Tag: Disney Plus

  • ‘Obi-Wan Kenobi’: Deborah Chow Debunks Darth Maul Rumors

    ‘Obi-Wan Kenobi’: Deborah Chow Debunks Darth Maul Rumors

    Some time ago, a rumor hit the internet that Obi-Wan Kenobi was originally going to feature the return of Darth Maul. Yet, as production got ready, they seemingly have removed away from that concept to feature Darth Vader as its main antagonist alongside the connections to the animated series with the live-action debut of the Grand Inquisitor. Yet, showrunner Deborah Chow revealed in an interview with Total Film that this wasn’t the case since she’s been involved with the project.

    As long as I’ve been involved, we’ve never had Darth Maul in any of it. Dave [Filoni] did a beautiful job of telling that story already.

    Deborah Chow

    There could always be a potential discussion if these ideas were very early in the concept stage of the project. Lucasfilm has probably planned on exploring this era for quite some time, and a very early draft may have included Maul before Filoni used that concept in Star Wars: Rebels. They may still have plans for the character moving forward, especially after the tease of his return in Solo, but it’s unclear how exactly they are mapping out their projects.

    Lucasfilm hasn’t been very consistent with promoting their projects and we know very little about their future plans with the franchise. They are expanding with new TV series but we know very little about their theatrical release plans. We also have been seeing a strong focus on the post-Return of the Jedi era. Obi-Wan Kenobi will be the first live-action project to focus on an earlier point of the timeline with Andor following. There’s also the long-rumored High Republic series that may be completely disconnected form the rest.

    Source: Total Film

  • ‘Moon Knight’ Cinematographer In Talks For More MCU Projects

    ‘Moon Knight’ Cinematographer In Talks For More MCU Projects

    Moon Knight has left quite the imprint with fans, especially as the latest episode surprised many scratching their heads. It definitely looks like the team has also left an imprint with Marvel Studios, as the directing duo of Aaron Moorhead and Justin Benson were chosen to spearhead the second season of Loki. Well, it seems they aren’t the only one as Moon Knight‘s Director of Photography Andrew Droz Palermo is also currently in talks to potentially join other Marvel projects in the future.

    I’ve been asked a few things. I can’t say what. The timing hasn’t been right for me yet. But I would love to do other Marvel stuff, I’d love to get the chance to do it again. For me, it’s always about the filmmaker who is who’s leading the ship and because those are the people that I’m with day in and day out for hours and hours on end. So I really need to be excited and inspired, and also like them personally. It’s really important to me.

    Andrew Droz Palermo

    It’s great to hear that they are in talks for multiple projects, and it’ll be exciting to see what project he may end up getting his hands on. There are a lot of projects that seemingly are in an early stage of development. While he only worked on two episodes, he certainly left quite an impression and going by his incredible work on The Green Knight and A Ghost Story, there’s a lot of potentials to add a unique visual flourish for any upcoming Marvel project.

    Source: Film Speak

  • Cosmo Spotted in ‘The Guardians of the Galaxy Holiday Special’ Wrap Gift

    Cosmo Spotted in ‘The Guardians of the Galaxy Holiday Special’ Wrap Gift

    While it seems that production on Guardians of the Galaxy Vol. 3 is still going to go on for another week, as revealed by James Gunn in a recent tweet, it seems they had a separate wrap gift for the Disney+ Holiday Special. It includes some ornaments featuring all the members of the Guardians, but one particular member sticks out. It looks like one of the ornaments includes Cosmo the Spacedog wearing a reindeer outfit. We haven’t seen the character since his escape from the Collector’s collection in the first Guardians of the Galaxy film. So, this hopefully hints at his return in the upcoming special and maybe even Vol. 3.

    https://twitter.com/JamesGunn/status/1518602824703102976

    Of course, this isn’t a confirmation that he’ll definitely appear but it does add some likeliness considering he’s highlighted. Perhaps the Guardians make their way to Knowhere for a holiday celebration, or Cosmo ends up joining them for an adventure after meeting at a random planet. There are a lot of ways that the character could find his way and here’s hoping we get a lot more of him moving forward. Ever since his initial introduction, he sadly has been a bit absent throughout the MCU’s last few years.

    The first holiday special for Marvel Studios is definitely going to be something special, especially with Vol. 3 potentially ending the Guardians of the Galaxy‘s current line-up. James Gunn also has the talent to offer some real emotional gut punches and with rumors hinting at some time being spent on Earth. Perhaps Star-Lord gets one more chance to talk to his family before truly leaving his home planet behind to focus on his intergalactic family of misfits.

