Category: Features

  • Theory Thursday: The Spider-Verse Paradox

    Theory Thursday: The Spider-Verse Paradox

    Multiple topics are trending amongst Marvel fans. The upcoming finale of WandaVision and the premiere of The Falcon and The Winter Soldier are on everyone’s mind. Yet, perhaps nothing riles up all four corners of the fandom quite like Spider-Man. Last week, the official title for the upcoming threequel got revealed via a social media post, Spider-Man: No Way Home. The title reveal has sparked multiple theories ever since. They range from possible plotlines based on crossed-out names to the suspicious use of hexagons across the board.

     

     

    Yet, the biggest question on everyone’s mind is whether or not Spider-Man: No Way Home will incorporate the multiverse. Kevin Feige confirmed that the events of WandaVision and Doctor Strange in the Multiverse of Madness will tie into the third entryAs such, there is a high probability that we will witness some multiverse shenanigans. With that in mind, it would imply that we could see former iterations of the character return to the silver screen. Yet, Tom Holland has denied any potential cameos by Tobey Maguire and Andrew Garfield on multiple occasions.

    The rumor of a live-action Spider-Verse has gotten rumored for quite some time. This time, the concept seems plausible. So, in the case that Spider-Man: No Way Home does go that route in December, we might wonder how they would approach this storyline. We are talking about characters that haven’t been on the silver screen for some time. Andrew played the character around seven years ago, while Tobey hasn’t donned the suit since 2007. Keep in mind that Far From Home takes place in 2024. So, how do we bring them from their respective timelines into the MCU? Let us try to answer this Spider-Verse Paradox.

     

    The Timelines

     

    In my Phase 4: Reality Checked feature, I talked about how Marvel Studios explicitly defined the MCU’s time travel concept by taking the multiverse approach. In essence, any alteration in the past would create a new timeline, which ruptures the flow of time into a new universe. It’s pretty much a butterfly effect on a larger scale. So far, we know that it will get presented in the upcoming Disney+ shows Loki and the animated What If…? series. They seem to exist in alternate timelines (and therefore alternate universes), proving the existence of a Marvel Cinematic Multiverse. That theory is for another day. Now that we have a clear picture of the MCU timeline. So, let’s take a look at other universes.

     

     

    Let’s apply the concept of the multiverse to another franchise: Sam Raimi‘s Spider-Man trilogy. Based on the multiverse concept, the Raimi films exist in another timeline and therefore are pretty straightforward. The same principle would apply to The Amazing Spider-Man films, which exist in a separate timeline and universe. Now, how will Marvel Studios bring them all together for Spider-Man: No Way Home?  

     

    Spider-Verse Paradox

    The Spider-Verse Paradox Theory refers to the diagram above. In essence, all of the alternate universes have their separate timestreams. When that flow gets disrupted by an event caused within the MCU, whether it’s caused by Wanda Maximoff in WandaVision or something else entirely, we will have a convergence-style event. It will be similar to the one we witnessed in Thor: The Dark World. Yet, instead of the nine realms, multiple universes converging towards the center of the singularity. At the center of it, all will be the MCU’s New York City.

    What is the point I’m trying to make? The timelines of each universe will flow linearly and converge during Spider-Man: No Way Home. As it is set in 2024, then that means that the other timelines have to be in the same year. It means that Andrew Garfield‘s Peter Parker would have been Spider-Man in the TASM universe for about ten years, and Tobey Maguire‘s version will have existed for nearly 20 years. It would be interesting to revisit the character after that many years on the job.

    We can only imagine how many stories they could tell. There is also the possibility they hung up on the mantle. Perhaps Maguire‘s Peter settled down with Mary Jane Watson and started a family. What happened after Andrew Garfield’s Spider-Man came back in The Amazing Spider-Man 2 and took on Paul Giamatti‘s Rhino? The possibilities in those stories are endless. It’s all just a matter of waiting to see if it comes to fruition.

    Source: Walt Disney

  • ‘WANDAVISION’ Episode 9 Primer

    ‘WANDAVISION’ Episode 9 Primer

    The last episode of WandaVision helped us see how we got to where we are. There are two major things that were presented clearly in the flashbacks. 1: Wanda has always had powers, 2: Her grief has shaped everything that has happened to her. The combo of those two things led to the BIG psychotic break that recreated the whole town of Westview to fit Wanda’s ideal life, including creating Vision out of nothing.

    What Fate Awaits WANDAVISION's Twins, Billy and Tommy?

     

    There are a few unresolved things that are going to have to get worked out in the finale. Vision is headed back to the house where the twins are being held captive by Agatha. Also, Woo, Monica, and Darcy have to wrap up their stories in some way. We also saw that they took Vision apart only to put him back together and create White Vision. Seeing this new version of her dead husband could really add another weight to Wanda’s shoulders.

