Category: Features

  • ‘WandaVision’: An Error in Reality

    ‘WandaVision’: An Error in Reality

    As WandaVision has proven time and time again, sometimes, things are not always as they seem. Even outside of Westview. Over the course of Marvel Studios’ hit show, we’ve seen a number of things that seem to be out of place here and there. An American sitcom through the ages starring two Avengers. Two characters that somehow have been revived, one of them bring in the wrong face from possibly another universe. People with suppressed personalities and Wanda inside everyone’s head. As Vision would say, it seems that something is clearly very wrong inside of Westview. But that doesn’t exclude the outside world as well. Recently a small mistake was pointed out to our fellow contributor Lizzie Hill by Twitter user @Cameron16549707.

    The image and tweet refer to Episode 5 of WandaVision; “On A Very Special Episode…”. The detail mentioned by this fan truly is interesting. When we go to analyze the scene, as we can observe below, for just a split second, we can see Dottie’s name on the S.W.O.R.D. document in the Alias section.

     

     

    In the next shot, when Monica pulls back out, we can see the information written on it and we can notice very blurrily Dottie’s name and the checkmark for the Sex on “Female”, which corroborates that the sheet does indeed belong to Dottie (or at least, it’s what was intended). What makes this all the odder is that the image of the person on Dottie’s sheet is Dennis the Mailman, not Dottie per see.

     

    Why this is important

     

    The devil is always in the details and that certainly includes Marvel Studios. Now, let me just shoot down those Dennis is secretly Dottie theories because I don’t think that’s what’s happening here. This certainly seems to be a case of Marvel Studios making a small mistake, hoping fans might not notice, and it’s almost certainly what was going to happen. It’s been nearly a week since Episode 5 aired on Disney+ and no one seemed to notice until very recently but it makes it all the more interesting.

    If anything, it convinces me even more that Dottie may have a much larger role to play in this show than we previously thought. If we analyze Dottie’s sheet for a second, she doesn’t have a legal name, similar to how Agnes doesn’t have one either, and the fact that Marvel Studios went out of their way to CGI Dennis’ image and ID onto the sheet so fans wouldn’t notice makes Dottie’s role in WandaVision all the more mysterious and intriguing. I had previously hypothesized that Dottie may have actually been the sorceress known as Arcanna Jones, given that her husband in the show was known as Phil Jones, a character that already has some history in the comics. But given that Phil Jones was just his alias and that he’s actually Harold Proctor, that theory may have been washed away. Nonetheless, I still believe that Dottie may still serve this series as a sort of antagonist to Wanda who has yet to reveal herself. Who she might be whoever, remains to be seen.

  • ‘JUSTICE LEAGUE’: Zack Snyder’s Unusual Shot Composition May End up Being the Right Choice

    ‘JUSTICE LEAGUE’: Zack Snyder’s Unusual Shot Composition May End up Being the Right Choice

    By now most of us are already familiar with what an IMAX movie screen provides to the cinematic experience. These screens are much bigger than usual ones, with an aspect ratio that brings them closer to the 4:3 ratio found in old CRT televisions, moving away from the wider ratios cinemas became accustomed to. Over the years with the advancing IMAX technology, IMAX cameras became both smaller and cheaper allowing directors to use them more often, up to the point where we got entire feature films where only such cameras were used.

    But the main thing with the format isn’t the aspect ratio, it’s the size of the frame/screen itself. The point was to allow for an image of such size that, aided by the steeper angle in which the seats are arranged, the audience would undergo a much more immersive experience as its field of view would be completely occupied by the image being projected. But this would also mean that, as audiences wouldn’t be able to properly keep up with the entirety of the screen, the edges (and especially the upper and lower ones) shouldn’t contain crucial information to the scene as it could end up being lost to the viewer. This way, when framing a shot, one should take all of this into consideration to allow for the best possible viewing experience, and not having to ask the audience to keep tracking a screen so big in its entirety in search of vital story details.

    Snyder explaining how he’s composed shots to go beyond the usual boundaries.

