Evangeline Lilly‘s Hope van Dyne/Hope Pym/The Wasp became the first MCU hero to have her name in the title of a film in 2018’s Ant-Man and The Wasp. Now the star is ready to see her character take the next step and take center stage in her own solo film.
During the premiere of Ant-Man and The Wasp: Quantumania, Lilly, who suited up as the character for the fourth time, was asked by a Variety reporter how much longer she would like to portray the character. At least one more time, as it turns out. “I’m gonna make a pitch,” said Lilly, “that I think it might be time for a Hope spinoff…for a Wasp standalone film.“
While there’s no guarantee Hope, or any of the Ant-Family, will survive their run-in with Kang the Conqueror in Quantumania much less the events of Avengers: The Kang Dynasty and Avengers: Secret Wars, the character has proven to be savvy and resourceful. Given that Hope is largely a character created for the MCU, there’s no telling where he path may lead in the future, making that The Wasp solo film a distinct possibility down the road.
A new rumor has hit the web, hinting that Netflix’s upcoming live-action adaptation of One Piece may not release until August 31st. The news dropped just a week after we got our first official look at the adaptation, which gave us a simple tease of the main cast from behind; a perfect way to hint at what’s to come. The biggest confirmation from the first look was also the fact that we’ll be getting the series at some point in 2023. Now, with a new rumor hinting at when it might release, maybe some old releases may help point to when we can expect more news throughout the years.
Our first actual footage of the show arrived on October 19th with the “Lost Session” teaser. In retrospect, it was a great little teaser that was closer to what Cowboy Bebop feels like than the actual show itself, which had a much slower pace in comparison. Ironically, we still wouldn’t get an actual trailer of the show until October 27th; only 21 days before the actual release.
Given we got the first poster before even a cast image, it seems like One Piece is getting more attention than the previous Tomorrow Studio collaboration. Given it was only truly promoted for less than three full months, it almost seems like Netflix was desperately trying to hide the show and it never got a chance ahead of its cancelation on December 9th.
The Sandman’s Drag-Out
So, there’s another major release and adaptation that may offer a hint at how we can expect the release window for the future. Taking a glance at The Sandman, however, it seems like some marketing ploys can even drag out a bit longer than one might expect. We got our first look at the adaptation back in 2021; September 25th to be exact with a variety of character posters and first footage as part of Geeked Week of that year.
Yet, we wouldn’t really get anything else out of the series until a new key art poster was released on June 6th that confirmed a release on August 5th. We also got a few new character posters. So, we got the exact release date around two months ahead of its premiere with the trailer following on July 24th. So, Netflix once again held onto that full look at the series until the last possible second even as we already got footage the year before.
https://www.youtube.com/watch?v=83ClbRPRDXU
Netflix really likes to keep a more intense promotional window for a series shortly before its release. There are some similarities with One Piece given that we got some behind-the-scenes footage for the new series during Geeked Week on June 6th, 2022. So, the early showcase isn’t too different but this time we had to wait half a year before we got any key art for the adaptation.
Wednesday’s Balance
The Sandman isn’t the only major 2022 release, as we also have the massive success of The Addam’s Family remake focusing on Wednesday Addams. Ironically, Wednesday has the perfect balance between the two with a shorter promotional window but adding quite a few smaller snippets to promote the adaptation before we get our first actual teaser or trailer.
Back in May of this year, we got a poster for the series hinting at a Fall 2022 release that gave us a tease of what to expect with a caricature of Wednesday Addams. That was swiftly followed by a teaser on June 1st giving us our first look at Thing before Jenna Ortega was unveiled just five days later. It was our first look at the series and was given quite the highlight during Geeked Week with a still image and small teaser video. We would have to wait until August 17th before we got a teaser trailer.
The fact that we had a trailer without a specific release window is quite curious as we wouldn’t find out its release date was November 23rd with the second poster that was released on September 23rd. So, the two-month window is still there for the release date but this time we saw footage around three months before. This time around we didn’t get any character posters until November 2nd though, as the focus was mainly on Wednesday; it’s titled after her.
It’s no surprise that the series would go on to break viewership records, as the series had the most stretched-out advertising campaign with a steady build-up towards its release and giving viewers a bit more time to build up interest in its release. It’s curious how that release date confirmation is always around two months ahead of its release and something that Cowboy Bebop surprisingly unveiled the earliest out of all projects with the shortest marketing campaign.
