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  • ‘WANDAVISION’: The Twins may be Pivotal to Wanda’s Downfall

    ‘WANDAVISION’: The Twins may be Pivotal to Wanda’s Downfall

    Just as predicted in Arlyn Murphy’s Episode 5 Primer, this week we got our first real glimpse of the twins, Tommy and Billy, along with a few hints on how their immediate future might unfold. Given how big of a deal they are bound to become in the MCU as instrumental parts of the Young Avengers roster, their introduction, the questions it raised, and the few answers we might have gotten are certainly attention-worthy.

    One of the first relevant quotes regarding them was when Jimmy Woo asked if anyone had managed to identify both kids, as they had done with most of the people Wanda interacted with inside the Hex. Monica then said:

    Oh, Wanda’s twins are hers. Everything might look fake on the TV, but everything in there is real.

    This means that, unlike everybody else trapped inside Westview, the kids didn’t exist in the outside world before the Hex was set up. So being, when/if the Hex is destroyed, and everybody returns to their regular lives (as the kids appear to be, in Monica’s words, “real”), they won’t just disappear but also their minds won’t just go “back to normal”, as there won’t be any normal to go back to. They’ll still be Wanda and Vision’s kids, even in the real world, with everything that entails. 

    Coming from Wanda and being outside of the initial group being mind-controlled by her probably means that whatever powers they might be displaying inside the Hex are theirs alone and that they aren’t serving as Wanda’s proxies. We start to understand just how much autonomy they exhibit when both disappear from the crib and appear as 5-year-olds much to Wanda and Vision’s surprise. Then later, when they manage to age-up, against Wanda’s wishes, so they could keep Sparky as their pet. When they plan on aging up once again to get away from the pain felt by Sparky’s death, Wanda feels the need to talk them out of it, again making it seem like they are outside of her control. But the biggest hint on just how much Tommy and Billy are in control of their own actions is given us by Agnes, right after they turn themselves into five-year-olds:

    Kids. You can’t control ’em.

    This feels like foreshadowing, as the kids should become increasingly more autonomous and going against Wanda’s wishes. Even though they are a huge part of the model family Wanda created for herself inside the Hex, the twins (and Vision) are beginning to display certain traits that are bound to collide with that dream scenario. Wanda cannot be truly happy if she has to control the ones she loves, as she needs to feel that they are with her not because they have to, but because they want to. If the twins begin to question their situation too much (as they did when asking Wanda why she wouldn’t bring back Sparky from the dead), throwing wrenches right in the gears of Wanda’s creation, that might just be the catalyst to Wanda’s future loss of control over the entire situation. Her search for perfection will be the reason for her downfall.

    And this leads to life after the Hex, after WandaVision. If the twins are kept away from their mother in order to keep safe from someone, by then, so disgruntled with life, that might just be what leads Wanda into the dark path we are sure to follow her on in Doctor Strange in the Multiverse of Madness. Their absence might be presented to both her and the audience as “They couldn’t survive outside the Hex”, but they’ll be sure to come back later on, to rediscover their real connection to the Scarlet Witch.

  • ‘WANDAVISION’: Twin’s Casting Revealed

    ‘WANDAVISION’: Twin’s Casting Revealed

    The following article will contain spoilers for the fifth episode of WandaVision. Only continue at your own risk if you haven’t seen it yet.

     

    The latest episode of Marvel Studios’ WandaVision brought with it many surprises. It looks like the young actor Julian Hilliard has just made one of the less plot-shattering development’s public. Hilliard took to Twitter to confirm that he, alongside fellow child actor Jett Klyne, has officially joined the cast of Marvel’s debut streaming series. They are both playing the aged-up versions of Billy and Tommy, Wanda and Vision’s twin boys. They take the roles over from Baylen Bielitz and Gavin Borders, who played the future-Young Avengers earlier in the same episode. The casting reveal comes after many fans speculated the twins would find themselves aging rapidly over the course of the show, a theory supported by Wanda’s zany accelerated pregnancy in the series’ third episode. It is uncertain for how long they will be playing these characters going by how fast they were aging throughout this episode alone.