    Arlyn’s Assumptions

    WandaVision' Episode 9: Predictions for Finale | Hollywood Reporter

    The episode is probably going to be pretty intense right away with so many things to work out. Monica is sure to escape “Fietro” and find some way to try to help and finally show off her new powers but is she powerful enough? I think the series is going to end off with Dr. Strange showing up and teaming up with Wanda and the real Vision to defeat White Vision and Agatha. This will end up being a big fight scene that might mess something up in this reality. My one concern is who will fix it? Well there is a new Dr. Strange movie coming out and maybe the whole plot will be trying to fix what Wanda messed up in this reality. Real Vision will not make it out of this mess as the show has proven that he will fall apart outside of the HEX, so if this reality were to fall then he would die. But what about the twins?! With all the loss Wanda has already experienced, losing them too would be too much.

    The final episode of WandaVision streams tomorrow

  • ‘American Horror Story’: Frances Conroy May Have Replaced Kathy Bates in Season 10

    ‘American Horror Story’: Frances Conroy May Have Replaced Kathy Bates in Season 10

    American Horror Story is yet another production that suffered from the ongoing pandemic. It usually debuts around October, but the upcoming tenth season will be set back well into 2021. While no new date has been given, the series was able to begin filming last October in Province Town, Massachusetts. The main issue that production faced was this season’s theme, which is still unknown, requiring very specific weather conditions. It obviously would be available around a certain time of year.

    What we know so far is that the season has a coastal town setting, with seems to have nautical influences stemming from the image teasers provided by the creator, Ryan Murphy. Fans were absolutely ecstatic when he took to social media to announce the cast of the upcoming season. The star-studded lineup will include some of the show’s best recurring actors and actresses. It also is the debut of Macauly Culkin, who will be joining returning AHS vets Sarah Paulson, Evan Peters, Angelica Ross, Leslie Grossman, Billie Lourd, Finn Wittrock, Lily Rabe, Adina Porter, and Kathy Bates.

     

    https://www.instagram.com/p/B9CSaAaJdZo/?utm_source=ig_embed

    The addition of Kathy Bates is especially essential to note, as the show’s creator was able to get Culkin to join after pitching “crazy, erotic sex” with the famous actress. Suddenly, rumors began to swirl that the fan-favorite AHS alum may have departed the upcoming season due to health concerns resulting from the pandemic. For those who do not know, Bates is a two-time cancer survivor. She beat ovarian cancer in 2003 and then breast cancer in 2012. Due to the ongoing pandemic, it would make it tough for Bates to work on the project, especially if she would risk contracting the virus.

     

    https://www.instagram.com/p/CIWJSAQjJWk/

     

    While these rumors went around for a while they didn’t have any weight to them. It wasn’t until rumors stated that another AHS alum would be joining the cast, who ended up being none other than Frances Conroy. This rumor ended up getting confirmed by Ryan Murphy, who sneakily revealed the casting in a comment from ahsfxnews before it started making the rounds officially.

     

     

    Now, this is where I think things get interesting. Newcomer Ryan Kiera Armstrong has also joined the series and took to social media to post a lineup of the actors and actresses working on set. It featured a lineup of the. If you take a closer look, Bates is noticeably absent from the line-up. Instead, Conroy has a prominent spot even if she only joined later on. Now many would just assume that her picture wasn’t included, but why would anyone want to hide the fact that they’re working with such an icon. It’s not like they’ve kept her inclusion a secret, especially with her being the reason Culkin joined. Conroy was not present in the initial cast reveal and was only confirmed when rumors began to spread about her involvement. It sparked the theory that perhaps she was brought on board to replace Bates. It would add up with her late inclusion, especially with the production delays.

     

    https://www.instagram.com/p/CL5ROe5nNEe/

    There is one more piece to this puzzle that was revealed in a teaser reel for FX’s 2021 line-up for the Hulu streaming service. We got a very brief first look at the upcoming season that offers a close look at Conroy. Now, people that have followed the series and the roles she has played might notice it’s quite a departure. Bates and Conroy aren’t far apart in age, so that wouldn’t be an issue if she jumped in for her. What is presented seems to match the kind of role that Bates is known for, especially the hairstyle.

