The X-Men are coming to the Marvel Cinematic Universe and Marvel Studios has no small task ahead of them in making sure that the iconic team can lead the franchise in Phase 7 and beyond. Marvel Studios is also sure to make every effort to separate their adaptation of the team(s) from what came before. To celebrate the 12 Days of Christmas, we’ve decided to put together a list of which characters might play a key role and how Marvel Studios can ensure nobody will confuse them with their Fox counterparts.
The Firecracker
Though she appeared in four of X-Men films (X-Men, X2: X-Men United, X-Men: The LastStand and X-Men: Apocalypse), you’d be excused for not being able to remember what Jubilee did in those movies. If one had to guess, one might think that Bryan Singer threw a bright yellow jacket on Katrina Florence because he watched X-Men: The Animated Series and thought Jubilee was cool. In that regard, Singer wasn’t wrong. Jubilee is cool but Singer never figured out what to do with the character other than make her recognizable. Thankfully, it shouldn’t be hard for Marvel Studios to do better.
Jubilation Lee, like Kitty Pryde, joined Xavier’s School for Gifted Youngsters at an incredibly young age. Following the death of her parents, Jubilation made her way to the X-Men’s hideout in the Australian outback (it was a weird time in the comics) ended up helping the team and, eventually, joining the school. For all intents and purposes, Jubilee is EXACTLY the kind of kid Xavier’s school should be trying to help and that’s why she could make for a perfect candidate to be a key part of the mutants’ future in the MCU.
Though she lost her parents at an early age, Jubilee is truly a great representation of what it means to be a teenager. Full of life and ready to take on the world (“with me every day’s a celebration”), she often found herself walking headlong into dangerous situations she wasn’t quite ready for. The character was featured a member of the X-Men’s Blue team for years, but there are a couple of other possibilities that offer intriguing options for her portrayal in the MCU. As a young, orphaned teenager in a dangerous world, Jubilee formed a wonderful relationship with Wolverine, who served as a surrogate father for her. For over thirty issues of Larry Hama‘s run on Wolverine, Jubilee was the Robin to Logan’s Batman, serving as his sidekick. After establishing the X-Men and then Wolverine, a Wolverine and Jubilee series could provide some great moments. Another fantastic option outside of the mainstream X-Men films/series would be to put Jubilee on another one of the X-Men’s many spinoff teams: Generation X. A teen team whose adventures (if done right) found them going up against dangerous foes such as Omega Red and Juggernaut, Gen X could really be a great D+ series that could capture all the things that DC’s Titans missed. A Gen X team of Jubilee, Husk, M, Chamber and Synch, under the tutelage of Emma Frost, would provide the right mix of powers and identities to create the perfect formula for a teen action-dramadey. Marvel Studios is sure to spread the wealth and Generation X series seems to good to pass up.
2023 is set to be a wild year at the box office. The month of March alone features four major theatrical releases and none of those are from Marvel, DC or include Tom Cruise! Team MM got together to share each of their most anticipated films of the new year!
Torbjorn Frazier
Indiana Jones and the Dial of Destiny is my most anticipated film of the year. The notion of now 80-year-old Harrison Ford leading an action-heavy film is, if nothing else, wildly fascinating and will likely make for a compelling spectacle regardless of its quality. As well, Phoebe Waller-Bridge being part of a marquee cinematic film is only a good thing in my eyes and should automatically elevate the quality going in. And of course, Dial of Destiny will mark the final film score of the legendary figure John Williams, a fact of massive importance to any fan of music in film. No matter what though, the film certainly would have to have a lot go wrong for it to be worse than Indiana Jones and the Kingdom of the Crystal Skull.
Hunter Radesi
The greatest film of all time is Spider-Man: Into the Spider-Verse, so how could I not be excited for the sequel? There’s a lot of amazing stuff coming this year, but nothing is going to top another animated Spidey movie for me. Peak cinema.
Jeffrey Peterson
Most excited for Creed III. Jonathan Majors is doing great work right now so it’ll be fun to see his energy up against Michael B. Jordan. Jordan’s last few outings felt slightly stale, so if he can do good work behind the camera, maybe he’ll find a second wind there. The only downside is Sylvester Stallone not being involved, so I’d love for this film to still be successful so Jordan can create another lane for them to work together or even muscle the overall IP away. Fingers crossed for the latter and maybe Stallone can get his work back.
