Blog

  • ‘WandaVision’ Featurette May Tease a Potential Wonder Man Appearance

    ‘WandaVision’ Featurette May Tease a Potential Wonder Man Appearance

    WandaVision has finally released after a long wait. The first two episodes are filled to the brim with easter eggs and references to the wider Marvel Cinematic Universe. As a last little promotion, Marvel Studios also released a small featurette that gives us a good look at what happened behind-the-scenes. We get a first look at the production with a live studio audience. It also features interviews with various members of the production team including the show’s head writer Jac Schaeffer. Eagle-eyed viewers may notice an interesting image on the wall to her left.

     

    Yes, the image on the right is that of Wonder Man. Simon Williams has been a character I wanted to see introduced in the MCU for a long time, yet I am surprised to see him in this featurette. It would hint at him potentially making an appearance in this show. There is a reason to introduce the actor in this show, as he originally was the template for Vision in the comics. To be more precise, his brain pattern was the basis for Vision’s personality. JARVIS ended up taking on that role in the MCU, but that doesn’t exclude this storyline getting revisited in live-action.

    The character almost appeared in Guardians of the Galaxy Vol. 2 as a small cameo. There were posters prepared with Nathan Fillion in the role, where he was already a well-established actor. It is uncertain if they are using this chance to revamp the character. In the animated show, Avengers: Earth’s Mightiest Heroes, Williams was a scientist who was infused with ion powers by AIM. The MCU may stray from his actor background and introduce him as someone who works for SWORD. They can take any angle, even if I would prefer him as an actor that shows up in the commercials that appear throughout the show. He would also be a perfect addition to the Disney+ line-up to explore film productions creatively.

    Source: Twitter

  • ‘WandaVision’ Proves That Sitcoms Are Timeless

    ‘WandaVision’ Proves That Sitcoms Are Timeless

    WandaVision has finally aired its first two episodes. It certainly is a unique project, as it avoids the classic superhero action and focuses on sitcom-inspired comedy. It isn’t just inspired, but it is recreating sitcoms from different eras. The first two episodes focus on The Dick Van Dyke Show and Bewitched. These shows aired back in the 60s and 70s, so they are digging deep. Of course, comedy sensibilities have changed substantially over the years, and many wondered if going this far back may be counterproductive. The newer generation won’t recognize most of the references, and the humor might not click the same way for those that grew up with it. Now that the show has aired, it proves that we underestimated the strength of sitcoms.

    To this day, sitcoms are still some of the most popular shows that air on television. Even today, there is a wide variety within this genre, such as the police sitcom Brooklyn Nine-Nine, a family-focused Modern Family, or the never-ending animated sitcom The Simpsons. The latter proves the staying power of this genre, as the series has been airing since 1989. Even as these shows have adapted to modern sensibilities, the core aspects that define them have been there since the first TV sitcom titled Pinwright’s Progress kick-started the genre in 1946. We see it in how WandaVision adapts these classic series, but somehow still manages to keep them fresh

     

     

    Even a younger audience can appreciate the jokes in large part due to the performances by the cast. Elizabeth Olsen and Paul Bettany are a perfect leading pair that bring new life to classic tropes. They also brought in some veterans of the genre, such as Fred MelamedDebra Jo Rupp, and potentially many more in future episodes. What WandaVision does incredibly well is it knows how to use the awkward phases of older sitcom shows. There were always pauses for a laugh track that tends to go on for too long nowadays. Instead of just leaving them in, they use these out-of-place sequences to add the overall mystery and darker atmosphere slowly seeping out.

    Jac Schaeffer and her team did their homework and found ways to re-energize older aspects and avoid the feeling of them being outdated. It’s a love letter to the past that anyone can appreciate and proved its staying power as a genre. In a way, many of us learn to love these older shows through our peers, as many might have grown up on older shows through parents and grandparents. One of my fondest memories was spending time with my mother watching shows she spent her childhood watching. It may also be a gateway for families to discuss the originals after a viewing. It creates a platform to ask your family about their knowledge of these sitcoms. To this day, my grandfather still watches re-runs of The Dick Van Dyke Show and shares his favorite memories surrounding the show. I cannot wait until WandaVision starts to explore sitcoms that I grew up with and remember when I was just a kid watching them. One day, I’ll be able to share the same experience that I had with the MCU.

