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  • ‘Ms. Marvel’ Production Heading to Bangkok Next

    ‘Ms. Marvel’ Production Heading to Bangkok Next

    Marvel Studios has been busy working on the various Disney+ shows that are eyeing a release this year. So far, we only know that Falcon and the Winter Soldier will start next month before Loki takes over in May. Right now, Hawkeye and Ms. Marvel are currently filming as they prepare to release in late 2021. Especially Ms. Marvel has been filming for some time, they even had enough to showcase a small sizzle reel during Disney’s Investors Day last year. It gave us our first look at newcomer Iman Vellani in the titular role. Now that an additional casting has been revealed, it looks like their current plans will see the production head to Bangkok. In a recent Instagram posting, atlanta_filming mentioned in the comments that the series is going to be heading to the iconic city of Thailand next.

    Our own sources back up the next shooting location, as they aim to wrap up its production in Atlanta next month. They would be heading to Bangkok shortly after, but it is unsure how it might be affected by the pandemic. Thailand may serve as the backdrop for a famous storyline from comics that took place in Badin, Pakistan. It is the hometown of Kareem, or better known as the hero Red Dagger. We know that Aramis Knight has joined the series in the role, so it could be how they introduce him. We have no details, so it is uncertain what they plan on shooting in the city, but it would be interesting to see the character explore her roots. It could also serve as a backdrop for some creative interior shots, so we’ll see once the show airs sometime later this year.

    Source: Instagram

  • ‘WandaVision’ Episode 7 Recap: The Woman Behind It All

    ‘WandaVision’ Episode 7 Recap: The Woman Behind It All

    If Episode 7 was any indication, we are arriving at the heights and very best of what WandaVision has to offer. The chess pieces have moved and the stakes are high. Monica Rambeau does what heroes do, Vision sorts through his feelings while Wanda loses it, and Agnes is exactly who we thought she was. Let’s examine where we are.

     

    Vision gets caught up on everything.

     

    Vision wakes up after the hex expands to being right in the middle of the circus. He recognizes Darcy from the previous night in the confrontation with S.W.O.R.D. and Hayward. Inside the hex, Darcy has become an escape artist who thinks Vision is a creep. Kat Dennings continues to be really awesome in all of her appearances and this is no exception.

    Vision catches up to bring her mind back to reality. Darcy then catches  Vision up on everything that’s happened prior to Westview, AKA Infinity War. He’s frustrated with Wanda but Darcy assures him that Wanda and Vision belong together. They later find out that Wanda is keeping Vision from getting back home, or perhaps someone else is? The seeds of doubt have been sewn so it will be interesting to see how these two reconcile.

     

    Monica Rambeau at her very best.

    Monica and Jimmy Woo are driving towards the hex so Monica can get back in there. We still don’t know the identity of the aerospace engineer but I’m sure when we find out it will be quite the surprise. Jimmy receives the info Darcy hacked from Hayward’s firewall. The intel shows that Vision is the focus of their operation, as they plan to bring him back online as their own sentient weapon. More on this later. As they arrive Monica meets with her contact, Major Goodner who brings a small unit to Westview with the vehicle Monica requested.

     

    Outside of the Hex, Monica suits up to cross over the CMBR-filled static on the rescue mission. As she drives the vehicle in the barrier turns out to be too powerful and transforms the vehicle halfway into a truck. As Monica gets out, that hero factor or whatever motivated her to keep going kicks in. She forces her way through the barrier and while struggling through we see four different versions of her split. As she holds it together we hear dialogue from Captain Marvel including Carol Danvers and Nick Fury. As she breaks through the barrier we see her eye color change to purple and a new hero is born. Is it Spectrum, Pulsar, or Photon? We have plenty of time to find out but this show has done an exemplary job of giving us Monica Rambeau’s back story the necessary treatment. Even before the series ends, we know who Monica is, her motivations and what she’s capable of without her powers. With the powers? One can only wonder.