MTF III
Pass me a Corona and unearth a long-lost or presumed dead family member (Brie Larsen is definitely playing Brian’s sister, right?), but the DVD thieves turned masters of international vehicular mayhem are back, and I’m living for their return, a quarter mile at a time. Justin Lin’s absence gives me some pause, but mostly, after seeing the gang go to space in the last one, I need to see how they top themselves with this movie’s central stunt.
Charles Murphy
No film on the docket for 2023 has me as excited as Indy 5. Something feels more magical about this one and seeing Harrison Ford in action as Henry Jones Jr. will always be appealing to me. James Mangold put together a nostalgia-driven trailer that makes it seem like he understood his assignment here and put together a fun last ride for Indy.
Dalbin Osorio
House Party, because I grew up on Kid & Play, and, dammit, the reboots of Fresh Prince and Saved By The Bell were money. For a long time, reboots were just ways to cash in, but the last couple of years have seen much more quality efforts being put out, and House Party is set up to be no different. The premise is exciting (they’re partying at LeBron’s house!?), the cast has some exciting young talent, and I’m always going to support more representation in films. Super pumped for this one!
Joseph Aberl
There is quite a list of exciting projects to look forward to in 2023. It’s almost impossible to truly nail down a scenario if one only has the choice to watch one film, but there is one project I am extremely excited about: the new animated Teenage Mutant Ninja Turtles film, Mutant Mayhem. As of now, we know very little about what the project has to offer and only got a logo tease and its cast. With the co-writer of The Mitchells vs. the Machines and a Gravity Falls veteran attached to direct, this film could become one of the best-animated entries of 2023. And that’s saying something with the release of Spider-Man: Across the Spider-Verse in the same year.
Shashwat
James Gunn’s Guardians Of The Galaxy movies are one of the best releases to date. Everything from the writing to visuals, the movies are miles ahead of other comic book media. Even though they don’t compare with the best movies out there, I am most hyped for the threequel because it will feature a galaxy of fan-favorite characters, from Star-Lord to Groot. It will also introduce us to new characters such as Adam Warlock and The High Evolutionary.
The Guardians are a family, which we don’t see much of in other 2023 blockbusters. Watching this family ever since 2014 makes this movie an emotional goodbye. Other factors which affected my choice were the fact that most of the other movies haven’t released any promotional footage, and that I’m very biased toward the MCU!
Brandi Blahnik
My most anticipated film of 2023? It’s not Marvel or DC! It’s the long-awaited follow-up from mastermind director, Denis Villeneuve, Dune: Part 2. The 2021 installment gave us stunning visuals, a masterful score, and thoughtful, inspired casting. Plus, I can’t wait to meet the sociopathic Feyd-Rautha Villeneuve has in store for us. It’s sure to be a masterpiece.
The Bad Batch are back and traversing the galaxy far, far away. Just as everyone expected, the premiere episodes of the animated series’ second season took the titular team of lovable rogue clones to places far and wide. What might have been a surprise, however, was where Dee Bradley Baker‘s Hunter and his comrades ended up. Spoils of War and its follow-up, Ruins of War, saw Clone Force 99 arrive on Serenno, a lesser-known planet that played a huge role in the events of Star Wars: The Clone Wars and several of it’s spin-off materials. Longtime fans of the franchise likely lit up at the mention of the planet’s name, but its status as a less-frequent setting in the Star Wars universe may have caused some confusion among casual viewers.
Serenno is a planet located in the Outer Rim Territories, placing it far away from the activities occurring in the central Core Worlds and the galaxy’s governance. As a result, Serenno essentially functioned with its own government for most of its history, making it a fairly independent location. According to legend, it was once ruled by the Sith Empire, until the eight Great Houses of the planet joined together to force the dastardly conquerors off world. The revolt was led by House Serenno, named for its patriarch, who was consequently named ruler of the planet. The people of Serenno also took to naming their homeworld after their greatest House, because apparently, a few honorary street signs wouldn’t have been enough.
House Serenno continued to rule the planet until, as The Bad Batch revealed, its societal demise following The Clone Wars. Its final leader was a man of complicated legacy and someone whose name should automatically ring a few bells for those who’ve seen the Star Wars films. Count Dooku, introduced in Episode II – Attack of the Clones and featured heavily throughout The Clone Wars series, was a member of the House Serenno family, ruler of Serenno, a former Jedi Master, and finally, the second-to-last Sith Apprentice to the legendary Darth Sidious.
