Category: From Page To Screen

Welcome back to yet another From page to Screen focusing on She-Hulk: Attorney at Law. In the show’s first week, we looked at the differences between the comics’ and series’ versions of Jennifer Walters’ origin story. The following week, viewers got a live-action introduction to Jen’s new legal job, taken straight out of Dan Slott’s and Juan Bobillo’s 2004 She-Hulk run—Goodman, Lieber, Kurtzberg & Holliway (GLK&H). Episode 3 introduced a reimagined version of comic book villains, in its fourth week, the show decided to focus on Jen’s love life and, the following week, on Jen’s nemesis, Titania. Episode 6, being a “self-contained wedding episode” was approached as its own thing while referencing a lackluster comic arc where Jen ended up being engaged herself. As for episode 7, with the introduction of Man-Bull, El Águila, and Porcupine, we took a look at other She-Hulk villains that could be showing up down the line before heading into episode 8 which gave us the long-awaited Matt Murdock / Daredevil appearance, which bore some similarities with The Good Old Days story arc featured in the 2014/15 Charles Soule She-Hulk run.

The season finale was all about fourth wall breaking by doubling down on the few times Jen did just that in the previous episodes. She now literally breaks the fourth wall by breaking out of Disney+, going into the real Marvel Studios HQ all while demanding script changes from K.E.V.I.N., an in-joke for the Marvel Studios head Kevin Feige.

This, the breaking out not just to connect with the viewer/reader but going a step beyond and conversing with the creator itself, questioning his decisions and proposing something more to her liking, is fairly similar to what happened in the John Byrne’s The Sensational She-Hulk #37. Here, Jen, after getting into a dispute with the Living Eraser, mishandles his Dimensionizers and erases herself blaming Byrne for such a poor decision.

This serves as a prime example of the kind of impact that Byrne had on the character since, at the time Stan Lee wrote her first issue, 1980’s The Savage She-Hulk #1, her ability to step out of the comics wasn’t yet a thing. It wasn’t until Byrne’s iconic 1989 run that she truly became one of the most distinct Marvel characters by gaining such power. But instead of just breaking the fourth wall, Byrne’s She-Hulk made use of it. She tore pages apart so she could skip ahead to the villain more quickly and when things weren’t going her way she would request to basically skip over a fight she knew she would lose. She would even try to convince Byrne and the Marvel editors to change her looks whenever she felt her hair looked bad. The Sensational She-Hulk really made a tremendous contribution to both establishing a comic paradigm shift and dismantling comic book physics.

And the same can be said regarding the Marvel Cinematic Universe. Even if K.E.V.I.N. identified the programming error that allowed Jan to step out of the show into the real world, making sure to say to her that this was the last time she would be able to do that, there is no denying that the level of self-awareness the character may yet instill into the MCU is substantial. That is, if the other characters actually believe her on that, something that both She-Hulk: Attorney at Law and the comics hint at, as these panels from The Incredible Hulk #412 can attest to.

If Marvel Studios ever decides to introduce a character that is also in on the gag, much as Marvel Comics did with her boyfriend Wyatt Wingfoot and the Blonde Phantom that decided to make a comeback as a She-Hulk sidekick while breaking the fourth wall herself, in The Sensational She-Hulk #4, there are surely a number of possible contenders. Even if this may somehow make Jen’s powers feel less unique, in the context of the MCU it is a concept that will surely thrive. With the upcoming Avengers: Secret Wars, why not introduce the idea of a universe where every single Marvel character grew bitter and disgruntled by knowing their free will, their freedom to do otherwise, and the power of self-determination was in the hands of a random writers’ room on Marvel Studios HQ?

She-Hulk: Attorney at Law is now streaming, in its entirety, only on Disney+.

