Moon Knight‘s finale has introduced us to a new hero, Scarlet Scarab. Layla El-Faouly, who is played by the wonderful May Calawamy, becomes the Avatar of the Egyptian goddess Taweret. Her new heroic alter-ego is strongly inspired by the name her father gave to her, we get introduced to the MCU’s first Egyptian superhero. While the series remained focused on its main hero, it left a lot of questions open on what exactly the future has in store for Layla moving forward. There actually is a storyline that could be used to continue her own story in a Disney+ spinoff.
Some may complain that too many characters are getting their own series, which is understandable given the surprising announcement for Echo and Agatha: House of Harkness. Yet, that’s the potential behind Disney+ to give smaller characters their potential to explore stories that would otherwise be relegated to off-screen. Plus, it gives new creatives and talents to tell a story that otherwise wouldn’t have the chance to. While Mohamed Diab pointed out he’d love to tackle a Moon Knight film next, I do believe there’s a lot here that he could build upon to further explore Scarlet Scarab’s place in the bigger MCU.
The Egyptian pantheon has lost its control, as their Avatars have been killed by Arthur Harrow’s hands to unleash Ammit. While they manage to subjugate him and God, their actions still left behind quite a dangerous power vacuum. They no longer have any Avatars to keep an eye on Earth, and the fact that they literally fell for Harrow’s mischief might have left a rather sour taste in their mouths. That’s not all though, we’ve seen quite a few gods were trapped in a similar way to Khonshu, and with the destruction of their holy place, who knows what may have found its way out of its imprisonment.
There are many moving pieces at play that could put Layla at a rather questionable place, as she was quite reluctant to even become an Avatar, it opens her up to facing an unlikely challenge. The desire to simply give it all back isn’t as simple, something we’ve clearly seen with Khonshu’s hold over Marc Spector. While Taweret isn’t shown to be someone that is self-centered, she may be desperate to somehow keep order with them being the only remaining Avatar for the Egyptian pantheon–not knowing that Khonshu still holding a grip over Marc through another alter.
A conflict of duty and freedom may create a rift between Layla and Taweret, as she becomes unwillingly pulled into a role she never asked for. Her line with the little girl about being an Egyptian superhero had a much bigger weight on her future than she may have bargained for. Yet, it may also help her find a place in the world that she wouldn’t have considered, while also getting a chance of closure with her father, especially as Taweret teased she had talked to him.
Diab’s work in Moon Knight gave us glimpses of the beauty of Egypt, which felt like we’ve only scratched the surface. As Spector returned to London, it would be a shame not to further explore the country and its culture through the eyes of Layla. As great as Marc Spector’s time in that country was, he has a very different connection to it. He was more a gateway than a full embrace, which gave us Layla’s transformation into the Scarlet Scarab, perfectly setting her up as the person to further explore that corner of the MCU.
As for episode 6, finding a specific moment that was worth exploring in terms of its comic counterpart became an issue in and of itself. With Marvel Studios so keen on being as unpredictable as possible when it comes to its storylines, especially its third acts (that obviously also include all series/season finales), the comics end up being referenced in a less obvious way. The thematic correlation is still there, and so being that’s perhaps the way to go about it: Focusing on what the show is trying to do that the comics already did—albeit in different ways—, and what that might hint towards the future of these characters.
Marvel Studios’ Moon Knight Episode 6
Marvel Studios’ Moon Knight Episode 6
Two of the major takeaways from the latest Moon Knight episode were presented in the post-credit scene. There, we found out that despite Marc deciding to go against Khonshu’s will towards killing Harrow, the God of the Moon and the Night Sky was still very much determined to keep his body as his earthly vessel. And with that in mind, his third alter was finally revealed with Jake Lockley making this on-screen debut, showing himself to be the most unhinged and violence-prone of the identities sharing said body. Both these particulars seem to hint at a larger story being told, more connected to Marc’s dissociative identity disorder (DID) than to his superhero endeavors.
Moon Knight #9 (2016)
The relationship between Marc and Khonshu never seemed to be one based on mutual interests, and so this abuse is sure to strain it even further leading to greater altercations down the line. As we watched throughout the show, Marc’s motivations for going along with Khonshu’s greater plan were basically attached to concerns over Layla’s well-being. Even with his prominent sense of duty, the deal he made with Khonshu that led to him becoming his Fist of Vengeance did not seem worth keeping, as death was something Marc welcomed in order to escape his fate. Unless, of course, that meant that Layla would then have to endure his burden. Much as in the aforementioned Lemire/Smallwood run, Marc ends up understanding that a rejection of Khonshu’s ways was absolutely necessary in order for him, even with the other identities, to ever feel comfortable in his own skin.