    Source: Guinness World Record

  • RUMOR: Dr. Doom to Spark a War Between Atlantis and Wakanda in ‘Black Panther II’

    RUMOR: Dr. Doom to Spark a War Between Atlantis and Wakanda in ‘Black Panther II’

    Marvel Studios has quite a lot of different projects in the pipeline. After a recent hiatus, we have entered a new era for the Marvel Cinematic Universe. WandaVision is only a few hours away from introducing us to their first attempt at a story unfolding throughout multiple episodes. Of course, we still have many great films heading our way. Among them is the upcoming release for Black Panther 2. After the tragic death of Chadwick Boseman, the film’s direction was uncertain. Marvel Studios’ president Kevin Feige confirmed that they would not recast the character of T’Challa. Of course, it had massive ramifications for the film. It looks like FandomWire believes they have gotten their hand on the film’s potential story.

    They believe that the film will open up with T’Challa in his iconic Black Panther suit. Nothing is set in stone, but he will pass on as an event of whatever mission he is on. As a result, it seems that the current plan is for Shuri to take over the mantle and rule Wakanda. During these events, scientists will stumble upon the lost city of Atlantis, which will start a war with Wakanda. Of course, this would mean that Namor the Sub-Mariner will make his live-action premiere. There are plans to film a large chunk of the film underwater, which is already getting tested.

    They also believe that Doctor Doom will be the one pulling the strings that leads to this confrontation. It is uncertain how he may play into this. While FandomWire believes Wakandan divers stumble upon the city, it may have gotten orchestrated by Doom to test something out. He isn’t your typical world domination villain, so he might have a plan that somehow connects to these events. He may also want to get his hands on Vibranium, so he created the ultimate distraction. It is all just speculation, and the film is quite a few years away. Until then, a lot can happen during the film’s rewriting process.

    Source: FandomWire

  • Theory Thursday: ‘WandaVisions’ Mysterious Cameo

    Theory Thursday: ‘WandaVisions’ Mysterious Cameo

    We’re just hours away from the premiere of WandaVision on Disney+. With a star-studded cast of Elizabeth OlsenPaul BettanyKat DenningsRandall ParkTeyonah Parris, and Katheryn Hann, this show certainly set to be quite the spectacle. It seems like that cast is only going to get bigger, as, during an interview with Black Girl Nerds, Vision actor Paul Bettany teased the appearance of a surprise actor. He’s stated that this actor is someone Bettany has wanted to work with for a while. Now, one of the key elements of any sitcom is the incorporation of guest stars. From John Wayne appearing in I Love LucyAdam West in Bewitched, and Christopher Lloyd in Malcolm in the Middle, it is quite common to have an unexpected cameo from a recognizable face appear at least once. So, why don’t we explore who the mysterious guest might be?

     

    1. A Former Sitcom Star

     

    There have been hundreds of sitcoms over the course of television history. We know that WandaVision based itself on quite a number of these like The Dick Van Dyke Show, Bewitched, The Brady Bunch, Full House, and so on. So, it would make sense for one of these actors to appear as a resident of Westview. Imagine the likes of sitcom legends like Dick van Dyke, Erin Murphy from Bewitched, Maureen McCormick from The Brady Bunch, or someone from Full House. We know that Marvel already has included a few former sitcom stars, like Debra Jo Rupp from That 70’s Show, so there might be many more that haven’t gotten revealed yet.

     

    2. James Spader as a Human Ultron

     

    This theory has been something I have hypothesized for quite a while, and I hope it becomes a reality. James Spader was such a key piece in the MCU back in 2015. He had a considerable role in the development of Wanda and Vision in Avengers: Age of Ultron. Hell, he created the body that would eventually become Vision. Imagine someone knocks on Wanda and Vision’s door, and it turns out to be James Spader. He is in a human body and posing as Vision’s father. Perhaps some fans might not recognize him right away without his robotic form, but his voice is certainly something fans will remember. His appearance could even serve as a perfect representation of Wanda’s psyche and trauma. We see it starting to merge with her seemingly perfect suburban life. His appearance in this show, in my opinion, could bring the newly-wed couple’s story full circle.

     

    3. Benedict Cumberbatch’s Doctor Strange

     

    Having Dr. Stephen Strange appear in WandaVision feels like it’s nearly a given due to the connection this show will have with the upcoming Doctor Strange film. If I had to take an educated guess as to how we might see Doctor Strange in the series, there are two possibilities. One way would be to take a page out of House of M by making Strange the doctor who helps Wanda give birth to her twins. The other option would be near the end of the show, where he will try to help Wanda not fall into the madness that might befall her throughout the story.