     

    Monica then confronts Wanda at her house and Wanda immediately becomes very angry. The prior interferences from Hayward are referenced and she can’t trust anyone. Wanda then yeets Monica outside again but this isn’t the same Monica that got thrown like a rag doll in episode 3. She gathers herself and lands in a pose that only a superhero can pull off. Monica pleads with Wanda to not make herself the villain of the story. They argue and Wanda threatens to end Monica and when Monica replies, “Do it then.” you felt the tension go up another notch. Monica attempts to calm Wanda down and it feels like she’s getting somewhere until Agnes shows up and whisks Wanda away. That Agnes is something else.

     

    Wanda is losing her mind, and she might be losing more.

    Wanda starts her day waking up in bed confused about what happened the night before. We get a replay of the hex as she narrates in a Modern Family-style as she seems a bit overwhelmed. Billy and Tommy then come up as they complain that their games are changing form. Their controllers turn into older models, and finally Uno Cards. Billy hears voices in his head but Wanda is having none of it. She wants to be left alone. As the kids are arguing about the video games, Wanda comes downstairs and her powers are on the fritz. Before she gets cereal she seems content with Vision being out of the house for now, and calls Pietro an impostor. It was a nice touch for the cereal to be Sugar Snaps, referring to Thanos’ snap at the end of Infinity War.

     

    Eventually, Agnes shows up and insists on taking the kids off of Wanda’s hands for a bit. Wanda is more than happy to and as she thinks she’s going to have a simple time watching tv her powers go out of whack again. Everything around the house switches time periods and she continues to be confused. A voice offscreen then asks, “Do you think maybe this is what you deserve?” Wanda is losing it.

     

    We cut to a commercial advertising Nexus, an anti-depressant that’s “a unique anti-depressant that works to anchor you back to your reality or the reality of your choice.” That’s another big easter egg. In Marvel Lore the Nexus is a cross-dimensional gateway which provides a pathway to any and all possible realities, this also includes realities between realities. The Multiverse! Wanda Maximoff in the comics is a nexus being, one that is always a constant in all universes.

     

    We get to Agnes’ house which looks really nice on the inside by the way! Billy notices that Agnes is “quiet on the inside.” which is a heck of a red herring for what’s to come. After Wanda’s confrontation with Monica, Agnes brings her into her home presumably to see the kids. As Wanda sits she senses something eerie. She goes to the basement where Agnes says to check for the children. As she goes down a very dark hallway she reaches a room with a cabinet full of bones and a glowing book. Once she reaches this room Agnes shows up and locks the door. We then learn that Agnes is actually Agatha Harkness, the witch from Marvel comics Lore. As Wanda seemingly is under Agnes’ control the episode closes with a brilliant montage with the song “Agatha All Along”. We see how Agatha has been influencing Wanda and Vision the entire time concluding with us finding out that Agatha killed Sparky. Roll credits! Man, that was a lot. Let’s take a look at the theory board with some questions.

     

    Theory Board

    1. We only see Hayward briefly at the beginning of the episode talking about a launch of something as he’s outside the hex. A secret operation to retrieve Vision? Who’s he working for and who is he actually? Is he a Kree taking part in trying to get a weapon online for a war against earth? Is he Hydra or Aim? We will find out soon enough.
    2. With the mention of the Nexus and that glowing book and that really funky, dark room in Agatha’s basement, is this the door to the Nexus Of All Realities? What is the nature of that book? That holds the key to everything, including potentially who Agatha is working for. There’s no way that she’s doing this on her own. Did she use the Wundagore Everbloom flowers and that’s why she killed Sparky? The Everbloom flowers allow a person to have visions to the future by lying a petal of an Everbloom on their tongue. This requires the person to consume the flower twice, once after hunger and second after murder. This may have allowed Agatha to be one step ahead this entire time.
    3. We’re left with our first mid-credits scene! Monica arrives at Agatha’s house and as she heads to the basement, Pietro makes his first appearance of the episode with, “Snoopers are gonna snoop.” and we fade to black. We saw that Agatha influenced Pietro showing up, but is that Fox’s Pietro, or is that our villain of the story? We’re getting tantalizingly close to the answers to that.
    4.  Are Billy and Tommy ok? We don’t see them as Wanda is taken back under Agatha’s control. They are crucial to the story going forward especially the type of power that Billy has as a telepath.
    5. Mephisto, or Nightmare? The devil references have been rampant throughout the series to this point, but has that been a throw-off to the rumored villain in the upcoming Dr. Strange film? Will we find out who Ralph is? Sounds like with Ralph our answers will be found.