Marvel Studios’ Moon Knight Episode 6
Marvel Studios’ Moon Knight Episode 6
But this wasn’t always the case as Marc at times determined that the other identities were the issue. It wouldn’t be until later on that he understood that each personality was but a piece of the tapestry that made him whole and that Khonshu was the unnecessary appendage that only kept him down. This is somewhat similar to what we got to see in the show, as the initial confrontations between Marc and Steven then led to one of the best scenes in the entire show when both understood that they were so much less when trying to reject and keep each other at bay. Jake’s introduction will serve the purpose of giving the plot an extra layer of complexity as Marc and Steven will have not only external but also internal threats they must overcome.
Moon Knight #14 (2017)
Khonshu is then proving himself to be, if not the main villain in the series we just watched, the antagonist that will prove the biggest adversary for Marc, Steven, and possibly even Jake. Much as in the comics the several personalities ended up working together in order to obliterate Khonshu’s influence over their shared body, and so too it seems that this might be the way to go in future storylines on future live-action Moon Knight projects.
Moon Knight #14 (2017)
Moon Knight is now streaming, in its entirety, only on Disney+.
In 2008, fans who stuck around through the credits of Iron Man found themselves treated to a tease of greater things to come. At the time, given the nebulous state of the future of Marvel Studios, the tease came without a promise that we’d ever see the Avengers Initiative come to fruition on the big screen. 4 years later, it paid off in The Avengers, rolled out its own post-credit scene that set the stage for the larger narrative that would develop over the next 15 MCU projects. That run, which became known as the Infinity Saga, ended with 2019’s Avengers: Endgame which, ironically, was the first Marvel Studios film to run without a post-credit scene. Now, with the future of Marvel Studios more secure than it has ever been, it’s time for the post-credit scene to die.
Marvel Studios’ Iron Man (2008)Marvel Studios’ Spider-Man: Far From Home (2019)
After skipping out on the tradition in Endgame, Marvel Studios brought back the post-credit scene in Spider-Man: Far From Home, the final Phase 3 film. In hindsight, it’s a tradition they should have left behind as they moved into Phase 4. Once a fun source of “water cooler” conversation, the idea has grown beyond itself and evolved into something that’s become part of a parasitic online conversation where the scenes that come AFTER the movie generate more interest and conversation than the movie itself. It’s not a phenomenon limited just to Marvel Studios-Sony used the post-credit scene to Venom: Let There Be Carnage to market the movie-but Marvel Studios started it and now they need to end it.
The conversation around the post-credit scenes poses a multi-faceted problem for Marvel Studios. While they still provide a fun tease of upcoming events, in recent years, more than one post-credit tease hasn’t paid off. For example, after the credits rolled in 2016’s Doctor Strange, audiences learned that Mordo was on a mission to eliminate magic users, especially those who violated natural law. Surely that would mean he’d cross paths with Wanda Maximoff, right? 616-Mordo was nowhere to be seen in Doctor Strange in the Multiverse of Madness, his role rumored to have been snipped from the film’s final cut. And what about the great Adrian Toomes/Mac Gargan scene at the end of 2017’s Spider-Man: Homecoming? With Doctor Strange’s spell erasing the memory of Peter Parker from everyone’s mind, it seems like the Vulture/Scorpion team-up will never come to pass. Will the tease of Venom in the MCU, set up in the post-credit scene to Spider-Man: No Way Home, have the same fate?
Marvel Studios’ Doctor Strange (2016)Marvel Studios’ Spider-Man: Homecoming (2017)
The fervor around the content of the post-credit scenes has grown to a point where fans are often more concerned with it than the film itself. Driven by leak culture, the knowledge of the contents of the latest Marvel Studios’ post-credit scene is often a more valuable commodity (more talked about) than the film itself. In fact, after recently attending the premiere of Doctor Strange in the Multiverse of Madness, almost everyone who asked me about the movie started off by asking, “How many post-credit scenes are there?” and “What’s in them?” It’s concerning that a post-credit scene that may have been shot over a few hours is of more interest than the billion-dollar films the studio is rolling out. And in this case, Marvel Studios delivered one of its worst post-credits scenes to date, though it featured a huge casting spoiler for a big star entering the MCU. But will she? Or will her cameo and the promise it carries be as empty as Mordo’s sorcerer hunt?