    But Zack Snyder, while using such a tall aspect ratio, had a different approach when composing Justice League shots. He decided to use every square inch of the frame to tell his story, including placing crucial information to the story both front and center as well as in the edges of the frame. If this was to be a regular theatrical release one might argue that this would be an ill-usage of the IMAX format, as having such an action-packed movie asking the viewers to keep up with so much information, on such a large screen, might prove too much. But the circumstances dictated that Snyder’s cut would end up being released through HBO Max, and audiences will now have to experience the feature film in their own homes, through their TVs. This means that the screen size has been considerably downgraded, and having information scattered throughout its entirety suddenly becomes a non-issue. In fact, it might even add to the experience since, by using both the upper and lower edges of the screen to their full potential, you are now reaching the home-theater audiences in a much more engaging way. If the shot composition was less on the unusual side, when adapting the material to the small screen you could always, as many do, cut the image without leaving out important material to the story, but that would mean that, in this case, people wouldn’t get to enjoy the shots to their fullest since there was no usual theatrical run to go with the home media release.

    This way, a creative choice that seemed to deviate from the norm (and not in the best way), might end up proving itself as the right decision as, a little over a month from now, audiences sit on their couches to enjoy Snyder’s definitive take on his Justice League project.

     

     

    Source: Justice Con / Youtube 

  • How WandaVision’s Halloween Episode Explains Anachronistic Imagery in Westview

    How WandaVision’s Halloween Episode Explains Anachronistic Imagery in Westview

    WandaVision has been pretty good about keeping the sitcom elements of each episode true to the era they take place in. As I noted in my first piece analyzing the changing eras of Westview, the only thing that’s truly bothered me about it so far is the 1950’s episode being modeled largely after The Dick Van Dyke Show, which didn’t premiere until 1961. I bring this up because I’ve seen a decent amount of criticism and confusion surrounding the era Westview is supposed to be set in during Episode 6, and the answer to all of this explains the timeline not only for this episode but the one I myself complained about a few weeks back.

    Explaining the Eras
    By starting in the 1950s, WandaVision had seven decades to cover to reach the “present-day” given that the late 2010s and early 2020s in the MCU are kind of fuzzy due to the Blip, and people like Wanda who were snapped away haven’t experienced anything beyond 2018. But with only six era-themed episodes, it wasn’t exactly clear how they’d handle that matter. There was a lot of speculation that the 2000s and 2010s would be covered together in the same episode, or that we’d only see the Westview characters in the present-day once the sitcom bubble burst.
    The answer to this little conundrum turned out to be neither of these scenarios, as we found out during this week’s “All-New Halloween Spooktacular!”. The episode had elements of both the late 1990s and early 2000s, and the final sitcom era (which will presumably be covered in next week’s episode) looks to be focused on the late 2000s and 2010s. This sectioning off of time periods explains the things that some viewers have pointed out as anachronistic, like the cinema showing 2004’s The Incredibles and what is most likely the 1998 remake of The Parent Trap starring Lindsay Lohan.

    Why A Little Bit of Anachronism Works
    Admittedly, this episode does lean more into the early 2000s than the late 1990s as evidenced by things like the Malcolm and the Middle theme song homage, characters – particularly kids – breaking the fourth wall, cheesy sound effects that accompany certain movements, and even the claymation-style “Yo Magic” commercial are all hallmarks of this time period much more than the ’90s. But some things could be seen as fitting with both “sides” of this era, like the Dance Dance Revolution-style game the twins played that first debuted in 1998 but became even more popular in the 2000s. And we did get one shot of what was most likely the actual 90’s in the form of the Halloween flashback of Wanda and Pietro as kids (assuming it was a real flashback).
    Ultimately, Westview seems to operate under similar rules to ABC sitcom The Goldbergs. That show is set in the 1980s but doesn’t make an effort to introduce technology and pop culture touchstones in the order they debuted in real life. Every episode is introduced as taking place in “1980-something” and anything that was around in the ’80s is fair game to show up at any time, and WandaVision is doing the same with each era it covers.

  • ‘Brooklyn Nine-Nine’s Captain Raymond Holt is One of TV’s Best Characters

    ‘Brooklyn Nine-Nine’s Captain Raymond Holt is One of TV’s Best Characters

    The tragic news has hit that Brooklyn Nine-Nine will sadly come to an end. Ironically, I am in the middle of binging the show, as it is one of my personal favorite shows. I am disappointed to find out that the show is coming to an end, but it did have an iconic run. There are still ten more episodes to come, so we get a chance to join Peralta, Santiago, Diaz, Jeffords, and so many more. As the title implies, I want to use this chance to talk bout one of my favorite TV characters ever, Captain Raymond Holt. The character is brought to life by Andre Braugher, whose promotion to Captain kickstarted the entire show’s premise. His journey throughout the show has made him, in my opinion, one of the best characters in television history.

