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  • Veteran Marvel Studios Director Explains Why He’s Not Returning to the MCU

    Veteran Marvel Studios Director Explains Why He’s Not Returning to the MCU

    When Marvel Studios and Sony brought Jon Watts on board to direct 2017’s Spider-Man: Homecoming, the director was a relative unknown in the industry. Watts had only directed one film–2015’s Cop Car–before being given the great responsibility of weaving a web of Spidey stories into an MCU-set trilogy. What followed was one of the shared universe’s most financially and critically successful trilogies which wrapped up in 2021 with Spider-Man: No Way Home, the third-highest-grossing film in Marvel Studios’ very illustrious history.

    Given his success behind the camera for the Spider-Man trilogy, Marvel Studios turned to Watts to shepherd another incredibly important franchise into the MCU in the Fantastic Four. However, as delays on the project piled up and other projects took precedence for Watts, he amicably left the project. Still, it seemed all but a sure thing that he’d return to the MCU, especially with a second Spidey trilogy in the works but earlier this year, Watts made it clear that he was not going back behind the camera for Spider-Man 4. With his new film, Wolfs, recently debuting, Watts has been making the rounds and in an interview with THR, explained why he chose to pass on the new Spidey project and instead direct Wolfs which he created from an original idea.

    I was just getting started and Marvel came along — and I take full creative ownership over all those films — but Spider-Man is always going to be Stan Lee and Steve Ditko‘s creation,” said Watts of jumping into the MCU, adding, “This was the chance for me to go back to my voice and my vision and my style. Wolfs is mine, and that’s a really good feeling.

    Ironically enough, it was another “really good feeling” that inspired Watts to walk away from the MCU. Recalling the Los Angeles premiere of Spider-Man: No Way Home, the director explained that he came to the realization that he could never duplicate the special feelings the film–which was one of the first major post-pandemic releases–provided the audience.”That was such a specific moment in time, and the reaction to that movie was just so unbelievable,” said Watts. “It’s never going to be like this, ever again.” And so, rather than chase something unattainable, Watts chose to walk away on top.

    With Wolfs, Watts has had near total control of the project from beginning to end, something that’s just not part of the Marvel machine’s way of doing business. “Sometimes you do an action movie, and all the fun action stuff is given to the second-unit director,” explained Watts. “On the Marvel movies, you split up the work because there’s so much to be done. Rarely do you get the Christopher Nolan opportunity to do all of it. On this one, I was like, ‘I want to shoot every single shot.’

    Whether or not Watts finds his way back to the MCU someday remains to be seen; however, it certainly sounds more likely that he’s enjoying the freedom to create from scratch and may continue to explore similar avenues in the future. Watts’ next project, Lucasfilm’s Star Wars: Skeleton Crew, which was filmed in 2022, debuts on Disney Plus on December 3rd.

    Source: THR

  • Episode Titles & Runtimes for the First Four Episodes of ‘The Penguin’ Have Leaked

    Episode Titles & Runtimes for the First Four Episodes of ‘The Penguin’ Have Leaked

    As DC Studios’ co-chairs James Gunn and Peter Safran continue putting the finishing touches on Creature Commandos, the first project of the all-new, all-different DCU era, one of the studio’s Elseworlds projects that survived that change in direction at the WBD is nearing its premiere. The Penguin–an interquel to Matt ReevesThe Batman and The Batman Part II–will debut on HBO and Max on Thursday, September 19th, with new episodes then debuting on Sunday nights beginning on September 29th.

    This thrilling crime drama follows Oswald “Oz” Cobb’s quest for control in Gotham City. With the city in peril following the seawall’s collapse, Oz (Oscar® nominee Colin Farrell) seeks to fill the power vacuum left by the death of Carmine Falcone and finally give his mother Francis (Deirdre O’Connell) the life he’s always promised. But first, Oz must confront his enemies, including Carmine’s children, Sofia Falcone (Cristin Milioti) and Alberto Falcone (Michael Zegen); the Maroni family, led by their imprisoned patriarch, Salvatore Maroni (Clancy Brown); and Oz’s own demoralizing reputation as “The Penguin.”