As mentioned above, Multiverse of Madness’ post-credit scene, despite featuring 3-time Academy Award-winning actress Charlize Theron as one of Strange’s most important supporting characters, Clea, doesn’t quite carry the same weight as Fury’s post-Iron Man appearance. Despite Theron looking fantastic as Clea, it seemed hastily put together and didn’t really seem to line up with the film’s own ending, making it one of the worst efforts for the studio. What’s more, the drop in quality seems to be a trend in Phase 4 with none of the offerings so far coming near the thrills of introducing the Maximoff twins after The WinterSoldier.
Truly, the post-credit scenes have lost their novelty and have become an unnecessary distraction. Jake Lockley could have easily been put in the body of the final episode of Moon Knight. Sharon Carter’s phone conversation after the credits of the final episode of The Falcon and The Winter Solider may have done more harm than good, causing fans to speculate and theorize wildly about who was on the other end; as has been demonstrated over and over again, this will lead to faux outrage down the road when the speculation turns out wrong and fans will feel slighted. Will Starfox, or any of the Eternals ever be heard from again? No idea, but Harry Styles caused more of a buzz than the actual film. What was once a wink-wink-nudge-nudge to the comic book fans in the audience has become something general audiences are hungrier for than the films to which they are attached. Marvel Studios would serve themselves well by ditching the post-credit scenes. And if fans are still hungry for more, perhaps the studio could bring back One-Shots as a streaming alternative.
Given they distract from the movies, aren’t always followed through on and the disturbing trend in their quality, it really is time for the Marvel post-credit scene to be retired. We’ll always have that kiss between Jane and Thor…before Jane disappeared for a decade.
After a long wait, Love, Death and Robot‘s third season has finally received a trailer. It gave us a glimpse of what the anthology series will include throughout its latest nine episodes, especially with the different concepts and animated projects. The biggest surprise came in the announcement that the episode “Bad Travelling” will be David Fincher‘s first time directing an animated project with Se7en screenwriter Andrew Walker having penned the script.
The episode is teased to feature “a jable shark-hunting sailing vessel is attacked by a giant crustacean whose size and intelligence is matched only by its appetite. Mutiny, betrayal and ventriloquism with a corpse.” It sounds like the kind of storyline that would be right up Fincher and Walker‘s alley, whose reunion since the iconic film is another exciting prospect. The story is based on a short story by Neal Asher.
The writer actually is also the one who wrote the story that Volume 2’s Snow in the Desert is inspired by. Blur Studio is the one behind the breath-taking animation of Fincher‘s 3D short which will include some interesting crustacean mayhem taking apart an unlikely crew already on edge. The series was first created by Deadpool director Tim Miller with Jennifer Yuh Nelsonas a supervising director. Fincher is also attached as a producer.
With Moon Knight having concluded, we can further turn out attention to Ms Marvel premiering at the beginning of June. Being such a new hero in the Marvel Universe at large, there has been a lot of fan discussion about how Kamala Khan might be adapted into the Marvel Cinematic Universe. Kevin Feige has been speaking to Empire and confirmed some details about Kamala’s powers in the Disney+ show.
The continuity of Marvel’s comics and films and shows storyworlds move at different paces and are on different journeys. The difference between these storyworlds at the time Kamala joined both has led to a slightly different kind of adaptation of Kamala’s powers and their aesthetic Feige tells Empire:
We adapt the comics; it’s not an exact translation. [Kamala] came about in a very specific time within the comic-book continuity. She is now coming into a very specific time within the MCU continuity. And those two things didn’t match. […] She’s interested in knowing, ‘Great, does that mean I’m an Asgardian? Did I get hit with gamma rays?’ No, it’s seemingly none of those things. It goes to her own past and her heritage and lineage.
Kevin Feige
Continuing, Feige suggests Kamala’s awareness and integration with the superhero media industry will point her in the direction of learning more about her powers as the show unfolds:
What we will learn about where those powers come from, and how they come about, is specific to the MCU. You will see great comic splash panels in some of our action sequences. If you want big, giant hands and arms, well they’re here in spirit, if not in stretchy, plastic-type ways.