    After the episode aired some of the child actors took to Social Media to share their excitement:

    Keeping in tune with the unsettling air of WandaVision, both Hilliard and Klyne will be most recognizable to fans via their previous work in the horror genre. Hilliard was somewhat of a breakout star on Netflix’s surprise hit, The Haunting of Hill House, with his thick glasses and shy demeanor capturing the hearts of viewers as a young Luke Crane. As for Klyne, he starred in the title role of the popular 2016 film, The Boy, chilling the spines of movie-goers as the unusual child Brahms.

    The arrival of Billy and Tommy, better known to comic book fans as Wiccan and Speed, signals that the fan-favorite team of Young Avengers may be in the MCU’s future. The two are traditionally portrayed as founding members of the group. It’s also a potential step forward for LGBTQ+ representation in the franchise, should Marvel Studios take that route. Both of the twins were landmark characters for the comic universe in that regard. However, before we all get too excited, and as the show continues to unfurl its many mysteries, I’m left contemplating a question posed by our very own Arlyn Murphy in her latest WandaVision primer: will the twins even be able to stick around once Wanda’s new world comes crashing down? I guess we’ll have to keep watching to find out!

    Source: Instagram (Klyne), Instagram (Baylen), Twitter, ScreenRant

  • ‘ANDOR’ Adds Directors Ben Caron and Susanna White

    ‘ANDOR’ Adds Directors Ben Caron and Susanna White

    It looks like Disney+’s Andor series has found a pair of new directors to take the helm for the series’ upcoming episodes. DiscussingFilm reports that Ben Caron and Susanna White will help steer the ship of Disney and Lucasfilm’s Rogue One prequel, which will debut on Disney+ in 2022. The duo joins the previously announced Toby Haynes. The series is filmed in London’s Pinewood Studios, where the directors are heading to join the cast and crew. When the project got announced, Rogue One’s writer and secondary director, Tony Gilroy, was to direct and write episodes of the show. Sadly, complications with travel due to the current pandemic prevented him from making the trip. As a result, his role got reduced to that of executive producer. He still was heavily involved with the script.

    Ben Caron is best known for his work in British television. He previously directed episodes of cult classic series Sherlock and Skins. He also was behind multiple episodes of Netflix’s breakout series, The Crown. There is also Susanna White. She is renowned for her work on the British film Nanny McPhee Returns. Americans might recognize her work in the popular series Masters of Sex and Billions. The talents of both will support the story of a younger Cassian Andor. Diego Luna will reprise his role in the series, which will take place five years before the events that would spread hope throughout the galaxy

    Andor never shied away from referring to his many years in the service of the Galactic Rebellion. Luckily, we will finally get a chance to explore those years on a deeper level. Sadly that means we won’t be seeing the return of Alan Tudyk‘s K-2SO, which the actor confirmed some time ago. The show is one of many of Lucasfilm’s Disney+ series and has gotten overshadowed by some larger projects, especially Ewan McGregor’s return to the role of Obi-Wan Kenobi. Still, it promises to be an exciting adventure for all fans of the Star Wars universe that want to explore the Empire’s reign throughout the galaxy

    Source: DiscussingFilm

  • Edgar Wright’s ‘Ant-Man’ Could Return in Marvel Studios’ Disney+ Era

    Edgar Wright’s ‘Ant-Man’ Could Return in Marvel Studios’ Disney+ Era

    Just recently, Edgar Wright revealed that he and Kevin Feige finally buried the hatchet. To offer some context, Wright worked on Ant-Man back in 2003 with Joe Cornish. At the time, Artisan Entertainment held the rights before it returned to Marvel Studios. At one point, it was part of the original 2006 line-up alongside Iron ManThor, and Captain America before getting delayed due to concerns the technology hasn’t quite caught up with the idea. After a second draft and test reel, it would join the franchise’s second phase before Feige gave him time to work on The World’s End.