    -Official Synopsis for The Penguin

    Part of The Epic Batman Crime Saga, The Penguin is an eight-episode series that follows Colin Farrell‘s Oz through the immediate aftermath of the events of The Batman. With the series premiere just around the corner, members of the media have begun screening early episodes and, as a result, the titles and runtimes of the first four episodes of the series have leaked.

    Nothing about the episode titles for showrunner Lauren LeFranc’s series seems too spoilery; however, the episode lengths are fairly notable. Whereas Marvel Studios is often criticized by fans for rolling out streaming episodes that are too short, HBO is giving The Penguin the prestige treatment, with runtimes similar to series such as House of the Dragon or True Detective. As revealed by runtime go-to-guy Cryptic HD Quality, the first episode of The Penguin will eclipse the hour mark while each of the next three will come in just under it.

    With the follow-up to 2022’s The Batman set to enter into production next year and not expected in theaters until 2026, The Penguin looks to be serving up an impressive 8ish hours of content to bridge the gap!

    About The Penguin

    Starring Colin Farrell as Oz Cobb (aka The Penguin), the eight-episode HBO Original limited series from DC Studios continues the epic crime saga that filmmaker Matt Reeves began with the global blockbuster The Batman. The cast also includes Cristin Milioti, Rhenzy Feliz, Michael Kelly, Shohreh Aghdashloo, Deirdre O’Connell, Clancy Brown, James Madio, Scott Cohen, Michael Zegen, Carmen Ejogo and Theo Rossi.

    Based on characters created for DC by Bob Kane with Bill Finger, The Penguin is produced by 6th & Idaho Productions and Dylan Clark Productions in association with Warner Bros. Television. Executive producers, Matt Reeves, Dylan Clark, Colin Farrell, Lauren LeFranc, Craig Zobel, Bill Carraro, and Daniel Pipski; writer and showrunner, Lauren LeFranc.

  • ‘Deadpool & Wolverine’ Deleted Scene Keeps Hope Alive for Channing Tatum’s Gambit

    ‘Deadpool & Wolverine’ Deleted Scene Keeps Hope Alive for Channing Tatum’s Gambit

    Though it has been mildly criticized for doing so, Deadpool & Wolverine took full advantage of the nature of The Void to add some seasoning to the buddy comedy. And while Chris Evans, Jennifer Garner, Daphne Keen and Wesley Snipes each added their own flavor to the mix as part of The Resistance, nobody spiced up the screen as much as Channing Tatum.

    After years of trying to bring Gambit to life, Tatum’s portrayal of the Cajun mutant took general audiences by storm as he took on Cassandra Nova and her cronies. Tatum’s Remy LeBeau stole nearly every scene in which he was featured and became a social media darling following the film’s release. Tatum’s character did indeed make a name for himself, so much so that many–including the film’s star Ryan Reynolds–have called for a continuation of Remy’s story in the MCU. In the days following the release of Deadpool & Wolverine, eagle-eyed fans believed they had spotted a way that might allow for that possibility and now Reynolds has confirmed those theories.

    A month after the film’s July 26th theatrical release, Reynolds took to social media to share a deleted scene from Deadpool & Wolverine that featured Tatum’s Gambit. Set in The Void following the escape of Wade and Logan, the scene shows Gambit become aware of a magical portal–which Reynolds calls a Marvel Sparkle Circle–opening behind him.

    Though it is a deleted scene, Reynolds confirmed that a version of the scene was indeed rolling on a background monitor on the TVA, providing hope that Gambit did escape The Void and could pop up again down the road. With Avengers: Secret Wars set to close the Multiverse Saga and Marvel Studios already hard at work on their own plans for the X-Men, there’s no reason to close the sparkle circle on the possibility of an MCU future for Gambit.