     

    4. A Former Avenger

     

    Wanda’s connection with the Avengers has grown over the last couple of films. Should any of the original members of the Avengers appear in WandaVision, I would suspect it would be characters that have helped Wanda overcome her fears and traumas. My main choices would be Clint Barton and Natasha Romanoff. Clint helped Wanda find her inner courage through which he became a mentor figure. He was the one that dubbed her an Avenger during the events of Age of Ultron. And as for Natasha, she took Wanda under her wing and trained her to blend in as a spy, which we saw during Captain America: Civil War.

     

    4. Hidden in Advertising

    We know from an interview with TV Line that Kevin Feige teased that we should pay close attention to the various commercials. I suspect we might see ads from companies that have affected Wanda directly in her past. One notable company would be Stark Industries. Wanda had to witness her own parents’ death when a shell with Stark’s logo on it hit their apartment building. It was one of the reasons they took on the villainous roles in Age of Ultron. Not only that, but I suspect we might see Hydra showcase a commercial that’ll serve as a bit of backstory to how Wanda and Pietro got recruited into the ranks of Hydra before the events of Captain America: The Winter Soldier. Just imagine Dominic Cooper or Thomas Kretschmann appearing in various commercials as Howard Stark and Baron von Strucker. They keep trying to sell their unique products to Wanda with empty promises. They could be giving cheesy, expositional commercials about their companies to represent the sitcoms era.

     

    6. Evan Peters

     

    Thanks to our very own Charles Murphy, we know that Evan Peters is joining the show in a mystery role. Now, I have several suspicions as to who Peters could be playing. No matter the way I look at it, Peter’s role will mess with Wanda’s psyche. His experience playing antagonistic characters in the American Horror Story series certainly would make him the perfect candidate. Many people suspect he could be portraying an interdimensional villain, who comic fans might know as Nightmare. Others claim he could be Marvel’s resident devil, Mephisto. Some have even mentioned the possibility of Evan taking on the mantle of Pietro Maximoff. The one thing that these characters have in common is the ability to convince others to do their bidding. And if he did end up portraying Wanda’s brother, it would be nice for him to pay homage to the House of M story arc by being the one that convinces Wanda into making a new reality, where everything can live their dream life.

  • Weekend at ‘WandaVision’s: Theorizing How Vision Was Resurrected

    Weekend at ‘WandaVision’s: Theorizing How Vision Was Resurrected

    Can you believe it? Tomorrow, WandaVision is finally released. After a year hiatus, the Marvel Cinematic Universe returns in style. It isn’t just the first entry in Marvel Studios’ fourth phase, but it is also their first brand new series on Disney+. Of course, they are returning in style by featuring our starstruck lovers, Wanda, and Vision trying to live a suburban life. Of course, it wouldn’t be a Marvel Studios’ story if something wasn’t going wrong. We know that Vision died at the hands of Thanos in Avengers: Infinity War. So, the question remains how is he alive again? If you’ve read the title for this feature, you might already know where I am going with this theory. I sadly believe that while we see Vision interact on his own in the various trailers, he still is dead. 

    The version of the character we see is, in fact, just the remnants of the android hero through Wanda’s powers. In a way, she is just controlling his body the way Larry and Richard handled their CEO in 1989’s Weekend at Bernie’s. In Wanda’s case, her powers are giving him the ability to act independently. Her memories of the android are giving him life, but only as long as he remains within Westview. Yet, if someone from the outside is looking in, it might just be a lifeless husk floating around with the red hex surrounding it. I actually got the idea when I saw Marvel Studios president’s cap from the WandaVision press release. It featured Wanda’s red outfit combined with a white version of Vision, which just added more to this theory. The more I thought about it, the story’s climax may be quite similar to that of the recently released Wonder Woman 1984

     

    The eerie feeling conveyed throughout the trailers may be a clear sign of something going wrong. Every idyllic life has its secrets to hide. She made a deal with Agnes, who is still theorized to be the cause for her powers going out of control, to bring him back. Little did she know, it was just a temporary fix that would give her the life she dreamt of for a limited time. At the end of the series, she would have to make a clear decision. Will she embrace her illusion or accept that she would have to let go eventually. The moment the hex surrounding Westview gets broken, she sees what he was the entire time. Yet, that doesn’t stop her from still loving him as she gives him one last embrace and hears his voice echo in her head. Hopefully, I am wrong, and there is a future for Vision in the MCU beyond this project.