    Holt’s entire arc is about him growing from what seems to be a robotic and emotionless man to a heartfelt captain. As the seasons go on, he adapts to the crazy antics around him and even starts to join in on them. We get the first glance at his more loose side when he joins in on a Halloween heist. It started to become a seasonal tradition where the antics keep escalating with each one. In a way, the moment we realize how far Holt has come is in the episode “Monster in the Closet”, where he builds a beautiful Balloon Arch. After getting rejected, Stephanie Beatriz‘s Rosa Diaz praises his work, and he shouts full of glee: “Vindication!” Even as he joined in on the insanity, he remained a stoic and leading figure for the team.

     

     

    What started as a joke character trait became the anchor of the show’s comedy and development. His robotic demeanor played off of the various members in the precinct perfectly so that each member of 99 developed a unique relationship with him. His constant lecturing of Peralta is an ongoing theme of their father-son relationship. There are some heartwarming moments between him and Rosa, as they continuously bond over their avoidance of emotions. We get to watch his guidance of Amy Santiago and Terry Jeffords to push them towards their future’s to becoming captains one day. It’s these personal interactions that define the show and its comedy. The actors embody these characters so well that it feels like a family.

    Of course, there is also the aspect of the character that redefined representation in television. His relationship with Marc Evan Jackson‘s Kevin Cozner is probably one of the most adorable couples put to screen. Every episode featuring their banter is a delight. We get a fully realized relationship with ups and downs throughout each season. They bond over their love for plain stones and their challenges being from different worlds. The episode “The Bimbo” was a particular highlight to showcase their relationship and Holt’s development. It also kind of highlights in general what makes this character stand out. We see him change so much throughout the show, and it’s his relationships with everyone else that make him stand out even more. He embodies what Brooklyn Nine-Nine is all about and I wanted to pay tribute to one of my favorite new shows before it enters its final season.

  • Failed Pilot: Looking Back at ‘MARVEL’S MOST WANTED’

    Failed Pilot: Looking Back at ‘MARVEL’S MOST WANTED’

    After a stand-out performance in one of last year’s best films, the charismatic Delroy Lindo has found himself in the heat of awards season headlines. With his name back in the public eye, I remembered simpler times in Marvel Television history that many seem to have forgotten. I am referring to that lost period in 2015 when Agents of SHIELD was supposed to have a spin-off, with Lindo set as one of the leads. Yes, acclaimed actor and Tony Award-nominated thespian Delroy Lindo once signed the dotted line to become part of the Marvel Universe on ABC. The series was titled Marvel’s Most Wanted, but it never came to fruition. Public interest in the show died almost as soon as news of its demise came to light, but what we learned about the project in the months beforehand indicated it could have been one of the more unique projects in Marvel Television’s repertoire. So, why didn’t the series make it to air? Let’s take a look at the brief history of this unproduced Marvel unicorn.

    Background

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    It was long before The Avengers‘s success, Marvel TV’s Jeph Loeb was trying to adapt lesser-known characters to the small screen. Marvel’s Mockingbird was announced at the 2011 San Diego Comic-Con. They teased it as an Alias rip-off for ABC Family, where Bobbi Morse was a college student who tried to balance her life working for the famous spy organization and going to college. It was eventually dropped in favor of the MCU tie-in SHIELD show, but to make up for it, an older version of Morse was introduced in that show’s second season, played by Adrianne Palicki. Unable to use classic love-interest Clint Barton organically, she had an ex-husband mercenary. It was the obscure comic character Lance Hunter who got reinvented with Nick Blood in the role. The pair become series regulars for two seasons until, still intent on giving Mockingbird her show, Loeb and showrunner Jeffrey Bell had them written off to become the protagonists of their very own spin-off.