  • ‘Agatha All Along’ Runtimes Reveal Length of Two-Episode Premier, More Magical Goodness Than ‘WandaVision’

    ‘Agatha All Along’ Runtimes Reveal Length of Two-Episode Premier, More Magical Goodness Than ‘WandaVision’

    When Marvel Studios WandaVision debuted on Disney Plus in January 2021, fans bemoaned the short runtime of the series episodes. While the early episodes were intentionally short to mimic the runtimes of the classic sitcoms to which the series paid homage, only the fifth episode and final two episodes stretched beyond thirty minutes, credits not included. While it made for easily digestible content, WandaVision’s episode length kicked off the great MCU runtime fiasco that has yet to abate. However, it turns out the studio may have learned something from WandaVision

    In Marvel Studios’ Agatha All Along, the infamous Agatha Harkness finds herself down and out of power after a suspicious goth Teen helps break her free from a distorted spell. Her interest is piqued when he begs her to take him on the legendary Witches’ Road, a magical gauntlet of trials that, if survived, rewards a witch with what they’re missing. Together, Agatha and this mysterious Teen pull together a desperate coven, and set off down, down, down The Road…

    -Official synopsis for Marvel Studios’ Agatha All Along

    Whether it was always the plan or not, WandaVision spawned a pair of spinoffs in Agatha All Along and the as-yet-untitled Vision series. The first of those series, the nine-episode Kathryn Hahn-led Agatha Harkness series, will debut on Disney Plus in mid-September and has already been screened by some members of the press. And while plot spoilers have remained sealed away, some information on the series has escaped Marvel Studios’ protective hex.

    (L-R): Teen (Joe Locke), The Green Witch/Rio Vidal (Aubrey Plaza), Agatha Harkness (Kathryn Hahn) and Jennifer Kale (Sasheer Zamata) in Marvel Television’s AGATHA ALL ALONG, exclusively on Disney+. Photo by Chuck Zlotnick. © 2024 MARVEL.
    Via Scarlet Witch Updates, the runtimes for the first four episodes of Agatha All Along have made their way online. While none of the episodes will approach an hour, the runtimes all exceed thirty minutes and each is significantly longer than any of the first four episodes of WandaVision.

    With Agatha All Along continuing the pattern of Disney Plus series debuting with two episodes, fans will be treated to over an hour of witchy content when the show premieres on September 18th.

  • ‘Spider-Man 4’ Reportedly Undergoing a Major Overhaul

    ‘Spider-Man 4’ Reportedly Undergoing a Major Overhaul

    Unbelievably, the tenth anniversary of Marvel Studios and Sony’s agreement to enter into an unprecedented collaboration to produce Spider-Man films set within the Marvel Cinematic Universe is just months away. In February 2015, the two studios struck a deal that allowed a then-as-yet uncast actor to star in Marvel Studios-produced and Sony-distributed films while also appearing in other major crossover events made solely by Marvel Studios. Over the next seven years, Tom Holland’s Peter Parker appeared in a total of six projects and became one of the MCU’s most beloved characters.

    In 2021, ahead of the release of Spider-Man: No Way Home, which put a bow on the MCU-set Spider-Man trilogy, Marvel Studios One Above All, Kevin Feige, assured fans that development on a fourth Spidey film had already begun in collaboration with Sony. Nearly three years later, while there have been plenty of reports and rumors about Spider-Man 4, there’s been no official word about when to expect the project in theaters.

    Amy [Pascal] and I and Disney and Sony are talking about — yes, we’re actively beginning to develop where the story heads next, which I only say outright because I don’t want fans to go through any separation trauma like what happened after “Far From Home.”

