Tag: TV

  • ‘Beauty and the Beast’ Musical Prequel Adds Broadway’s Jelani Alladin

    ‘Beauty and the Beast’ Musical Prequel Adds Broadway’s Jelani Alladin

    Luke Evans and Josh Gad‘s upcoming Beauty and the Beast prequel has found another actor to join its line-up, as The Walking Dead: World Beyond actor, Jelani Alladin, has joined the project. We just recently learned that Fra Fee was also going to have a role in the story, as the series slowly is starting to come together ahead of its production. The musical series will run for eight episodes and continue the stories of Gaston and LeFou after the events of the 2017 original.

    The story follows LeFou’s step-sister Tilly, who will be played by Briana Middleton, as her past comes to haunt her and the three are off unto an unlikely adventure. Alladin will play a quick-witted artist, who goes by Jean-Michel. The actor is no stranger to working with Disney, as he played Kristoff in the Broadway rendition of Frozen. He worked on various TV series such as Law & Order: SVU, and FBI. Given his stage background, he’s a great addition to bring the musical to life.

    Source: Deadline

  • EXCLUSIVE: ‘Warm Bodies’ Jonathan Levine to Direct Hulu’s ‘Tell Me Lies’ Pilot

    EXCLUSIVE: ‘Warm Bodies’ Jonathan Levine to Direct Hulu’s ‘Tell Me Lies’ Pilot

    Hulu has been quite busy preparing its new shows to take the streaming market by storm. Among their line-up of new productions is Tell Me Lies, a drama series that is developed as part of a first-look deal made with Emma Roberts and her Belletrist TV banner. It’s an adaptation of Carola Lovering‘s book by the same name. We can exclusively share that the pilot episode will be directed by Jonathan Levine.

    The director is well-known for his movie work with 50/50, Warm Bodies, and the 2019 release of Long Shot. He has started venturing more into TV productions, such as 2010’s Hot to Make It In America for HBO and Nine Perfect Strangers. What is noteworthy about the latter is that it’s another Hulu production. So, he’s no stranger to working with the streaming service.

    Tell Me Lies is currently eyeing a February production start. The series has added Jackson White and Grace Van Patten in the title roles of Stephen DeMarco and Lucy Albright. The story will follow Albright’s time in college, as she tries to leave her past behind her only to get swept up into DeMarco’s. Karah Preiss, the co-founder of Belletrist, is working on the project as an executive producer, while Meaghan Oppenheimer takes on the role of showrunner. Roberts is also attached as a producer on the new series. It’ll be great to see what Levine‘s style might bring to the adaptation.

  • ‘One Piece’s Taz Skylar Talks Preparing for the Role of Sanji

    ‘One Piece’s Taz Skylar Talks Preparing for the Role of Sanji

    It’s been some time since we found out who the cast was for Netflix’s live-action adaptation of One Piece. A lot of young talent is getting the chance to bring one of the world’s most popular manga to life. With Eiichiro Oda supervising the project and praising the cast of the series, it added some excitement to what they might bring to the table. Among them is Taz Skylar who was cast as the Straw Hats’ chef. He recently was interviewed by Nuit Magazine and revealed he’s been actively preparing for the role months before the announcement.

    I was in Hamlet at The Young Vic whilst also doing two to three hours of Tae-Kwon-Do training a day + chef training after the show in the evenings and it was a lot to handle whilst also trying to keep my centre of gravity as a human… But now, I’ve reached a point where I’m just kinda like… “You’re just gonna do your fucking best bro” and whatever happens fucking happens. If I walk on to set thinking “how are people wanting me to play this” I’m bound to fail… If walk on to set thinking, “this role is mine now and I’m going to rip it to shreds and pour my heart and soul into it” I’m always going to be proud of it

    Taz Skylar
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    As we saw with the recent set videos, they are all in with this project. The fact he was not only training Tae-Kwon-Do but also taking cooking lessons shows how dedicated they are to staying true to the characters. Instead of just finding a stand-in for those scenes, it seems he’ll do most of the cooking personally throughout the series. He also highlights how he relates to Sanji in how trauma shapes a person.

    Sanji’s a person who had to fend for himself from a young age and did so by becoming a master of his trade. Weirdly I’ve lived a similar life… I left home when I was fifteen and became an apprentice to surfboard builders. All of which resemble Sanji’s mentor Zeff in some way or another. And I learned to fend for myself through trial and error. This was all before I started acting and writing. His trauma and his reasons for leaving are the thing that drives his behaviour in adulthood… I have my own things I was running away from and which drive my own behaviour now… But we won’t go into those, that’s a whole other story. 