     

     

    The problem was that the standalone script was facing issues with the Marvel Cinematic Universe’s growth. As a result, creative differences due to constant rewrites led to Wright leaving the project two months before production start. Six years later, he revealed that they were able to bury the hatchet:

    I’m very glad I did it… he was really touched that I had reached out, and I feel what he wrote was great. I told him that I read what he’d said about ‘Aliens’ to James Cameron, which he said was just wild. So it was nice, it’s a nice happy ending to that story.

    It is great to hear that these two titans in the industry were able to make amends. Wright left a lasting impact on how to do visual comedy in the industry. He moved on to direct Baby Driver, which continued to skyrocket his cinematic career that started in 2004 with Shaun of the Dead. So, it was a huge loss for everyone involved that he could not realize his vision of the original script that Joss Whedon described as Marvel’s best. Now, it seems like a distant dream that may never see the light of day. Well, at least that was until Marvel Studios’ latest project, WandaVision, proved we are in new territory.

     

     

    Marvel Studios’ expansion into long-form storytelling introduced us to a show that embraced its sitcom inspirations completely. It broke the formula that has plagued the releases even after the Marvel Creative Committee finally was disbanded. Kevin Feige had the freedom to give his directors more freedom. Guardians of the Galaxy director James Gunn confirmed that Marvel CEO Ike Perlmutter and his committee added haphazard notes that disrupted the production process, such as their decision to ax the Awesome Mix.

    They probably added to the tension surrounding Wright‘s Ant-Man. After some time has passed since they got disbanded, we have a new and more diverse future for Marvel Studios. WandaVision is proof they are willing to explore new types of stories. Even their films have changed drastically over the years. Thor: Ragnarok proved how much freedom a director has nowadays. The MCU project is truly a vision that only Taika Waititi could bring to the silver screen. We are not talking about the same Marvel Studios from five years ago.

     

     

    As such, there is a possibility they use the current multiversal storyline to create unique one-offs that explore existing characters. They could explore a past story within the MCU that doesn’t have to concern itself with the overarching storyline too much. How about we go back in time to follow a young Hank Pym and Janet van Dyne becoming heroes in a pulp-era? The early times of using Pym particles and his adventures as Ant-Man. It still feels like the one storyline Marvel has yet to explore, and it is a waste. It would be a great Disney+ film or TV series, where he can go wild with ideas that were tragically lost when the original script got scrapped. Even if that chapter ended, I will always keep out a little hope that there is a possibility of him returning and make the film he worked so many years on.

    Source: Collider, IndieWire, Collider (Creative Committee), SlashFilm

  • ‘WANDAVISION’: The Theory of Knowing Nothing

    ‘WANDAVISION’: The Theory of Knowing Nothing

    Spoiler Warning ahead for Episode 4

    For years, people on the internet have gone out of their way to make theories and speculations about the upcoming MCU films and for a time, people started to get a sense of the direction that Marvel Studios wanted to take these films in. Albeit being by reading the source material the films base themselves on, seeing set pictures, breaking down trailers and clips frame by frame. These are all standard things fans and writers do when they try to unravel the mystery behind any project. I include myself in the list of people who spend their time trying to piece together a story based on these facts. And it would help me predict many plot points from previous MCU projects at the time. But WandaVision truly is a challenge to many theorists. Mainly because Marvel has broken its standard formula and genuinely surprises us each week with every episode that comes up. And Marvel truly wasn’t lying when they said “We just don’t know what to expect.”

    The mind of a theorist can be truly interesting at times. For example, when watching the first minute of the 4th episode and seeing Monica “return”, I thought of a number of different theories in a span of a minute. At first, I thought we were following the events of what happened after the 3rd episode and that what we saw was just Monica’s mind coming back after being “Geraldine” in Westview for so long. Then I thought that what was happening was that Monica had actually obtained her powers and didn’t know how to control them. As we cut to the hospital room, my theories started to fall apart as I realized that we were back at the time of Avengers: Endgame, when the snapped or “blipped” were brought back by Bruce Banner. What happened there was a brilliant example of what happened to everyone who had been theorizing about WandaVision and the direction this show will take. And it did a brilliant job of changing up the script on all of us.