    -Kevin Feige, December 2021
    spider man 4

    Holland reportedly struck a deal to stay on as the Wall-Crawler in 2022 shortly after Feige revealed that Spider-Man and Daredevil were set to lead the MCU’s crew of street-level heroes through the Multiverse Saga. In an early 2023 interview with EW, Feige revealed that the studio cracked the story for Spider-Man 4 and that development on the script had begun. “All I will say is that we have the story,” said Feige. “We have big ideas for that, and our writers are just putting pen to paper now.Though the work stoppages of 2023 slowed progress on putting that story together, details on the plot of the first installment of the new Spidey trilogy emerged. Spinning, in part, out of the events of the D+ streaming series Daredevil: Born Again, Spider-Man 4 was rumored to feature a “street-level civil war” that would see Spidey and Daredevil gather a team of heroes to take on Wilson Fisk’s Kingpin. With the story in place and production reported to be scheduled for a late 2024 start, a 2025 release for the film seemed possible; however, as time went on without any official word from Sony, fans began to wonder what was going on behind the scenes and with the most recent update indicating there’s been a delay in production that might push the film’s release to 2026, some new information has emerged that might explain why things haven’t gotten underway quite yet.

    According to reliable MCU insider Daniel RPK, Spider-Man 4 is now being developed as a “multiverse” project.

    Though no other details about the new direction of the film, fans have already expressed disappointment in another multiverse project; however, it’s possible that those frustrated fans aren’t looking through the multiversal lens clearly. While the concern about adding multiversal components to the story of Spider-Man 4 is understandable, it does not mean the “street-level civil war” has been removed from the film and could quite possibly point toward Miles Morales swinging into the MCU to join the fray.

    While the distaste for Spider-Man 4 evolving into “another” multiverse project is at least somewhat understandable given that was the premise of Spider-Man: No Way Home, a Peter and Miles team-up would likely be wildly successful. While it wouldn’t have the same R-rated tone as Deadpool & Wolverine, a Spider-Men film would do big business at the box office while allowing Miles to get into the game ahead of Avengers: Secret Wars. Fans of Jonathan Hickman‘s 2015 Marvel Comics event, Secret Wars, will remember just how large of a role Miles played in foiling Doom’s plans, so bringing him on board before the 2027 film would allow for the character to do his thing there while also prepping him as a star for the studio’s post-Multiverse Saga future.

  • The 2026 MCU Theatrical Slate Is Reportedly Changing Yet Again

    The 2026 MCU Theatrical Slate Is Reportedly Changing Yet Again

    To say that Marvel Studios’ Multiverse Saga has been uneven may be an understatement. It seems, however, that some downtime during the work stoppages of 2023 was fruitful for the studio as it has rolled out a string of well-received projects in 2024. With Deadpool & Wolverine marking a return to form at the box office and Robert Downey Jr. returning to bring the Saga’s new big bad, Victor Von Doom, to life, it seems as though there’s a bright future ahead for Marvel Studios…but what exactly does that future hold?

    Heard into the summer convention circuit, fans were holding out hope that the studio’s head honcho, Kevin Feige, would roll out the all-new, all-different Multiverse Saga slate. Convention season has come and gone, though, and other than a retitled Avengers movie, Feige didn’t pull back the curtain to reveal anything fans didn’t already know. Choosing to focus the studio’s time at SDCC and D23 on its 2025 slate of films and streaming series, the Feigester didn’t shed any light on what films would join Avengers: Doomsday in 2026 instead quietly removing one project from the slate. At the time, fans had some ideas about Marvel’s motives behind the move and now it looks as though they might have been right.

    According to longtime Marvel Studios insider Daniel RPK, Marvel Studios and Sony are currently planning to get production on Spider-Man 4 underway in early 2025 with an eye on having the film ready to release in theaters on July 24, 2026.

    The studios were previously believed to be reporting a Fall 2024 start of production with Sony reportedly pushing for a 2025 debut for the film; however, as we enter the final third of the year, there’s been no word on a director for the project. Should the latest report on Spider-Man 4 hold true, it would join two currently untitled Marvel Studios releases and Avengers: Doomsday on the slate.