One Piece’s Potential
So, we have very distinct pieces of a puzzle to potentially connect when we may expect a release for One Piece. As it stands now, we only know that the series will “set sail in 2023” and we got not one but two key visuals for the live-action adaptation. There is one similarity with The Sandman stretch-out as we got a first tease all the way back in 2022 just as they were filming the project, but it wasn’t as extensive.
Of course, any of this is just speculation based on behavior partners on how Netflix promotes its series. There’s a lot of optimism if a series is given time to breathe ahead of its release, as rushing it out and not giving anyone time to really take it all in like with Cowboy Bebop just dooms a project from the get-go. It’s why many movie trailers drop six months in advance and we don’t hear anything until we’re actually closing in on the release date.
The best comparison is likely Wednesday with the teaser poster releasing early and no confirmed release date. While it would’ve been nice to get a “Summer 2023” inclusion, it does seem that Netflix wants to keep some flexibility on when exactly it’ll drop but with the rumored release date, we may have some potential wiggle room on when we could expect something.
There is one major anchor that gives us some orientation on when we can expect a major drop for the series and that is Geeked Week. It has taken place at the beginning of June 2021 and 2022. So, it may be safe to assume it’ll once again take place around that same time window and Netflix will definitely want to promote one of its biggest releases during that event.
Wednesday had the benefit of having its first poster drop around the time Geeked Week took place, so for that time window we’d have to consider the time window is a bit longer but not as out-there as The Sandman was. Still, it makes it challenging to figure out just how much they’ll plan around that event and try to keep everything for the “big reveal” during Geeked Week or not.
Potential Marketing Roadmap
So, after all that deduction: here’s a potential timeline based on previous projects on when we might expect teases to promote the One Piece series:
January – Teaser Poster & Key Art
April/May – New Poster, First Full Look at Cast
June – First Trailer and Release Date (Geeked Week 2023)
July – Second Trailer, Character Posters
August – Release on Netflix
It’s a very rough estimate but it’s hard to say if we’ll see anything before May, even if it would be great to drip-feed at least something. Still, an optimistic look would be to see a photo of the cast in their outfits around April, as they start promoting the series through a variety of interviews with showrunners, and the cast. Perhaps we’ll even have a statement from Eiichiro Oda; whose support may push this series into the spotlight it needs. The time window would also match the two-month wait between Geeked week and the first trailer. Still, it doesn’t seem likely we’ll get any real information for a few months given there’s no time window included with the posters.
Where the optimism comes in is the expectation to really see the ball rolling as of May with something new hitting every month if they truly are going for that 31st August release date. A series based on pirates is perfect for a summer release and with their two-month rule, we’ll likely see a trailer around June. What is in June? Geeked Week, of course, if they remain consistent with the last few years. So, we may get a poster either shortly before to promote its appearance or worst case alongside the trailer.
If we get any tease for One Piece in June, we can safely bet on an August release. Netflix really likes building around that event and it would seem fitting if they get their own segment and plenty of promotion. Wednesday‘s success may also play a factor in their hopes to replicate that same momentum to break more records with a series that is based on the most popular manga.
Of course, this isn’t something one should take as a definite time window, as anything related to the project could shift any of these predictions. They are mainly based on what has come in the past and how Netflix seemingly operates with its biggest releases. One thing is certain: this isn’t another rushed drop like with Cowboy Bebop and Netflix may be wanting to make this as big as they can to ensure its success to establish the next Stranger Things level series.
Jonathan Majors‘ Kang the Conqueror seems to be everything he’s been made out to be. The first reactions to the premiere of Ant-Man and The Wasp: Quantumania have revealed that Majors blew audiences away and that Kang is truly a threat unlike anything the MCU has seen before. Of course, Majors‘ first Variant of the character, He Who Remains, warned of the coming of someone such as Kang and now that he’s arrived, it’s hard to say just what it will take to defeat him.
He Who Remains and Kang the Conqueror are just two of the many Variants of Kang that Majors is likely to play in the Multiverse Saga and it’ll take more than different costumes to truly set the characters apart. To that end, Quantumania and Avengers: The Kang Dynasty writer Jeff Loveness had (and still has) his work cut out for him in creating the unique twists on the Variants that Majors will bring to life. During an interview at the Quantumania premiere, Loveness described how he developed the Conqueror for the film.