  • Chris Evans Nearing Deal to Return as Captain America

    Chris Evans Nearing Deal to Return as Captain America

    Avengers: Endgame felt like the ending for many iconic characters in the Marvel Cinematic Universe. While Natasha Romanoff is getting a prequel film, it looked like Tony Stark, and Steve Rogers ended their story arcs. It certainly seemed that the actors were ready to find some new projects outside of the Marvel Studios’ staples. It looks like we might’ve been wrong, as it seems Chris Evans is nearing a deal to return in a future Marvel project. He would return as Steve Rogers, a.k.a. Captain America, for at least one project with the potential of joining a second film as well. Deadline does point out that it most likely is similar to how Robert Downey Jr. returned in various projects, such as Captain America: Civil War or Spider-Man: Homecoming.

    This reveal is a massive surprise after Evans did tease he was passing on the torch. The ending of Endgame certainly showcased the title of Captain America getting passed on. There is also the upcoming Falcon and the Winter Soldier series that builds upon that revelation. A while back, Charles Murphy got the scoop on a potential Nomad project being in development. In a way, they could use this storyline to tell what Rogers was up to during his time after hanging up the title after the Civil War events. That, of course, would require him to have a larger role than mentioned. If he still is in early negotiations, it would be possible he would like to explore storylines left open after all.

    It seems to be hinting that he’ll most likely be involved with a film rather than Disney+ series. Still, if Evans is open to returning, there might be no limitation to where he might show up again. They could also explore Roger’s time returning the various Infinity Stones. I would still love to see a confrontation between him and the ghastly Red Skull, who is stuck on Vormir. There is also the question of if he may appear as a senior in a potential Young Avengers project. At this point, anything is possible. Whatever he may decide, it is great to see Evans interested in returning once again.

    Source: Deadline

  • REVIEW: ‘WandaVision’ Represents the Future of the MCU

    REVIEW: ‘WandaVision’ Represents the Future of the MCU

    THIS REVIEW IS SPOILER FREE

     

    To say that WandaVision’s sitcom trappings are merely a gimmick to bring something new to the smorgasbord of superhero fare is a disservice to what it actually does. There’s an actual sincerity to the way WandaVision is designed. A profound appreciation for what the American sitcom has meant to pop culture and to the intricate world the MCU has built. Under the guise of the shows of old, Wandavision celebrates all that came before it and what will come in a way that hasn’t been done before. The show is a representation of the MCU’s future. 

    In true comic fashion, the show pretty much throws you right in the middle of this idyllic town of Westview with little to no exposition as to why Vision and Wanda are living in their own Truman Show. The vignettes that make up each episode provide a glimpse at the happy day-to-day life these two Avengers have made for themselves.  Life has been good for the Visions since we last saw them; their romance is flourishing; they just moved into this great neighborhood, and the people around them are welcoming. But all good things must come to a slow and painful end. For the Visions, it begins with them noticing the many glitches in the matrix and the proverbial red pill they have yet to take is the mystery box of the show. 

    As bleak as that premise sounds, the show is surprisingly fun. The absurdity of two superheroes trying their dandiest to carry on with a normal life is at the forefront here which allows for fine situational comedy. Wanda struggles to make dinner while Vision tries to join the neighborhood watch. There’s honestly nothing more to ask for in a show like this.  

    It’s honestly hard to pinpoint what doesn’t work in WandaVision. The complexity of the premise might be inaccessible to newcomers who have no idea who these characters are, to begin with. At the same time, the show’s quirky format provides autonomy from all its overwhelming world-building needle drops. The singular day-to-day adventures Wanda and Vision go through to fit in their neighborhood of Westview work perfectly without any exposition. Each decade they adapt is its own thing with its own set of threads. These threads don’t necessarily carry over to the next episode. There’s almost no semblance of a larger story arc with the exception of the needle drops at the end of each episode. Even the character arcs are left vague to service the mystery of what the hell exactly they’re building up to. 

    Having the arcs shrouded in a mystery box, in addition to the surrealist nature of the show, allows for Wanda and Vision to be completely different characters from their previous appearances. It’s a very unusual way to develop these characters but it also gives stars Elizabeth Olsen and Paul Bettany carte blanche to play it however they want. And boy, do they really have their fun with it.