    WandaVision has been a delight through seven episodes, and the weekly releases has allowed us to digest this differently than if we were binging. With two left we have so many questions still to be answered, and it’s shaping up to be a wild ride down the stretch.

     

     

     

     

     

     

     

  • RUMOR: Jennifer Lawrence Joins ‘Fantastic Four’

    RUMOR: Jennifer Lawrence Joins ‘Fantastic Four’

    So, this is a rather bizarre story but too interesting not to cover. Right now, Marvel Studios has started production on a variety of projects, such as Thor: Love and Thunder. They have been expanding beyond their usual Atlanta filming location, as Australia has been growing into a popular filming location. It looks like they will continue working there with another upcoming project, as according to The Daily Telegraph, Marvel Studios also plans to shoot the Fantastic Four film there. Not just that, as they also reveal that Jennifer Lawrence is already on her way there to film it.

    It’s a bit of a strange surprise if you consider that Jon Watts is set to direct the upcoming film. Yet, he is still at work on the untitled Spider-Man 3 film, so it would be strange to start production so soon. We’ve reached out to Disney, but they have not yet responded on the validity of this rumor. Daily Mail also sourced The Daily Telegraph, where they explicitly state that she is involved in a Marvel project. It also states that she will arrive there in a month to start production on a series in the coming weeks.

    So, even if the production will be in Australia but it is unlikely to start anytime soon. Jennifer Lawrence is quite a high-profile actress to join the franchise and the second former X-Men actress to join a Marvel Studios production. So, she won’t have a minor role and it would be easy to say that she might be playing Susan Storm, or better known as the Invisible Woman. We’ll see what the validity is to this story moving forward.

    Source: The Daily Telegraph via Daily Mail

  • ‘ANT-MAN AND THE WASP: QUANTUMANIA’: Evangeline Lilly Confirms Summer Production Start

    ‘ANT-MAN AND THE WASP: QUANTUMANIA’: Evangeline Lilly Confirms Summer Production Start

    We’ve been getting a lot of first looks at various Marvel Studios productions. We got our first look at the Thor: Love and Thunder set as they are ramping up production in Australia. Now, we were wondering if any other films might also be slowly starting, such as Ant-Man and the Wasp: Quantumania. The Wasp herself, Evangeline Lilly, was surprisingly candid when addressing the Ant-Man threequel’s upcoming shooting start. It looks like we’re pleased to see that it won’t take long for the project that will feature Kang the Conqueror, and that is likely will give yet another Young Avenger in Cassie Lang’s Stature. If you scroll through the following Instagram post, you can see her confirm a potential summer production start. 

     

    This revelation confirms our own report from June 2020, that principal photography is set to begin this summer. Ant-Man and the Wasp: Quantumania will once again have Peyton Reed in the director’s seat. He will be the second Marvel Cinematic Universe director to have a complete trilogy under his belt. He is following Spider-Man‘s Jon Watts, who is currently directing his still-untitled third installment. Stars Paul Rudd and the aforementioned Evangeline Lilly will be returning alongside Michael Douglas and Michelle PfeifferJonathan Majors and Kathryn Newton will be making their franchise debuts in the threequel. It will be interesting to see how this film connects to the last entry in the franchise and potentially build upon the current rumors of a multiversal storyline.