    There’s a scene in Episode 4 where pretty much every single theorist gave a collective sigh as they had to erase everything they thought they knew about WandaVision and start from scratch. And you can tell Marvel had a lot of fun making that episode as a lot of us could potentially relate to being in S.W.O.R.D.’s position. When S.W.O.R.D. started identifying the people in Westview and revealed0 that they were just “cast” in Wanda’s reality, so many theories about this show just collectively went out the window. Herb as the High Evolutionary, The Harts being amalgamations or demons that are after Wanda’s children, Phil Jones, and the possibility of Arcanna Jones appearing in this series. The point being that Marvel really flipped the script on us by making us think that we know everything when in reality, we practically are still in the dark about this show, and every episode introduces a new aspect that leaves fans just buzzing with new ideas. “What happened to the beekeeper after Wanda said no? Who is censoring the broadcast of what’s happening in Westview? Why is it even being broadcast in the first place? Is Wanda literally imagining all of this happening with Vision’s dead corpse?” And that’s just from this last episode alone.

     

    This is why WandaVision is so interesting in the first place. We’ve grown used to expecting big Marvel fight scenes and straightforward stories in the films. But by having a story like WandaVision play out as it does, it allows fans to make theories and try to look back at what the big mystery of the show truly is, only to realize that most of what they thought they knew was wrong. Having scenes like the ones where S.W.O.R.D. is at the command center watching the first episode of WandaVision as if they were us really allows for fans to have more of a connection to the characters of the show and its what keeps bringing back fans for more to try to uncover the mystery of what’s really going on in WandaVision. So maybe, in this new phase of the MCU, Marvel’s new plan isn’t really to follow the same ol’ strategy, but rather explore the universe it’s established with new characters and different storytelling formats that could make the films and shows less predictable.

  • Nhut Le Joins ‘The Suicide Squad’ Spin-Off ‘Peacemaker’ as Judomaster

    Nhut Le Joins ‘The Suicide Squad’ Spin-Off ‘Peacemaker’ as Judomaster

    2021 is going to be a massive year for comic book fans. It also is going to be a great year for James Gunn, who has been working hard on his upcoming DC film, The Suicide Squad. The director still has some time on his hand until he tackles the next entry in the Guardians of the Galaxy trilogy. So, he decided to make an original HBO Max show that focuses on John Cena‘s character Peacemaker, who is set to make his live-action debut in the upcoming film. The spin-off will be produced and written by Gunn, who will also direct multiple episodes.

    The series seems to take a lot of inspiration from the original Charlton Comics with many iconic characters being hinted at through the casting breakdowns. We got the first casting announcements around two months ago so we were hotly anticipating the next bit of news. Well, it has finally arrived, as Nhut Le has joined the production in the role of Judomaster.

    The character has an extensive history and originally premiered in Special War Series #4 all the way back in 1965. As Deadline points out, DC created a new version of the character in Justice League Quarterly #14 in 1994. He originally was a sergeant in the Second World War named Hadley “Rip” Jagger. There was also a female version named Sonia Sato, who made their debut in 2007’s Birds of Prey #100. It is uncertain which version the Groundlings and UCB alum might be playing. Le has played a recurring role on Comedy Central’s The Kroll Show and Disney Channel’s Raven’s Home.

    Source: Variety

  • UPDATE: ‘Ant-Man and the Wasp: Quantumania’ Already Started Filming in Turkey

    UPDATE: ‘Ant-Man and the Wasp: Quantumania’ Already Started Filming in Turkey

    UPDATE: Here is a quick update on the article, as @Orochimarusama_ was kind enough to translate the statement by Mehmet Ersoy, which reveals that filming has already begun in Cappadocia. They also seem to be eyeing several other locations, so we will see if there is even a chance we might already see some shots from the set make their way online as filming continues.