    Source: Twitter

  • ‘Moon Knight’ From Page to Screen: Episode 4

    ‘Moon Knight’ From Page to Screen: Episode 4

    Marvel Studios’ Moon Knight continues to bring us an original story in which similarities to a few of its more recent comic runs are always naturally found. Following Episode 1, we looked at how the show explored Marc Spector’s dissociative identity disorder compared to the comics. In Episode 2 Mr. Knight was introduced through a rather different take than in the comics and in Episode 3 Layla’s backstory, along with her dad’s, was approached and so we delved deep into how those same events were presented in both the original Moon Knight comic run and the more recent Lemire/Smallwood one. All things considered, and even though the series has shown us that it has taken inspiration from more than just one pivotal comic run, the aforementioned Lemire/Smallwood seems to be the Moon Knight volume we keep going back to. And the end of episode 4 was no exception.

    Marvel Studios’ Moon Knight Episode 4
    Marvel Studios’ Moon Knight Episode 4
    Marvel Studios’ Moon Knight Episode 4
    Marvel Studios’ Moon Knight Episode 4

    There, we find Marc and Steven, waking up in a psych ward filled with characters and objects that have found themselves referenced throughout the entire show. From Marc’s wife Layla to other less relevant characters, from Khonshu references to paintings depicting an Austrian village in the Alps, everyone and everything that played a part in the story so far seemed to be there in one way or another. This all worked as an incredible twist since the sequence was designed to present itself after the viewer was already invested in the story through prior events and to set up the third act of the show (the final two episodes) unlike what we get in the comics. There, the same idea (introducing the reader to Marc being stuck in a mental institution) was used to set up the story itself, since it came right at the start of the run. The references were still all there: CrowleyBobby & BillyMarlene/Layla, and Dr. Emmet/Harrow but were presented in a way where who they were and what they represented was still something to be figured out. In magic terminology, while in the comics this sequence was the setup as the beginning of The Pledge, in the series it was presented as The Turn, ahead of the upcoming third act, The Prestige.

    Moon Knight #1 (2016)
    Moon Knight #1 (2016)
    Moon Knight #1 (2016)

    Another big difference from the comics is that in the show Marc and Steven get to the psych ward at a time when Khonshu is already imprisoned in an ushabti leaving Spector and Grant’s body without both its powers and its guidance. Here they seemingly can only count on themselves to figure out what exactly are their surroundings (and if they are, in fact, real or not) and how to escape them. As for the Lemire/Smallwood run, Marc is awoken in the ward by Khonshu himself. He’s the one who tells Marc what to do and when to do it to free himself and, in Khonshu’s words “Rise.”

    Moon Knight #1 (2016)

    And this brings us to a similarity between the show and the comics that might get even clearer in Episode 5, but that is already heavily hinted at by the end of episode 4. As Marc escapes the psych ward’s rec room things get a bit.. off. This gives us signs of how fabricated the reality seems to be. In the show, this is where he and Steven find a couple of sarcophagi and come face to face with the goddess Taweret making it obvious that this was no ordinary Mental Hospital. Something that will surely be confirmed in this week’s episode 5. Similarly, in the comics, it’s when Marc finally decides to follow Khonshu’s will and prepare to escape that he sees the orderlies’ true faces as Death Dogs, Egyptian jackals, something that helps him feel validated in his eerie feelings towards the place.

    Moon Knight #1 (2016)
    Moon Knight #1 (2016)

    Then, as he finds his way through the building looking for a way out, he reaches the roof, where we are presented with one of the most ominous spreads of the entire run: New York City having been invaded by Seth, the Egyptian god of war, chaos, and storms.

    Moon Knight #1 (2016)

    If Marc and Steven end up finding something similar as they break free from what seems to be an intricate illusion we will surely see it in Episode 5. At the same time, and marking yet another way in which the series and the comic run differ from each other, it’s perhaps fair to say that while in the comics we were presented with a distorted vision of reality, the series will go beyond that and make, what seems to be the awakening following an extremely vivid dream, the dream itself.

    Marvel Studios’ Moon Knight Episode 4
    Marvel Studios’ Moon Knight Episode 4

    Marvel Studios’ Moon Knight is streaming exclusively on Disney+ with episode 5 premiering this upcoming Wednesday, ahead of the series finale on May 4.