“Jumping off of Loki, where he’s more of a whimsical, kind of like an unexpected character, we just wanted to break expectations with this third movie,” said Loveness. “I think everyone kind of maybe expected a funny or a goofier Ant-Man villain,” he continued, “and so Peyton [Reed] and I said, ‘No, let’s put Ant-Man up against the most dangerous villain in the Multiverse and let’s do the opposite of what you saw in Loki. Let’s make this the worst of the worst.’”
Of course, all the written development in the world doesn’t matter if the talent bringing the character to life doesn’t stick the landing. As he’s done with every role in his career, Majors turned in a special performance and Loveness joined in on the praise for the talented actor. “And there’s a reason he’s here and I think Jonathan is incredible. I don’t think I’ve seen a screen actor like him in quite some time. The guy nailed every line and I’ve never had such a thrill writing like an actor like him before.“
Fans don’t have too much longer to see for themselves just what all the fuss is about Kang as Ant-Man and The Wasp: Quantumania hits theaters on February 17th.
A Brand new concept art from Doctor Strange in the Multiverse of Madness has caused quite a stir among fans. The artwork reveals an intense, graphic scene that wasn’t in the final cut of the film, as it showcases the death of our beloved Wong with his brain scattered on the ground. That is not all, as it also includes Mordo with a huge scratch mark on his face after fighting Scarlet Witch.
The level of detail in the concept art is sure to leave a lasting impression and has fans speculating about what the movie would have looked like if this stayed as part of the original vision. This new piece provides a glimpse into the intense world of Doctor Strange and certainly leaves us wondering what mature Marvel films will be able to offer to viewers in the future.
The head from Mordo is actually part of a deleted sequence that would’ve featured the Scarlet Witch decapitating the 616 version of the character as her way to intimidate Strange. It definitely would’ve made for an interesting way to set up the character but also would limit the use of Mordo in future projects as a result.
It’s definitely interesting to see just how much Multiverse of Madness has changed since its original vision. We don’t know if the decapitation was part of Scott Derrickson’s original take on the character or ifthis is more in line with Sam Raimi‘s usual gory take on horror. It’s not uncommon for early versions of the scripts and artwork to push the boundary as much as possible, but it makes you wonder what didn’t make it past the brainstorming stage.
Given the success of the Marvel Cinematic Universe, many assume that anything with the Marvel logo slapped on it will be a commercial success in every way possible. Though, it’s not always definite that it’ll sell well, especially in the gaming market which is quite a bit more volatile depending on what type of game is being offered. Sadly, it seems that the ambitious card-based strategy RPG Midnight Suns could not benefit from the logo.
In a tweet, Bloomberg’s Jason Schreier shared that the CEO of Take-Two, Strauss Zelnick, has seemingly pointed to Midnight Suns being a commercial flop even with its critical success highlighting the “release window” as a potential factor on what dragged the game’s success in the market down.
Going by this, an expectation for the game to build upon its post-credit sequence might be a pipedream. We still have three more DLC characters heading our way after the recent release of Deadpool. Midnight Suns isn’t going to wrap up and they haven’t announced that the project is shutting down, but it does seem safe to say that the DLC is all we’ll really get out of the game’s longevity.
It’s such a shame but a card-based RPG was a tough sale from the beginning, as some online reactions to the game’s initial announcement had people a bit worried. The knockback system did offer some variety and its combination of exploring a central hub while taking on various missions offered variety, it also wasn’t truly marketed enough ahead of its release. Constant delays didn’t help matters much sadly but perhaps Firaxis still might give a sequel a shot.
Here’s a big surprise, but it seems Yellowstone is coming to an end. The series is currently the top-rated drama and seemingly one of those shows that could continue for quite some time but co-creator and showrunner Taylor Sheridan has decided to end the current version of the show. Yet, it’s not the end of the Dutton saga as Matthew McConaughey is set to spearhead a sequel series.
It seems that the reasoning behind this movie actually is due to its main star Kevin Costner. He has limited the number of days he shoots for the production to 65 days but seemingly pushed for even less in its current season. Yet even after winning best television actor in a drama series at the Golden Globes, he continued to want to spend less time in Yellowstone with only a week of shooting.
The reason seems to be his involvement with the western epic Horizon, which he not only stars in but also is directing and co-wrote. Though, Costner plays the Dutton patriarch and is a major player in the series. Paramount has not offered any confirmation but praised McConaughey. It seems that nothing is quite set in stone as he is currently in negotiations. Sheridan‘s 1883 was also quite the success, so other Yellowstone spinoffs have all eyes on them as one of Paramount’s biggest TV franchises ever; even if it moves on from its main star.
