Fans of the award-winning video game franchise, The Last of Us, have been anticipating the arrival of the HBO Max streaming series since word of the project first circulated in late 2020. Led by Pedro Pascal, Anna Torv (oops), and Bella Ramsey, the adaptation kicked off with an 80-minute first episode that covered a lot of ground (55 years to be exact), most of which was incredibly familiar to fans of the game and has fans of the game pretty fired up for more. But what about your average outsider? As a certified outsider, I have a lot of questions about just what the hell is happening at the end of the world in The Last of Us.
More Damn Science
The Last of Us is two-for-two on cold opening full of science stuff and both have done a fantastic job of foreshadowing the horrors faced by the characters that inhabit the world. The terror on the mycology professor’s face when she learned the impossible had happened and cordyceps fungi had learned to live in humans was nothing compared to the emotions of her realization that the world as she knew it was over. Amazing cold open!
Boston
Ellie, the Mycelium Messiah,is a mycological miracle! Once bitten, twice shy I suppose. The distrust on Joel’s part, the unwillingness to let himself believe in hope, is pretty fantastic! And I don’t know that I blame him because until we understand why Cordyceps Christ doesn’t turn into a monster, it’s easy to keep imagining she will! How does this work? The science lady said no medicine and no vaccine!
Two things stood out to me during the time in Boston and both were very cool. First of all, even as someone who has never played the games nor seen them played, I could feel the video gaminess of the hotel and museum scenes but they were also very well done. Moving through the gross water, the dead body jump scare and crossing the wooden plank to find a new path all seemed like things ripped right from gameplay. Also, I have no idea, but I’m guessing the museum is a pretty major stop in the early part of the game. And I had no idea they were going to kill Andrea like that! Wow! This is starting to feel very, very Game of Thrones-y in that I don’t know if I want to get attached to anyone other than Joel and Ellie.
In addition to the great job the creatives did in bringing video game stuff to the screen, the description of the fungus as one large organism followed by the demonstration of the way it works was incredible! Is that from the game? Or is that something they made up or expanded on for the series? What an element of danger it brings to everything you do. If they’re all crispy, no big deal…but if you touch even the smallest bit of one that’s still kicking, those crazy Croakers and the fungal fiends come for you. Absolutely terrifying!
Two episodes in and I’m loving it. This feels like a story worth watching despite knowing everyone is going to die…and they probably should if they leave the safe places! Morons.
With Ant-Man and The Wasp: Quantumania set to kick off Marvel Studios Phase 5 in February, what better time to take a comprehensive look back at the ups, downs, ins and outs of Phase 4. First up, the year that wasn’t.
Long before Avengers: Endgame hit theaters in 2019, Marvel Studios was already well into the planning stages of the Multiverse Saga. Disney Plus was set to play a major role in said saga, which looked set to introduce a slew of new heroes and villains. James Gunn’sGuardians of the Galaxy Vol. 3 was originally expected to kick off the new saga but after that went off the rails for a bit, exactly what to expect and when to expect it was a mystery until October of 2018 when the 2020 film slate was exclusively revealed to consist of only Black Widow and Eternals. When Murphy’s Multiverse went live in November of 2019, Marvel Studios had officially confirmed the news about the two films and also slated the first Disney Plus series, The Falcon and The Winter Soldier for a Fall 2020 release. 2020 wasn’t set to be the big, blockbuster opening year to Phase 4 that fans may have expected but it looked the be the calm before the storm as 2021 was set to feature 3 big films and 4 streaming series including the first animated series made by Marvel Studios…and then, before anyone could process it, Marvel Studio’s very 2020 existence was gone.
Things started off calmly enough in January 2020 as production on The Falcon and The Winter Soldier resumed following their holiday break. The production shot scenes involving the Flagsmashers at a State Park in Georgia, did some work in the downtown Atlanta location that served as Madripoor and was scheduled to head to Puerto Rico. Then, things started to get weird.
On January 9th, director Scott Derrickson and Marvel Studios amicably parted way on Doctor Strange in the Multiverse of Madness, which was set to begin principal photography in May. Just a couple of days later, before a second earthquake in Puerto Rico altered the course of the production of The Falcon and The Winter Soldier. By mid-January, production on one of Marvel’s 2021 streaming series, Hawkeye, which was scheduled to begin in July, had been delayed indefinitely.
Even as all that unfolded, Shang-Chi and The Legend of the Ten Rings began filming in Australia in February and productions in Atlanta for Loki, Ms. Marvel, She-Hulk and the untitled third Spider-Man film were all on track and Thor: Love and Thunder, which Christian Bale had just joined, was set to get underway down under in October.
By early February, Sam Raimi emerged as the front runner to take the reigns on Doctor Strange in the Multiverse of Madness as the studio remained committed to beginning production in May. Then, Hawkeye got back on schedule, booking a September start of production in Atlanta. With Puerto Rico off limits, The Falcon and The Winter Soldier was headed to Prague. All seemed good in the world…
On March 3rd, 2020 the following information was shared to supporters of Murphy’s Multiverse Patreon:
I expect production delays to happen. Things may begin shooting, stop shooting and begin again later. They may get pushed several weeks entirely. I believe it’s possible, even probable, that some projects may see release dates shifted. I believe it’s possible, though I can’t speak to probability here, that some projects may not release at all. I believe Disney may have to consider shutting down their U.S. parks for as little as a few weeks and as long as a couple of months (they’ve already closed parks in Hong Kong, Shanghai and Japan to the tune of a $175 M loss). None of this is good. Not even Disney can afford to keep losing money at this rate.
By March 10th, rumors or release dates shifting started to pick up steam and by March 13th, word reached Murphy’s Multiverse that The Falcon and The Winter Soldier would not make its intended Fall 2020 release. By March 21st, Marvel Studios shut down all of its productions indefinitely (the linked article was published and available for some time before we were asked to take it down as many of the members of various crews had not been informed of the pauses on productions). The COVID-19 pandemic was in its earliest and most frightening days and like everything else, the world of Marvel Studios stopped in its tracks.
With nothing but uncertainty staring them in the face, Marvel Studios had no choice but to start making movies. In early April, they made the first in a series of delays to their film slate pushing Black Widow from its intended May release to November and pushing Eternals into 2021. Additionally, with no clear answers about the safety of the production crews, Marvel Studios production stoppage continued with the studio eyeing a September restart.
Productions resumed and began and, alas, WandaVision didn’t quite make into 2020. By October, production had gotten underway on Spider-Man: No Way Home and in December word of Charlie Cox‘s role in the film was shared to the disbelief of pretty much everyone. A year that began with so much hope and saw so much struggle ended with the promise of Cox’s return.