Welcome back to yet another From page to Screen focusing on She-Hulk: Attorney at Law. In the show’s first week, we looked at the differences between the comics’ and series’ versions of Jennifer Walters’ origin story. The following week, viewers got a live-action introduction to Jen’s new legal job, taken straight out of Dan Slott’s and Juan Bobillo’s 2004 She-Hulk run—Goodman, Lieber, Kurtzberg & Holliway (GLK&H). Episode 3 introduced a reimagined version of comic book villains, in its fourth week, the show decided to focus on Jen’s love life and, the following week, on Jen’s nemesis, Titania. Episode 6, being a “self-contained wedding episode” was approached as its own thing while referencing a lackluster comic arc where Jen ended up being engaged herself.

As for episode 7, and much the previous week’s, there were a few new takes on less known comic characters. This time we got Man-Bull, El Águila, and Porcupine introduced into the MCU, all of which were already the focus of individual features by our own John Sabato. Taking a deep dive into how these characters were adapted to the small screen makes little sense now, so we decided to focus on three other villains with whom She-Hulk has a history that might end up getting adapted themselves in the future. Especially considering both present and future events within the overall MCU.

RED SHE-HULK

With the increased relevance to the MCU’s future that The Incredible Hulk has managed to gain in the past few months, with The Abomination coming back, and Tim Blake Nelson set to return as The Leader in Captain America: New World Order, it’s probably not that big of a stretch to think of a possible Red She-Hulk appearance down the line. Especially given how that particular movie will probably explore a potential explosion of Hulks in the MCU.

Even if the MCU’s Red Hulk might not turn out to be Thaddeus “Thunderbolt” Ross, due to the passing of the great William Hurt, why not bring back another character from the first Hulk outing, thus allowing Betty Ross to become Red She-Hulk?

Red She-Hulk shares many of her father Red Hulk’s abilities, including superhuman strength, which enables her to take on both the Hulk and She-Hulk. She can pierce even the thickest and most resistant skin with her razor-sharp claws and talons. Unlike her father, she can produce energy blasts, which she might use to devastating effect. Though this was only for a brief period in the comics, she could fly and had theoretically limitless strength in her form as the Harpy. She also could come to own her “big ass sword” that was initially presented to the Red She-Hulk during the “Fear Itself” storyline and was crafted by Tony Stark using Stark Industries repulsor technology and enchanted uru metal (the same material Mjölnir is made of) from the Real Eternal, Asgard.

ABSORBING MAN

With Titania becoming such a big focus point in She-Hulk: Attorney at Law, and with the apparent ease with which superpowered people now show up in the MCU, why not bring someone close to her that also happens to have a history with She-Hulk? Absorbing Man fits the bill.

Crusher Creel, who we’ve already seen on the small screen in Marvel’s Agents of S.H.I.E.L.D., played by Brian Patrick Wade) has the power to imitate the matter and strength of anybody or anything nearby thanks to a mysterious potion. Most frequently, he duplicates the qualities of anything he touches, including solids, liquids, gases, and even energy sources. Over time, he learned to choose which substances to absorb, and even how to absorb multiple substances at once and combine their properties. During one of his encounters with She-Hulk, she realized that he could only ignore certain materials’ qualities if it wasn’t abundant. But drowning him in something that would be detrimental to his physical condition could then turn his powers, which could allow him to be the most powerful villain in the entire Marvel Universe, into weaknesses.

UNUM

Another interesting foe that could come up against Jennifer Walters, is Unum. The cosmic entity Enmity (one of the Seven Friendless, a group of seven cosmic creatures) basically assembled the being Unum from the remains of many extraordinarily potent dead entities, including Dormammu. The Latin phrase “e Pluribus Unum” which means “out of many, one” is where the name of this enormous entity originates.

What makes her especially interesting in the context of the MCU is that Unum was established with the sole intent of eliminating all heroes, but initially focusing on female heroes, something that could lead down a compelling path in terms of storyline and real-world analogies. Unum was essentially invincible, but She-Hulk managed to defeat it and as a result of the revelation that Enmity was only using her as a tool for amusement, the mighty Unum turned against her creator, destroying her physical form, and committing suicide. 