Dooku was portrayed by the late Sir Christopher Lee in live-action and has been voiced by Corey Burton in animated form for over a decade. He was a major player in the events of the Clone Wars, founding the Confederacy of Independent Systems with other Separatist leaders and funding its infamous droid army with his family’s immense wealth. Tangentially, that makes Serenno one of the most important locations of the Clone Wars era, despite its minor usage in Clone Wars storytelling. It’s mentioned consistently, but has never been shown in live-action and was only the setting for a handful of Clone Wars episodes – seven, to be exact. It was also part of the plot for Star Wars: Dark Disciple, a novel based on an unproduced Clone Wars story arc, which would have given the planet more screen time had those episodes made it to air.
Count Dooku’s grand castle is the most recognizable aspect of Serenno among fans, as most scenes from The Clone Wars set on the planet played out in the villainous royal’s throne room. That room makes another appearance in The Bad Batch, which takes its time to flesh out the history of Serenno and give viewers their most comprehensive look at the Outer Rim marble yet. A native of the planet explains that Dooku was secretly using his people’s money to supplement the Separatist movement, which lead to an economic crisis they’ve not been able to recover from.
A huge benefit of projects like The Bad Batch is their placement in the universe’s timeline. The show’s existence between other major Star Wars properties gives it a chance to fill in the blanks where most audiences might not have even realized there was a space. Serenno and its past are important parts of Star Wars lore, and thanks to The Bad Batch, they have both now been threaded through multiple eras of storytelling.
“Martial law” is such a funny phrase. At first glance, it definitely looks like “marital law”, but “marital law” and “martial law” are too very different ideas.
“Marital law” is something I joke about with Alex* – if you make me a promise, you stick to it.
“Martial law” is what happened to the country after Outbreak Day – a bunch of military assholes come steamrolling into town and take over, ranting about “maintaining order” and some other “here to keep peace” bullshit.
Unfortunately, their version of “peace” is what my political science classes would have described as “militant oppression.” The Federal Disaster Response Agency – FEDRA, if you’re lazy – and what was left of the government set up military rule in every Quarantine Zone nationwide once it was clear the situation was out of hand. We’re still in Buffalo, at the “Canalside QZ”, but we’ve heard about similar set-ups in Atlanta, Pittsburgh, Salt Lake City, Seattle, Denver, and Boston. Some of them are worse than others, and not all of them are still standing.
I’ve spent the better part of the last 6(!) years in QZ. Once the dust settled at UB, FEDRA raided the campus. I was huddled in that abandoned wing writing “Apocalypse 101”, the Great American Novel. According to the crumpled pages I just found at the bottom of an old bag, I made it to Rule #12 before I was forced into QZ and life regained a deranged sense of normalcy. I stopped thinking about “survival” and started thinking about keeping my head down. I watched FEDRA shoot innocents in the street. People I knew. For no real reason. All in the name of “civility.”
Now, though, it seems like I should start writing again. There’s a palpable sense of unrest in the QZ. They’ve told us there’s a food shortage, and we should only expect to receive half-rations for the foreseeable future. Anyone without the proper ration cards is on their own. Those of us they consider “able-bodied” are drafted and forced to work details inside and outside of the city. I work the wall. Shoot infected on sight. It’s pretty miserable, but these days, what isn’t?
Alex made friends with (smuggles alcohol to) one of the FEDRA agents, and when he drinks, he talks. QZ radio signals are dropping like flies. Recons say it’s hordes of infected and folks who’ve had enough. We’ve heard more and more about a rogue militia group attacking QZ’s, calling themselves “the Fireflies”. They want democracy back, and they want a cure for whatever the hell all of this is. Them and everyone else.
Thing is, if something like that happens here, Alex and I won’t be able to rely on QZ walls to keep us alive anymore. As bad as this place is, at least it’s kept out the infected. Luckily, should we end up on our own, my time faithfully guarding our hollowed grounds has taught me a thing or two about what we’d be up against. I was thinking about jotting down a guide for Alex to have, keep him safe, and then I remembered this journal. So, without further ado, my latest additions to “Apocalypse 101.” For everyone to enjoy. Six years in the making.