For those that remember it well, 2020 was all about the news and rumors as any little tidbit gave fans something to cling to while we waited to understand what was happening around us. While it was expected to be slow year for Marvel Studios, nobody could have expected it to be the year with no Marvel Studios presence.
As the grand experiment that is the Marvel Cinematic Universe shifted from the Infinity Saga to the Multiverse Saga, familiar faces that audiences had grown to love stepped away and heroes, both old and new, stepped up to take their places. Sam Wilson picked up the shield and became Captain America; Kate Bishop met her hero and now shares the mantle of Hawkeye with Clint Barton; Jen Walters became a better Hulk; and Yelena Belova picked up the torch in memory of her fallen sister.
These new characters seek to continue the legacy of the characters with whom they share a moniker though they don’t always look to keep the course that was set by their predecessors. Most of these heroes look to do better–be better–than the imperfect heroes they followed into the role. Their relationships with the original heroes gave them perspective, allowing them to learn and grow from their successes and failures and ultimately choose their own direction. That’s the beauty of a well-done legacy arc, but what happens when the studio chooses to circumvent the process? Marvel Studios has made two such decisions and had decidedly mixed results. With another project on the horizon in which they may face a similar choice, reflecting on what worked well and what could (maybe should) have gone better might help the Parliament choose a bit more wisely when the time comes to choose the lead for their upcoming Nova project.
Ant-Man
After nearly a decade in development, Marvel Studios released Ant-Man in 2015 as the capstone to Phase 2 of the Infinity Saga. Edgar Wright and Joe Cornish began developing the script in 2006 and Wright was scheduled to direct. When Wright left the project due to creative differences just ahead of filming in 2014, Peyton Reed came on board and along with Adam McKay rewrote bits of the script. According to Reed, the “spine” of Ant-Man was still based on Wright’s work which was an adaptation of Marvel Premiere #47’s “To Steal an Ant-Man” story. Published in 1979, “To Steal an Ant-Man” saw Scott Lang steal the Ant-Man suit from original Ant-Man and founding Avenger Hank Pym just like what happened in the movie, sort of.
Though Hank Pym was introduced in Wright’s script and Reed’s film, its protagonist is Scott Lang. Pym certainly has a history as the Ant-Man in the MCU, but it’s one only glimpsed in a few brief flashbacks and outside of inventing Pym Particles the character arguably only exists in name only. The same can be said for his wife, Janet, who was not only a founding member of the comic book Avengers like Hank but also a team leader at one point. Though her role grew in importance in Ant-Man and The Wasp and her time in the Quantum Realm will play a major role in Ant-Man and The Wasp: Quantumania, Janet, like Hank, is Janet in name only.
Wright’s development on the film began in 2006, a full year before Marvel Studios hired Zak Penn to write the script for TheAvengers. In 2010, Joss Whedon signed on to direct and rewrote many iterations of the script, including one that included The Wasp as a key member of the team before removing her in favor of Black Widow. It’s unclear exactly how the slow development of Wright’s film may or may not have impacted the script of The Avengers, but what is clear is that Ant-Man didn’t release until 2015, and by that time a second Avengers film, Age of Ultron, had been released as well. So what did the decision to focus on comic book legacy character Scott Lang as the MCU’s Ant-Man ultimately cost Hank Pym?
Skipping over Hank and Janet in favor of Scott and Hope cost the MCU’s adaptation of Earth’s Mightiest Heroes two of its founding members. Additionally, the fact that the long-gestating Ant-Man wasn’t released before Avengers: Age of Ultron meant that Whedon had to replace Pym as the creator of Ultron, the villainous AI created by Hank Pym in the comics. Hank and Janet still got to exist, albeit not in their prime, but the opportunity exists for the adventures of their younger days to be told should Marvel Studios choose.
Despite all that, Marvel Studios seemingly struck gold with the decision to focus on a legacy character rather than the original. The casting of PaulRudd as Lang certainly played a large role in that and the large role Lang was able to play because of Rudd’s overwhelming likability has made the character an MCU fixture. Though Marvel skipped over telling the stories of Hank and Pym, the character of Ant-Man has become so integral that the third film in the franchise features the main villain of the Multiverse Saga.
Captain Marvel
In 2013, Marvel Studios began developing a Captain Marvel project and a year later, revealed it would become the studio’s first female-led film. The script, which initially took inspiration from Roy Thomas‘ classic Kree-Skrull War comics, passed through multiple writers before Geneva Robertson-Dworet, along with co-directors Anna Boden and Ryan Fleck finalized it. By that time, the Kree-Skrull War had gone from inspiration to the “backdrop and mythological underpinning” of the film, according to producer Jonathan Schwartz, and Kelly Sue DeConnick‘s 2012 Captain Marvel run became a major source of inspiration for the film.
In 2019, Marvel Studios skipped over five (sorry Skrull imposter, you don’t count) Captains Marvel to introduce Carol Danvers as the hero in Captain Marvel. The first of those Captains was Marvel’s first true Cosmic hero, the Kree warrior Mar-Vell who, over the years, developed a relationship with Carol. In 2012, DeConnick explained that her series would find Carol contemplating the legend of Captain Marvel and what it meant to her before choosing to take the name Captain Marvel in honor of the hero. Between Mar-Vell and Carol, Monica Rambeau, Mar-Vell’s children, Genis and Phyla and Noh-Varr all went by the name Captain Marvel. A character named Mar-Vell, who shared no similarities with the comic book hero, played by Annette Bening, appeared in Captain Marvel and briefly interacted with Carol Danvers.
Captain Marvel majorly overhauled the origin story of Carol Danvers but ultimately the character came outof the oven as a pretty good copy of her comic book counterpart. However, in the rush to establish Carol Danvers as a major player in the MCU, Marvel Studios completely ignored the vaunted history of Mar-Vell and in doing so may have set themselves up for a cascade of alterations to other characters and stories in the future. While there are plenty of strange concepts that are part of Mar-Vell’s comic book history that would be better served being left in the books, the character was inarguably one of Marvel’s greatest Cosmic heroes. At one time, Mar-Vell served Eon as the Protector of the Universe and his ongoing participation in the Kree-Skrull War, which was greatly diminished for the MCU, had consequences that extended beyond his death. So what did the decision to focus on comic book legacy character Carol Danvers as the MCU’s Captain Marvel ultimately cost Mar-Vell and the other Captains Marvel?
At the moment, it would seem the greatest cost to Mar-Vell would ironically be legacy. Mar-Vell died years ago in the comics, but his legend has lived on and his legacy carried by his children. Without greatly retconning Bening’s Mar-Vell, it’s hard to imagine that Dorek-Vell/Hulking/Teddy Altman, Phyla-Vell/Quasar and Genis-Vell will be her children. While they’re all incredibly important characters, Teddy’s hidden heritage as the son of the great Kree hero Mar-Vell and Princess Anelle of the Skrull Empire is one of the great twists in Marvel Comics’ history and a major part of the character’s ongoing arc. Teddy, under the name Dorrek-Vell, now rules over the combined Kree-Skrull Empires after having put an end to eons of war. With the Young Avengers just around the corner in the MCU, it would seem this entire fascinating arc couldn’t be done without undoing quite a bit first.