    • February 13, 2026: Untitled Marvel Studios Film
    • May 1, 2026: Avengers: Doomsday
    • July 24, 2026: Spider-Man 4
    • November 6, 2026: Untitled Marvel Studios Film

    With a pair of streaming series (Wonder Man and Vision) also expected to be ready for release on Disney Plus, 2026 could be shaping up to be a very bountiful year for Marvel Studios.

  • Ultron’s Return May Give New Life to a ‘Runaways’ Throwaway

    Ultron’s Return May Give New Life to a ‘Runaways’ Throwaway

    Few Marvel Comics IPs have as interesting of a story to tell over the last decade and a half as the Runaways. Originally intended to be one of the studio’s earliest Infinity Saga films with development beginning in 2008, the project was scrapped following the success of 2012’s Avengers and the realization that the MCU could truly thrive financially by going bigger. In 2016, Marvel Television–no, the old one–partnered with Hulu to begin development on a streaming adaptation of the property which debuted in 2017. Over three seasons and 33 episodes, Runaways proved to be a critical darling but as the old Marvel Television branch run by Jeph Loeb began to be put down, the series came to a premature end in 2019.

    Despite sharing some storytelling elements with Marvel’s Agents of S.H.I.E.L.D., Runaways is not only nowhere to be found in the Marvel section of Disney Plus but also was pulled from Hulu, the streaming service that originally presented it. So while Marvel Studios has mad moves behind the scenes to canonize Marvel Television’s Netflix Defender-verse series, Runaways–despite being both popular and promising–has been given the Sloth treatment and been chained in the basement by Mama Fratelli, hidden away while its brother and sister series are allowed to see the light of day. It was strange fate indeed for a property that once seemed to hold so much promise as part of the Marvel Cinematic Universe but even as time and measures taken by Disney help erode the memory of the Hulu series, there might be some hope on the horizon for at least one character who played a major role in Brian Vaughan‘s comic book series and was always intended to play a role in the the TV series.

    The Runaways Throwaway

    Introduced in 2005’s second volume of Marvel Comics Runaways, Victor Mancha is an incredibly interesting character who was a big-time threat in the comic book series, was supposed to show up in Hulu’s Runaways and whose lineage might just make him a perfect fit for an upcoming MCU project. As Marvel Television was putting together Season 1 of Runaways, they had every intention of including a character by the name of Victor Mancha. Those plans never materialized and Mancha’s role in the show was reduced to an easy-to-miss mention and his name appearing during a brief shot of a note from the future found by Alex Wilder in the series finale.

    In Mancha’s case, having not appeared at all in Runaways may ultimately turn out to be the best thing to ever happen to the character.

    El Diablo Robotico

    Victor Mancha is a significant character in Marvel Comics, particularly known for his association with the Runaways series. Created by Ultron, Victor is a sophisticated android designed to infiltrate and destroy the Avengers. However, his destiny took a different path when he joined the Runaways, a group of young heroes with complicated backgrounds.

    Origin and Creation

    Victor Mancha was conceived as part of Ultron’s plan to create a synthetic being capable of harnessing incredible power to defeat the Avengers. As a half-human, half-android, Victor possesses a unique blend of abilities inherited from both his human mother and his robotic father, Ultron. His powers include electromagnetic manipulation, super strength, and advanced computing capabilities, which make him a formidable opponent.

    Joining the Runaways

    Despite his origins as a potential threat, Victor defied his programming and joined the Runaways, a team of teenagers who rebel against their villainous parents. Victor quickly became an integral member of the group, contributing his technical expertise and raw power to their various missions. His affiliation with the Runaways marked a shift in his character, emphasizing his struggle to choose his own path rather than succumb to the dark designs of Ultron.

    Role in the Marvel Universe

    Victor’s story extends beyond the Runaways as he also interacted with other major Marvel entities, including the Avengers AI and Vision. His struggle between his inherent programming and his desire to be human continues to define his journey within the Marvel Universe, making him one of the more complex characters in the pantheon of Marvel Heroes.