Types of Infected and How to Kill Them
There are really only a couple ways to be infected. You get bit, or you breathe in a bunch of parasitic spores that make you hack up a lung and turn your brain into plant-powered, flesh-eating mush. Once you’re infected, there’s no going back. That’s why FEDRA agents normally just shoot suspected infectees where they stand. False positive or not.
Runners
If you’ve got that Cordyceps in your system, you’ve got two days left of being you. After that, you’re one of them. You’ll lose control of yourself. Irritable, violent, twitchy. Skin pale, covered in lesions. Eyes glossed over, hair falling out. We call infected in this early stage “Runners“, because, well, they’re still fast. Agile. Erratic.
Runners are the easiest type of infected to kill, so long as you’re able to keep them separated. A horde of them will overrun you quick. It’s too much flailing at the same time. If you see more than a few Runners in any area, approach with caution and take them out silently.
Silence and patience are the keys to everything outside the walls.
All types of infected are triggered by loud noises; they make them go nuts. Most of them can’t see, but Runners can. Stay out of their line of sight unless you think you can take them on. Like I said, they’re pretty easy to bury. Aside from an insatiable need to eat every living thing they can find, they’re still mostly human. That means anything that could kill a person will kill a Runner. Gun to the torso, knife to the throat, baseball bat to the head. You name it.
It’s smart to clear your area of Runners because if you don’t, they’ll become something a lot worse. That being said, killing them has probably been the least enjoyable experience of my life. They’re still mostly human, which means a little bit of who they used to be is still in there somewhere. Runners cry, and they moan, and they screech. They know what they are now, but they can’t stop it. Some of them won’t even attack. They just stand there, hunched over, fighting themselves. It’s horrible. Like putting down a sick dog.
Stalkers
The Last of Us™ Part II_20200708100013
Honestly, my least favorite infected type. Insanely creepy. This is what you become in the weeks and months after infection. Somewhere between human and monster. You’ll likely hear a “Stalker” before you see them, and by the time you see them, it may be too late.
At this point in their infection, the Stalkers have begun growing a sort of fungal armor on their bodies. They’re stronger too, so you’re not gonna be able to kill them with your fists like a Runner, or sneak up behind them for a choke-out. In fact, stealth is probably not an option for you here at all. That’s their game, and they’re great at it.
Stalkers still have a little eyesight and they’ve got their speed. They love dark rooms and places to hide. The Cordyceps has spread to their neck and faces, so they can’t make human noises anymore. It’s just croaking sounds, and they use them as a form of echolocation. Once they know you’re there, they’ll start up their modus operandi. They hide behind corners, in walls, and crouch where you can’t see them. That croaking is the only thing that gives them away. When you turn your back, they’ll sprint to the next hiding spot. Closer and closer.
The best way to combat them is with a strategy of your own. Don’t charge them, or try to fight them head-on. You’ll lose. They travel better than you. Stay back, set traps, and plan every movement. If you can lure them out of hiding and into a pipe bomb, do that. If you can’t, strap up with the heaviest weapon you’ve got and wait until they jump at you. Follow the croaks and the one glowing eye until they’re near enough to fire a shotgun at. Just know what else might be in the room with you, and what the sudden sound of an explosive might do when it goes off.
You can throw bricks and bottles around to confuse them if you’d like. Make them think you’re somewhere else. But that doesn’t always work.
Clickers
These are the famous ones. The way people talk about them in QZ’s, you’d think they were the only ones. They’re certainly the most annoying. “Clickers” are what you get after about a year of letting human DNA stew with Cordyceps fungus. Stronger than the average person and nastier than a toilet after Mardi Gras.
Clickers get their name from the way they survive. With no eyes, they make clicking sounds to get around and hunt for prey. Echolocation, like the Stalkers. Only at this point, they’re more plants than humans. Shocking to look at. Usually very little clothing, on account of the fungal growths tearing through it all. No faces, just mushroom-like masses on top of wet cryptid bodies. They do have teeth, though. And they’re sharp.