    Source: Twitter

     

     

    Even as the pandemic lurks, Marvel Studios is not holding back on getting their productions together. They’ve been hard at work on their future slate even if there is still a possibility Black Widow gets another delay that may affect their entire line-up. Just a few days ago, we got our first look at Thor on the set for Thor: Love and Thunder rocking a nice Thunderstrike-inspired costume. The film is slated to release in May 2022, so they have enough time to get productions. There is a good chance that other films for that year might be entering productions in the coming months. Marvel Studios might try to keep potential delays into account and plan in some additional months just in case. It looks like one of those films might also already eyeing its filming locations, as the Turkish Minister of Culture and Tourism, Mehmet Nuri Ersoy, has let slip that Ant-Man and the Wasp: Quantumania is filming in Turkey on the Turkish TV channel Habertürk TV.

     

     

    I won’t claim I speak a lot of Turkish but the channel is discussing tourism and the pandemics’ impact. They then namedrop Ant-Man during their section on the countries’ filming economy. I think I heard out that Cappadocia might be the location they are eyeing for the upcoming production. It is a beautiful location that is famous for its Hot Air Balloon Flights and Pigeon Valley, where you can find the ruins of Uçhisar Castle. Speaking of, that location could be a perfect backdrop for the Quantumverse’s secret inhabitants that was teased in a deleted scene from Ant-Man and the Wasp. Cappadocia is a beautiful place and has been used for a variety of films and TV shows in the past. It seems rather likely that the Ant-Man threequel is slowly getting ready to start production, especially as Michael Douglas did hint at him growing his goatee in time for production again.

    Source: YouTube, Travel Magazine, SyFy, IMDb, ComicBook

  • ‘WandaVision’’s Occam’s Razor

    ‘WandaVision’’s Occam’s Razor

    Occam’s razor is the problem-solving principle that “entities should not be multiplied without necessity”, or more simply, the simplest explanation is usually the right one.

    It wasn’t what was initially scheduled to happen, but WandaVision is serving as our entry-point into Phase 4 of the Marvel Cinematic Universe. Having fans starving for content for over one year and a half since the last MCU property hit theaters, was certainly noticeable after just the first couple of episodes were made available a couple of weeks ago. Fans had already picked up on where the show would draw inspiration from, starting with House o M, Tom King‘s Vision run, John Byrne’s Vision Quest, and a few more, and so the theories being devised were already plentiful, but it was like nothing could prepare us for what was to come.

    The MCU has always been a fertile ground for imaginative minds. The notion that everything produced within this Feige-designed Universe might have strong connections to the stories published in the comics for decades is all it took for the idea that everything does to settle in. If you really want to, every single detail in the movies can be interpreted as an obscure reference to something that took place in a 70’s limited-series that only a handful of people even know of. It doesn’t take much.

    And now, with WandaVision‘s weekly format, the theories keep pilling up faster than ever, with each one trying to surpass the last, making it hard to discern what actually might or might not be a true possibility for future episodes. But amid all this chaos of Fantastic Four hints, Mutant origin stories, or Hell references, it’s in the past of the MCU that we might find a way to look forward into the future with a bit more certainty.

    If you’ve been paying attention to the past decade of MCU content, one of the things that come to mind is how streamlined most events and characters introductions turn out to become. The theories that always come about after the first trailers, or after the first plot details are revealed, always seem to overcomplicate things, as the plot always seems to be way simpler than what fans expected. Yes, there is a regular number of call-backs that reward the investment of some fans in the material, but for these projects to become viable they also need to cater to the regular audience’s needs, and those can be summed up in a single sentence: “Make it easy for me to understand.” I’m also guilty of trying to develop theories that end up wanting to sound more clever than they really are. And even though most won’t amount to anything significant, it is still an important part of connecting to and with the material, and especially to other fans. It’s basically part of what makes it fun to share these movies with everybody. And I wouldn’t have it any other way.

    In WandaVision‘s case, we’ve all been inundated with Mephisto and Salem Witches references, and the latest is a supposed cameo in the final episodes that may rival Luke Skywalker showing up in The Mandalorian season finale. If it sounds too good to be true, it probably is. We should really take a few steps back in order not to lose focus on what the show really is about. Family, grief, the inability to move on when one’s world is shattered to its core. In order not to upstage what Wanda (and Vision) are going through, we really should not expect anything that’ll impact the show more heavily than what these two are and will go through in the next few episodes already is.