     

     

    News has dried up on the series, so we won’t know anything for sure until it is officially revealed. Yet, there does seem to be some kind of connection between the rumors and Conroy‘s casting. It would be understandable for Bates to have some health concerns, but nothing was finalized due to the pandemic’s uncertainty. Once they were able to film, they may have decided to move forward without her. Strangely, there has been no mention of her exiting the project, as we’ve seen in some cases in the past. Her role was an essential one in getting Culkin to join, so perhaps she might still be involved. At the moment, it seems to be hinting at her

    Instagram Sources: Collider, Boston, Instagram (Tease), Entertainment Weekly, Instagram (Conroy), Instagram (Line up), YouTube

  • How Marvel Studios ‘BLADE’ Could Bring Fallon Grey to Life in the MCU

    How Marvel Studios ‘BLADE’ Could Bring Fallon Grey to Life in the MCU

    Once upon a time, writer Tim Seeley and artist Logan Faerber were set to usher in a new era for Blade in Marvel’s comic book universe. The duo had created a new character, by the name of Fallon Grey, who would be introduced as the iconic vampire hunter’s teenage daughter. The concept behind the story excited a lot of fans, but many took issue with the idea of an all-white, all-male creative team telling the story of a young black woman. With pressure mounting from the backlash, Seeley and Faerber both departed the project and Marvel cancelled the book before it was ever released. As such, Fallon Grey never got to make her much-anticipated debut and faded into the obscurity of “what if” concepts. She remained in this obscurity until quite recently, when a surprising casting grid for Marvel Studios’ Blade revealed the production team was searching for a spunky 15-year old girl. Blade doesn’t have a long history of paling around with teenagers, so who could this young person be? Here at Murphy’s Multiverse, we think Kevin Feige and company might be interested in giving Fallon a second chance. If this is true, the question shifts from “who” to “how”, and there are two major possibilities that could answer that query.

    Let’s start with the origin Fallon was supposed to have in the comics. When the character was announced at Comic-Con 2015, she came with the following log line:

    Fallon Grey is a sixteen year old girl from rural Oregon. Nominated for Prom Queen, Captain of the debate team, most popular girl in her class. But there is another side to Fallon. A feeling like there’s something more inside of her. When terror strikes her small town, she’ll find out just how right she was. As fearsome supernatural forces hunt Fallon, she’ll come face to face with something even more shocking than the monsters on her tail. Eric Brooks…Blade…her father?! And in each other, they’ll discover the purpose they’ve each been struggling to find.

    This unused plot seems almost tailor-made for the Marvel Cinematic Universe. We know that Marvel Studios loves to tell stories about characters discovering they’re part of a larger world, and with heroes like Spider-Man and Ms. Marvel coming to the forefront of the franchise, we know they have a specific interest in doing it with young folk. One can assume that with a man of Mahershala Ali‘s stature in the title role, we’ll be getting a Blade who’s been around killing vampires for a while. Using the aforementioned origin for Fallon, and making her the actual protagonist of the story, would slip her into the role of audience surrogate quite nicely. We would learn about Blade and his mission to rid the world of vampires right alongside his daughter. Also, setting the bulk of the story in a small town invaded by bloodsuckers, a la 30 Days of Night, is a good way to show how the monsters and their hunter could have been waging this war for so long without anyone knowing, all while maintaining a firm hold on the horror genre. The plot could then end with Fallon accepting her role as a vampire killer, and leaving her suburban paradise to join her father as a new Blade. While this seems like a likely approach to introducing Grey, there is a possibility Marvel gives us a version of the Buffy-esque hero who is already working side-by-side with her father when we meet her. If that’s the case, the studio could find inspiration in a separate comic character they’ve shown interest in adapting before.

    Elsa Bloodstone, a member of Marvel’s horror roster created by Dan Abnett and Andy Lanning in 2001, would coincidentally be a perfect template for a re-imagining of Blade in the MCU. In the comics, Elsa is the daughter of little-known bronze age monster hunter Ulysses Bloodstone. Much like her pop, she grows up to become a proficient killer of things that go bump in the night and has since found herself becoming a member of teams like the Midnight Sons and the Astonishing Avengers.  Unfortunately for Elsa, she had a less-than-ideal childhood dealing with a strict and abusive father intent on making her a killing machine. Now, Marvel Studios probably wouldn’t stoop to making Blade an abusive dad, but I don’t think anybody has ever described the character as “soft” or “loving”. It would stand to reason that if Fallon is brought to the big screen having been raised by Eric Brooks, she would have dealt with her fair share of stern scolding. Since Fallon technically has no pre-existing character traits, they could just make her a loose adaptation of Elsa. Portray the young protagonist as a talented vampire hunter, in a strained relationship with the man who didn’t know how to raise her, and tell the story of their re-connection. Marvel Studios could even have Fallon be more of a general monster hunter instead of being specific to vampires, separating her a little from Blade so they can co-exist more easily in the MCU going forward.