    The Son of Ultron

    The news of James Spader‘s return to the MCU as Ultron in the as-yet-untitled Vision streaming series was met with nearly universal celebration by fans. While Avengers: Age of Ultron didn’t initially land as well with fans as 2012’s Avengers, it has grown on fans over time and Spader’s performance as rogue AI peacekeeping program has always been well-regarded. Fans of the comics know Ultron never truly dies and the character’s return to the MCU could open the door for Victor Mancha.

    In the comics, Victor’s mother, Marianella, came into possession of one of Ultron’s chrome domes with an intact CPU. Over time, Marianella rebuilt Ultron and the two became besties. And as a woman and a detached robot head often do, the two hatched a plan to create a child. Weaving Marianella’s DNA into a nanite-based robot, Ultron created the cyborg known as Victor and placed within him programming that would allow him to make his way into the Avengers as a sleeper agent designed to wipe them out. While Victor ultimately overcame his programming, it was a great move by Ultron and one that can easily be adapted into the MCU.

    Indeed, the thought of Victor being used in an MCU project is hardly a new one. Fans theorized how the character might be used in WandaVision or even as the big bad in a Young Avengers project. However, while it’s unclear exactly what role Ultron will play in the upcoming Vision series–currently in development under the care of showrunner Terry Matalas–it’s time to revisit the idea of bringing Victor into a Marvel Studios project.

    The Pieces Are in Place

    As seen in Spider-Man: Homecoming, bits and pieces of Ultron and Sub-Ultrons that the Department of Damage Control collected ultimately found their way onto the black market as weapons. The DODC also houses the head of Ultron which is really all anyone needs to kick off another age of Ultron in the MCU.

    While it is still being put together, it’s believed that the Paul Bettany-led Vision series will follow the White Vision as he tries to regain his memories. At some point, that will certainly include learning he was an Avenger and the realization that his “father” was one of the Avengers’ deadliest foes. It would make for compelling television to see Ultron being physically reassembled while his son reassembles the memories of who he once was. Once put back together again, Ultron would obviously seek vengeance against his foes–who he would sadly find are almost all nowhere to be found. It would not, however, be too tough to locate his son, Vision, who he might feel particularly apt to get even with. And, as Vision will also likely feel the absence of his family, the appearance of a “brother” would make for a nice Trojan Horse for whatever Ultron’s newest evil plan might be.

    It would only seem right that the Vision series eventually sees Vision reunite with Ultron. And since Ultron has proven to be incapable of permanent destruction in the comics and has never truly been defeated, the best one could hope is to continue to foil his plans. In this case, that might simply mean that Vision helps Victor overcome his programming and choose his own path.

  • Marvel Studios May Be Cooking Up an Avengers Reunion on Disney Plus

    Marvel Studios May Be Cooking Up an Avengers Reunion on Disney Plus

    Despite having 85 years’ worth of successful source material from which to draw, Marvel Studios has certainly felt the need to blaze its own trail in weaving the ongoing shared narrative tapestry that is the MCU. Whether it be through tiny alterations here or major alterations there, many of the characters and stories that have filled up screens big and small since 2008’s Iron Man have their own unique spin to them that makes them different from their comic book counterparts. However, in some cases, the creatives at Marvel Studios have stayed surprisingly within the lines, delivering a more comic-accurate interpretation of the stories of Stan Lee and Jack Kirby and the legions of talented writers and artists who followed them.

    In 2016’s Captain America: Civil War–which is itself an example of the studio’s tendency to borrow names but not directly adapt the stories or ideas that go with them–directors Anthony and Joe Russo set the stage for one of Marvel Comics’ weirdest romances to develop. Paul Bettany‘s synthezoid Avenger, Vision, and Elizabeth Olsen‘s Wanda Maximoff’s wonderfully awkward flirtations in Civil War blossomed into full-grown love by the time Avengers: Infinity War–another example of the studio’s tendency to borrow names but not directly adapt the stories or ideas that go with them–came to be. Exploring the relationship between Vision and Wanda on screen allowed the directors to render one of the MCU’s most heartbreaking scenes as Wanda destroyed her love in a failed attempt to save the universe. As the Infinity Saga came to a close, it seemed as though the love story of Wanda and Vision had come to an end but instead, the studio decided to take a turn for the even weirder.