  • Taking a Closer Look at the Potential Origin of Ms. Marvel’s New Abilities

    Taking a Closer Look at the Potential Origin of Ms. Marvel’s New Abilities

    The Marvel Cinematic Universe has consistently looked to the comics for inspiration in its adaptations. We saw it with the Superhero Registration Act being turned into the Sokovia Accords or even recently having Marc Spector waking up in an institution. Some adaptations are straightforward, while others are altered slightly to fit an overarching story. Carol Danvers, to give an example didn’t get her powers from the Space Stone in the comics. With Phase 4 seemingly being all about legacy and the responsibility that God-like beings hold, it shouldn’t be a surprise then to see more connections bringing these themes together. Perhaps they are already planning the seeds with Kamala Khan’s new powers.

    In the first trailer for Ms. Marvel, we got to see how Kamala’s powers are being adapted for Disney+. It revealed that she was going to become a more cosmic-powered superhero similar to the two other “marvels” that now exist within the MCU rather than the traditional Embigenning abilities from the comics. Yet, it opens up the question of where exactly these newfound powers come from. As mentioned previously, Captain Marvel received her powers from the Space Stone. The other member of The Marvels, Monica Rambeau, also was given abilities indirectly through an Infinity Stone. Could we see the same with Kamala?

    The trailer may be the key to finding out just how she gains her abilities. We see her put on bracelets of some kind and are surrounded by a mysterious energy. Perhaps there’s a chance that what she is wearing is the MCU’s version of the Quantum Bands? In the comics, the cosmic entity and Eternal known as Eon would acquire these mysterious artifacts from Kronos, the father of Zeus, who was just recently teased in the first Thor: Love and Thunder trailer.

    In the comics, Eon was originally trying to find ways to counteract Thanos’ plans. He gave Mar-Vell the knowledge and weapons needed to attempt to stop the Mad Titans. Perhaps something similar happened in the MCU. At the time, we all wondered how Carol Danvers arrived back on Earth at precisely the right time in Avengers: Endgame, and this could easily be how. As we see more and more godly entities within the MCU, it wouldn’t be too out there that Eon also has found his place within the cinematic universe and through Carol Danvers’ travel to earth, she brought them with her.

    As their name implies, they pull their energy from the Quantum Zone, which we were introduced to in the Ant-Man franchise as the Quantum Realm. So, there are already enough elements within the MCU to build up the connection of her abilities being based on the Quantum Bands. They might change the origin, as even the Tesseract was originally the Cosmic Cube and had no relation to the Infinity Stones in the comics. So, they could even have a connection to an Infinity Stone similar to keep the connective tissue between Marvel’s abilities. Perhaps upcoming trailers might help solidify that very connection as we near its June release.

  • EXCLUSIVE: ‘Polar Bear’ Director Discusses Difficulty of Making the Documentary

    EXCLUSIVE: ‘Polar Bear’ Director Discusses Difficulty of Making the Documentary

    Disneynature’s upcoming documentary Polar Bear is the latest installment in the film studio’s collection after 2020’s Elephant. Helmed by directors Alastair Fothergill and Jeff Wilson, the directing team behind Disneynature’s 2019’s Penguins, the documentary tells the story of a particular polar bear over a 15-year time period.

    Given the immense time period and the unforgiving Arctic environment in which Polar Bear was filmed, making the documentary unsurprisingly came with extreme challenges. In an exclusive interview with Murphy’s Multiverse, director Jeff Wilson described some of these challenges, including why a 15-year time period was necessary:

    We also wanted to tell this amazingly important environmental story. And to tell that over a three-year period would be dishonest and impossible. But to tell it over a fifteen-year period was absolutely the right time scale in order to kind of capture the change that would happen within a bear’s life.

    Jeff Wilson

    Polar Bear also specifically follows one bear, making the process that much more arduous. Wilson went on to explain why they needed a female bear to film:

    [B]ear behavior is all learned from a mother bear. And so it was crucial for us to tell a story from a mother’s perspective and the story about the mother bear, because that’s where all the interesting behavior happened. That’s where the cubs learn from their mother. So we knew that we had to have a female bear.

    Jeff Wilson

    But finding the bear for Polar Bear—and filming in general—came with enormous environmental difficulties as well. WIlson continued:

    [We] have to spend as much time in that there’s presence as we can possibly stand. And bear in mind that we’re working at the temperatures down to minus 45 degrees. And there’s only so long that you can actually, you know, physically survive in that environment before you have to go back and get a hot meal and have some sleep. And so on any given day, you will have to start from scratch and try and find that bear again and go out and try and find that mother and her cubs again. So it’s a very, very difficult process.