  • ‘Blade’ Casting May Hint at the MCU Debut of His Daughter

    ‘Blade’ Casting May Hint at the MCU Debut of His Daughter

    Just today, we got our first casting detail for Marvel Studios’ upcoming Blade film. It describes that the studio is looking to add a character named Ruby, a teenager described as “thoughtful, serious, and burdened by growing up in a complex world.” It’s a curious casting choice, especially with them trying to cast the character so early. It made our gears turn until we remembered a story that never made it into comic bookshelves. It may also bring back life to a rumor that has been around for quite a few years now. What if Ruby is Fallon Grey, Blade’s daughter?

    If you are confused, don’t worry. This character is quite obscure. In 2015, Tim Seeley revealed that he is working on an all-new version of Blade. It would premiere his teenage daughter. In a now-deleted article, Seeley revealed that he had quit the book before it ever got published. So, the character only existed through some artwork and a cover. It became a rather popular theory for a future Marvel Studios film, especially when Wesley Snipes, who played the character in the 1998 original film, revealed he had talks with Marvel for over two years.

     

     

    There is also the following quote by Marvel Studios president Kevin Feige that also adds to the theories of her getting adapted in a future film adaptation:

    I think Blade is a legacy character now, and I think it would be fun to do something with him one day.

    So, there is a possibility that Ruby may end up being Fallon Grey. They could give her a new name and just carry over the concept of a high school girl finding out her father is a vampire hunter. As the character never officially debuts in the Marvel comics, they aren’t restricted in any way. Ruby could be a play on the color of blood and act as a tribute to the red rose design on Grey’s outfit. No matter what direction they go, it would be a unique way to make the MCU’s version of Blade take a unique angle.

    Legacy characters will be at the center of various stories, such as WandaVision, Ant-Man and the Wasp: Quantumania, Hawkeye, and many more. At this point, Blade could add a unique twist while also allowing Ruby to be the audience’s surrogate into the world of vampires. It’s certainly going to be something to keep an eye out for before it enters production at the end of the year.

    Source: CBR, JoBlo, Newsarama via CBR, ToyLabs, Syfy

  • Arlyn Reviews ‘RAYA AND THE LAST DRAGON’

    Arlyn Reviews ‘RAYA AND THE LAST DRAGON’

    I always anticipate the arrival of the next Disney movie. Being a 12 year old kid, I have grown up with Disney animated movies and watching them has taught me life lessons like courage, bravery and the importance of family. I love all of the movies but of course I have my favorites that I will always return to: Tangled, Brave, and Moana. I like these movies because they have comedy as well as adventure. Disney’s latest animated feature, Raya and the Last Dragon, delivered a life lesson that was relevant to me while delivering the adventure and comedy that I always look forward to.

    Raya and the Last Dragon is about a place called Kumandra that was split into 5 different pieces of land. The piece that Raya lives on is called Heart, they are the ones who protect a magic gem that was created by the now nearly-extinct dragons to keep an ancient evil away. Through a series of events, the gem damaged allowing the return of the ancient evil. Raya leaves home in search of Sisu, the last dragon, and ends up on an adventure that teaches her she can’t save the world by herself and to trust in others.

    Part of Raya’s journey is learning to trust “others.” That’s difficult for Raya because the history of Kumandra has painted them in a bad light. This is a valuable lesson because it still happens the world right now. When people don’t share the same backgrounds and opinions, they see the “others” as enemies . Raya has to overcome those prejudices to help save the world.

    The animation in Raya and the Last Dragon represents a whole new level of awesomeness for Disney. Moana stands out in my mind as a great example of Disney animation but the character design here is at a superior level. The parallels aren’t too surprising because Raya co-director Don Hall also directed Moana. The design of the dragons were very beautiful. Plus the design of all of the places Raya visited all had a unique and distinct look, helping bring the screenplay of Malaysian screenwriter Adele Lim to life.

    Though I have only seen this movie once, I can say it is at the top of my Disney favorite’s list. I recommend this movie to everyone; it isn’t just for kids. The jokes that Sisu, voiced by Awkwafina, made will get everyone in the family laughing. The film’s lesson that in order for the world to be a better place we have to be able to trust others, has always been true and still rings true today.