Kevin Feige
Finally, Feige gives a clue as to why this adaptation of Kamala is altering her powers somewhat:
It taps into the future of her story as it connects to her other friends that she will meet in the upcoming film The Marvels
Kevin Feige
It seems like lots of thought has gone into the context in which Kamala Khan will appear in the MCU. Feige’s mention of lineage is also particularly intriguing when we think about the lineage and origin of her powers in the comics. It strikes me that Feige and the Parliament might be playing the long game with revealing exactly where Kamala’s powers come from, perhaps. Without a weekly Marvel Studios Disney+ show on right now, the anticipation for Ms Marvel is building, and it will be exciting to see Kamala’s story start to play out in early June.
Moon Knight introduced us to the Egyptian pantheon of gods and the concept of Avatars. While it’s uncertain if the concept will be further explored in the future, it did set up the introduction of Moon Knight and the latest MCU hero, Scarlet Scarab. May Calawamy‘s Layla El-Faouly takes on the new heroic alter-ego after becoming Tawaret’s Avatar. While she reluctantly agreed after somebody take-over shenanigans, it seems that wasn’t always the plan.
You know, I found out that I had to do it 30 minutes before we did it. Because initially, Antonia Salib, who plays Taweret, was on set. She was going to be in the chamber with Layla. And then Mohamed Diab comes to me in the trailer while I’m getting ready, and he’s like, ‘You know, I thought about it, and actually, she has to come through you.’ And I really didn’t know what that meant. I was like ‘You want me to mimic, like, suddenly be possessed by Taweret?’ And he’s like, ‘Yeah, cool,’ and he leaves me.
May Calamawy
It definitely sounds like a challenge for her to suddenly change the way she takes on the role, but it did add a fun twist. We did get some moments of Taweret using dead bodies to communicate with her before they would unite. While it would’ve been great to have her on-screen again, it does seem like they also wanted to potentially avoid ballooning their budget due to the already extensive Kaiju-esque battle in the finale.
Doctor Strange in the Multiverse of Madness is exactly what it sounds like. Marvel’s Master of the Mystic Arts finds himself flung through a multitude of alternate worlds, encountering a constant stream of potential “what if?” scenarios in every one. Unfortunately, a movie can only tell so much story, and as a result, audiences only get quick glimpses into the divergent timelines presented throughout Sam Raimi’s latest superhero epic. With all the funky new concepts and character variants introduced in the film, fans may even leave the theater wishing Marvel Studios had some sort of animated Disney+ series dedicated to exploring their multiversal offshoots. Well, fear not True Believers. This seems like a good time to remind everyone that Marvel’s What If…? does in fact exist, and another season is still on the way!
When the second batch of episodes finally hits the small screen, it’s sure to feature at least a couple of episodes based on events from the Multiverse of Madness. When it comes to what those episodes might be, there are a lot of options on the table. Luckily, we here at Murphy’s Multiverse have narrowed it all down to only a handful of the most intriguing choices. Follow along as we dive into the prism of endless possibility, and guide you through the vast new realities that could become episodes in the upcoming second season of What If…?.
What If…Scarlet Witch Annihilated the Multiverse?
This is the easy one, but it’s also maybe one of the most interesting. As those who have seen Multiverse of Madness know, Elizabeth Olsen‘s Wanda Maximoff takes a surprisingly dark turn as the film’s main antagonist. The former Avenger embraces the Darkhold and her title as “Scarlet Witch”, going on a killing spree in search of a universe where she is allowed to exist peacefully with her children. It was a goal she attempted once before in WandaVision, with slightly less violent methods. She’s eventually stopped by Doctor Strange and the young America Chavez, but she comes pretty close to achieving her goal.
Earlier in the film, Benedict Wong‘s Sorcerer Supreme mentions that the Scarlet Witch is prophesized to either rule the multiverse or annihilate it. Thankfully, the latter never comes to pass, but what if fans were able to peek into a world where Strange and Chavez failed? What if, in another universe, the Scarlet Witch succeeded? The movie talks a lot about “Incursions”, when two universes collide and destroy each other due to excess multiversal fiddling. It’s likely that with no one powerful enough to prevent her from tearing through the multiverse, she would eventually cause it’s destruction in the form of countless incursions. This would be a catastrophic threat on the same level as the first season’s Infinity Ultron, and would be a good reason for The Watcher to intervene a second time.