    Jeff Wilson

    The work put into to the documentary will pay off when audiences get to enjoy the film soon. Disneynature’s Polar Bear launches exclusively on Disney+ on Earth Day—April 22, 2022.

  • ‘Moon Knight’ is Teasing Marc Spector’s Second Resurrection

    ‘Moon Knight’ is Teasing Marc Spector’s Second Resurrection

    Much of the conversation surrounding Moon Knight Episode 4 is no doubt focused on that twist ending. But the moments before Marc Spector wakes up in what looks like a psych ward may have been inspired by the events of Marc Spector: Moon Knight #27 and #28, which have surprising parallels to Marc’s death by Arthur Harrow in the live-action series. There is a chance Moon Knight could show a resurrection of Marc Spector that involves a new understanding and acceptance of his role as the Fist of Khonshu. In essence, even though we have not witnessed the actual origin of the character in the series, Episode 4 could have just set up Moon Knight’s “true” origin in the MCU.

    ‘Marc Spector: Moon Knight’

    Towards the end of Episode 4, Arthur Harrow shoots and presumably kills Marc Spector, who floats down through water in the tomb for quite some time. Eventually, we see a light ahead of him and he wakes up in the psych ward. While the mental hospital aspect shows a lot of similarities to the Lemire-Smallwood run in the comics, the moments before are suspiciously reminiscent of the Scarlet Redemption arc in Marc Spector: Moon Knight. In it, Moon Knight is fatally stabbed, and he falls into some water. His body spends virtually the entirety of the next issue sinking deeper into the water in a visual that has undeniable comparisons to Episode 4.

    Marvel Studios’ ‘Moon Knight’
    ‘Marc Spector: Moon Knight’

    In Marc Spector: Moon Knight #28, an explicitly-dead Marc Spector sinks down through waters while passing through memories that seem to haunt him, including his past as a murdering mercenary. That’s not all, as also present are visions of his father. He was a rabbi, and Marc thinks through his relationship to the values of his youth and how he strayed from them. He ultimately realizes that his father’s teaching of goodness, love, and redemption were things he should not have completely turned against.

    By the end of the issue, Moon Knight comes to “understand” that Khonshu wanted him as his Fist of Vengeance for more than just his violent skills from his life as a mercenary. He believes that he also chose him for the influence his father had on him and what mental lessons he took away from being the son of a rabbi.

    It is one of the first major moments in Moon Knight’s comic history that emphasizes and explores Marc Spector’s heritage, as well as his connection to Judaism. Whether Moon Knight goes into this more in the next few episodes is yet to be seen, but Marc Spector’s personal epiphany in this issue of the comics may be absolutely crucial to understanding what comes next in the live-action series.

    Marc Spector, of course, was first resurrected by Khonshu in a tomb when Marc was killed by Bushman—his traditional origin story. In Marc Spector: Moon Knight #28, Khonshu resurrects Marc Spector a second time, and Moon Knight is very much reborn. He emerges from the water sure of his newly realized role as more than a fist of vengeance—he is also a beacon of hope.

    ‘Marc Spector: Moon Knight’

    While the psych ward arc in Moon Knight will surely play out in its own unique way, it is very possible it could include a look back on Marc or Steven’s lives before they took on the mantle. It might end up with all personalities embracing, accepting, and redefining the Moon Knight mantle. In that way, the Disney+ series could be seen as a traditional origin story in and of itself. While the first “origin” may have been in the past, the series may have built itself around this second resurrection which could serve—for all intents and purposes—as the origin of the Moon Knight we come to know in the MCU.

  • ‘Loki’s Michael Waldron Shares His Excitement What Season 2’s New Directing Duo Will Bring to the Table

    ‘Loki’s Michael Waldron Shares His Excitement What Season 2’s New Directing Duo Will Bring to the Table

    Michael Waldron has been quite busy as he’s promoting his latest Marvel project, the upcoming release of Doctor Strange in the Multiverse of Madness. He made quite the splash after working on the first season of Loki that he was swiftly attached to write up the script for the film. In an interview with The Playlist, he shared his thoughts on the new directing duo Justin Benson and Aaron Moorhead, who is taking over for Kate Herron, who gave us the iconic first season.