    Most Wanted

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    Most Wanted would have been a Mr. and Mrs. Smith-inspired action thriller that saw the duo on the run from a long list of enemies looking to claim a bounty on their heads. At the heart of the story, there would have been the relationship of Morse, a rule-abiding badass, and Hunter, a renegade hotshot, as their semi-romantic dynamic would evolve over multiple seasons. The two would have found themselves in the employ of one Dominic Fortune, a suave rogue adventurer first introduced in Marvel comics in 1975. His wealth of resources would have kept them both alive in exchange for their expertise on assignments. In January of 2016, Marvel TV announced that Lindo will tackle the role of Fortune. A couple of months later, the rest of the cast filled out, with Fernanda Andrade coming on board to play Fortune’s mysterious niece Christina Santos. Oded Fehr joined as the show’s villain, who was teased as a well-known character from the comics. Sadly, his actual role has never been revealed. The pilot even featured a guest appearance from up-and-coming talent Mckenna Grace, who went on to join the MCU as a young Carol Danvers in Captain Marvel.

    So What Happened?

    Image result for marvel's most wanted

    Although it never aired, Marvel Television did film a pilot. Produced in early 2016, it seemed certain that the project would get a series order, with showrunners Bell and Paul Zbyszewski openly confident in the prospect. However, in May of that year, ABC announced that Most Wanted would not be happening. The news came as a shock to SHIELD fans, who felt cheated out of more time with two fan-favorite characters now permanently expelled from the world of Marvel Television, for what felt like no real reason. Eventually, ABC President Channing Dungey explained the situation with a statement to Slashfilm.

    Most Wanted, ultimately at the end of the day, did not feel as strong as some of the other pilots that we shot. We talked about it with Marvel and we all came to an agreement that we want to figure out what the next show is that we do together, is something that we all feel is as creatively strong as it can be.

    Most Wanted was given a small chance of survival, as it got shopped around to other networks, but its strong ties to SHIELD prevented any sort of interest from ABC’s competitors. Ultimately, the project didn’t get picked up, and circumstance meant Palicki never got a chance to finish the story of Mockingbird, the character who ironically started it all. Blood did eventually reprise his role as Hunter for a single episode of SHIELD‘s fifth season. Sadly, Lindo and company never got to leave their mark on the MCU as promised, and the rest of us were left wondering if the proposed spin-off would have been as unique as its mother series’ final few seasons.

    Sources: Slashfilm, Collider, The Hollywood Reporter, Entertainment Weekly, IGN, Slashfilm, Variety, Collider

  • ‘WANDAVISION’ is Hexpanding

    ‘WANDAVISION’ is Hexpanding

    WandaVision keeps growing in scope with each passing episode. It’s Hexpanding, in a way. Episode 1, where we spent (practically) its entire runtime in “Sitcom Mode”, seems so far away as the show enters its third act firing on all cylinders. It took a while to get to the point where the state of affairs within the show became clear but with Episode 6 ending the way it did, we’ll have an entirely new status quo to look forward to next week. Big changes might be around the corner, changes that can help propel the show to new heights.

    The Westview Anomaly grew in size and the S.W.O.R.D. team stationed outside not only wasn’t enough to contain it, but it also managed to get itself trapped within its newfound limits. Wanda was underestimated and the outside world will have to find some new weapons to counteract her Hex. Random armed soldiers won’t do the trick anymore and, being likely that several other New Jersey residents have been engulfed by the anomaly, the event is sure to have been noticed by at least a few of the remaining Avengers, with a special focus on those who are more in touch with such…magical things.

    But not all new players might come from the outside. Inside the Hex there are new powers brewing. The twins have finally displayed (some of) their abilities and, keeping in mind how Wanda seems unable to control them at will, they certainly emerge as new players that inevitably might stand either in Wanda’s way or beside her, as she looks to maintain her (each passing day a bit less) fairytale life with Vision. Tommy and Billy, even at such a young age, would surely give whatever S.W.O.R.D. throws at them a run for its money.

    Also inside the Hex, we will now find several characters that are now down the rabbit hole. Much like Monica, they might experience light moments of clarity, breaking Wanda’s grasp on them. But this time, especially in Darcy’s case, with an increased amount of knowledge about what is occurring, how it might be happening, and how it might be hindered if not terminated. Darcy has a Ph.D. in Astrophysics, and with the world inside the Hex moving into the 2000s she can probably find the tools that may allow her to fight Wanda’s powers from the inside.