    Mixing Kevin Feige‘s love of sitcoms with the main premise of the 1985 12-issue limited Marvel Comics series The Vision and The Scarlet Witch, Marvel Studios kicked off its post-Endgame era with WandaVision. The 9-episode series saw the traumatized Wanda cast a spell that allowed her to recreate the Vision, allowing the lovers to explore a life of what Feige called “suburban bliss” along with their twin sons, Billy and Tommy. We know how it ended and what happened next but as the studio prepares to roll out the first WandaVision spinoff, Agatha All Along, news about the second spinoff, a Paul Bettany-led Vision series, has begun to make its way online and the latest bit indicates that the studio hasn’t closed the book on Vision and Wanda just yet.

    Just as word came that James Spader had inked a deal to return to the Vision series as Ultron, Deadline shared the news that Olsen’s Wanda, who was last seen being buried under rubble in the final act of Doctor Strange in the Multiverse of Madness, may be on board for an appearance in the series as well.

    Though this isn’t the first time Olsen’s name has been associated with the series, much has changed since the first reports that a Vision Quest series was in the works nearly two years ago. Originally developed by WandaVision and Agatha All Along showrunner Jac Schaeffer, the series was recently handed off to Star Trek: Picard creator Terry Matalas. With a change of creators can come a change of creative decisions so while the series was originally expected to adapt Tom King‘s 2015 12-issue Vision series, it’s unclear what direction Matalas might take; however, the return of Ultron might indicate it will be quite different than the original plan.

    Olsen’s return, should it happen, would seem to indicate a reunion is in the cards for Wanda and Vision and their twin sons. Joe Locke is widely accepted to be playing the reborn Billy in Agatha All Along and a recent report that the studio is looking to cast Javon Walton as, potentially, the reborn Tommy in Vision. The untitled Vision series is expected to begin production in the UK in early 2025.

    Source: Deadline

  • Major Infinity Saga Villain Set to Return for Marvel Studios’ ‘Vision’ Streaming Series

    Major Infinity Saga Villain Set to Return for Marvel Studios’ ‘Vision’ Streaming Series

    Though Marvel Studios is, presumably, more than halfway through the second saga of MCU stories, it has shown no apprehension at continuing to pull from the Infinity Saga. While the return of Robert Downey Jr.–who is boarding the Multiverse Saga to bring Victor Von Doom to life–is the starkest example of the studio’s willingness to dip into the Infinity Saga well, many of the streaming series have in particular been deeply rooted in the events of the Infinity Saga. And now as the studio begins preparations for production on their next D+ project, a new report indicates they’re dipping back into the well again.

    According to THR, Marvel Studios has struck a deal with James Spader to reprise the role of Ultron in the upcoming Vision streaming series.

    An artificial intelligence created by Tony Stark and Bruce Banner as a peacekeeping program, Ultron went rogue and sought to wipe out humanity. Using stolen Vibranium obtained from the stores of Ulysses Klaue, Ultron created a synthetic body that he intended to inhabit himself; however, after a battle with the Avengers interrupted the process, Stark’s J.A.R.V.I.S. program was uploaded into the body, which became Vision. Though Vision destroyed the final Ultron drone that hosted his programming, fans of the comics will know that the villain has been notoriously impossible to keep down.