    Taz Skylar

    It certainly sounds promising how much he reflects on the role. He does mention Zeff, who has yet to be cast officially. It’s uncertain if their adaptation of the East Blue Saga might also reference some revelations we uncover at a later time. Still, it certainly seems like he is excited for the role and with the training, we cannot wait to see him show off his kicking skills once the series eventually releases.

    Source: Nuit Magazine

  • New Leaked ‘One Piece’ Set Video Offers Closer Look at Alvida’s Ship

    New Leaked ‘One Piece’ Set Video Offers Closer Look at Alvida’s Ship

    Not too long ago, the first images have found their way online of Alvida’s ship which will be used in Netflix’s upcoming live-action adaptation of One Piece. It was from the distance so you didn’t get a good look at it, but luckily Twitter user @BantuKingu shared a video from up close. Not only is it our best look yet, but it also gives us an update that they are indeed adding some color to the ship. If you look closely you can even see the red on the sails that would replicate the hearts the Miss Love Duck had in the manga and anime. It’s also impressive how big the ship is, which might probably only end up used in a few scenes. You can check it out here:

    https://twitter.com/BantuKingu/status/1483887827712724994

    It does seem like they are making some changes to the original design, such as the swan head being pink rather than white. In the anime, the entire ship was. The fact they are going for practical effects instead of simply adding it in post also a sign they care about bringing this series fully to life. It seems they are still busy preparing for the shoot, which is understandable considering how much time it might take to get one of these ships ready for the production. Here’s hoping we might also get a good look at other ships as they continue building them ahead of the production start.

    Source: Twitter

  • ‘Peacemaker’ Episode 4 Primer

    ‘Peacemaker’ Episode 4 Primer

    The first episode of Peacemaker saw Christopher Smith discharged from the hospital, thinking he was free to go as no cops had returned to arrest him. However, it’s upon the return home that he’s introduced to Clemson Murn and his team, featuring a few familiar faces. Murn tells Smith he’d only served four of his thirty-year sentence and could return to prison or work for him.

    Welcome to Project Butterfly, another “creatively” named mission in which we’ve learned that an alien species of insects codenamed “butterflies” has infiltrated earth. The butterflies are similar to Starro but are not extensions of one larger being. These butterflies are believed to have infiltrated some of the highest levels of government and influence on earth and it’s up to Peacemaker and his new team to root them out and stop them from taking over the world.

    Project Butterfly features the return of not only Peacemaker, but also Emilia Harcourt and John Economos. The two of them are Argus agents who worked on Task Force X during Project Starfish but seem to have much more history with the team. Alongside those two is Murn, an ex-mercenary who brought the issue of the Butterflies to Waller and was directly appointed to lead this task force. The final member is Leota Adebayo, who we learn very early on is the daughter of Amanda Waller and is, of course, there with an assigned ulterior motive: to plant a forged diary in the Peacemaker’s trailer.

    Perhaps one of the other biggest reveals from the first three episodes is the alter-ego of Auggie Smith, Peacemaker’s father. After being locked up in prison, the other prisoners salute Auggie and refer to him as the White Dragon, an obscure villain mantle from the comics belonging to white supremacists. We knew Auggie was quite a bad guy, but we didn’t know he was that bad of a guy!

    We meet Vigilante early on whose describes himself as Peacemaker’s “best friend” and is just plain crazy, looking to kill anyone who breaks even the most minuscule law. Although he was not an appointed member of the team, he makes space for himself in ‘Better Goff Dead’ in which he kills Senator Royland Goff’s family, all of whom are Butterflies, after Peacemaker hesitates.

    Of course, we can’t forget Judomaster making his live-action debut in the series. Judomaster is a Charlton Comic’s character just like Peacemaker, but the one we meet here is a more appropriately reimaged character. Judomaster is the Goff family bodyguard and gives the team quite a beatdown.

    Peacemaker Episode 3 ends with quite the shocking revelation as we get our very first look at one of these Butterflies, but also the reveal that this isn’t a contained threat. A map within the team’s surveillance van establishes the Butterflies as a global threat.

    Episode 4 of Peacemaker, “A Choad Less Travelled”, is set to HBO Max on Thursday, January 20th.

  • EXCLUSIVE: Alan Coulter to Helm Sylvester Stallone’s ‘Kansas City’

    EXCLUSIVE: Alan Coulter to Helm Sylvester Stallone’s ‘Kansas City’

    Paramount Plus continues to be a major player in the streaming wars with hits like Yellowstone, its prequel 1883, The Mayor of Kingstown and Picard all puling in good numbers and positive buzz. Three of those four series were written by Taylor Sheridan, who has been tapped by the studio to develop what looks to be another big time series, Kansas City. Set to star Sylvester Stallone, Kansas City follows an NYC mobster who relocates to Missouri, where he’ll have to restart his life after serving 25-year prison sentence.