    Source: Instagram

  • EXCLUSIVE: Russo Bros.’ Production for Netflix’s ‘The Gray Man’ Set After Delays

    EXCLUSIVE: Russo Bros.’ Production for Netflix’s ‘The Gray Man’ Set After Delays

    We are only a few days away when Joe and Anthony Russo‘s next major film, Cherry, releases on Apple TV+. It is their first film since their work on Avengers: Endgame that will see them tackle a more intimate story of a young man, played by Tom Holland, going down a dark path. The two aren’t going to take a break, as the directing duo is already eyeing the next blockbuster project, The Gray Man. The film is described as Netflix’s most ambitious feature film, which will see Ryan Gosling and Chris Evans in the leading roles. The last time we heard anything from the production was in July, as the film was eyeing a January production start. However, we have exclusively learned that the film is facing a production delay.

    Originally, it was going to start shooting the film in January, but it was delayed until March or April. They are currently still casting for the film, but no details are given for the delay. The production start was already delayed for two weeks back in December due to the rise of COVID concerns, so it is most likely why it was given another two to three months.

    The story is an adaptation of the 2009 novel of the same name by Mark Greaney, where a deadly duel where the former CIA operative Gosling‘s Gentry is hunted by his former cohort Lloyd Hansen, who is played by Evans. The film’s script was written by Joe Russo with some polish by their Captain America and Avengers co-writers, Christopher Markus and Stephen McFeely. It will be produced by their production house AGBO.

    Source: Deadline (Film), Deadline (COVID)

  • Edgar Wright Set to Direct a Remake of Stephen King’s ‘The Running Man’

    Edgar Wright Set to Direct a Remake of Stephen King’s ‘The Running Man’

    Edgar Wright is nothing if not booked and busy. The director, who has spent the past two decades at the helm of many cult favorites, will add a high-profile remake to his growing list of upcoming projects. Deadline revealed that Wright will take over directing duties on Paramount’s The Running Man, a live-action adaptation of Stephen King‘s novel. It’s the story of a man named Ben Richards, who participates in a futuristic reality show in which contestants are chased by “Hunters” tasked with killing them. The book got previously adapted in 1987, with a film starring Arnold Schwarzenegger in the title role. Michael Bacall, who co-wrote Scott Pilgrim vs. The World, will write the Running Man script for his longtime creative partner. They hope to bring the story into a new age with a more faithful retelling of the science fiction classic.

    Since the beginning of 2020, Wright‘s name got attached to multiple different film projects. He is also set to direct an adaptation of Set My Heart to Five, another science fiction tale about an android dentist who learns to feel human emotion by watching old movies. The famous director will also tackle a version of the thriller novel The Chain. Additionally, Wright has actively assured fans that he is working on the script for a sequel to 2017’s action flick Baby Driver, the last movie the director has managed to drop in theaters. His first venture into the horror genre, Last Night in Soho, was originally going to land in cinemas last year but has since been delayed by the COVID-19 pandemic and is now scheduled for an October 2021 premiere.

    Source: IndieWire

  • RUMOR: Mena Massoud is the Front Runner to Play Live-Action Ezra Bidger

    RUMOR: Mena Massoud is the Front Runner to Play Live-Action Ezra Bidger

    Kessel Run Transmissions report has been released that places Aladdin‘s Mena Massoud as the main choice to play Star Wars Rebels‘ Ezra Bridger in the upcoming Ahsoka Tano live-action series. This series will continue where Ahsoka’s The Mandalorian cameo left off, with Ahsoka searching for Grand Admiral Thrawn as he is the one who may lead her to Ezra after he disappeared in the animated show’s finale. Mena Massoud has worked with Disney before in the aforementioned Aladdin, so it seems Disney should be pretty sure about their choice to play the Lothal native.