What If…Maria Rambeau Was Captain Marvel?
One of the more exciting reveals of the Doctor Strange sequel comes in the form of the Illuminati. The team is comprised of Marvel heroes from across the multiverse, assembled to protect it and their world from any threat they deem too great to exist. One member of the group, Hayley Atwell‘s Captain Carter, already made her debut on What If…?, but her associates are a whole different deal. While major cameos like John Krasinski‘s Mr. Fantastic or Patrick Stewart‘s Professor X are incredibly cool, their lack of MCU history doesn’t exactly lend itself well to the premise of the aforementioned animated series. Luckily, the group isn’t a total What If…? scratch.
Lashana Lynch makes a surprise return to the role of Maria Rambeau, only this time, she’s the one wielding unprecedented cosmic power. Chiwetel Ejiofor‘s Karl Mordo variant introduces the character as “Captain Marvel”, indicating this Rambeau comes from a universe where she was the one who took that fateful flight with Dr. Wendy Lawson and ended up in the hands of the Kree. Almost nothing about her origin or life are revealed in her few brief scenes, but her existence just begs to be further explored. If Maria was abducted from Earth, what happened to her daughter Monica? Was she raised by Carol Danvers? Was S.W.O.R.D. ever founded? What kind of galactic hero would Maria turn out to be? Also, that awesome Photon-inspired suit deserves a little more screen time than it actually got.
What If…Vision Lived?
For a decent chunk of Multiverseof Madness, the Sacred Timeline’s version of Scarlet Witch inhabits the body of another universe’s Wanda Maximoff and uses her to do all the dirty work. While this process, called “dream walking”, is pretty darn neat, it’s not the aspect of this scenario that’s most fascinating. The Wanda who falls under the Witch’s control is shown to be a loving mother of her two sons, living a relatively normal life despite still having her superhuman abilities. This suggests that the Maximoff of this world may not have suffered all of the same traumas as the mainstream Wanda fans have come to know. WandaVision taught audiences that the hero’s ideal life includes her husband, Paul Bettany‘s Vision, yet he’s nowhere to be seen during the film.
Perhaps he simply wasn’t home when 616 Scarlet Witch broke in and began manipulating his wife, or perhaps he wasn’t able to survive in this universe either. Whatever the case may be, it sets up an interesting question that What If…? could answer. What if Vision lived? Would Wanda’s life look more like the domestic one we see in the film, or would the couple still be out saving the world with the Avengers? It’s likely the Scarlet Witch persona would not have been embraced in the same way viewers have seen in the MCU’s Phase 4, but if it had, how would Vision’s presence have impacted it’s effect on the world? Hopefully Kevin Feige and the team at Marvel Studios give us answers sooner than later.
What If…The Illuminati Won?
The Illuminati were an insane, unthinkable live-action superhero dream team…which lasted for all of a few minutes before they all died. Forced to confront the full power of the Scarlet Witch, each member of the group fell violently, one-by-one. Though, what if they hadn’t? What if the Illuminati had been able to put down Wanda Maximoff and keep both Stephen Strange and America Chavez in their grasp? The squad had just finished telling Strange that he was a bigger threat than the Scarlet Witch when the latter wiped the floor with them, and the implications of their big speech seemed pretty depressing.
In the comics, the downfall of the Illuminati is their willingness to cross the line of ethics and do whatever they feel is necessary to protect the world. With the entire multiverse at risk, they might have offed the Sacred Timeline’s Strange in an effort to contain his supposedly terrifying power. What would have happened to his home universe had he never returned? As for America, it was only a matter of time before they discovered just how incredible her abilities really were. What would they have done with her once they knew? In the wrong hands, she could be a weapon used to “maintain peace” across all of space and time.
What If…Doctor Strange Was Earth’s Mightiest Hero?
When Stephen Strange fist arrives on Bruce Campbell‘s pizza planet, he’s greeted by an old friend-turned-enemy who’s become that world’s Sorcerer Supreme. Mordo explains to Strange that his variant died saving the Earth from Thanos, and had publicly become known as his Earth’s most popular hero. There’s even a statue bearing the inscription outside the Sanctum Sanctorum, and a whole museum dedicated to Strange’s life story. While later revelations from the Illuminati reveal this tale wasn’t entirely true, it does make one wonder where Tony Stark was while all of this was going down. His absence, and the lack of an Iron Man on the Illuminati roster, could be a subtle reveal that the universe in question never produced an armored Avenger of it’s own.