  • ‘Raya and The Last Dragon’: A Very Average Movie with Very Superficial Representation

    ‘Raya and The Last Dragon’: A Very Average Movie with Very Superficial Representation

    WARNING: MILD SPOILERS FOR THE MOVIE

    Approaching Raya and the Last Dragon as a movie and not a benchmark for Asian representation in big media, it’s mostly just okay. It has all you need in a Disney movie; stellar animation, a color palette that’s bursting, cutesy characters, and moments of warmth to boot. And like a handful of these animated Disney movies, this one has tremendous action. Seriously. I haven’t been caught up with all the Disney animated films of the past decade but seeing how great the action was here left me impressed with the stuff they’ve been serving kids these past few years. The story falls short of having enough elements to make it a great movie on its own such as a complete arc for some of the characters but the film still manages to watchable. Kelly Marie Tran‘s voice acting breathes life into Raya fantastically. Awkwafina sounds adorable as the dragon Sisu. However, beyond the things that make a serviceable Disney animated film, it’s evident that Raya and the Last Dragon aspires to be something more. From the all-Asian cast to the Southeast Asian backdrop, the movie is meant to represent a culture that isn’t always seen by global audiences. 

    There’s a moment in the lengthy prologue where the estranged tribes of Kumandra convene in the prosperous land of the Heart tribe for a gathering. The Heart tribe at this point is established as the keeper of the divine dragon gem of Sisu, believed to be the source of the tribe’s prosperity. As they all gathered at the domain’s steps, I couldn’t help but feel anxious yet excited about how these tribes would be portrayed beyond the mishmash of Southeast Asian visuals and design. Being a Southeast Asian myself, there was already a bit of trepidation because of how the majority of the cast was made up of East Asian actors. Were they gonna screw up the other aspects of representation? 

    So there they were – the Fang, Talon, Spine, and Tail tribes – standing gloriously before the wide-eyed Raya. The Tail tribe in particular was the one I saw my Filipino culture in the most. Their complexion looked like mine. Their native attire looked inspired by our native attire. I was ready to be content in simply seeing the distilled image of the Filipino people in a movie as huge as this one. 

    But then they make you realize right away that all the other tribes, save for Raya’s, are totally unlikeable people. 

     

     

    Right from the get-go, we learn about the dynamics of a tribal Kumandra. All the tribes are jealous of Heart for keeping the gem to themselves and are desperate to betray each other no matter the cost. We see them do real despicable stuff as they ruin the gathering fast.  “Oh, I guess we’re the jerks in the story,” I thought to myself as these tribes were competing to see who the bigger jerk was.  Now, I understand that this is a story-driven choice but it’s not exactly mindful towards the goal of encouraging representation.  At least, it certainly wasn’t the way I was hoping my people would be represented in their first big Disney outing.

    Raya and the Last Dragon at its core is supposedly a story about unity and trust. About how wounds can be mended if everyone could just get along and trust one another. Raya’s dad Chief Benja repeatedly shares his sentiment in one day reuniting the kingdom of Kumandra as a whole before he gets turned into stone. Being disillusioned by the ugliness displayed by the other tribes that started this whole mess, Raya feels otherwise and doesn’t believe in uniting a kingdom that is so self-centered. But throughout her journey, this outlook changes when she gets to know the other tribes and understands their differences. 

    Or that’s how I wish it happened. 

    The problem is that the film squanders the opportunity to redeem the ugliness displayed by the tribes. This comes in the form of the other tribe members she meets during her journey. Normally, this would make for an ideal time, not only for Raya to mend wounds and sow trust in her heart in place of doubt but for the filmmakers to actually give these cultures they’re claiming to give representation to some depth. 

    Instead, the voices of the other tribes are relegated to literal children (one is an actual toddler). With the exception of Benedict Wong’s Tong, nearly most of Raya’s supporting ensemble are children. Even the titular last dragon, Sisu, is portrayed as a naive child-like deity who has difficulty understanding humanity. The kids and Tong want one thing which is to bring back their families who were touched by the Druun and nothing more. That’s not to say that isn’t valid motivation but it’s clearly one that doesn’t lend itself to the film’s key themes. There’s not one discussion in the movie where the tribes get to settle their differences and realize that despite it all, they’re all one and the same under Kumandra. The movie fails to reconcile all these thematic pieces meaningfully.

    The film also has a seemingly unintentional subtext about privilege and wealth as Raya continually laments how awful people are for fighting over a gem without realizing that her people benefitted the most from the gem out of all the tribes. How or why the Heart tribe came to be the keepers of the gem is never addressed too. She doesn’t take a moment to think what the other tribes’ notions were of being deprived of the gem in the first place. Raya just thinks everyone is totally jealous of them.

     

     

    And look, I’m fully aware that this is a kids’ movie. But in an era of Disney animation where films like Inside Out and Soul tackle real existential themes of humanity in the most poignant way possible, missing the mark on thematics is very careless. Seriously, there are some straight-up contemptible characters here whose errors are never pointed out. All the bad stuff they do is magically handwaved away when the credits roll. And I’m not also asking for a reckoning for these characters nor am I saying that my people can never ever be portrayed as people with questionable morals, but on a stage as huge as a Disney film that a lot of eyes will be glued to, at least give us the benefit of having depth and somewhat of a redemption.