     

     

    For me,  Bettany is, by far, the MVP of this show. He grounds the show’s sitcom pastiche in a zany performance that is equally self-aware as it is charmingly ignorant. My condescending highbrow self certainly didn’t expect to laugh out loud at 50’s humor, but I did thanks to Vision acting like a believable buffoon. Bettany is totally hilarious in this and steals so many scenes in more ways than one. 

    Olsen unsurprisingly stands her ground to Bettany’s wacky performance and delivers a tour de force act of her own. While Bettany brings in some grade-A levity to the show, it’s Olsen who balances it with depth and range. She has a jaw-dropping moment in the third episode that will surely elicit some exciting reactions from fans. More than Bettany, the show asks the most out of Olsen, and will likely spotlight the full spectrum of her talents when Wanda becomes the bigger focus in the season’s latter half. 

    As of the first three episodes, there’s not much yet to grasp with the ensemble cast. Kathryn Hahn’s wink-wink tongue-in-cheek performance as Agnes lends itself to the seeming sinister nature of what Westview really is. She’s fun to watch and is totally hamming it up for good reason. Teyonah Parris as Monica Rambeau brings an aura of warmness to an ensemble filled with unsettling Stepford Wives characters.  As a fan of her work on That 70’s Show, seeing Debra Jo Rupp channel in her inner Kitty Foreman once more, in a Marvel show no less is a blast to watch.

    The way the show commits to authenticity as they navigate through the various eras of the sitcom world is impressive as hell. With a few exceptions of a few frames that look too modern and anachronistic, the shows stay true to form as to how these sitcoms actually looked and felt. It even manages to nail the cultural and social sensibilities of the past down to the ridiculous gender norms. For someone like me who finds pop culture of all eras fascinating, WandaVision functions as a nice history lesson on what came before, albeit with a synthezoid and a witch.

     

    Most MCU properties have a rewatchability thanks to the proven and tested Marvel Studios formula that perfectly marries levity, spectacle, and good old comic book fare that make their films worth watching. However, WandaVision just might be the property that takes the cake, as far as rewatchability goes. Kevin Feige, Jac Schaeffer, and Matt Shakman have crafted a make-believe world within a make-believe world so intricate that every detail on screen seems to have a life of its own. So much of what you see in the show feels like it means something, even though it might not. Be it the silly gags or the jokes, there’s a purpose to it. Every innocuous detail feels like an easter egg that’ll lead tinfoil-wearing fans into a rabbit hole and keep them rambling for weeks. Even the less nuanced callbacks to previous MCU moments and arcs have a heft to them as they allude not only to the MCU’s past but also to its future. It’s one of those shows where once they finally unveil the ace in their sleeve, every episode that came before will feel completely different.

    WandaVision makes a truly convincing argument that the future of the MCU rests within the world of serialized television. The chilling moment where the monochromatic world of Wanda and Vision bursts into Technicolor is emblematic of this new era of the MCU that’s being ushered in front of our very eyes.

  • Wanda Maximoff: The Story So Far

    Wanda Maximoff: The Story So Far

    It’s been over a year now since the last time fans got treated to some brand new MCU content. With the release of WandaVision, the wait is nearly over. So, we thought it might be a perfect time to catch up with our favorite characters before the premiere of the Disney+ series. We have a surprisingly extensive cast returning to the series, so we decided to focus on individual characters as we near the show’s release on Disney+. Today, we’ll explore the history of the MCU’s resident witch, Wanda Maximoff, or better known as the Scarlet Witch.

     

     

    Wanda Maximoff entered the MCU during the post-credit scene of Captain America: The Winter Soldier. She and her brother, Pietro Maximoff, were the only survivors of Wolfgang Von Strucker’s experiments. They got imbued with the powers through Loki’s scepter, which later revealed to contain the Mind Stone. It seems it was a hotspot for genetic irregularities and that the cosmic rays of the Mind Stone managed to activate their dormant powers. These powers were the driving force once they fought the Avengers in Avengers: Age of Ultron. She played with the minds of Bruce Banner and Tony Stark. Both led to some dire consequences. One of them being the creation of Ultron, who persuaded them to join his cause. It wasn’t until he revealed his plan that they would help the Avengers take him down. However, it came at the cost of her brother’s life, which led to us a glimpse of her powers going out of control. Afterward, she becomes a full-time member of the Avengers and starts a new life in the States.