If this is the case, What If…? could capitalize with an episode centered around a world where Stephen Strange is the face of the Avengers and everyone’s favorite good guy. A variant of Strange from a completely different universe, dubbed “Defender Strange” by marketing, is seen at the beginning of the movie sporting a sweet pony tail and black-and-red threads. What if this variant is from a world where Strange formed The Defenders as Earth’s Mightiest Heroes instead of Stark and Nick Fury leading the charge with The Avengers? It’s a longshot, but it seems like a story worth diving into.
It’s not uncommon that Marvel Studios’ projects go through various stages of production, and also many versions of designs are played around with before they end up with the design we see in the final series. It looks like Moon Knight had gone through quite a few stages, as artist Raphael Imhotep shared a few designs from Mr. Knigh that he was involved in within its earliest stages of production.
He goes on to share that he was influenced by the anime Naruto when adding some additional details to the suit, especially in how it ties to visualize Khonshu “binding” him to the design.
He did praise the work that went into the version that would find its way to Disney+, but highlights that he wasn’t credited for his work yet was at least paid. Considering he was in the earlier stages of its development, that may be the reason why he didn’t get any direct credit.
They seemingly used elements from his design but added even more details, such as the crack on the mask and the detailing on the shirt. It’s always fascinating to get ta look at just how many different versions these designs go through, though it’s a shame w lost the hoodie which would’ve added a nice charm to his look.
It’s crazy to think that a few months have already passed since the live-action One Piece series started production. We didn’t know how they would tackle the series and if they are tackling it one episode at a time. It’s not uncommon for production to follow a different structure, as they schedule it around the availability of actors and how long some sets might require construction, something that stands out with One Piece‘s many ships that were spotted. Now, it seems that director Marc Jobst has wrapped up production on the first two episodes, as shared on Twitter.
The date on the board confirms that they’ve finished work with Friday’s date included. While we were able to confirm he’s working on the pilot episode some time ago, this is our first reveal that he’s also working on the second entry. The timing seems interesting, as the iconic ship of Shank’s was spotted and perhaps they’ve finished work on the flashbacks involving Shanks at a later point, which is why the first two episodes were only able to wrap at this point. He also shared a photo with some of the cast members to highlight the fun he had working on this project.
4 of the Hats with me the day after wrap on eps 1&2 Epic shoot. Wow! WOW! The most funny, talented, big hearted, beautiful people who you will fall in love and who will BLOW YOU AWAY! @onepiecenetflixpic.twitter.com/cbHFgtEUUQ
We’ve seen set photos of the Baratie and Alvida’s ship, which gave us some hint at some elements they may have filmed over time. Even Garp’s ship was hinted at, which was still in construction some time ago and may have already been finished. There’s a lot we don’t know, but it’s great to see they are moving forward with the production at a smooth pace and Jobst seemingly had an amazing time working on the production. Here’s hoping that he’ll also return for future seasons if Netflix realizes the potential of this project.
The next doctor has been found as Sex Education’s Ncuti Gatwa will take on the daunting task. He will follow after Jodie Whitaker to take on the role as the famous time traveler. He shared his excitement on taking on the role:
There aren’t quite the words to describe how I’m feeling. A mix of deeply honoured, beyond excited and of course a little bit scared. This role and show means so much to so many around the world, including myself, and each one of my incredibly talented predecessors has handled that unique responsibility and privilege with the utmost care. I will endeavour my upmost to do the same. Russell T Davies is almost as iconic as the Doctor himself and being able to work with him is a dream come true. His writing is dynamic, exciting, incredibly intelligent and fizzing with danger. An actor’s metaphorical playground. The entire team have been so welcoming and truly give their hearts to the show. And so as much as it’s daunting, I’m aware I’m joining a really supportive family. Unlike the Doctor, I may only have one heart but I am giving it all to this show.
Ncuti Gatwa
It’s certainly going to be an exciting new era for Doctor Who and we’ll see what the return of Russel T. Davis will also bring to reinvigorate the franchise. Gatwa is the first POC actor to take on the role and is coming off of his work on Sex Education. Here’s hoping we get a tease of his Doctor outfit in the near future.
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