It’s doubtful any of these characters might show up in the final two She-Hulk: Attorney at Law episodes, considering how Daredevil and perhaps even The Leader could be making appearances. But with Jen’s story continuing beyond the show, and with the series making it clear that no character of off limits, it shouldn’t take long for her rogues’ gallery to expand significantly in the not-so-far future. Either with these or other characters.

The first seven She-Hulk: Attorney at Law episodes are now streaming on Disney+.

Welcome back to yet another From page to Screen focusing on She-Hulk: Attorney at Law. In the show’s first week, we looked at the differences between the comics’ and series’ versions of Jennifer Walters’ origin story. The following week, viewers got a live-action introduction to Jen’s new legal job, taken straight out of Dan Slott’s and Juan Bobillo’s 2004 She-Hulk run—Goodman, Lieber, Kurtzberg & Holliway (GLK&H). Episode 3 introduced a reimagined version of comic book villains and in its fourth week, the show decided to focus on Jen’s love life and, the following week, on Jen’s nemesis, Titania.

Episode 6 presented itself as a tricky one when it came to finding a strong enough connection to She-Hulk comics. Both Mr. Immortal and Intelligencia had a somewhat meaningful presence in it but were already the focus of a couple of features from the past week. It was then time for something different. And much like Jen herself stated, in the starting sequence, that episode 6 was a “self-contained wedding episode”, why not try and make this a self-contained P2S feature? If an engagement featured in a She-Hulk comic can also be referenced, then that’s enough to justify the option. Let’s go with that.

In 1989 Marvel published a two-part story entitled She-Hulk: Ceremony, that focused on Jen and Wyatt Wingfoot getting engaged. In the midst of it all both also had to help stop a madman attempting a mystical world conquest. Much as She-Hulk: Attorney at Law tries to focus on the comedic side of the character, this was a story that was initially intended to be a romantic comedy. But what began with the best of intentions turned out to be one of Marvel’s most clumsy attempts at giving feminism a much-needed spotlight. 

The basic plot goes a little something like this:

While watching a TV soap opera, She-Hulk feels the need to become a mother. She decides to look for something to fill that “void she has discovered in her life” because she “feels empty.” In a baffling decision, she somehow sees her ex-boyfriend Wyatt Wingfoot (who she briefly dated when She-Hulk was a member of the Fantastic Four) as the only one who can help her. Wingfoot, a native American, is just beginning his legal education while still residing in the Baxter Building and is utterly shocked by being approached by Jen and being asked to father her children out of the blue.

By trying to appease the usual rom-com structure and conflicts, the story also ended up following the same clichés the genre usually features. She-Hulk thus ended up being portrayed as extremely bashful and uneasy about sharing her thoughts, very much unlike her usual honest, straightforward, and forthright character when it comes to her emotions. Another characterization that seems incredibly outdated is how the comic shows Jen as being very ambivalent regarding the right to choose to have an abortion or not, something she clearly states following a bomb threat at a local abortion clinic. This sort of tactlessness when it came to her character perhaps only came second to the disrespect towards native American culture with it being depicted in the most stereotypical fashion, filled with mystical nonsense, reducing it to a caricature.

In the end, and after finally defeating the big bad, Carlton Beatrice, Jen and Wyatt realize that they weren’t really in love with each other. They become aware that their engagement was (at least primarily) a result of a mystical basket (the story’s McGuffin) connecting them. They choose to separate with Jen making use of her legal expertise to assist in recovering Wyatt’s Keewazi Reservation which had been affected by the entire ordeal.