    Wanda’s life as part of the Avengers wasn’t a simple one, especially in Captain America: Civil War. The mercenary Crossbones was trying to blow up everyone with a bio-weapon in Lagos, which she tried to contain. Sadly, she couldn’t hold it forever. These events resulted in the Sokovia Accords. Wanda signed them out of guilt for her actions. For PR reasons, she remained at the Avengers mansion with Vision acting as her guardian. It was the spark that started creating a bond between the two. After Hawkeye helped her escape, she found herself siding with Captain America. It ended up in her getting arrested and trapped on the Raft. That was until Rogers returned and broke them out.

     

    The next time we revisit the unusual couple is during Avengers: Infinity War. She remains on the run while periodically meeting up with Vision, as their love started to blossom. Suddenly, they are attacked by the Black Order, who are after the Mind Stone. They barely manage to get away with their life once Roger arrives to help them. Their journey takes them to Wakanda, where the Wakandan princess Shuri attempts to remove the stone while preserving Vision’s consciousness. However, that plan fails once Thanos arrives with the other stones in his possession. This forces Wanda to make the ultimate sacrifice, as she manages to destroy the Mind Stone alongside her love. Unfortunately, the effort was all for null, as Thanos used the Time Stone to bring back the Vision and retrieve the Mind stone to complete his mission. The moment he snapped his finger, Wanda was among those to vanish into dust.

    After the Avengers managed to turn the tide on Thanos in their battle in Avengers: Endgame, they managed to return those that got dusted. Wanda returned to fight alongside her friends to defeat those that hurt her. She even got her chance for revenge, as she faced the Mad Titan once more with all she had. In the aftermath, the heroes mourn the loss of Tony Stark. In a moment of reprieve, she and Hawkeye discuss those that were lost, where she hints at Vision knowing they succeeded. that was the last moment we saw Marvel’s sorceress. At some point, she ended up trapped in a sitcom dimension. It seems that somehow Vision was even revived. We’ll find out more once the Disney+ show premieres on January 15th.

     

  • 3 Ways Marvel Studios Can Find New Fans in Phase 4

    3 Ways Marvel Studios Can Find New Fans in Phase 4

    The last couple of years for Marvel’s Phase 3 seemed like the pinnacle of the MCU’s popularity. Black Panther and Avengers: Infinity War hit a bunch of records and milestones for both the franchise and the genre as a whole, and the three movies that came out in 2019 all surpassed $1.1 billion. And, of course, Avengers: Endgame grossed well over double that amount to becoming the highest-grossing film of all time.

    The hype for Phase 4 is still massive, of course, but it’s hard to imagine it surpassing the level it was at during the back half of Phase 3. I know the same thing was said about The Avengers back in 2012, but at this point, the MCU is probably the most popular movie franchise in the world. Pretty much everyone who would be interested in checking out these movies has done so by now, and the films themselves can’t get any bigger in scope and scale than they already have. Even with all the multiverse stuff on the horizon, we won’t see a movie with as many headlining heroes as the most recent two Avengers films for quite some time, if ever.

    If Marvel Studios wants to expand its audience – and it surely does, especially since becoming a major part of a streaming service that needs to keep growing its subscription count by appealing to as wide a variety of potential users as possible – it needs a new approach to hook newcomers. And from the looks of the MCU project lineup set for the next few years, there are three main ways they are aiming to achieve this.

    Inclusion

    Ms Marvel first look: Meet MCU's Pakistani-American superhero | Entertainment News,The Indian Express

    This is something we started to see more of an emphasis on towards the end of Phase 3 (it probably would have come sooner if not for Ike Perlmutter). Black Panther was a phenomenon that was highly praised not just as a superhero movie, but as a cultural moment for the Black community. Captain Marvel was the introduction for a lot of girls and women to superhero movies and many have since gotten invested in the MCU. Both movies piqued the interest of people who wouldn’t normally watch superhero movies, and a decent amount of those people seem to have stuck around and are now eagerly awaiting more Marvel content.

    Looking at the 2021 projects alone, Shang-Chi and the Legend of the Ten Rings, Ms. Marvel, and Eternals are all set to feature characters from backgrounds that are underrepresented not just in superhero and action movies, but Hollywood in general. While it’s unknown just how well these stories and depictions are going to be handled, if they’re in a similar vein to the two aforementioned projects in how well they represent groups including the Asian, Muslim, Deaf, and LGBTQA+ (or GRSM) communities, they may draw in viewers from them who wouldn’t normally be into Marvel material and could be a major factor in the push for more of this kind of (hopefully positive) representation in the media going forward.