    These issues only outline the bane of this movie: representation. More nuanced and educated people have said their piece about the glaring lack of Southeast Asian talent in a film that’s supposed to pay tribute to Southeast Asian culture but I’d be remiss as a Filipino if I didn’t say they could’ve done a better job in representing the world I grew up in. They absolutely could have done a better job. I don’t understand why they couldn’t find any other Southeast Asian voice talent to round off the cast when not one cast member wields a name brand that would instantly sell a movie. Box-office economics clearly isn’t a worthy argument. From a design standpoint, some creative choices are questionable. They even based one tribal location on the Wild West which is totally baffling. The dragon designs feel so far removed from how dragons and serpents have been culturally and historically depicted in select Southeast Asian countries. I understand that they wanted to make it the next furry stuff toy kids can buy but they end up being so unrecognizable. They almost look like My Little Pony characters, even. 

    Had they treated all these characters with more nuance, with some semblance of a meaningful payoff in the end, my tune would be different. Parts of this movie left me with a bad taste in my mouth. There’s a moment where a young Raya just totally bad-mouths each of the tribes in front of her father. She describes the tribe that resembles Filipinos as “mercenaries who fight dirty,” and makes more comments on how worrisome, weird and exotic the other tribes are from theirs. Those tiny digs may seem innocuous coming from cute characters but they end up sounding like microaggressions, intentional or not.

    To the outsider, these qualms may feel very nitpicky, almost to a fault, even. But in a global platform where Southeast Asian representation is few and far in between, wasted opportunities like this feel frustrating. I’m sure the filmmakers’ intentions and efforts to pay respects to Southeast Asian culture aren’t mired in malice but in light of its shortcomings, it definitely feels superficial.

  • ‘WandaVision’: Feige Fulfills His Promise as Wanda Faces Her Destiny

    ‘WandaVision’: Feige Fulfills His Promise as Wanda Faces Her Destiny

    Wanda is in fact the Scarlet Witch.”

    In December 2019 during CCXP, Kevin Feige promised fans that WandaVision would see Wanda Maximoff become the Scarlet Witch, a moniker that had not been associated with the MCU version of the character. The-One-Above-All told us that Wanda’s transformation into the Scarlet Witch would be scary and he told us that it would have repercussions for the rest of Phase 4. With one episode left of WandaVision, it’s clear that Feige has kept his promise to fans and that while WandaVision is coming to an end, Wanda is just beginning her journey down the witches’ road.

    Episode 8 took Wanda and the audience on a harrowing journey down memory lane that not only showed us how Wanda’s past grief led her to her present situation in Westview but also what the future holds for her. Agatha spelled it out pretty clearly: Wanda’s a witch (and a thumpin’ good’un), has always been a witch and she’s only just now coming into her powers. Agatha’s reveal that she believes Wanda is the Scarlet Witch of myth, a being so dangerous and powerful in her ability to wield Chaos magic that she shouldn’t exist, works so well because both the audience and Wanda have waited a long time to find out something we probably should have known all along. We finally have a clean and complete origin story for Wanda in the MCU, something that’s not always been so easy to accomplish in the comics.

    Witchcraft & Redemption: James Robinson Talks Scarlet Witch

    Few Marvel Comics characters have suffered through more complex and confusing retcons than Wanda Maximoff. Mutant or not? Magneto or the Whizzer? High Evolutionary or Django? It goes on and on but what’s relevant here is that Feige, Jac Schaeffer and Matt Shakman chose to avoid all the mess and turn to James Robinson’s 2016 Scarlet Witch for inspiration.  Robinson’s book follows the 2014 retcon that revealed that Wanda and Pietro are not mutants. For decades, their mutantness defined them as characters and to readers and Robinson cleverly turned Wanda finding out who she isn’t into a way to explore who she is. Wanda meets the specter of her dead mother and learns that the Scarlet Witch is a title that has been passed on through generations of her family, firmly anchoring her to the mystical corner of the Marvel universe.

    It would seem that Feige and company have chosen to take Wanda down that same witches’ road here. Unless they’re planning to complicate what right now is a very clean origin by later explaining that her ability to use magic comes from her being a mutant (something that’s entirely unnecessary at this point), it seems that Wanda is simply a witch, albeit an incredibly powerful one whose power was made greater after exposure to the Mind Stone and one who seems to have experienced a full psychotic break and unleashed her power to create a new reality. The flashbacks show us a witch so powerful that she seems to be converting energy into matter as she builds a house, a neighborhood and a Vision. Now that Wanda has learned who she is, it’s clear that the answers to the questions of how she’ll handle her grief, her power and her destiny are going to shape the MCU in Phase 4.