    Originally one of two WandaVision spinoffs developed by Jac Schaeffer, the upcoming Vision series is now in the hands of Star Trek: Picard showrunner Terry Matalas. In development since 2022, it seems as though the show has taken a new direction under Matalas‘ watch after originally being believed to be an adaptation of Tom King‘s Marvel Comics 2015 limited series, Vision. While it’s unclear what role Spader’s Ultron will have in the series, the appearance of Vision’s “father” in a series that will likely explore the synthezoid’s pursuit of putting together the pieces of who he truly is has the potential for some very heavy material.

    Marvel Studios’ untitled Vision series is expected to stream on Disney Plus in 2026.

    Source: THR

  • Marvel Studios Reportedly Considering a Second Season for One of Its Strangest Streaming Series

    Marvel Studios Reportedly Considering a Second Season for One of Its Strangest Streaming Series

    Once upon a time, Marvel Studios had grand plans to expand the MCU by exploring some of its more obscure corners and characters through streaming series on Disney Plus. As recently as 2022, the studio hoped to push out 3 or 4 live-action streaming series each year in addition to animated content, providing nearly non-stop Marvel to its fans. That all changed with the return of Bob Iger to the Disney throne and now development has slowed to what Marvel’s head of streaming, television and animation, Brad Winderbaum called “a more considered approach” that involved significant rebranding.

    That more considered approach, according to Winderbaum, will see the studio pare down its streaming slate to two series each year while continuing to develop an unquantified number of projects. In Winderbaum’s words, the studio will be “developing more than we make.” And those words are incredibly relevant to some interesting news about a potential second season to one of Marvel’s strangest and most well-reviewed streaming series.

     I really like the idea of two shows a year, especially because we are developing more than we make. We used to treat the shows like the features where we’re gonna make a show and that’s it, we’re going to hit a release date, hell or high water. Well, it’s hard to do for a two hour feature, it’s even harder to do for, six, seven, eight, nine hours. So now we have a more traditional approach.

    -Brad Winderbaum on Marvel Studios’ new apporach to developing streaming projects

    According to trusted MCU insider Daniel RPK, Winderbaum and the fine folks behind the D+ streaming series are developing a second season of Moon Knight.

    In 2022, Moon Knight introduced Oscar Isaac‘s multi-personalitied Marc Spector to the MCU and proved to be a rare case of a streaming series gaining viewers over time. As the series concluded, there were signs and speculation that a second season might be in the works though nobody, including Isaac and director Mohamed Diab, knew of any plans on Disney’s part to continue the story of Moon Knight. “I’m kept in the dark, just like the fans…Marvel doesn’t go with a conventional way, so even if they like the character and want to extend the world, it could be Season 2, it could be a standalone film, or he can join another superhero’s journey,” said Diab in 2022. “We never discussed it being a Season 2, but one day there’s going to be an expansion, but I don’t know how it’s going to look like.

    And let’s just put everything out on the table on this story. There’s definitely no official plans to continue it. I think it would depend on what the story is. That being said, I love being Steven. I just love it. It’s just like, physically, it’s so much fun to be him. So, you know, if there was a story that really made sense, I’d be happy to be part of it.

    Oscar Isaac on the potential of a second season of Moon Knight, May, 2022

    Season 1 of Moon Knight was a hit with critics (86% at Rotten Tomatoes) and introduced a whole new brand of weirdness into the MCU. Complete with a talking hippo goddess and twists and turns that left fans wondering what was real and what was not, Moon Knight also provided a wonderful exploration of the fractured psyche of Spector, whose dissociative identity disorder created several interesting personalities who manifested themselves throughout the series and even into its post-credit scene.

    Despite the lack of concrete plans for the future of the character, Isaac promised fans that the character had a future, saying “This isn’t the last we’ve heard of the system that is Moon Knight,” during an appearance at NYCC ’22. As time has passed and moved further and further away from the series’ release, news and even rumors about a second season of Moon Knight have slowly ground to a halt. While at this point another season of the series would seem unlikely to make its way to Disney Plus before 2027, should it make it through development, it’s good to know there’s hope for more of the wonderful weirdness that made the first season of Moon Knight such a fun ride.