    Will we get a cool cameo? Most likely. Will it be from someone that hasn’t yet been introduced to the MCU? Doubtful. May the show unveil a new antagonist? Perhaps. Will it be someone who’ll manage to draw the show’s attention all to himself? That’s questionable. Will these “low” expectations take away from what the show still has to offer? Absolutely not.

     

  • Funko Leak Reveals Which ‘The Suicide Squad’ Member Gets a Pop

    Funko Leak Reveals Which ‘The Suicide Squad’ Member Gets a Pop

    Some time ago, we found a listing via dis.pops that revealed the many upcoming Funko Pops for WandaVision, the Spider-Man: Miles Morales game, and Falcon and the Winter Soldier. Now, it looks like they got their hands on another list that includes a variety of collectibles from HamiltonParks and Recreation, Fire Force, Masters of The Universe, Avatar: The Last Airbender, and perhaps the most exciting, The Suicide Squad. Of course, the variety includes their famous Pop! figurines and keychains. Yet, if you take a closer look at the list, it seems not every member of the Suicide Squad is getting a spotlight in this collection.

     

    https://www.instagram.com/p/CK4PV1-s_jy/?igshid=izbk2vsr3lrx

    Going by the list, Harley Quinn remains the film’s most popular character with two different pops listed. There are some noticeable members missing, which includes Pete Davidson‘s Blackguard, Alice Braga‘s SolSoria, Flula Borg‘s Javelin, and Nathan Fillion‘s TDK. They aren’t the only ones, as even Jai Courtney‘s Captain Boomerang, Michael Rooker‘s Savant, as well as Peter Capaldi‘s The Thinker. It certainly could be a hint at the character’s fate in the story, or they might be included in a future line-up that will be added in the future. There is also the possibility we might get some Funko’s that highlight the way they exit the film. It is surprising they didn’t give the team’s new mascot Weasel, who is played by Sean Gunn, his own figurine. They might be part of the toy company’s new pops focusing on Movie Moments. It’s interesting to see them embracing new ways to expand their figurines.

    Source: Dis.Pops

  • ‘WANDAVISION’ Episode 5 Primer

    ‘WANDAVISION’ Episode 5 Primer

    The last episode of WandaVision really cleared things up. In my Episode 4 Primer, I said that the citizens of Westview were real and they were all just Wanda’s puppets in her fantasy world and Episode 4, “We Interrupt This Program“, confirmed it when Monica returned and let everyone know that “it’s all Wanda.” We found out how S.W.O.R.D. became aware of the “Westview anomaly” and were analyzing the happenings in the town, which included watching and recording “episodes” and trying to understand exactly what was going on, including the fact that according to the Sheriffs, Westview isn’t a real place.

    Image result for it's all wanda

    This past episode wasn’t only a shift in perspective, it seemed to be setting up what will be happening the rest of the season. The Mid-Season trailer  shows S.W.O.R.D. trying to bulldoze into Westview. I don’t think Wanda would be very happy about something like that happening and threatening her reality. With Wanda behind all this weirdness, the trailer seems to be setting up Wanda v. S.W.O.R.D.

    Arlyn’s Assumptions

    I think that these next couple of episodes will be all about the twins growing up. One of my thoughts was, what if the boys start to get curious? What happens when they start going outside the barrier? Can they even exist outside of the barrier? These questions won’t be answered until we see it happen in the show, but I still think it is a possibility. Is Wanda going to have to put a spell on them? I think she might have to as they grow up. In the trailer, it shows a figure coming out of the bubble. I think this will be Wanda coming to fight, and this will be the start of the action part. Also in the trailer, Vision seems to get curious and goes to the barrier, Wanda being the way she is, could go crazy and maybe even hurt Vision.

    Episode 5 of WandaVision streams this Friday on Disney Plus.