Carol Danvers is a major player in the pages of Marvel Comics and absolutely deserves to be one in the MCU. Marvel Studios landed a huge star in Brie Larson for the role and it’s expected that she’ll be at the forefront of the action as the Multiverse Saga continues to unfold beginning in The Marvels. That film features Monica Rambeau, who was the second Captain Marvel in the comics, and Kamala Khan who was a legacy character to a legacy character in the comics, taking the name Ms. Marvel to honor her idol Carol. The rush to get Carol in the MCU spotlight also greatly changed the Kamala and Carol dynamic (Carol has never been Ms. Marvel in the MCU) and Kamala’s status as Carol’s biggest fan feels forced given there’s really no reason anyone on Earth would know much about Carol much less everything. To date, other than flying through a ship, Carol’s Captain Marvel has not taken her rightful place as a top tier MCU character, calling into question if the overall ongoing narrative may have been better served by introducing Mar-Vell, focusing more on the Kree-Skrull War and allowing Carol to come into her own over the course of a few years, much in the way they have finally worked Peter Parker into a place where he can be a more comic accurate Spider-Man.
A Man Called Nova…But Which Man?
Though every industry insider has different insight into how the character will enter the MCU, Nova is entering the MCU sometime in the near-ish future. Sabir Pirzada, who worked on Moon Knight, began work on a Nova project early in 2022 and at one point insider KC Walsh shared that production on that project was set for 2023. Whether production on the movie/series/special presentation starts in 2023 or 2024 or not, Marvel Studios has already made a decision that will greatly alter how the project is perceived…we just don’t know what they chose.
With Mar-Vell out of the spotlight, Richard Rider became Marvel Comics greatest Cosmic hero over an amazing multi-year run beginning in 2007. Rider grew from a teen who randomly found himself the recipient of a Nova Corps helmet that gave him incredible powers and bopped around with the New Warriors into a man whose body contained the entirety of the Nova Force, rebuilt the Nova Corps following the destruction of Xandar, led the defeats of Annihilus and Ultron and ultimately sacrificed himself to save the entire galaxy. Rider is a fascinatingly complex character who has developed tremendously over the years and could easily be the face of MCU’s Cosmic corner for a decade.
Introduced in 2011, Sam Alexander is a legacy character in more ways than one. The son of a secret black ops arm of the Nova Corps, Sam became the second Marvel Comics character to go by the title of Nova. Sam grew up with no notion that his missing father was a Nova but with the help of Rocket and Gamora discovered his father’s helmet and begin learning how to master its incredible powers. Sam quickly found himself in some incredible situations, saved the entire Nova Corps and joined the group of young heroes called the Champions. Alexander is still portrayed as arrogant and immature, is essentially about where Rider was as a character during his days as a New Warrior and at this point would seem to fit the MCU better as part of a team of young heroes.
Though it hasn’t been revealed to the public, Marvel Studios has already determined which of these heroes will be introduced to the audience as Nova. Whether Rider or Alexandar is the star of Pirzada’s script, the writer would have some cleaning up to do thanks to James Gunn. Gunn introduced the Nova Corps in Guardians of the Galaxy, though they were reduced to mall cops with shiny helmets who held onto the Power Stone until Marvel Studios figure out what they wanted to do with it. There was no mention of the Worldmind of the Nova Force in the movie, two integral components of the Corps in the comics, and they have never been seen nor referenced again. It’s possible Pirzada‘s job was made somewhat easier when the writers of Avengers: Infinity War allowed Thanos to retrieve the Power Stone from them off screen. In a rare case of Marvel writers lobbing a softball to their successor, Christopher Markus and Stephen McFeely have given Pirzada the chance to start from scratch to some extent. Xandar has been decimated more than once in the comics, including by the Annihilation Wave, and been rebuilt from the ashes into something new, an idea that may be central to Pirzada’s Nova project.
If part of the Nova project’s plot focuses on rebuilding Xandar, that’s certainly a job for a more mature, veteran Nova, much like Richard Rider was when he took on the task in the comics. However, Richard Rider hasn’t existed in the MCU just yet, much less become a hardened Nova vet. Then, of course, there’s the issue of addressing the powers given to members of the Nova Corps by the Nova Force, which also doesn’t exist in the MCU. Rider first got his powers when a dying Rhomann Dey (played in the MCU by John C. Reilly) handed off his helmet following the destruction of Xandar. As stated previously, Alexander first got his powers after finding his father’s helmet. While the Dey-Rider handoff could happen, there would have to be some retconning done to explain any powers that come with the helmet. Fortunately, the Nova Corps had possession of the Power Stone for quite some time and any number of experiments could have been done to power up the Corps. Of course, if that had been the case, one would think they’d have done a little better job of stopping Thanos, but Pirzada can only work with what he’s handed. Alexander’s story is a little more difficult to retcon. Even if the Nova project were set in 2026 and his father, Jesse, was a victim of the Snap, Alexander would have to have been born between 2008-2011 or so to be old enough to be a high schooler. As far as MCU lore is concerned, there were no powered Nova’s then, much less a super-powered black ops team. Gunn has left quite a mess to be sorted out.
Major mess aside, the choice Marvel has already made but not shared in terms of which character MCU audiences will come to know as Nova most likely came down to how they plan to use the character. If they want a great Cosmic hero, the choice should be Rider; if they want a teen to team up with other teens, the choice should still be Rider, who was introduced as a teen in 1976, but would probably be Alexander. In skipping over Rider and going straight to Alexander, Marvel Studios runs the risk of not only angering comic book fans (even though it’s only 2% of MCU audiences, including me) but also finding the character written into more corners in the future as they have with Hank, Janet and Mar-Vell. Alternatively, they could follow what’s been a much more successful approach to legacy characters by establishing Rider, allowing him to become a great Cosmic hero, shift to him mentoring Alexander and then having Alexander assume the mantle later.
Truthfully, there’s no logical reason for Marvel to have chosen Alexander over Rider, though the lack of logic won’t have prevented them from doing so. Alexander’s Nova hasn’t sold more comics or been more popular and most MCU fans probably don’t have any idea who either of these characters are, much less favor one over the other. Rider’s story as the champion of Xandar and then the galaxy has already been written and would be incredibly easy to adapt to the MCU. Establishing him as a core hero for a few years and then pairing him with Alexander would ultimately make for two strong characters rather than one as their bond would deepen and enrich both of their MCU narratives. Should Marvel Studios chose to follow the example from the comics and have Rider sacrifice himself to save the galaxy, audiences would be heartbroken and Alexander would find himself in an emotional space ripe for telling compelling stories. Such a choice would allow the legacy character to become a legacy character and allow the legacy character to earn the legacy right in front of the audiences’ eyes. If it’s good enough for Hawkeye, it’s good enough for Nova!