What does this have to do with She-Hulk: Attorney at Law? Not much. There’s Jen, there’s She-Hulk, there’s the idea of a wedding, there are fights and lots of nonsense (both the good and the wrong kind). But what ultimately sticks when revisiting such a story is just how much She-Hulk eventually evolved into a proper Marvel feminist icon, and how the Marvel Studios’ show manages to address several of the same issues in a much more respectful and gracious manner. With the show having such a strong sense of self-awareness, explicitly criticizing the misogynistic trends that, particularly on social media, surround female superheroes and female-led initiatives, She-Hulk has indeed come a long way in what it can add, as a character, to not to what comics and TV are concerned, but more importantly to the general discourse.

The first six episodes of She-Hulk: Attorney at Law are now streaming on Disney+.

Welcome back to yet another From page to Screen focusing on She-Hulk: Attorney at Law. In the show’s first week, we looked at the differences between the comics’ and series’ versions of Jennifer Walters’ origin story. The following week, viewers got a live-action introduction to Jen’s new legal job, taken straight out of Dan Slott’s and Juan Bobillo’s 2004 She-Hulk run—Goodman, Lieber, Kurtzberg & Holliway (GLK&H). Episode 3 introduced a reimagined version of comic book villains and in its fourth week, the show decided to focus on Jen’s love life. As for episode five, it shed some light on Jen’s nemesis, Titania.

We had already gotten a quick glimpse of her on the show’s premiere, only for She-Hulk to bring her down with a single punch as she raided a courtroom. This, so far, has been the only actual physical confrontation between the two on Marvel Studios’ She-Hulk: Attorney at Law. As for the comics, the story has been quite different as it is Titania’s strength and endurance that have propelled her into becoming one of She-Hulk’s lifelong adversaries.

When a cosmic being known as the Beyonder whisked Marvel’s best fighters to a mysterious realm known as Battleworld during the catastrophic events of Secret Wars, Titania (then Mary MacPherran) saw her life forever changed. She was unintentionally included in the group, just a regular citizen who had grown up being teased by peers for being from a low-income household and diminutive in stature. She and her buddy Marsha are then sent to Battleworld after making up a connection with Spider-Woman when Doctor Doom eventually finds them stuck there. He promises to equip them with cutting-edge alien technology in exchange for their participation in his army, which he intends to use to battle the Marvel superheroes on Battleworld. Once they agree, both of them undergo transformations: Mary becomes significantly taller and gains superhuman strength, endurance, and durability; Marsha can turn her entire body into blazing plasma.

Following this, the two of them change their names to Titania and Volcana, respectively, and join forces with Doctor Doom to become villains. Titania then battles She-Hulk for the first time, achieving a rare win that would later develop into a protracted conflict between them.

As for the show, and per the initial casting call when the character was referred to as Lucy, Titania is described as a glamorous Social Media influencer, a Kardashian-type if you may. Her origin is bound to differ from the comics’ since we’re still a few years away from the events of Secret Wars, with little to no guarantee that the upcoming movie will even play out in a way similar to the 1984 comic run where Titania made her debut.

Although her super-human strength appears to still play a big role in her character, she has found other ways in which to confront Jen. According to Jameela Jamil, who plays her on-screen, her biggest superpower might actually be “being annoying.”

Titania stands out because I think she’s the most annoying of them, actually. I think she almost doesn’t need to use her strength; she could just annoy you to death…and I think that is a superpower that we haven’t really utilized enough. She’s also very glamorous… and I like the fact that she’s completely unselfconscious. She’s completely unselfconscious and so, so weird.

Jameela Jamil

With Tatania deciding to face off with She-Hulk in a court of law instead of going the more traditional route of punching herself out of a situation, the series has deprived itself of the more action-orientated approach the comics usually go for, but the outcome of said decision is likely going to make her rethink strategy. With four episodes to go, and given the relevance given to the character, it’s perhaps pretty likely that a brawling face-off is in the cards, even if Titania doesn’t quite feel as the big bad the series has been teasing for a while.

The first five episodes of She-Hulk: Attorney at Law are now streaming on Disney+.