    Another new player might show up in the form of Monica’s Aerospace Engineer friend. We’ve already developed a theory on who that might be, but even if that doesn’t pan out, the build-up towards her arrival has been significant to the point that it most likely won’t be just a random character, but instead someone that matters in what the overall story is concerned.

    A single episode has now managed to present us with an entirely new playing field. With new players coming into the game from all sides, old players finding themselves in new situations, players switching sides altogether, the power struggle has just begun, and it will be even more fierce than initially expected.

     

  • Billy Takes Center Stage in ‘WANDAVISION’s All-New Halloween Spooktacular!

    Billy Takes Center Stage in ‘WANDAVISION’s All-New Halloween Spooktacular!

    For the Children! Ever since the Disney Plus Expanding the Universe documentary hinted at the arrival of Wanda and Vision’s twins in WandaVision, fans have eagerly awaited the MCU debuts of Wiccan and Speed and this week, in Episode 6, we saw Tommy and Billy’s powers come into play for the first time. While the episode made great use of the super speed of both Tommy and his “uncle Pietro”, it was the awakening of Billy’s powers that really hit hard…and might be a key to what’s happening in the series.

    Image result for marvel wiccan

    The events surrounding the birth of the twins in Episode 3 were certainly abnormal, up to and including the fact that nobody, including Wanda, knew she was having twins. When Tommy arrived, several minutes went by before Wanda became aware that another bun was in the oven and there was something very disconcerting about Wanda during his delivery. I can’t quite explain it, but we all watched it and we all know what I mean. So to some extent,  Billy was the bonus baby but with the nature of the twins already in question, I’m beginning to wonder if he was actually there all along or if his birth was a function of Vision choosing to name the first baby Tommy.

    As I discussed last week, there’s something very strange about Agnes’ interest in the Maximoff twins, an interest that predates their conception and became very obvious in Episode 5. No offense to Tommy or to fans of the character, but as cool of a character as Speed is and as much as I look forward to seeing him develop over the next several years in the MCU, Billy has always kind of outshined his brother in the comics and it’s possible that a similar fate may be in store for the twins in the MCU. In the comics, Billy is destined to become one of Earth’s most powerful mages, the Sorcerer Supreme of Earth and, eventually, the all-powerful Demiurge, a being essentially responsible for maintaining the universe. Short version: Billy is fated to wield an enormous amount of power. And with great power comes great effort by those trying to steal it. And this episode showcased that, even if it was a bit more subtle than we’d like. While Tommy ran around with his asshole uncle, Billy’s ability to sense that his father was in danger was a far more impressive display of power for a kid who only found out he had powers in that moment. As cool as super-speed is, precognition and clairvoyance are the types of abilities wielded by witches, warlocks and make him a prime target for any power-hungry baddies out there.

    In the comics, Billy’s powers were lusted after by Loki but I don’t think that’s the case here. As Arlyn Murphy mentioned in her Primer, it’s becoming more clear that while we are made to believe Wanda is in control, that she’s not actually the one in the driver’s seat, which means someone is using her power and, at this point, I think they’re using it to get to Billy’s. Who was talking about Wanda having kids before Wanda had kids? Who has been responsible for Billy (and Tommy…sorry Tommy) choosing to age up, making him old enough to begin to realize his power and “speed” him on his way to becoming omnipotent? All signs point towards Agnes being the power-hungry witch pulling the strings and out to either take Billy’s power for herself or manipulate him into using it for her (maybe that’s what is going on with Wanda?). Of course, this could be going totally down the wrong path, but with only 3 episodes left to go, we’ll all find out together very soon.

     

     

     

  • Theory Thursday: The Halloween Episode

    Theory Thursday: The Halloween Episode

    After last week’s bombshell ending of the episode of WandaVision, all eyes are on this week’s episode, which is perhaps the one fans have been looking forward to the most: The Halloween episode. Ever since fans got their first glimpse at Wanda and Vision wearing the classic comic costumes, fans have been pondering the possibilities of how that episode might play out, since it’s been an episode that’s been teased the most in trailers alongside the 1950’s episode. And now that we know that Wanda and Vision are going to be accompanied not only by their kids; Billy and Tommy, but also the recently revived Pietro Maximoff (portrayed by Evan Peters), one can only wonder what exactly might happen on this episode. And it is exciting. So let’s begin.