As we all wait to find out together which route Marvel Studios has chosen for Nova, which route would you prefer? We would love to hear your thoughts!
The Last Of Us debuted last Sunday to resounding applause, as the videogame adaptation starring Pedro Pascal and Bella Ramsey was celebrated for its faithful recreation of the source material as well as the performances of the cast. Every week, we are going to highlight the differences between the video game and the show, as we gauge whether The Last of Us follows the blueprint of another HBO smash in Game Of Thronesin respecting its source material before potentially setting it on fire. We begin Game to Screen with episode one of The Last Of Us, which only had one major difference with how the game opened but some subtle differences that may impact the larger story.
In Naughty Dogs’ The Last Of Us, we get a prologue where we see Joel’s daughter Sarah killed by a soldier, and die in Joel’s arms. That’s it, really. However, the show expands on her scenes so that the death hits even harder than it did in the game. In the show, we see her at Joel’s birthday party, visiting friends, baking, and being a more well-rounded character than we saw in the games. Nico Parker deserves a ton of credit for making such a lasting impact in such little screen time. Joel’s relationship with his daughter is deepened by these additional scenes in a very poignant manner.
Speaking of deepening relationships, the show does a great job of deepening the dynamic between Gabriel Luna’s Tommy and Pascal’s Joel. In the game, their relationship after the death of Sarah is virtually non-existent until they run into each other while Joel is taking Ellie to the Fireflies. In the show, we see Joel doing what all brothers do: spending time with each other and then bailing your brother out of jail over a bar fight. All in all, the changes are subtle but they do add more depth to someone who may play a bigger role down the line.
Another interesting difference between the game and the show is that Joel and Tess are explicitly romantically linked in the show whereas the game just toyed with the idea. In the games, she is his business partner who helps him smuggle things into Boston, but the show adds another layer to their relationship that really didn’t exist in the games. This makes a lot of potential future events that much more interesting, and it sets the stage for some hard decisions to have to be made by our characters given their new proximity to each other.
Lastly, a subtle change is how the virus is transmitted. In the game, the person who is carrying the virus has to bite someone or pass the virus through airborne spores. It’s why Ellie’s immunity is so impressive, in that she has both survived repeatedly being bitten and has not caught the virus via breathing. In the show, poison-ivy-like vines transmit the virus from a carrier to a victim, with the reasoning given that the showrunners loved the idea of each victim being connected by the host of the vine that infected them.
The latest trailer for Season 3 of The Mandalorian is filled to the brim with Mando madness, putting a dozen or so different armored warriors on display and making clear the path forward for Din Djarin involves a trip to the ruins of Mandalore. Fans who have been following the story of the war-torn planet through the animated series The Clone Wars and Rebels are sure to feel giddy at the prospects of The Mandalorian following through on those unresolved arcs but it’s another unresolved arc that caught the attention of fans upon first seeing the trailer.
During Luke Skywalker’s time with Grogu as seen in The Book of Boba Fett, the Jedi Master helped the young Force-wielder tap into his memories, giving audiences a glimpse into his tragic backstory. As seen in the flashback, Grogu bore witness to members of the 501st murdering a trio of Jedi who protected him. The scene brought to life the events that Grogu communicated to Ahsoka Tano in Season 2 of The Mandalorian. After communing with Grogu through the Force, Ahsoka shared that Grogu was raised at the Jedi Temple and was taken from it during Order 66. The identity of his savior, however, remains unknown though it may not stay that way for long.
At around the 1:07 mark of the new trailer, a shot of the interior of the Jedi Temple can be seen and close attention to the door in the center of the frame seems to indicate that not only will Season 3 of The Mandalorian revisit Order 66 once again but that its most terrifying myrmidon may make an appearance.
The door in frame is clearly being cut open by a lightsaber, leaving the only question to be who is using it on the other side. Following the debut of the trailer, fans immediately began to speculate that Anakin Skywalker is the unseen menace behind door number one and that Grogu will come face-to-face with Hayden Christensen. There is, of course, another option in play, however. While it’s entirely possible Christensen will make an appearance in the series (he did reprise the role of Vader in Obi-Wan Kenobi, after all and could have filmed his Mando scenes then), it’s equally possible that the shot is a bit misleading and that Grogu’s savior stands behind the door.
One of the more popular theories about the identity of Grogu’s savior revolves around the idea that the traitor Barriss Offee, who was a prisoner of the Jedi during Order 66, may have played a role. In the Summer of 2022, during production on the live-action Ahsoka series, a rumor made the rounds that Lucasfilm was looking to cast an actress as Barriss Offee. Given pickups and reshoots for Season 3 of The Mandalorian took place during the time Ahsoka was filming, it’s possible the actress could appear in both. Given Offee had gone to the dark side, her reasons for taking Grogu might be a bit mysterious, but obviously whoever is behind that door didn’t kill the Youngling.
Without any strong evidence at this point, the identity of the person holding the lightsaber will remain a classic 50/50 scenario until the third season of The Mandalorian debuts on March 1st.
Fans of the award-winning video game franchise, The Last of Us, have been anticipating the arrival of the HBO Max streaming series since word of the project first circulated in late 2020. Led by Pedro Pascal, Anna Torv, and Bella Ramsey, the adaptation kicked off with an 80-minute first episode that covered a lot of ground (55 years to be exact), most of which was incredibly familiar to fans of the game and has fans of the game pretty fired up for more. But what about your average outsider? As a certified outsider, I have a lot of questions about just what the hell is happening at the end of the world in The Last of Us.
Science!
Craig Mazin and Neil Druckmann came out swinging with some heavy science in the show’s opening scene. The science showdown between Quintus and The Swede was legit but it also really felt like HBO did a test screening of some portion of the series with a group of average IQ types and realized that without an explanation of what was going to happen 15 minutes later, they would have way too many questions. Then they went ahead and loaded it up with so much science that they may just have further confused the average IQ types. Fans of The Walking Dead spent several seasons trying to figure out how the end of the world began before getting over it, so at least there was some effort here.