    Benson and Moorhead, I know those guys. They’re great. They’re brilliant in their own right. You know, I think they’re going to come in and they’re going to do what everybody on this project does, which is to elevate, you know? Then they’ll take what was great about it and fit it with their own awesome instincts and everything and hopefully will make something even better

    Michael Waldron

    The directing duo left an impression with Marvel Studios after their work on Moon Knight, and they have teased that they are excited to bring their experience from that series to this new project. It’s also the first project of Marvel Studios to get a second season, which creates an interesting scenario on how exactly it might fit as a sequel to the first series from 2021 and fit into the ever-growing MCU.

    Waldron being excited certainly adds to what the future may have in store for us, especially with the cliffhanger from the first season teasing the arrival of Kang the Conqueror. It’ll likely closely connect to the upcoming Ant-Man and the Wasp threequel. So, we’ll see if we might see some familiar faces pop up.

    Source: Playlist

  • Disney+’s ‘Andor’ Was Originally Going to Run for 5 Seasons

    Disney+’s ‘Andor’ Was Originally Going to Run for 5 Seasons

    Here’s an interesting revelation, but it looks like the upcoming Star Wars Disney+ series Andor was already mapped out ahead of production on its first. While we still have no release date, the Director of Photography, Adrian Goldman, revealed in an interview with TVCultura that the series was originally mapped out with five seasons in mind. Now, it seems that they have decided to go with three instead. It’s uncertain why exactly the change was made, as he doesn’t elaborate on it. The full quote, as translated by Bespin Bulletin, is as follows:

    The series I worked on was supposed to be five seasons long, but I think it’s not happening. It will now have three maybe.

    Adrian Goldman

    Bespin also adds that they’ve heard that multiple seasons were planned and the timing of it taking place five years ahead of Rogue One was quite deliberate. They may have noticed it is difficult to fill out a story for each year and adapted it depending on what stories they wanted to tell. They also are seemingly focusing on filming the seasons back-to-back so they will get these out at a decent pace over the coming years. It’s certainly exciting to know that many more Star Wars series are heading our way and Disney+ is also continuing to offer a balance between long-running shows and mini-series.

    Source: Twitter via Bespin Bulletin

  • EXCLUSIVE: Disneynature’s ‘Polar Bear’ Directors Reveal the Most Impactful Moments

    EXCLUSIVE: Disneynature’s ‘Polar Bear’ Directors Reveal the Most Impactful Moments

    Disneynature has created quite the collection of wildlife documentaries over the years. The next installment, Polar Bear, tells the story of a new mother whose memories of her own youth prepare her to navigate motherhood in the increasingly challenging world that polar bears face today.

    Polar Bear is narrated by two-time Academy Award nominee Catherine Keener and helmed by Alastair Fothergill and Jeff Wilson, the directing team also behind Disneynature’s Penguins. The documentary is full of moments in the polar bear’s life that will surely make viewers experience a wide range of emotions. In an exclusive interview with Murphy’s Multiverse, directors Fothergill and Wilson revealed some of the moments that impacted them the most. Fothergill recounted a moment when a polar bear was filmed doing an “aquatic stalk”:

    For me, the moment when the female was hunting the seal—they’re doing their what’s called an aquatic stalk—which actually, interestingly, has become more and more common with climate change. But that moment when she was so so carefully and quietly, trying to push herself out of the water, so she could grab the hooded seal. We were there and the cameraman and I, literally, were holding our breath. And we held our breath for a long time because it’s a very long shot in the film. And then she goes back down so quietly and sneaks under the ice flow and tries to grab the shield that fails. That, for me was an amazing moment. Never been filmed like that before.

    Alastair Fothergill

    Both directors note moments that they experienced which had never been caught on film before. While Fothergill described a hunting moment affected by climate change, Wilson recalls a particularly joyful moment:

    [For me,] the serendipity of finding a sperm whale carcass washed up with 20 Bears feeding off of it. It’s something that completely was beyond my wildest dreams. And so to be there and to witness that…And a well fed bear is a happy bear and a happy bear as a playful bear. And there are some very, very unique and special and never been seen before kind of behaviors that are happening around that where you just have 20 bears who come together and play together and almost like a pool party, or barbecue, you know, that just that is so special and so unique that you know, that’s going to be forever seared into my memory as as an experience.

    Jeff Wilson

    Viewers can experience these moments and more for themselves when Disneynature’s Polar Bear launches exclusively on Disney+ on April 22, 2022—Earth Day.