All those growths make for a pretty solid form of protection. You could shoot one point-blank in the head, and the shrapnel wouldn’t even puncture the skull. You either need a lot of ammo or incredible precision to bring a Clicker down. If you can move quietly and get close, you can slip a knife, or shiv, under their fungal plating for an instant kill. This also applies to immaculate arrow shots. With no vision, you don’t have to hide from them. You just might want to avoid making a peep if they’re turned in your direction. Typically, a Clicker will just stand there and claw at it’s own face until it thinks about dinner. If it knows food is nearby, it won’t leave until it’s full.
Like any tree or garden before them, Clickers are very susceptible to fire. A well-tossed Molotov cocktail or fully-functional flamethrower will put an end to their misery if you can manage to get your hands on that sort of thing. Otherwise, it’s recommended you don’t engage unless well-equipped to blow through fungus. Especially if there’s more than one Clicker in the area. That’s just asking to die.
Bloaters
A “Bloater” is a Clicker left to rot for too long. Years of fungal build-up. Incredibly rare, and something you should hope never to see. Their name is well-earned. Massive, big-old turds. I’m talking bear-sized or bigger. Like, “you-stand-very-little-chance-of-walking-away” large.
Most of the tactics that apply to Clickers also apply here, only on steroids. Nobody has the kind of ammo needed to shoot one of these things to death, so your best route of action is to turn tail and get your ass out of wherever you are. If that’s not in the cards, you better hope you have specific, armor-piercing bullets loaded (a hunting rifle is surprisingly effective) or another tank for that flamethrower. Don’t even think about going hand-to-hand with a Bloater. It will literally rip your jaw out of your face and start beating you with it. These guys are brutal, physical, and hungry.
Keeping your distance won’t work against Bloaters either. It’s better than facing them up close, but they’ve got a special kind of growth that feels designed by Satan just to screw with us. A Bloater can grow bulbs of mycotoxin on its body, and if it knows you’re there, it will start whipping them across the room at you until you can’t breathe anymore. Rough.
Their only real weaknesses are these: they’re dumb and slow. You can trick them into hurting themselves if you’re smart enough about it. Let them ram into walls or walk into pools of gasoline. Fun stuff if you’re sick in the head.
Others
We’ve covered the main four stages of infection, but I have heard tell of other variants roaming different parts of the country. “Shamblers” are essentially just soaked Bloaters, which apparently exist in coastal cities. They’re so full of liquid they just spray their mycotoxin directly from their torso, no bulbs required. They explode when they die, too. So stay clear after they hit the ground.
The craziest rumor I’ve heard is that some infected can get all tangled up with each other, and grow into a single terrifying mass. Never seen it myself. No idea how you’d handle that predicament. Would probably have to take myself out if I ever came across it.
Rules #13-17, When You Kill Them Make Sure They’re Dead
Still reading? Good. All of that was wildly important. The infected are no joke, and knowing how to deal with them is one of the most important survival skills a person can have. In order to emphasize this, I’ve grouped the last four rules – each type of infected and how to kill them – under one umbrella. I’ve also named this section of “Apocalypse 101′ after something I make Alex promise every time he sneaks out of QZ. It’s part of our “marital law.”
When you kill them, make sure they’re dead.
*(I guess it’s been a while since I last wrote in here. I’ve got some life updates! Remember that shuffling I heard in the abandoned wing of UB? That was Alex. I wasn’t alone in there. He found himself a hiding spot and stuck to it, only leaving for supplies at night. He’s like a very handsome Stalker, who never once tried to kill me. We agreed to help each other survive, and found ourselves sharing a bed not long after. He’s been the one thing I’ve had since Outbreak Day. My only family. He hasn’t been drafted yet, but he keeps his days busy smuggling supplies in and out of the QZ. Big network of that growing underground. I hate it, but I trust him. We both know what we’re doing.
Almost makes me think we’d be better off living with the Clickers than FEDRA…)
The X-Men are coming to the Marvel Cinematic Universe and Marvel Studios has no small task ahead of them in making sure that the iconic team can lead the franchise in Phase 7 and beyond. Marvel Studios is also sure to make every effort to separate their adaptation of the team(s) from what came before. To celebrate the 12 Days of Christmas, we’ve decided to put together a list of which characters might play a key role and how Marvel Studios can ensure nobody will confuse them with their Fox counterparts or, in this case, an X-Men fixture that Fox left on the bench.