D-Day
Pretty standard stuff for the day the music died, really. Pedro Pascal‘s Joel seems like a real dawg and the stuff with his daughter, Sarah, clearly exists to make you sad soon and open a spot in Joel’s heart later. Outside of that, Joel’s brother (that’s Gabriel Luna?!) is a rowdy Army dude–seems important. The Mycelium Mouths are just simply terrifying. Thankfully, Quintus’ pre-present-day exposition allowed for some understanding of how an otherwise decrepit old lady could become a WMD…oh my God he smashed her skull with a pipe wrench! Thankfully the failed escape attempt didn’t go on too long (I want to see what was going on in that plane; I feel like it was World War Z-level action with the Mycelium Mouths).
As the D-Day stuff comes to a close, it seems pretty clear that the only necessary piece was the death of Sarah. As the audience makes the jump 20 years into the future, there’s no understanding of how or why the Mycelium Mouths came to be, only that they did, leaving us to imagine that Sarah’s death will mark the beginning of Joel’s origin story as “The Governor” of some post-apocalyptic civilization.
What Are Fireflies? What a Mouthy Brat!
Joel is just…a grunt? He should be running this DMZ but instead, he’s willing to burn bodies and work in the sewers? All these FEDRA people are faceless goons and someone kicked the shit out of I-didn’t-recognize-her-but-that’s Anna Torv. Obviously, these Fireflys are a big deal; that brat they have chained up is mouthy as hell. If you’re already chaining her up, add a modified Hannibal Lecter mask to keep her from talking unless you need her to. Where’s a wight giant when you need one? I adored the abstract art on the wall in the subway tunnel; I could have stared at the blown-up Mycelium Mouth all day trying to figure out exactly what I was looking at.
Joel and Agent Dunham are sneaky! Joel’s brother is now estranged…hopefully Joel reminds him that he’d likely be dead if he hadn’t bailed him out of jail…and that Sarah would probably not have been shot and killed if Joel hadn’t spent the time bailing him out. At this point in the series, it’s tough to accept swapping out sweet Sarah, who fixed her Dad’s watch for his birthday, with the abrasive, vulgar Ellie but she’s apparently the Mycelium Messiah, so I guess she’s going to fill that hole in Joel’s heart with all sorts of cuss words.
The biggest outstanding question at the moment is why Joel is so terrifying. I assumed his 20 years of experience would have included murdering his way to the top of some group of survivors so he could lead a revolution against the government that took his daughter away from him. Murders, maybe some light torture, and developing some mild psychoses; instead, he’s just a dude who while resourceful, would seem to be no more or less threatening than any other dude. Surely his war vet brother would be scarier.
Next!
It seems like most of the people in this episode were faceless because we’ll never see them again now that Joel, Tess, and Ellie left the zone. Though it was nothing extraordinary, the closing shot of the episode worked as a really great tease for me. The thought of them heading into a completely ruined city full of loud, screechy noises might not be Rick riding into Atlanta on his high horse, but it definitely portends bad things man, I mean bad things…
I don’t know what day it is. I spent 20 years of the apocalypse keeping track. Funny I would die not knowing.
Let’s just get it out of the way – this is probably my final journal entry. I thought I could talk to people, help them understand what the world needed to heal. Make them see the light.
I was wrong.
We raided a Hunter settlement. Tried to bring them into our fold. We severely underestimated how many of them there were. They killed everyone in my mission, and now I’m in a cage on the way to sacrifice. Well, execution really. Being “thrown to the beasts“, an example for anyone else who might dare oppose them. Sacrifice just sounds better in my head. Doing it for the cause, and all.
I haven’t slept in… a while? So, I apologize if any of this sounds delusional. It’s hard to sleep when you know you only have a little time left. They took all of my things, but one of the guards left me my journal. Maybe he’s just curious what I’ll write. Like an insane social experiment. Obviously, he doesn’t know what I’ve got in here. The second half of my life. A series of events you clearly shouldn’t replicate.
If this is the last hurrah, though, I guess I’d better make it count.
I started this survival guide when I was only 22 years old. So much hadn’t happened yet. I didn’t know how humanity would change, or what might happen on a planet filled with monsters. I was just scared, and alone. I told myself I didn’t care if I died, that I wasn’t afraid of death. But that was bullshit. A lie to make myself feel better, while I listened to gunshots every night. Never sure if they were aimed at people or the infected. Never sure when they’d be aimed at me.
Now, they are. Metaphorically, of course. Literally, I’m being fed to a herd of Clickers. I’ll try to fight back – of course I will – but like I’ve said before, that fungus ain’t just for looks. It’ll hurt, I’m not looking forward to that, but maybe I’ll manage to get one last laugh in before I go. Of all the ways I thought this world might take me, gladiatorial combat against the undead was NOT on the list. It’s sorta hilarious if you’ve got a morbid sense of humor like mine. If you don’t, I suppose it may come across as tragic.
Either way, I’m trying to keep my spirits up. I think I had a pretty good run, all things considered. And, if you’ve somehow found even just a handful of my rules, I’d like to think I saved a life or two during the ride. Based on what I’ve heard, I should have just enough time to get one more lesson down on paper, and I’m not really doing anything else at the moment, so why not?
It’s an obvious one, keeping the circumstances in mind. However, now that I’m old (in apocalypse years), I’m gonna try to throw a little wisdom in there as well. Really flesh out the topic. It’s the antithesis of my current situation, the solution to the mistake that finally did me in. I believed in something, and for the first time, I wasn’t afraid of dying for it. I knew it could get me, but somehow I never really thought it would. So, please, if you’d like to avoid becoming plant bait, do the following –
Rule #88, Don’t Be A Martyr
What I’ve come to learn is that people aren’t designed to be satisfied. Survival is not based around ideals. Its foundation is simply the next thought, the next need that must be met. That’s where this country has landed, and that’s where it will likely stay. Honestly, there’s a good chance it was always headed towards this – whether a fungus took us there or not.
Humanity will always run towards perfection, just to throw it away. We get bored. Salvation is too easy. We make our own problems because deep down, we love the chaos. We love the sensation of hating something from the bottom of our stomachs. It makes us feel better to think everything else is terrible because then we don’t feel as bad about ourselves. It’s sickening, but it’s just how things are. I thought I could fight against that, change it even, and instead I learned the world has become exactly what it was meant to be.
Society was too complicated for us to handle. It was overstimulating. We were always supposed to live in tribes, hunting for basic needs. That’s what we have now. No borders, no government, no money. Just animals, roaming the land. Anyone who allows themselves to think higher thoughts, or commit to something bigger, has already written their future on the wall. People, as we know them, will never change.
I remember when we were still concerned about “Global Warming.” Someone told me it was narcissistic to think we would kill the Earth. That it was more likely the Earth would kill us, like the parasites we are. And, they said, that it was most likely a meteor would take us all out before any of that happened. The universe would hit the reset button, the only true method of bringing about peace.