     

    The Theme Song

    Undoubtedly, the dynamic duo of Kristen Anderson-Lopez and Robert Lopez have not missed with the theme songs of each episode. They’ve nailed the scoring of each era to a tea. There was something very interesting to note about the “nature of the lyrics.” At first, the songs start out as very bright and joyful. But as the episodes progress, you notice that the songs start to take a more sinister tone. For example, in the most recent episode, you have lyrics like “Crossing our fingers, singing a song. We’re making it up as we go along.” At first, their nature seems to be about how Wanda and Vision are inexperienced in being parents, raising a family and they’re making it up as it goes along. That’s the face value of the lyrics. But if we think about it in a deeper sense, it’s possible that they’re trying to send us the message that from here on out, whoever is behind the WestView anomaly (the primary suspect being Wanda) is making up this reality as it goes along. So there is a chance that the next episode might follow suit with this style of lyric. Making a song that can have a double meaning but it’s definitely much more noticeable and blunt than its predecessor.

     

    The lyrics seem to follow the line of addressing what happened in the last episode. For example, Episode 3 is about “We’ve got something cooking”; referencing Wanda’s pregnancy at the end of Episode 2. Episode 5’s theme had to do with the kids and their birth and how they’re making it up as it goes along. So, if Vision has become aware of what Wanda is doing by the end of the last episode, then there is a possibility that the next theme may be about ignoring distractions like what might be outside of WestView’s barriers or anything that might cause Wanda’s reality to break.

     

    Let’s talk about the costumes

    We know based on the trailers that Wanda and Vision are going to obtain their classic costume for Halloween. The question still remains about how they actually obtained it. Like, where did the idea for it come from? Is it a “Logan” type of scenario where comics about these characters exist in their universe and they based themselves on that? Could it be tossed aside to a gag like it’s just the first random thing they could find and it just so happens to be their classic costumes? Perhaps there’s an in-universe connection to it, perhaps tied to their personal history.

     

    I’m betting on the idea behind the costumes to have some sort of attachment to their personal history while at the same time representing who they are. Like for example, we know Wanda’s abilities are tied to magic and as the episodes have gone on, she’s been less perceptive and more open about her magic use in public, going as far as to showcase her abilities in front of Agnes. So, maybe she dressed as a witch from Sokovia, explaining the weird choice of a headdress rather than wearing what we know as a traditional witch’s hat. Vision could probably be like an updated version of Illusion, with a cool cape and such. This also begs the question about the kids’ costume choice. Chances are that if Wanda and Vision are wearing traditional versions of their costumes, there’s a possibility Billy and Tommy could wear traditional versions of their own costumes as well. We could maybe even see Pietro donning a classic version of his costume.

     

    Map-Out

     

    In WandaVision, there seem to be 4 main storylines that branch out to the rest of the storylines. We have Wanda, Vision, Agnes, and Monica. So I do this thing called a “map-out.” Essentially, I take the scenes from the trailers as the big puzzle pieces and then try to fill in the blanks with either elements I believe make the most sense based on comics or patterns or ways that can coherently connect one story to another.

    Wanda: Wanda’s story is going to keep maintaining the sitcom reality alive. She’ll play out the episode the way she wants to by following the sitcom trope that we’ve seen in previous eras from the other episodes. With this episode being set in the 90s and coincidentally Halloween, I expect Wanda to spend the episode trick or treating with Billy and Tommy, and possibly Pietro might tag along with her so that we may get some sort of exposition as to how he’s back. I however don’t suspect to get anything clear and concrete on who he might be. Given that the kids are growing at an accelerated rate and that we’ve already seen them display powers in the previous episodes, I suspect the twins might start to show their respective powers from the comics, albeit it’ll probably be brief moments, but still a display nonetheless.

    Vision: Whenever we see Halloween trailers, we always see Vision on his own, walking around Westview. Given that Vision is a part of the neighborhood security watch from Westview (and basing myself on childhood Halloween experiences in suburbs), this could explain why Vision is on his own during this episode, as he will be looking around the neighborhood to make sure that nothing is amiss since Halloween tends to be a time of mischief in the neighborhoods during sitcoms. It will also give Vision the chance to be doing some investigative work about the WestView anomaly and try to get to the bottom of it all. This will lead him to two places. The barrier of Westview (which I’ll explain later on) and to Agnes in her car.