    The show will be co-written by Terence Winter, who served as a writer on Boardwalk Empire and The Sopranos, and we can now add that Allen Coulter. who worked with Winter on both series, is on board to direct. The series, which will film in New York City and in Oklahoma, is rounding out the cast now ahead of a March start of production. Stallone’s Balboa Productions is among the production companies backing the show and Stallone will also serve as an executive producer.

  • EXCLUSIVE: Robert Downey Jr.-Led Series ‘The Sympathizer’ Eyeing June Production Start

    EXCLUSIVE: Robert Downey Jr.-Led Series ‘The Sympathizer’ Eyeing June Production Start

    We were all surprised when it was announced that Robert Downey Jr.’s next major project was an HBO series adapting The Sympathizer by Viet Thanh Nguyen. Park Chan-wook was attached to direct the series, which explores the tale of a Vietnamese communist spy during the end of the Vietnam War, as he is exiled to the United States. While not much has been reported since the announcement, we can exclusively reveal that the series is being developed with multiple seasons in mind.

    The production is still actively casting its co-lead to tar opposite Downey Jr. and is currently scheduled to begin a nearly year-long production this June. The project is actively casting actresses and actors with a Vietnamese background to ensure the authenticity of the project. As such, they will also film parts of the project in Vietnam and Los Angeles once they get the cameras rolling.

    It’s great to see the production focus on the book’s cultural background and shoot on location in Vietnam, which generally also helps boost the local economy. The production will also have a predominant Vietnamese cast with Oldboy director Chan-wook also acting as a co-showrunner alongside Don McKellar. HBO, A24, and rhombus Media are producing in association with Cinetic Medi and Moho Film.

  • Amazon Prime’s Lord of the Rings Series Title, Release Date Revealed

    Amazon Prime’s Lord of the Rings Series Title, Release Date Revealed

    Amazon Prime’s long-gestating Lord of the Rings series now has an official subtitle and a confirmed release date. The streaming network revealed today that The Lord of the Rings: The Rings of Power will debut this Fall on September 2nd.

    The series, which has been in development since 2018, will debut with an 8-episode first season set during Middle-earth’s Second Age, the time that saw the rise of Sauron and his eventual defeat at the hands of the Last Alliance of Elves and Men. Pre–production on a second season is underway and filming is expected to take place in the UK this Spring. Robert Aramayo, Owain Arthur, Nazanin Boniadi and Tom Budge lead a huge, ensemble cast.

  • REVIEW: ‘The Book of Boba Fett’ Episode 4 – The Gathering Storm

    REVIEW: ‘The Book of Boba Fett’ Episode 4 – The Gathering Storm

    We’ve returned once more to The Book of Boba Fett with the episode “The Gathering Storm,” which kicks off with another flashback sequence. As somewhat expected, the series explored the time when Boba met up with Fennec Shand, how he ended up saving her, and even his journey to retrieve his armor. There are great moments in this episode, but it once again suffers from feeling aimless throughout its 40+ minute runtime. Can those moments outshine the retelling of a story already told?

    Up until this point, the flashbacks during Boba’s ongoing Baccta tank resting plan offered some great moments to humanize the once style-over-substance character. While we get moments like that this time around – especially with his Bantha – it feels even more aimless in this episode. We catch up with The Mandalorian’s introduction of Shand but from his perspective. The use of his iconic audio cues – which highlights just how iconic Din Djarin’s character has become – was a great touch, but most of the story explored here was already explained.

    Yes, the medium should abide by the “show don’t tell” rule, but we’re showing what we’ve already been told. Even if it’s a great tie-in to why Boba recruited the Mods in the modern-day, we didn’t need to see Fennec get her implants. The highlight of the episode was the heist action sequence to steal his ship and the subsequent return to the Sarlacc Pit. He also got his revenge on the bikers in a rather short sequence that felt like a handwave rather than a poignant moment for his character, even if there are implications they weren’t working alone.

    We’ve now understood the Pykes are the main antagonists – as far as we know – for the upcoming battle for Mos Espa, but then we jump back into the past for most of the episode. Outside of learning why Fennec trusts Boba and what makes him different from the Hutts, which we already know since the first episode, there wasn’t much new here. The best moments of the episode – once again – are all the parts of his time trying to maintain his new empire.