Maybe a meteor is what we need. We’re too full of hate and greed to let anything else in the door. So many stories end with people being too stubborn to let their feelings go. To do what’s right in the name of the bigger picture. But you have to let go if you ever hope to move forward. Move forward, or you’ll die with the past. Don’t be a martyr. Just hold your loved ones close and keep yourselves alive.
I wasn’t able to do any of that. I let my emotions get in the way. I thought too much. Now the universe has cut my rope short. Thankfully, I have my writings. A legacy. Something for you to remember me by. In a weird way, my life has become devoted to you. The ones who can still make it. If I have to be a martyr, I’m hoping it’s worth something. That I can make you among the last of a drowning breed – those who decipher between good and evil, and know when to use both.
So, if you’ve found this journal, use it well. Enter this world knowing how it works, and learn to survive. I’ll see you sooner or later. Let me know how it goes.
“When you’re lost in the darkness… Look for the light. Believe in the Fireflies!“
Sounds pretty hokey, doesn’t it? I used to think so.
Back in Buffalo – almost 20 years ago now – we hated the Fireflies. That stupid slogan was everywhere. Inescapable. Alex and I would snicker about it in the Quarantine Zone, come up with some fairly solid riffs on our self-proclaimed saviors and their righteous mission. We couldn’t understand why they’d want to tear down what little we had left. We were so young and so selfish.
Sure, the QZ was far from perfect. A borderline fascist environment, honestly. But at the time, at least it kept us safe – or, as safe as we felt we could get in a world post-society. Democracy was gone, we thought. Accept it, and let us trudge through life. Stop trying to tear down our walls. FEDRA’s walls. I’ve been through a lot since then, though. I’m different now. Maybe you see it in my writing? I don’t joke like I used to. I’ve stopped trying to sugarcoat the reality of our situation. It’s bad, and yeah, someone should probably do something about it.
It’s not enough to live behind walls anymore. It’s not enough to spend decades cowering from existence, one mistake away from losing everything. That’s not the future I want. Not for me, and not for you. It’s certainly not what I wanted for Sweet Pea. It’s been a couple years since we left Jackson, and since then, I’ve started to see what I’d been missing this whole time.
Believe it or not, the Fireflies give us our best chance at a life worth living.
If you’ve been keeping up with all my entries, you’ll remember we were waiting for someone named Tommy to pick us up from Jackson and ferry us back to the Fireflies’ base in Salt Lake City. I almost didn’t go with him. The community in Wyoming was beautiful, and I couldn’t think of a real reason to leave it behind. Then, not long before Tommy made it to us, Jackson had to fend off a Bandit attack. Five men, all of whom I’d come to know, gave their lives to keep their families safe. To make sure their children would have enough supplies to make it through tomorrow.
I realized, at that moment, how important the Fireflies could be. Jackson was only allowed to be tranquil some of the time when the apocalypse wasn’t forcing death down its throat. The Fireflies had the potential to build a world where it could flourish. Where it would only be one of many thriving communities. I didn’t have anyone to protect anymore, nobody else to look out for but myself. So, I decided my best use was to leave Jackson and dedicate myself to crafting a world where its residents could sleep soundly at night.
I joined the Fireflies, and I haven’t looked back. Ironically, Tommy went back to Jackson after dropping us off. He wanted to stick to his word; get us there safely. But he found something special in that county, running that dam. He found love, so he left the Fireflies. I suppose you could say I took his place. I don’t regret it. First decision I’ve made in a while I can say that for.
You might think it’s some culty bullshit, but I’ve never felt more secure. I have a purpose again, and I feel good doing it. It’s been a really long journey, but if I had to enter another rule in this journal – in ‘Apocalypse 101’ – it would be to find whatever it is that makes you feel this way too. You might be thinking it’s a weird thing to put in a survival guide. That joining a militia feels like a surefire way to get yourself killed. But there are other jobs here, aside from being a grunt. There are doctors and caretakers and cafeteria workers. All of them LIVING. Being truly ALIVE.
So, literally or metaphorically, I encourage you to abide by the following rule.
Rule #73, Look For the Light
Before you join the Fireflies, however, let me give you a brief history lesson. It’s not like school, where you sign up for classes and they teach you everything you need to know. It’s more of a “pick it up as you go along” situation. Lucky for whoever has found this journal, though, I have sorta been treating it like school. ‘101’, and all. So I’ll give you the rundown and hopefully, you’ll be good to go by the time you join up. Hell, maybe by when you find this we’ll have already done it and nothing I’ve ever written will matter anymore. That would be something.
Anyway, best I can tell, the Fireflies came about sometime in the early 2010s, not long after the apocalypse started. As I’ve covered a couple times, their goal was to restore a democratic government and remove FEDRA and the QZ’s from power. In their early days, they didn’t have much support. They’d try to start riots or coups from inside QZ’s, but it didn’t work. Eventually, they went further than FEDRA was comfortable with, and six Firefly members were publicly executed. That was a mistake on FEDRA’s part. Really stirred the people up.
After that, things started to take off. Their numbers grew, people started to see the light. They were able to organize. You could identify members from their clothing – always yellow and green, like the glow of a real firefly (Get it?True fashion). That’s what I wear now, too, which is great because I’ve always looked good in Earth colors. We also wear cool, fancy pendants as an identifier. A way to weed out the spies from actual believers.
The Fireflies’ base of operations has moved around a few times, before they landed in Utah. I’ve heard the last spot they called home was at the University of Eastern Colorado. They were there for a while, but I’m glad I missed that era. It ended poorly. Bless their hearts, the militia was searching for a Cordyceps cure in the University’s science labs. Trying to bring the world back by ridding it of monsters altogether. Testing all sorts of wacky vaccines on monkeys, until one got loose. It bit a doctor, and everything fell to shit from there*. The labs were no longer viable. They had to move elsewhere.
The last decade has been spent trying to get as many people and communities on the Fireflies’ side as possible. A lot of the QZ’s have now fallen to Firefly insurgency, a nice change of pace after so many years of failure on the militia’s part. Unfortunately, as soon as people get a little taste of freedom, they get spooked. They think the Fireflies will turn out to be just another dictatorship. So, after the QZ’s topple, the folks there reject us and make the cities their own. I can respect the idea, but the execution leaves a lot to be desired. Apparently, this is how the Hunters got their start. QZ’s that fell to the Fireflies just became hotbeds for “survival of the fittest.” A shame. So much wasted potential.
Now that I’m here, I’m hoping I can put an end to the mistrust. Alex always said I had a way with words. A way with people. So maybe, after I help end FEDRA, I can be a peace broker. Make up for all that time of simple killing. Stand up and convince the citizens of this country to play along. To unify. To build better lives for themselves. Maybe I can at least do that.
When you’re lost in the darkness, look for the light. And look for me. Don’t be afraid to say hi.