Welcome back to yet another From page to Screen focusing on She-Hulk: Attorney at Law. In the show’s first week, we looked at the differences between the comics’ and series’ versions of Jennifer Walters’ origin story. The following week, viewers got a live-action introduction to Jen’s new legal job, taken straight out of Dan Slott’s and Juan Bobillo’s 2004 She-Hulk run—Goodman, Lieber, Kurtzberg & Holliway (GLK&H). Episode 3 introduced a reimagined version of comic book villains and now, in its fourth week, the show decided to focus a bit on Jen’s love life.

While mainly focusing on Wong, Donny Blaze, and Madisynn, episode four’s B-plot followed Jen as she tried to rekindle her love life through a dating app. While initially presenting herself as… Jennifer Walters, Attorney at Law (to dismal results), she quickly realized that She-Hulk could be a far more intriguing persona in the eyes of the opposite sex. This didn’t come without its setbacks as the one guy who seemed like a perfect fit, even if being a textbook cliché, lost all interest when Jen reverted to her natural form.

This will undoubtedly become a learning experience for Jen, with one of two outcomes. In the future, she’ll either go out as herself so as not to surprise her dates when the morning comes, or she’ll try to keep up appearances and stay in She-Hulk form for as long as needed, while the guys are still around.

In She-Hulk #1 (2014) she decided to take up the latter as she tries to avoid what she calls “The Look”. The “I-went-home-with-She-Hulk-but-woke-up-to-this.” look. This approach somewhat opposes what we’ve seen from Jen in the series so far, as it is being in She-Hulk form that makes her a bit uncomfortable and feeling not like herself.

But, as in the show, her decision isn’t always the best. And while in the series she got rejected by Arthur for being Jen, in the comic she’s rejected by Mika for being She-Hulk and exuding a lack of depth that perhaps Jennifer herself wouldn’t lack. The fact that Mika was looking for something more while being an underwear model himself just made it sting a little bit more.

Another similarity between the comics and the show is how She-Hulk apparently manages to fascinate all sorts of men. What they all seem to lack is a real interest in who the actual person behind She-Hulk is. When deciding to focus on everything that makes her visually unique, they completely miss the mark on what Jen believes she brings to the table when it comes to being in a relationship. It is only when she lets her guard down and somehow lets herself be a bit more superficial that things evolve, only to bring herself to the previously mentioned early morning rejection.

This, the fact that men seem to have little to no boundaries in terms of approaching She-Hulk just due to the novelty factor, either in weird ways or simply in the worst possible situations, is also a common situation in the comics. This highlights just how entitled some men can be when it comes to women, and also just how much women have to deal with in similar circumstances. And if She-Hulk definitively has the physical prowess to stick up for herself if the situation asks for it, that is definitely not always the case in the real world. The way the series allows Todd to simply utter the words “What a specimen.” right after Jen basically admits to being indestructible just makes everything completely transparent. Just another thing that both the show and the comics have in common. Considering this run is about to turn 20 years old and the subject matter remains incredibly pertinent is also worth highlighting.

At the end of the day, all these trials and tribulations are what eventually lead to Jen feeling more like herself both in and out of She-Hulk form. Understanding when each look better suits the situation and taking advantage of what each allows her to accomplish that the other one doesn’t, as we’ll soon see in the series as we approach the second half of the season.

The first Four episodes of She-Hulk: Attorney at Law are now streaming on Disney+.

Welcome back to another installment of She-Hulk: Attorney at Law From Page to Screen. In the show’s first week, we looked at the differences between the comics’ and series’ versions of Jennifer Walters becoming She-Hulk as seen in the first episode. In Episode 2, viewers got a live-action introduction to Jen’s new legal job, taken straight out of Dan Slott’s and Juan Bobillo’s 2004 She-Hulk run—Goodman, Lieber, Kurtzberg & Holliway (GLK&H). Episode 3 took She-Hulk in a bold direction. While it didn’t appear to be the most comics-inspired episode, it did introduce an apparently reimagined version of a comic villain.