     

     

    Besides Rosario Dawson who will be playing the titular character, this is the first major casting news regarding the show, one of the two The Mandalorian spin-offs, the other being Rangers of the New Republic. The show was announced during the Disney Investor Day on December 10, 2020, and will be developed by Jon Favreau and Dave Filoni. If they are already casting the show’s main characters, it could be a sign that they are already eyeing a production start. Star Wars may try to replicate Marvel Studios’ formula of releasing a new show so that most of the year is filled with content. We could also see them switch between each show to better spread it out throughout the year. Either way, Massoud would be an amazing choice to play the iconic character from the Rebels animated series. It could also be a clue that we might get some casting information on Admiral Thrawn in the coming months.

    Source: Kessel Run Transmissions

  • Laurel Marsden Joins Disney+’s ‘Ms. Marvel’

    Laurel Marsden Joins Disney+’s ‘Ms. Marvel’

    We are in the new era of Marvel Studios storytelling. WandaVision has redefined our understanding of what makes a Marvel story. It will also be the first of many that are heading our way. Among them is the story of the Inhuman Ms. Marvel. It will bring the character of Kamala Khan into the ever-expanding Marvel Cinematic Universe. We got a brief snippet of the series during Disney’s Investors Day, but it has gone quiet since while production continues. Luckily, it seems that The Hollywood Reporter got their hands on some info, as Laurel Marsden is joining the series.

    The actress has recently appeared in Survive. It aired on the now shut down service Quibi service. It kickstarted her career to get a larger role, such as the upcoming Marvel Studios show. She will play Zoe Zimmer, who got introduced in 2014’s Ms. Marvel No. 3. She is a bully character but also ends up bonding with Kamala. As THR points out, she is the first character to get saved by Kamala in the comic, so she also pushed the young hero to embrace her role.

    The show has no release date but most likely will get released later in the year. We are only a month away from the release of Falcon and the Winter Soldier. Loki is set to arrive in May. Hopefully, we might get a few new trailers once we near the release of the Gods of Mischief’s show. We will certainly keep an eye out for any potential set photos that may give us a small glimpse of where they are going with this story.

    Source: The Hollywood Reporter

  • ‘WANDAVISION’: Back to Your Regular Programming

    ‘WANDAVISION’: Back to Your Regular Programming

    After Episode 7 we are most likely done with the sitcom-based chapters of WandaVision. Even if we’re still getting an Agn.. Agatha Harkness-centric flashback that might shed some light on both her past and how Wanda retrieved Vision’s body (or did she?), the TV tropes that were so masterfully used to develop the show’s narrative so far should now take a backseat and, in the words of Paul Bettany:

    (…)in the end, you end up in full, MCU action movie.

    For many, this will be seen as a welcomed pacing shift as WandaVision begins to resemble the MCU theatrical releases more and more, as it approaches the series finale and propels some of its characters into future Phase 4 appearances. There is no way around it, as WandaVision proudly advertised for everyone to see: this is a show that meant to break from the MCU mold and everything about it, either purposeful or not, made it so that a segment of fans would have a bit of trouble adjusting to the way a Marvel Studios project is usually enjoyed.

     


    From the episodic format, something that inherently makes the narrative flow differently than in feature films, to the fact that it’s available on a streaming service, meaning it’s not bound by runtimes associated with shows of this magnitude, and not forgetting the obvious thematic approach that caught many off guard, WandaVision not only proved to not be your regular MCU property, it wasn’t even your regular TV show. But even though it might have been seen as a bit of a gamble by taking some obvious risks, it knew full well it had the MCU label as a safety net that would make audiences stick with it through thick and thin. And that is the right way to approach built-in fanbases, not by continuously giving them what they want, but by giving them what they might need once you have their full attention.

    What other way would we get to experience such incredible performances by the show’s amazing leads, as both Olsen and Bettany thrived when asked to move these characters outside of their comfort zones. We also got to recognize and pay tribute to what made the referenced sitcoms so timeless paving the way to the shows we enjoy today, how TV itself has evolved through the years to the point of it being such a meaningful part of everyone’s lives, both past, and present, making us the consumers (not in a bad way) we all are today. Pertaining specifically to the MCU fandom, we’ve seen an incredible increase of engagement throughout the community directly associated with the fact that we’re getting weekly MCU content. The number of theories developed by a single episode rivals the ones surfacing after a theatrical release and even though a week seems like a lot of time to wait before the next episode when you fill that time with all of this content, it’s hard to say it isn’t time well spent.