*(That was in 2028, just before I made myself known. I still hear whispers there’s a lead on a cure, but as far as I know, nothing all that miraculous in terms of actual progress has been made. We’re led by a woman named Marlene. She’s a fighter, and she knows how to rally the troops. She’ll do whatever it takes to get the job done. Marlene is convinced her and the surgeon here, Dr. Jerry Anderson (real nice guy), can change the world. I hope she’s right, because if she’s not, it could be the end for all of us…)
In the before times (as I like to call them), we couldn’t get enough of it. We took comfort in it. It gave us an excuse to screw up.
“I’m only human.” “People make mistakes”. “Nobody’s perfect.”
We had a safety net. A set of rules everyone understood. Cops, news reports, families. Consequences for our actions. Sure, there was always the occasional intrusive thought. An urge that frightened us. But, for most folks, that’s all it was – a thought. Nothing we’d ever act on. There was too much at stake. Too much contentment we might lose. With that system in place – society intact – we knew thoughts would stay thoughts. We could keep pretending we were good. That we weren’t capable of being the thing that bumps in the night.
It only took the end of the world to show us how terrifying we really are.
When you strip the comfort away – remove the rules – all that’s left is the truth. Raw impulse. Nothing stopping you from letting whatever’s inside out of its cage. An inherent evil. Boiling up, festering, waiting to do the unthinkable. Whether you want to admit it or not, it’s there. All of us have it. Some are just more in touch than others.
Two years ago, I lost my last chance at peace. Alex, and Sweet Pea…both gone. I didn’t give myself enough time to mourn. I taught myself not to feel, and I kept moving – directly into the lion’s den. Pittsburgh, as it turns out, had fallen into a bit of a civil war. The gunshots probably should have been a good clue, but at the time, they sounded a lot kinder than the screeching clicks coming from behind me. A sane person might have thrown themselves into the pit of infected and gotten it over with, but I wasn’t sane. I felt like I had done wrong. Like I needed to be punished. So I ran towards pain.
The city (don’t go to cities) was mostly full of humans. Regular, non-infected humans. At first, it was almost a relief. Finally! People who aren’t dead! Others of my own kind! Beings who spoke words instead of noises! Yippee!!!
Luckily, I was smart enough to watch before I engaged. I followed the sounds of gunfire downtown, hoping I might find another group of survivors. A happy little clan, clearing the area of Runners, that I could run to with open arms. Comrades I could use to soothe my broken soul. But that’s not what I found there. Where I thought I might finally find companionship – a reprieve from apocalyptic isolation – I only saw more monsters.
People who let their evil win. The worst of mankind, running the streets. I hid in a dark, quiet storefront, and watched them ambush innocent (stupid, but innocent) travelers with no mercy. A truck rolled through, on its way to God knows where, and the folks inside couldn’t even make it down the block. They were run off the road, pulled from their vehicle, and slaughtered. A couple, it looked like. Their truck was stripped for parts, and the killers practically danced over their bodies. Smug, dirty looks on their faces.
I lost it.
There weren’t many, and I had the drop on them. They left some of their guns on the ground, too far behind them, secure in their tasteless victory. I don’t know what came over me, but I couldn’t take it anymore. If I wasn’t going to be punished, I’d make sure they were. It didn’t take long for me to kill them all. To drop to my knees and start sobbing. To let my evil win.
That was my first time being a murderer. It didn’t feel good, but it did have surprising results. My tears (and also probably the gunfire) attracted some unwanted attention from the infected. I was going to let them nab me, but before they could, a collection of knives took them all out. A new group of survivors, ones who didn’t want to kill me, had seen everything. They saw what I had in me, and they saw I used it “the right way”.
Two years later, I’m still with them. They aren’t family, but they’ll do. They were en route to join the Fireflies when I met them, and I had nothing better to do. So I guess that’s what I’m doing now too. We’ve stopped for a bit in Jackson County, Wyoming, but it’s been a long journey. I didn’t realize how differently parts of the country reacted to all this. One thing has been made abundantly clear though, and it’s time I make it official in the journal –
Rule #58, People Aren’t Better Than Monsters
Don’t trust anybody. Even among my current crew, I sleep with one eye open. Or I just don’t sleep. Truthfully, it’s killing my hygiene. But I’m not trying to impress anyone anymore, am I?
If you’re going to be making your way around the States, it would be helpful for you to know who you’re dealing with. Over the last 24 months (ish), I’ve taken notes on every group of survivors we’ve encountered or heard tell of. I’ll list them all here, for your convenience, in the hopes it helps you make heads from tails the next time a stranger offers you their hand.
So, here they are – The Known Survival Groups of the Infected States of America
F.E.D.R.A. (Federal Disaster Response Agency)
I covered these guys in my earliest “Apocalypse 101” entries, but just in case you don’t have the whole journal (who knows where these pages end up) or you’ve forgotten, I’ll go over them again. FEDRA is all that’s left of the United States government, and at this point, they’re really just power-hungry, militarized tyrants. They set up and run the Quarantine Zones with an iron fist, acting as a militia with the goal of “keeping the peace”, and sometimes fly around the country looking for people to force under their rule – or “infected” to kill. One perk of having government support? They’re the most heavily armed group you’ll ever meet in the apocalypse. Tanks, high-powered weaponry, you name it. Probably best to avoid a violent encounter if you can.
Smugglers
Alex used to be a Smuggler. These are the people who really run the world these days. They sneak supplies, weapons, and all kinds of contraband around the country, and are maybe the only folks who can move in and out of QZ’s with ease. The Smugglers have a massive underground network connecting multiple cities and settlements across both coasts. Sometimes, when people have had enough of the outside world, they even pay Smugglers to sneak them into QZ’s and slip them ration cards. For the most part, these guys won’t hurt you unless you do them dirty. Bad business to cause a ruckus, but if you do cross them, they won’t hesitate to end your life.
(One of the most legendary Smugglers is a man named Bill, who lives outside of Boston. He’s got a whole town to himself, rigged with endless traps for infected and unwanted trespassers that only he knows how to get past. A little extra? Likely. Still kinda cool? Yep.)
Hunters
These are the creeps I dealt with in Pittsburgh, but really, they’re all over. We’ve heard of Hunter attacks in Kansas City and here in Jackson County, as well. They’re some of the most hostile survivors you’ll find, and normally, you’ll find them in what’s left of major cities. Hunters overthrow existing communities – often QZ’s – and feast on their remains. Anyone who enters their territory will be brutally murdered, without remorse, for their clothes, supplies, weapons, and/or food. You can tell you’re in the presence of Hunters from their complete lack of empathy, and the way they call you “tourist“. They think they’re funny. You should kill on sight.