At the end of the episode, Jen is jumped by four men who wield the stolen tools of an Asgardian construction worker. The gang is apparently the Marvel Cinematic Universe version of the supervillain team, the Wrecking Crew. The group first appeared in 1974 in The Defenders #17. Since then, however, the Wrecking Crew has primarily been associated as a villain to Thor, though they appear as adversaries in a wide variety of contexts in Marvel Comics.

Despite being construction-themed, the Wrecking Crew has a rather fantastical origin. The Wrecking Crew began in Marvel Comics with Dirk Garthwaite, a demolition worker whose violent upbringing made him equally unstable and violent. Dirk donned a mask and costume and assumed the criminal persona of “Wrecker,” causing mayhem at crime scenes with a crowbar. Wrecker’s crime spree one day brought him Loki, who was summoning his ally the Norn Queen to restore his magical power. Dirk was mistaken for Loki after stealing and wearing Loki’s helmet, and he was granted magical power in the form of superhuman strength and endurance.

Wrecker used his newfound power to carry out Loki’s command and battled Thor. Wrecker was defeated by the Destroyer armor after several attempts to kill Thor and was imprisoned. Wrecker eventually escaped from prison with three other inmates: Bulldozer, Piledriver, and Thunderball. The villain found his crowbar (which held his enchanted powers) and decided to share his power with his new crew of escapees. The Wrecking Crew was born when a thunderbolt hit the crowbar while all four held it.

In She-Hulk, the Wrecking Crew so far seems to be a rather puny, comedic version of the comics’ team. Though the group’s live-action origin is a nice nod to the heavy Thor-based comics crew, as they got their “abilities” by robbing an Asgardian construction worker of his enchanted tools. The Wrecking Crew members weren’t just looking for a fight with Jennifer Walters. Thunderball, wearing a ski mask, tries to inject her with what appears to be a blood sampling device. This opens the door for questions about the MCU Wreck Crew’s “boss” and what they want with Hulk blood.

The live-action Wrecking Crew has barely appeared in She-Hulk, so it is difficult to say if they will remain this fairly de-powered version of the classic comics team, or if they have more development later in the series. In She-Hulk comics, there is a comedic moment where the Wrecking Crew is imprisoned in the Big House, a Pym particle shrunken-down prison. Perhaps there is a chance for even more Ant-Man references in an MCU Disney+ series.

She-Hulk: Attorney at Law is now streaming on Disney+.

Welcome back to another installment of She-Hulk: Attorney at Law From Page to Screen. Last week, we looked at the differences between the comics’ and series’ versions of Jennifer Walters becoming She-Hulk as seen in the first episode. In Episode 2, viewers got a live-action introduction to Jen’s new legal job, taken straight out of Dan Slott’s and Juan Bobillo’s 2004 She-Hulk run—Goodman, Lieber, Kurtzberg & Holliway (GLK&H).

The Hiring/Firing

Both She-Hulk #1 (2004) and She-Hulk Episode 2 feature a specific moment. In the comics, Jen is hired by Holden Holliway in a bar. There, she transformed back into Jen from She-Hulk after drinking and was immediately drunk. The live-action series adapted this moment, though not when she was being hired. Instead, Jen explains her “different metabolism” when drunkenly being fired from her job at the District Attorney’s Office.

The series also interestingly reversed Jen’s presence in the GLK&H office. In the series, Holliway asks her to be in She-Hulk form to be the face of the division. Jen is upset because she feels more comfortable in her human form. In the comics, however, Jen is much more comfortable in She-Hulk form, but Holliway asks that she always be in Jen form for work. It makes sense that the series would want to spend more time with She-Hulk herself, so the reverse of the comics’ situation suits where Jen’s story is currently at.