    Agnes: She’s been one of the most theorized characters regarding WandaVision, especially after Episode 4 where S.W.O.R.D. was unable to ID her. Up until last week, she’s served a very “nosy neighbor”/ “side character” trope in the show. But this week might change all of that. We know from the first trailer that Vision will unlock her mind, similar to the way Vision unlocked “Norm”. So, if Agnes is the personality that was created for the sitcom reality, what personality might Vision unearth the moment Agnes is broken free? Based on the trailer, she’ll clearly recognize Vision and ask if he’s an Avenger and if he’s here to help them, them possibly meaning the citizens of Westview. We also know she’ll ask him if she’s dead because he is before laughing maniacally. So, I believe that this episode will reveal Agnes’ true identity, which is possibly Agatha Harkness. Whether or not she is “locked back” like Norm remains to be seen, but I don’t think she’d want to be locked back into Wanda’s spell, so she might leave before Vision has a chance to do so. I definitely see Agnes leading Vision to the barrier as we see in the trailers, which leads me to the final storyline.

    Monica: Out of everyone in S.W.O.R.D., the only people who seem willing to help Wanda at this point are the trio of Monica, Darcy, and Jimmy. Everyone else, including Director Hayward, seems to have branded Wanda as the villain and are going in guns blazing to take her down by any means necessary. This contrast in ideals may cause some friction and arguments between them and how to handle this situation. Clearly, Hayward doesn’t seem to care much about trying to help Wanda, given he tried to launch a missile at her and her children in the last episode, so if Monica and the rest do try to find ways to help Wanda, they may just fall onto deaf ears.

    There is also the possibility that given that Vision is at the barrier of Westview, he might try to communicate with the people outside of the barrier, giving us our first interactions between Vision and S.W.O.R.D. Thanks to the trailer shot above, we know that Vision may try to penetrate the barrier to see what is outside. I do think it is possible that we may see him go beyond the barrier and see the S.W.O.R.D base outside. What might happen next could quite frankly be anyone’s guess. If he steps out of the barrier, will he look as he normally does in the MCU? Would he be the pale Vision we saw in Episode 4, with the hole in his head? And how might S.W.O.R.D. react? Will they take him away? Will Wanda be able to sense someone left the barrier since she pretty much made the barrier impenetrable in the last episode? Only time will tell when WandaVision airs tomorrow on Disney+.

  • ‘WANDAVISION’ Episode 6 Primer

    ‘WANDAVISION’ Episode 6 Primer

    Episode 5 of WandaVision was so packed full of great stuff that it overloaded my brain! On one hand, S.W.O.R.D.’s acting director Hayward fully believes that Wanda is in control and up to no good; however, on the other hand, we see that she can’t control the twins at all. And then the episode ended with a huge shocker when Wanda’s dead brother Pietro was at the door. I don’t know about you but Wanda’s reaction didn’t seem staged to me, she was genuinely surprised to see him, meaning she didn’t make him appear. Looks like there is ANOTHER layer to the mystery of this show!

    Episode 5 really begins to make it feel like there is more to it than just Wanda being in charge. Let’s look into the clues that this could be true. It was very weird that Wanda suddenly got her accent back after it being “gone” for so long.  Director Hayward (who I don’t trust very much) showed his agents a clip of Wanda breaking into S.W.O.R.D. headquarters to get Vision’s body as evidence she’s up to no good. Later, he ordered his agents to kill her. He obviously wants her dead. What if he is not telling us everything? What if Wanda was breaking into “rescue” Vision’s body from S.W.O.R.D.? We don’t know what was going on, maybe S.W.O.R.D. is doing some kind of experiment to rebuild him. Hayward trying to kill Wanda makes me that maybe she isn’t the bad guy afterall and he’s trying to keep her from revealing something about S.W.O.R.D. Finally, Agnes always seems to be around when the kids are growing and are very interested in what’s going on with them. One popular theory that Agnes is a very powerful witch named Agatha Harkness. I think that maybe she is getting close to the kids so that he can steal Billy’s powers for her own.