     


    We still have a couple more episodes until we reach the end of this season of WandaVision, but leaving the sitcoms behind feels like we’ll be indeed returning to our regular MCU programming, which will be followed by The Falcon and The Winter Soldier a month from now. That will also be a good thing, as it is the variety of approaches that’ll be helping the MCU move forward in the coming years. But may WandaVision‘s legacy be the one developed so far, that challenging audiences with interesting content, full of heart and respect towards the source material, is truly the way to go.

  • ‘WandaVision’: Something’s Not Right With “Agnes”

    ‘WandaVision’: Something’s Not Right With “Agnes”

    I know it’s not Thursday, but I just had to jump on this theory right after the latest episode. We are now creating an emergency theory of WandaVision‘s latest episode that just came out a few hours ago as I am writing this article. If you haven’t seen the new episode “Breaking the Fourth Wall”, turn away now. So, this is your last warning before we jump into the theory.

     

    There will be some massive spoilers for the latest episode of WandaVision. Only continue at your own risk if you want to avoid any major reveals from the new episode.

     

     

    The big secret is out. Agnes, the nosy neighbor, has revealed her identity as the sorceress Agatha Harkness. It finally confirms what Charles Murphy reported nearly more than a year ago. After a short montage, it seems as if Agatha has been behind everything all along. Yet, it could also be a misdirect, and maybe someone wants you to believe that she is. At first, it seemed like a fantastic revelation about how Agatha is the insidious villain whose behind the Westview anomaly. Yet I will play devil’s advocate and say that she might be innocent.

     

     

    In the comics, Agatha’s never had an antagonistic role. On the contrary, she’s been helping heroes. In Wanda’s case, she taught her how to use her abilities. She even was the babysitter of Franklin Richards, the son of Mister Fantastic and Invisible Woman. So having Agatha be the villain doesn’t make sense from a comic book standpoint. Not only that, but there’s some compelling evidence that convinces me that Agatha isn’t behind it all, but rather, someone is making it seem like it is. During the “It Was Agatha All Along” sequence, there’s a line where she says: “And you haven’t even noticed, and the pity is.” That line woke my brain up to look for clues in this opening sequence, and I found something. Take a close look at Agatha’s hands in the following image:

     

     

    You have Agatha sitting outside on the patio, using her purple magic to conjure up whatever “Pietro” is. If you take a closer look, there’s something off with Agatha. It just seems like something is out of place. I’ll give you a hint: It’s red, and it’s a wiggly woo. You’ll notice that there are small red static lines around Agatha’s that are emanating from her hands. They show up again later on in the infamous Sparky scene as highlighted here:

     

    That small blink-and-you’ll-miss detail doesn’t seem to sit right with me, and it leads me to think that something may be controlling Agatha in this sequence. And at the moment, there are two prevalent theories:

    Theory #1: It’s Wanda

     

    My buddy and fellow contributor Joseph Aberl came up with this theory. It looks like Wanda is the prime suspect for everything going on in Westview. She even admitted to it in her “interview” that this world was fake. So, it would be easy to assume that Wanda is behind it all. Perhaps she is painting Agatha Harkness as the villain at the end of this episode so Wanda can make herself not look like one. She might even be doing it subconsciously without realizing it, which would feed into the theory that Wanda might truly be losing her mind. That isn’t our only theory though.

     

    Theory #2: This Strange Book

     

    There’s a somewhat similar red magic emanating from this strange book that’s in Agatha’s basement. The audio description of the episode confirms that it is red, which could draw its power the same way Wanda does. Now whatever this book is, it’s clearly malicious and could contain some very dark secrets for what’s going to happen later on in future episodes of WandaVision. Hopefully, we might get some kind of information or reveal the origin of this book.