Bandits
A lot like Hunters, just with a different method of taking your things. Bandits don’t take over cities or lay traps for unassuming passersby, but instead leave their own smaller encampments to attack bigger communities nearby. They’re a little more feral, and they’ve spent more time living in the woods and away from civilization. We’ve seen a lot of these guys since arriving in Wyoming. A massive, dangerous nuisance if you’ve managed to create any kind of settlement in their vicinity.
Cannibals
Yeah, they exist. Remember when I said people aren’t better than monsters? This is what I mean. Infected eat people, and as it turns out, people eat people. They look sickly, but they’re well-fed. You don’t have to hunt if you’re willing to eat one of your own, and if they’re willing to eat their own kind, what else do you think they’re willing to do? The majority of reports regarding cannibals have come from Colorado, near the Silver Lake area, but I’d bet money there are more out there.
Fireflies
Like FEDRA, we’ve covered the Fireflies before – but for the sake of the survival guide, let’s run through it again. The Fireflies are a revolutionary militia group with a goal of returning the world to it’s former state and removing the borderline-fascist FEDRA agents from power. They believe in democracy, and if the rumors are true, they’re after a cure for the Cordyceps fungus. They’re based out of Salt Lake City, in Utah, but have encampments all over the nation. The Fireflies are great with propaganda, too. You’ll see their logo and slogan spray painted everywhere – “Remember, when you’re lost in the darkness.. Look for the light. Believe in the Fireflies!“*
Rattlers
You didn’t think the apocalypse would end slavery, did you? The Rattlers exist in California – Santa Barbara, if word is accurate – and thrive on forcing other people to do their dirty work for them. They capture unassuming travelers and use them to keep whatever type of community they have over there running. We met one escapee on our journey, and she said they even capture infected and tie them up out front as guard dogs. Wild stuff.
Ravens
Ok, hear me out on this one – polygamist FEDRA deserters who’ve couped up together in New Mexico, who believe in themselves as “defenders of the Constitution”. Never met one, but found a document on my travels from someone who had. I’d say it’s hard to believe, but I’ve seen a lot worse.
Seraphites
I sorta hope I never have to cross paths with the Seraphites. They’re a religious group, out of Seattle, Washington, who pray to a false prophet and believe the Cordyceps fungus is a God-sent punishment for humanity’s sins. They don’t use any advanced technology or weaponry, and have “returned themselves to the Earth”. Live off the land, treat women poorly, don’t believe in sexuality as a spectrum, all that fun stuff. To be honest, though, they can be nasty, and they’re pretty set in their ways. Weird vibes overall. We found this prayer in someone’s bag, once. We think it’s theirs –
“The world is not in balance
But I have done my part to right it You have led me through the storm Now I must rest May the current be calm May you guide me home“
Washington Liberation Front
The Seraphites’ rivals, and the other major group living in Seattle. They’re maybe the one civilian militia to overthrow FEDRA and not become Hunters. The Washington Liberation Front are often called “Wolves” by other communities, and they’re not afraid to go the extra mile to get what they want. Currently, they’re involved in a minor Civil War for control of Seattle. Could take a long time for that one to be settled.
Jackson Community
This is where we are now. Maybe the most peaceful place I’ve seen since leaving the QZ. It’s a self-sustained community in picturesque Jackson, Wyoming, led by a lovely woman named Maria and her father. They get their power from a hydroelectric dam, and basically function as if there’s no apocalypse happening at all. It’s gorgeous, and the people are actually friendly. Horses, farms, markets, etc. I’m still waiting for the “BUT”.
We stumbled across this place in Jackson on the way to meet the Fireflies. We’re supposed to meet one of their members here, someone named Tommy, so he can escort us the rest of the way. I’m not really sure what the plan is. Almost wish I could stay, but the last few years and my time in Wyoming had started to make me feel like I might have a bigger purpose in all this.
*(I used to think the Fireflies were foolhardy, but now, after everything I’ve lost, they kinda sound like the best option out there. If I’m going to be fighting for my life, I might as well fight for everyone else’s too. The community in Jackson is so tranquil. It’s what I’d always hoped I could find with Alex and Sweet Pea. If the Fireflies are offering a chance to do that, for the whole country, I want to help them. I’m not afraid to do what I must for that future anymore. Not after Pittsburgh…)
Episode 1 of Anne Rice’sMayfair Witches sets the stage for what promises to be a first season full of surprises as Alexandra Daddario‘s Rowan Fielding starts to uncover her true identity and the legacy that accompanies it. The road to those revelations began in “The Witching Hour” when Rowan’s adoptive mother, Elena Fielding, called into the New Orleans office of an as-yet-unnamed organization to speak to the agent assigned to Rowan’s file. Though it’s not quite on the same level, the unnamed agency has a little bit of the same feel as the central agency in charge of bounties in the John Wick franchise and it’s clear that whatever this agency is, it’s been established for some time. As it turns out, there is an agent assigned to Rowan, an “empathic investigator” by the name of Ciprien Grieve, and as the rest of the episode goes on to detail, he knows quite a bit about Rowan and the Mayfair family. While the episode itself is short on details about who Grieve is and the nameless organization by whom he is employed, Anne Rice‘s source material has plenty of clues.
We Watch. And We are Always There.
All signs point to Grieve working for an agency called the Talamasca. Created by Rice for 1988’s Queen of the Damned, the third novel in the prolific author’s Vampire Chronicles, the Order of the Talamasca is an ancient and secret society created to observe, chronicle and suppress the dissemination of information about the paranormal. Canonically, the Talamasca was founded in the year 758 by the ancient vampire Teskhaman, his fledgling, Hesketh, and the spirit known as Gremth. In Rice’s novels, the Talamasca served as the connective tissue between the Vampire Chronicles and Lives of the Mayfair Witches series.
The character of Sip Grieve is something more of a mystery than the order for which he works because he is an original creation for the streaming series. According to EW, Grieve, who is played by Tongayi Chirisa, is an amalgamation of two major characters from the book: Talamasa agent Aaron Lightner and Rowan’s husband, Michael Curry. According to his file, Grieve possesses a power known as “Synesthesia Pareidolia.” The term seems to be a combination of two known sensory phenomena: synesthesia and pareidolia. Synesthesia is defined as a condition in which the stimulation of one sensory pathway activates another. For example, a sound may “sound” a certain color, words may “taste” a certain way or touching objects may trigger the visualization of certain objects. Pareidolia is a phenomenon in which a stimulus allows a person to derive meaning from an ambiguous perception. Taken together, it would seem that when Grieve touches objects, he can visualize their past and empathize with the people in those visions.
Given Grieve is a composite character, it seems he may end up doing more than watching Rowan Mayfair over the course of the series. The character of Michael Curry plays a major role both in the life of Rowan and the plan of the being known as Lasher. That role is, however, incredibly spoilery to those who haven’t read the novels, so we’ll skip it for now.
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