    Krrsantan makes a surprisingly early reappearance, as he’s just kind of drinking his life away at the casino we visited in the first episode. He’s a great addition to the story, and the fact Boba recruits him was a great way to keep him in the story while also not relegating the character to a slave, as the Hutts sold him off, but it feels anti-climactic. Instead of coming in later on to help, he’s just a gun-for-hire now but my feelings on its quality are also conflicted with the fact that it works in Fett’s overarching narrative’s favor. So, it’s well handled but could’ve been better.

    I will say that this episode ended on a better note than previous entries. Din Djarin is making his return and the use of his soundtrack was a great touch without having to name the character outright. Supposedly, Boba is fully healed and it seems that these injuries that kept him going back to the Bacta tank have come to an end. Hopefully, he also gets a true moment to shine like his return in the second season of The Mandalorian. His short stint in the bar against the bikers was a good appetizer, but the character has never been truly unleashed up to this point.

    We are four episodes in and I can’t help but feel like the series is playing catch-up most of the time. The narratives from the past and present don’t feel interweaved as effective as they could’ve been to ensure we’re building up to something. Its predecessor Disney+ series had the luck of having individual storylines per episode that made it feel exciting each time. Yet, this season seems to be struggling with wanting to tell not one but two cohesive linear storylines, while keeping each episode self-contained. There’s a lot to love here, but I sometimes feel like this series may have benefitted from a Netflix-style binge watch rather than a weekly release.

  • REVIEW: ‘As We See It’ Is Charmingly Honest

    REVIEW: ‘As We See It’ Is Charmingly Honest

    Life isn’t easy out there, especially not if it feels like the world is stacked against you. Everyone strives to be like those that seemingly have it all together, even if they may struggle in their way. As We See It takes a closer look at that very struggle through the eyes of Jack (Rick Glassman), Violet (Sue Ann Pien), and Harrison (Albert Rutecki), three roommates on the autistic spectrum. In the past, the portrayal of autism has been rough in films and TV. Yet, this series by Jason Katims finds a humanizing way to induce comedy and drama that shows a charmingly honest look at their lives and those around them.

    What I believe this show handles best is that it avoids autism as a caricature or even turning it into the butt of the joke. Instead, it embraces its characters and every aspect that defines them. We’re not in a sitcom. This show warms your heart by showing you the highs when even the smallest challenge is accomplished – a lesson perhaps many of us should learn as well. Harrison managing to walk down the street may seem unimportant but it means the world to him. He manages it because of the support system he has in Sosie Bacon‘s Mandy.

    Speaking of, her role in the story highlights another strength of this series. While Jack, Violet, and Harrison are technically our main trio, a lot of time is spent fleshing out the people around them and how their lives start to interweave. Mandy’s storyline is about her questioning to follow her dreams – if they truly were her own – or continue the work she’s doing for these three. The show doesn’t harp on drama but doesn’t shy away from it. That’s why I mention it is “honest” earlier in the review.

    They don’t sugarcoat autism and how it affects not only those living with it but those closest to them. Violet’s relationship with her brother Van (Chris Pang) is a great showcase of exactly that. He takes harsh actions due to having to handle it on his own after the passing of their parents. There’s so much pressure already on him that he’s become overprotective. It’s a natural progression of his character that is punctuated throughout his development in this show, heightened by Pien and Pang‘s performances.

    However, I will say there is one plotline that seemingly felt predictable yet forced at the same time. I do not want to spoil it, but I feel once it happens many will understand what it is. It exists purely to add drama and it takes away from a character’s nuanced struggle. The idea is fine, but I do feel like if it was slowly introduced for a future season it may have more impact, as well as not taken away from an already nuanced struggle that a character faced.

    There are some moments where the show takes its time with storylines, but it’s part of its charm. It offers an unrelenting experience of the struggles our main characters go through. Glassman‘s Jack tries to take a very direct approach to solve his issues while the underlying emotional challenges are yet to be addressed. Through Violet’s experiences, the series highlights the cruelty of the real world and how unkind people can be. And even those that are good-natured at their core, like Harrison, may be misunderstood by a world that just simply is untrusting.

    When tackling such a sensitive topic, there’s always going to be a fine line that is hard to keep intact. I can’t help but praise how As We See It manages to do it so well. There’s a charming honesty at display in its portrayal of its characters and the struggles they face. It teaches you that no matter how difficult it may be, there’s always going to be a moment to smile, connect, and live. Even if there may be a new challenge just around the corner, that only means well face a new opportunity to grow. Perhaps for some, this show can do exactly that.