    WandaVision‘s final episode is set to stream this Friday.

  • Rachel Zegler May be the Fury in ‘Shazam: Fury of The Gods’

    Rachel Zegler May be the Fury in ‘Shazam: Fury of The Gods’

    The first film in the Shazam! franchise was a resounding success, gaining critical acclaim across the world for Zachary Levi‘s charming and heart-warming performance as the Wizard’s champion. The sequel quickly got greenlit following the film’s opening weekend. Director David Sandberg, screenwriter Henry Gayden, and most of the first film’s cast set to return for a second round. When the first film finished, Dr. Thaddeus Sivana got locked away for the terror he wrought through the Seven Deadly Sins. Just before we left his cell, he got visited by the small and unsettling Mr. Mind, a telepathic Caterpillar. It’s currently unclear if the duo will return for the upcoming sequel, but it seems the Shazamily may have a bigger problem on their hands this time around.

    The recent casting of newcomer Rachel Zegler was a brow raiser for many who couldn’t tell who she would be playing. The actress played coy on social media and poked fun at the anonymity of her role. Upon further investigation, I believe Zegler could be playing an adaption of the Shazam villain, Sabina. Sabina De La Croix was an orphan who had to watch her parents get magically burned alive in front of her. She would later go on to be discovered by the Council of Merlin after inadvertently killing a classmate out of jealousy after activating a death charm. The council analyzed determined her to be a Fury, a warrior with immense magical strength.

     

    Shazam! HD Wallpaper | Background Image | 1920x1080 | ID:163929 - Wallpaper Abyss

     

    On top of already being a powerful magical being, Sabina was also tenth in line to succeed as the wizard Shazam’s champion. To get there quicker, she began killing those that were next in line to achieve her goal. As such, Sabina has developed an affinity for killing and stealing the power of the Gods. She stole the strength from Hercules, killed Atlas, and even took Mercury’s speed. Sabina would be the perfect villain for the upcoming sequel and would quite literally be the Fury of the Gods and attempt to steal the powers bestowed upon Billy by the Wizard.

  • ‘WandaVision’ Episode 8 Recap: This Is Your Life

    ‘WandaVision’ Episode 8 Recap: This Is Your Life

    The story of WandaVision when it’s all said and done is about the tragedy of Wanda Maximoff. She lost her parents, her brother, and the one person, and yes Vision counts as one, who connected with her. If you add up all of those things with her powers, you get what we saw in the eighth episodes. It was a “This is your life” moment forcing her to revisit the worst moments of her memories. Let’s talk about it!

    Agatha Harkness is that Witch!

    We go back to the late 1600s and see Agatha about to be destroyed at the stake by her coven. Apparently, she’s been practicing too much dark magic. The witches blast her with their magic, which at first makes it seem like Agatha’s in huge trouble. Instead, it seems as if she has learned how to absorb the power and she does, killing all of the witches.

    Wanda Reliving it All

    We get a little insight there that Agatha’s goal might be to harness Wanda’s powers for herself. She reads Wanda for creating a reality so powerful that she’s basically on autopilot throughout. Wanda remains confused about this. For Agatha to find out the truth, she decides that Wanda must relive the most traumatic moments of her life.

    The first trip down memory lane is to Wanda’s childhood in Sokovia. We see her parents and Pietro, as there’s a war going on outside. Her father brings in DVDs of old sitcoms, which clearly inspired the reality she’s created in Westview. Clearly, this family bonded through this which makes the explosion that comes next a definitive moment in Wanda’s life. As her parents are killed, we’re taken back to the explanation in Avengers: Age of Ultron that Wanda and Pietro waited two days for a Stark drone to detonate. It never did, as we find out that Wanda was always a witch and the Mind Stone just amplified her powers. Speaking of the Mind Stone, our next pitstop is a revisit with HYDRA.

    We revisit when Wanda volunteered for the HYDRA experiments with Loki’s scepter. No one prior had survived the experiments, which is funny to say. Didn’t Pietro survive too? So what did that mean for him? Once Wanda gets close to the scepter, the Mind Stone reveals itself. It shows a vision to Wanda and not the scientists, as she’s engulfed in its energy. As she looks into the light. In it, there’s Wanda in her Scarlet Witch costume. Is this her future? We don’t know yet but Agatha needs more answers.

