the Batch and Rampart find themselves as pawns in Palpatine’s 4D chess match. Though they procure the evidence of Rampart’s evil act and relay it to their ally in the Senate, Riyo Chuchi, the Clones learn the hard way that Palpatine can and will twist anything to his advantage when the evidence they provide is twisted by the Emperor and serves as the nails in the coffins of their fellow Clones.

    There’s a bit of historical horror as Palpatine, presiding over the Senate, announces that these acts of terror are reason enough for him to pass the Defense Recruitment Bill and usher in the era of the Imperial Stormtrooper. As fans of series in which stories are told anachronistically, knowing the heroes of The Bad Batch played a major role in the coming terrors that these Stormtroopers will commit is a hard pill to swallow. But as evil as Sleepy Sheev is, these two episodes go a long way in reminding us why he was able to keep his grip on power for so long: his prowess as a Sith Lord is matched only by his incredible political acumen and spin tactics. It’s Sheev’s galaxy, everyone else is just barely surviving in it.

  • Marvel Studios Exec Officially Confirms ‘Wonder Man’, Teases a “Unique” Story

    Marvel Studios Exec Officially Confirms ‘Wonder Man’, Teases a “Unique” Story

    Marvel Studios’ production machine will be dialed up to do some major work soon. Agatha: Coven of Chaos is currently in production in Atlanta and six other projects are set to kick off principal photography by June. Among those is Wonder Man, a streaming series created by Destin Daniel Cretton and starring Yahya Abdul-Mateen II but that has never been acknowledged by Marvel Studios…until now.

    In an interview with Comic Book, Marvel Studios producer Stephen Broussard finally made it official, confirming the series is happening and teasing the tone of the project.

    Destin is doing a television show for us called Wonder Man,” said Broussard, joking that, “I think that’s out there in the world.” Not only was Broussard feeling kind enough to confirm Wonder Man is in the works, but he also gave some details about what to expect from the series, including a heavy dose of influence from the comics.

    [Wonder Man will] be definitely influenced by the comics. One of the things that we’re excited about it is that it’s going to feel very unique. It’s not going to feel like anything you’ve quite seen in the MCU before. And the kind of stories we can tell on Disney+, which has been fun. Like streaming, serialized storytelling is a totally different muscle. So, we’re having a blast making that one.

    Stephen Broussard

    A recent rumor compared the tone of the show to that of HBO’s Barry, a comparison that fans of that show and the MCU should be very excited about if it’s accurate. Wonder Man is set to kick off production in late March/early April and run through August meaning it should end up somewhere on Marvel Studios’ 2024 streaming slate.

    Source: Comic Book

  • Vincent D’Onofrio Has News for Fans of Netflix’s ‘Daredevil’

    Vincent D’Onofrio Has News for Fans of Netflix’s ‘Daredevil’

    Marvel Studios’ ambitious Daredevil: Born Again begins production in New York City at the end of the month and the stars of the show have been in The Big Apple prepping for the series for some time. The 18-episode event will reunite Charlie Cox and Vincent D’Onofrio, the stars of the beloved Netflix Daredevil series, for a brand new adventure following their introductions into the Marvel Cinematic Universe. Fans of the Netflix series are hoping for more of the violent tone they grew accustomed to over three seasons but given that the series will stream on Disney Plus, that seems unlikely. Just what should be expected is still unknown, but some insight from D’Onofrio may help prepare fans of the somber, blood-soaked Netflix series.

    “It’s going to be very very cool,” said D’Onfrio in response to a fan’s hopes that Daredevil: Born Again would be “more badass” than the Netflix series. “Very different than the Netflix show which was as we know was amazing. Yet this is brand new and really smart,” claimed D’Onofrio before sharing that “we are going to surprise everyone with it. And yes it’s going to be really cool.”

    Cool, different and surprising might not be what fans of Daredevil want to hear but to some extent, the writing has been on the wall. Cox has called Born Again a “whole new deal” and expressed his wishes to potentially retell some stories that were already told over the course of the Netflix series. While everyone continues to debate the canonicity of Daredevil, including Cox, D’Onofrio‘s words speak volumes about what’s coming for the MCU versions of Daredevil and Kingpin.

  • ‘Yellowstone’ to End, Sequel Series Planned with Matthew McConaughey

    ‘Yellowstone’ to End, Sequel Series Planned with Matthew McConaughey

    Here’s a big surprise, but it seems Yellowstone is coming to an end. The series is currently the top-rated drama and seemingly one of those shows that could continue for quite some time but co-creator and showrunner Taylor Sheridan has decided to end the current version of the show. Yet, it’s not the end of the Dutton saga as Matthew McConaughey is set to spearhead a sequel series.

    It seems that the reasoning behind this movie actually is due to its main star Kevin Costner. He has limited the number of days he shoots for the production to 65 days but seemingly pushed for even less in its current season. Yet even after winning best television actor in a drama series at the Golden Globes, he continued to want to spend less time in Yellowstone with only a week of shooting.

    The reason seems to be his involvement with the western epic Horizon, which he not only stars in but also is directing and co-wrote. Though, Costner plays the Dutton patriarch and is a major player in the series. Paramount has not offered any confirmation but praised McConaughey. It seems that nothing is quite set in stone as he is currently in negotiations. Sheridan‘s 1883 was also quite the success, so other Yellowstone spinoffs have all eyes on them as one of Paramount’s biggest TV franchises ever; even if it moves on from its main star.

    Source: Deadline