Superhuman Law Division

The most important aspect of GLK&H in all media is, of course, the fact that the firm has a superhuman law division. While it will likely change over the course of She-Hulk, a difference between the comics and the series is obvious through Jen’s first tour of the firm. In She-Hulk #1 (2004), GLK&H’s superhuman division has been flourishing for some time. Doctor Strange is involved in negotiations while Jen starts her first day. The Marvel Cinematic Universe’s history with superhumans in society is much shorter than the comics’. She-Hulk seems to be actively moving the live-action world forward, but for the time being, GLK&H’s superhuman law division is relatively empty of superhumans. But Jen’s meeting with Emil Blonsky, aka The Abomination, is already showing the series’ potential to get as absurd as the comics.

Another GLK&H superhuman law division component appears on the page and screen. In Episode 2, Augustus “Pug” Pugliese introduces himself by walking in the door. Pug is a character directly from She-Hulk (2004), and he also introduced himself while walking into the room there too. It’s a minor detail, but nonetheless, something the mediums shared. Pug is another lawyer in Jen’s division at GLK&H, and has been a neighbor and roommate to her in the comics. It has yet to be seen how large of a role Pug will play in She-Hulk, but he becomes a close friend (and one-way love interest) during his comics story.

She-Hulk: Attorney at Law is now streaming on Disney+.

Another Marvel Studios Disney+ series, another installment of From Page to Screen. Each week, we will compare Marvel comics’ elements to the live-action episodes of She-Hulk: Attorney at Law. You can check out previous From Page to Screen series for Hawkeye, Moon Knight, and Ms. Marvel. With the first episode of She-Hulk streaming, it is the perfect time to look at the character’s origin in comics and on screen.

In the comics, as laid out in Savage She-Hulk #1 (1980), Jennifer Walters was a prosecutor who also happened to be the cousin of Bruce Banner, aka the Hulk. Jen was an ambitious lawyer who took her job very seriously. One day, Bruce came to visit her and revealed to her that he was the Hulk, which at the time was more or less a secret to the public. At the time, Jen was eyeing bringing criminal charges against Nicholas Trask, a notorious crime boss. Trask’s goons followed Jen and Bruce as they were driving. When they got out of the vehicle, Trask shot and seriously wounded Jen. Bruce, deciding there was not enough time to get Jen to a hospital, gave her a transfusion of his own blood. The transfusion saved Jen’s life, but gamma radiation in Bruce’s blood caused her to transform into the She-Hulk.

How the Series Handled the Origin

She-Hulk: Attorney at Law’s first episode focused on Jen’s origin as She-Hulk. While the fundamentals of the character’s comics origin are still in the Marvel Cinematic Universe, the live-action version of her origin is undoubtedly significantly different. Still, the basic concept of Jen becoming a Hulk because Bruce’s blood entered her veins made it into the series. Instead of a transfusion, however, their blood accidentally comes into contact after a car wreck. Jen, whose arm is leading from slicing it on some vehicle wreckage, pulls Bruce (who is also bleeding) from the car. Bruce warns her to stay away, but it is too late.

Another interesting component that is present in the comics and series is the car ride. It seems relatively insignificant to the greater story, but both involve tragedy after Bruce visits his cousin. How the car ride turns out, though, is obviously very different. In She-Hulk, Jen is still a prosecutor, but there is nothing about her targeting a crime boss. Instead of being shot, the car goes off a cliff to avoid a Sakaaran ship that blocks the road.

Considering She-Hulk is being introduced, essentially from scratch, in the MCU, it makes sense that her origin would be updated to reflect the established universe and also benefit the series. As a half-hour comedy, a more elaborate crime boss backstory could take up too much time if it isn’t particularly relevant. The accidental blood mix-up also streamlines Bruce’s role in Jen’s transition—he may have a lot less emotional investment or guilt surrounding the event if it didn’t involve an intentional choice by him.

We will keep analyzing how the comics are adapted in She-Hulk: Attorney at Law as the series continues. The first episode is now streaming on Disney+.