    Arlyn’s Assumptions

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    Episode 5 showed signs that Monica Rambeau has already gained her powers. The question is when will she start to notice her powers? I think she will get an idea of how her powers work and will use them before the end of the season. Another good question is when will the twins start to show their powers? I think the boys might show it in these next couple of episodes. I thought about this and thought maybe if Pietro isn’t actually Pietro that there might be someone else controlling this reality other than Wanda. In thinking about it, I made a parallel to The Children’s Crusade when Doctor Doom took control over Wanda and I think that this is what is happening here. Not by Doctor Doom, but by someone very powerful.

     

    The next episode of WandaVision streams tomorrow

  • How WandaVision’s 1980’s Episode Does The Sitcom-Meets-MCU Thing Right

    How WandaVision’s 1980’s Episode Does The Sitcom-Meets-MCU Thing Right

    After taking a break from the inner workings of Westview to explore the goings-on outside the town, WandaVision picked up right where it left off in sitcom history and tackled the 1980’s “On a Very Special Episode…”.

    I discussed at length in my “Now in Color” analysis about how the time period of the 1970s is incongruent with the episode’s pregnancy and childbirth storyline. People were still giving birth in that era, obviously, it just wasn’t as common a trope seen in sitcoms as the decades before and after it. Fortunately, this episode’s 1980’s theme works very well with the plot it plays backdrop to, and goes beyond period-accurate clothing, a Growing Pains living room replica, and a nice homage to the classic intro of that show and other 80’s sitcoms like Family Ties and Full House. This is the part of WandaVision I’d been looking forward to the most; the sitcom is in full swing but now we have the MCU mystery to juxtapose it against. The choices made in emulating and subverting tropes often seen in 80’s media are a key part of the story; they’re less fluffy and more meaty than some of the antics seen in earlier episodes.

    Kids Grow Up So Fast

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    To start off, we get to see Billy and Tommy at three different ages in this episode: babies, young children, and 10-year-olds. The babies suddenly advancing a few years in age during the show’s cold open is a nod to how many old sitcoms would introduce a new baby to the central family unit only to age them up a few years the next season, but it’s also a key part of the plot, as is the inclusion of the “can we keep him?” trope with the dog. Hopefully, this episode made a lot of viewers understand why Marvel chose to go all-out on the sitcom stuff and that it’s more than just a stylistic choice.

    The twins are 10 years old for most of the episode, which is just the right age for them to learn one of the cheesy life lessons that were a hallmark of 80’s family media, complete with some gentle, sappy music to underscore it. But of course, despite being the one to deliver said lesson to her children, it’s Wanda who is having the most trouble applying it to her life. While Westview is supposed to be an idyllic and quaint town, there are some sad things that can’t be fixed even there. But Wanda knows there’s a world outside of Westview, and things are a lot more complicated outside her self-imposed bubble. She says one thing to the boys about not being able to revive the dead, while simultaneously doing the opposite of what she’s preaching with Vision.

    The Bubble is Ready to Pop

    Wanda obviously wants everyone in town – especially her family – to live in ignorant bliss, but the façade is starting to crack. The S.W.O.R.D. team is figuring out increasingly effective ways to break in (this week they sent in what they wanted using technology from Westview’s current era so it wouldn’t be altered upon entry) and Vision is catching on to what Wanda is doing. The biggest subversion of an 80’s trope in this episode comes when Wanda rolls the credits on Vision’s concerns about their life but he continues his confrontation anyway, and eventually, the credits stop. Sitcoms may be known for their ability to resolve any problem in half an hour, but this scene makes it clear that those days are over in Westview.

    In discussing the episode’s presentation of how sitcom tropes aren’t really true-to-life I have to mention everyone’s favorite neighbor, Agnes. Her frequent and well-timed stops by Wanda and Vision’s home are still humorous, but Vision’s comments about how she shows up with exactly what the family needs, exactly when they need it point to something being up with her. We see early on in this episode that she definitely knows what’s up to a degree, but it seems like she’s more attuned to Wanda and her family more than everyone else in Westview and Vision pointing out how odd her convenient behavior is means we’re going to find out more about her down the line.

    WandaVision only has two more decades to cover (well maybe three if the 2000’s and 2010’s are combined). If these kinds of parallels between the era and the situation continue, the cynicism of the 1990’s and beyond is going to play a role in these next episodes and things are going to break down even further.