    The next thing we see is Wanda at the Avengers compound. She’s watching Malcolm in the Middle, still grieving the loss of Pietro. Vision phases through the wall in a nice call back to Captain America: Civil War. Wanda then unloads her sadness and grief onto Vision. He acknowledges that he’s never experienced the type of loss that Wanda has as he’s always been alone. He then says the seminal line of the series.

    But what is grief, if not love persevering?

    The bond between him and Wanda is formed there and there’s the context for everything to come after. Paul Bettany again delivers in spades in this scene. Agatha still doesn’t have her answers yet so we need one more look back.

     

     

    We take one more trip to S.W.O.R.D. after the events of Avengers: Endgame and Wanda want to bury Vision’s body. There’s a lot of “I need to see your manager” energy here before she meets with Director Hayward. You can feel her desperation to see Vision. Hayward acquiesces and we see the same scene from the fifth episode, as Vision is being taken apart by the scientists. He states to Wanda that he can’t allow her to walk out with three billion dollars worth of vibranium. Wanda horrified by this zooms down to get a look for herself, which Hayward strangely allows. She can’t feel Vision anymore as their connection is gone. This is a call back to Avengers: Infinity War and Endgame with Wanda and Vision stating their connection. Overcome with grief, Wanda leaves the facility.

    We see Wanda driving into Westview, and we get a look at a lot of the characters from the previous episodes in their normal setting. Wanda pulls up to a vacant property. She opens up an envelope and reveals a property deed. It reads: “To grow old in,” with a signed V. Reading this, Wanda’s emotions overcome her and her powers manifest completely. The house is created, Westview, as we know it now, is created, and she creates a new Vision. She retreats to the same sitcom worlds she finds comfort in. Agatha cuts the trip down memory lane and we see her magically choking Billy and Tommy. Wanda gets ready to fight for her kids, and Agatha states the line we’ve been waiting for. Wanda is the Scarlet Witch. Roll Credits!

    Hayward Has A Vision

    We luckily got another mid-credit sequence this week. We cut to Hayward’s big launch. Right outside of the hex, we see at the facility that he has successfully rebuilt Vision after multiple attempts. Using the Stark drone that we thought was sent after Wanda, the CMBR was absorbed and powers the new Vision, who is white. The White Vision, which in comics lore we know from West Coast Avengers issues 42-45 is born. It’s also clear now that Tyler lied to Monica about Wanda stealing Vision’s body. What a clever diabolical plan. What else Tyler has in store? One more episode remains, and this was a good one for contextual purposes for Wanda’s backstory. Could we have learned a little more about Agnes? Sure, but there’s one more installment of WandaVision remaining. You can appreciate the writers allowing us to sit with Wanda and absorb her tragedy, Elizabeth Olsen stands out again in her performance.

     

     

    Instead of the theory board this week, let’s ask some questions that need to be answered in the finale.

    1. Who is Pietro, or Fietro, like Agatha, called him this week, really?. Is it the Fox X-Men’s version of Quicksilver? Is it someone close to Agatha? Or is it something we’re not expecting? It’ll be fascinating to see how it unfolds.

    2. Will we see Monica’s power set on display? Monica Rambeau showed us that the hero within her is out now. Are we going to get a light show? Or will she be more of the moral center of the show that’s she’s been so far? I reckon we’re due for the former.

    3. Does Hayward have any more tricks up his sleeve after project Cataract? Is there someone that he answers to? Has S.W.O.R.D been infiltrated by him? Or is he just incredibly ambitious? After the appearance of White Vision, we can’t make any assumptions.

    4. What about the children? We know that Young Avengers is something that the MCU wants to set up. Will Tommy and Billy survive the finale? Are they energy to be absorbed? Are they real? Will we get another age up? They might be a huge key.

    5. What happened to Dottie? Agatha called her the key to everything in town during episode 2. Is Agatha trying to reconstitute the coven she destroyed? Is Dottie a hero in disguise? Remember there was no information on her on Jimmy Woo’s board.

    6. There’s an assumption that White Vision and Vision are going to lock horns. Who’s more powerful? Will Westview’s Vision make the ultimate sacrifice? Explosive things are ahead.

    7. That’s a lot of questions and we still also need to answer if Agatha’s the only big bad. We’re expecting a Dr. Strange cameo in the finale, but to what nature? Is he fighting, or cleaning up a mess? The image of Wanda in her Scarlet Witch costume could be a harbinger of things to come?

    8. I have a prediction, as I think the Westview version of Vision will die protecting his family from Cataract Vision. This show filled with tragedy probably won’t end without another tragic moment.

    WandaVision has been quite the roller coaster through the last eight episodes, particularly emotionally. The finale will be no different. Kevin Feige & Co. have taken a mighty swing at something different, and let’s see if the conclusion is as ambitious as the series itself.