The upcoming continuation of the iconic Planet of the Apes trilogy is moving full steam ahead, as the 20th Century Studios production has added one more member to its cast. The Hollywood Reporter has unveiled that Dichen Lachman, known for her recent work on the series Severance, has joined the production of Kingdom of the Planet of the Apes, which will explore the aftermath of 2017’s War of the Planet of the Apes long after Caesar’s reign.
In this continuation, we’ll explore two apes on their unique journey as one uncovers human technology and the other is on his way to find freedom. Though, a human woman seemingly becomes essential to his quest and has her own goals. Production is already happening in Australia and Lachman joins the rest of the cast which consists of Freya Allan, William H. Macy, Kevin Durand, and Owen Teague.
As of now, Lachman‘s role remains unclear, but Lachman is a good get for the series. She was recently seen on Jurassic World Dominion as a black market dealer, and even voiced General Atitaya in Raya and the Last Dragon. She also made a big splash with her recent work on the Apple TV+ series though she’s also going to be busy filming the second season of Severance. So, she might have a supporting role in the Planet of the Apes sequel.
Black Panther: Wakanda Forever is a success in more ways than one. While it didn’t topple Doctor Strange in the Multiverse of Madness, the film has managed to become the second biggest release for the productions studio in 2022. Now, it seems the film is making even more waves as after the longest theatrical runs since the pandemic started, Wakanda Forever has become Disney+’s biggest Marvel premiere to date.
The debut is measured by hours streamed in the first five days of its release. The film fittingly kicked off Black History Month on February 1st after breaking the 45-day plan that was established under Bob Chapek leadership, who was very streaming first in his strategy. It didn’t quite pan out and we’re seeing some developments to find a better balance but Disney must definitely be excited knowing just how much people loved the latest Marvel entry.
It also is a good sign that people’s interest in Marvel is still strong as ever with Ant-Man and the Wasp: Quantumania set to release in just a few weeks. Early predictions already have it as the biggest opening for the trilogy and have the potential to use its event status alongside the introduction of Kang the Conqueror. So, it’s going to be an exciting year for Marvel and we’ll see just how high the bar will be set in 2023 as the world continues to move on from the pandemic.
It looks like Sucker Punch Productions is actively looking to implement multiplayer elements in an upcoming game. They are actively looking to hire a Senior Multiplayer Mission Designer and Senior Multiplayer Systems Designer. As pointed out by ComicBook.com, it’s an interesting ad if you consider that the only game we know of that they are working on is the sequel to Ghost of Tsushima.
It doesn’t outright confirm that the sequel will have specific multiplayer functionality, but the first entry already included a functionality titled Ghost of Tsushima: Legends which allowed you to tackle various missions with friends or strangers online. Given how long they supported that functionality, it wouldn’t be too surprising they would want that option to return.
Of course, we don’t know if the sequel to Ghost of Tsushima will be a straight-forward story game, or perhaps they are simply working on a multiplayer spinoff similar to the long-rumored The Last of Us: Factions game that has seemingly been in development hell for some time. It’s also not unusual for popular games to add these new functionalities, especially if they end up having some way to keep players engaged.
Though it’s really curious that they may be hoping to expand the game early on, as Legends wasn’t added until later in the game’s runtime. So, we’ll see if this pans out or Sucker Punch might be working on a secret multiplayer title that hasn’t been officially announced as of now. Only time will tell, or at least E3 might.
The streaming industry continues to evolve as Showtime and Paramount+ are set to fuse. Such major changes also tend to lead to new developments such as Showtime reevaluating its future TV slate to also make use of how Yellowstone redefined Paramount’s overall approach to franchising. It looks like some recent and classic series are about to get a variety of spinoffs.
The first big future plan lies with the series Billions. It seems that the finance drama is set to get up to four different spinoffs with rather fitting titles like Millions and Trillions planned. Another one is set to take place in Miami, but it’s unclear if they’ll go down the route of “Billions: Miami” like the classic CSI franchises.
That is not all, as it seems they also want to develop a Dexter spinoff series that’ll focus on The Trinity Killer. It would explore the origin story of John Lithgow‘s character from the original series but it’s not the only one as there’s also another one focused on a younger Dexter in development.
Spinoff series are all the rage right now and have a proven track record to draw audiences to check out their streaming services. It’s also a safe bet when costs start piling on for these new projects, though the question is just how popular some of these projects might be if they rush out multiple spinoffs. Even Game of Thrones had to slow down its ambitious goals once they finally released House of the Dragon.
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