    Medium

    Loki (TV Mini-Series 2021– ) - IMDb

    Pandemic aside, the launch of Disney+ couldn’t have come at a better time for Marvel Studios. It came out at the time when Marvel could no longer just keep scaling the scope of their movies up with each new event film; they had to find a new way to grow and expand their universe. The addition of miniseries on a streaming service to tie in with their theatrical films seems like a great direction for them to go in as it allows the studio to develop certain corners of the franchise in a deeper way than they could while operating on simply a few-films-per-year content schedule. It may also attract new fans who have subscribed to Disney+ for other reasons, like Star Wars or the library of classic animated films; it’s easier to press a few buttons and try something new on a streaming service that you’re already paying for than to drive out and fork over more money to go to a theatre and see something you’re not sure if you’ll like or not. And if newcomers to Marvel do enjoy the archive of movies and episodes of the new series, they may be more apt to head out to theatres to see future movies in the MCU.

    Genre

    Images | DMED Media

    Marvel Studios is no stranger to playing around with different genres; Ant-Man is a heist movie, Captain America: The Winter Soldier a political thriller, Guardians of the Galaxy a space comedy, etc. But some have pointed out that a lot of the movies seem to be getting formulaic in a sense, and it looks like Marvel Studios is trying to get away from that in Phase 4.

    WandaVision is perhaps the most obvious example of a departure from the norm in terms of genre, given that several of its episodes will be much more sitcom-y than a typical action-adventure one would normally expect from Marvel Studios. Also on Disney+ will be the law comedy of She-Hulk and mystery thriller of Loki.

    On the film side of things, Eternals is said to have a very different look and feel to the other MCU movies thus far, and it has been noted that the bulk of the film was shot on practical sets built specifically for the movie. There’s also been a lot of talk about how much Doctor Strange: In the Multiverse of Madness will diverge from the typical vibe of a Marvel movie. It was originally announced to be “the first scary MCU movie”, but there’s been debate about just how scary it will be, given the film’s PG-13 rating and original director Scott Derickson’s departure from the project and replacement by Sam Raimi.

    The Doctor Strange sequel might not be getting the R rating some fans wanted, but at least one film on Marvel’s docket will and another just might. Shortly after Blade’s announcement in 2019 it was rumored to be rated R, and Deadpool 3 was confirmed to also be rated R (and set in the MCU) just a few days ago during WandaVision press. The R rating for Blade, in particular, may attract a certain demographic of moviegoers not normally into the MCU who generally prefer darker fare.

    Marvel may be on top of the world right now, but it’s important that the studio doesn’t get complacent going into this next phase of projects and beyond. It’s time to take risks and get weird, and we’re about to see if they’re going to do just that.

  • ‘The Flash’ Season 7 Adds Jon Cor as Villain Chillblaine

    ‘The Flash’ Season 7 Adds Jon Cor as Villain Chillblaine

    The Flash was another show that suffered multiple delays due to the ongoing pandemic. The show even missed its usual Fall premiere. As such, the last time we saw Barry Allen, he was facing off against Eva McCulloch, also known as the Mirror Mistress. Sadly, another casualty of the pandemic, the season came to an abrupt end. Along with many other shows, The Flash was unable to finish production in time to wrap up its season finale. Still, it won’t stop us from speculating what we can expect in the upcoming seventh season.

    The upcoming season was rumored to feature multiple villains, such as the returning Bloodwork and Godspeed. It looks like one more is joining the fray. It seems that Jon Cor has officially joined the cast as the villain Chillblaine. The Flash has yet another icy foe to face. It also offered a breakdown of his character profile:

    Mark Stevens is a charismatic bad boy obsessed with cryogenic technology. But when he’s not breaking into corporate safes, he’s busy breaking hearts with his irresistible charm and roguish style. Armed with his own cold weapons, he’ll become a new thorn in the side of Team Flash as the DC Comics villain Chillblaine.

    He made his debut back in 1992. Lisa Snart recruited him as a replacement for Captain Cold. The character was armed with Snart’s Cryo Gun and began running with the Rouges. Cor seems to be playing a new version. According to the description, he may have various cryo-based weapons at his disposal to stand out from his cold predecessor. Lisa Snart is currently not listed for the upcoming season, so his origins might be detached from her and reinvented for the new season. We’ll find out more once the show finally airs in February.

    Source: EW