The Genius
The Cheyenne Indian known as Forge never appeared in Fox’s X-films and that’s probably a blessing in disguise. Every super team needs an idea guy and Forge is an idea guy on a level that would rival the greats like Tony Stark and Reed Richards. The kind of work Forge would do was either completely absent from the X-films or relegated to Hank McCoy who while also a genius in the comics, wasn’t the intuitive engineering genius that Forge was.
Described best in his own words, Forge’s true mutant gift was “to make the impossible real” something he often did without possessing a true understanding of the process he was working through. Thanks to his mutation, Forge sees what others cannot and what Forge can see, Forge can create. As you can imagine, this gift can be both beautiful and terrifying and Forge has made more than his fair share of terrifying devices, including one that neutralized mutant powers. Forge has recently played a major role in the X-Men’s resurrection protocols and has found a new outlet for his talents in creating bio-organic weapons with the help of Krakoa.
Adding Forge to the mix of X-Men in the MCU shouldn’t be a problem. His status as a member of the Cheyenne Tribe works well with Marvel Studios’ ongoing efforts to add diverse characters to the MCU, something very in line with Stan Lee’s original work with the X-Men. His past as a wounded soldier who experienced severe trauma also adds a layer of depth to the character and one not much different from current MCU fan favorite Bucky Barnes. Like Barnes, Forge sustained some gruesome war injuries; unlike Barnes, Forge is essentially part cyborg now but that mixture of man and machine fits so well with his mutant power that it must be part of his story. Beyond that, he’s a must-have character whose brilliance as an inventor will allow the X-Men to stay sharp and develop weapons to take on the alien races they’re sure to encounter (and that Fox decided to ignore). Including Forge also provides the opportunity for one of his inventions to fall into the wrong hands and endanger mutants everywhere. Forge has been a member of the core team, X-Force and X-Factor and has a pretty underrated relationship with Wolverine. It’s truly hard to believe that he hasn’t somehow been brought to live-action yet, but Marvel Studios should definitely change that in the very near future.
In 2022, Marvel Studios’ Phase 4 ended after a volume of projects were released in theaters and on Disney+. It wasn’t going to be easy moving beyond the Infinity Saga, as it would always be in the shadow of Avengers: Endgame wrapping up what some may have felt was the franchise’s true end and the weight of expectation that erupted from it. Going by the Internet’s usual reactionary tale, there have been some mixed emotions at times in regard to how exactly Phase 4 has wrapped up. There have been highs and lows, but there’s something curious about the way the franchise has been developing for over ten years in.
Lightning in a Bottle
Cinema has been dominated by superhero films; there’s no denying that fact. Not just by Marvel Studios but any other studio trying to replicate the style and base concept that led them to what they are today. The Cinematic Universe remains a distant dream for some studios even as others built their own take that allowed them to at least attempt a similar style of world-building to make use of that glimmer of replication they’d been searching for.
Even Sony struggled to somehow get the Marvel license to work in their favor with various strange choices in characters to headline their own Spider-Man spinoff. After the DC Extended Universe failed to truly get going, they now are simply wiping the slate clean with Peter Safran and James Gunn spearheading the entire cinematic universe. As of now, they are Warner Bros. Discovery CEO David Zaslav‘s only hope to create what Kevin Feige kickstarted back in 2008.
Going by how desperate the attempts have been throughout the years, it’s easy to just forget how insane it’s been that Marvel Studios’ held up a cinematic franchise for over ten years. It even ends in a grand finale that wraps up so many stories in a way that almost seemed impossible to accomplish a few years ago. Avengers: Infinity War and Endgame were game-changers for this approach and only Marvel could pull it off.
Limitations of a Studio
Imagine you’re in the same shoes as a production study that already managed to do the impossible. They build a cinematic universe and managed to wrap up its initial storylines in a way that had many come together in joy. What do you do next? They pretty much have to set up a sequel that not only welcomes a new era of heroes with some legacy actors leaving their respective roles behind while also paying tribute to what came before. It’s not an easy task for any studio to just whip up while still trying to leave one legacy behind.
Wherever one feels about Phase 4, Marvel Studios took on way more risks going into the latest generation. Not only did they have Disney+ but also had the opportunity to reshape the way we view what makes a Marvel film what it is. The Marvel formula trope has been around since the first Phase of the MCU, and just doing the same thing over and over again would not always yield results.
Don’t forget: Marvel Studios only has Marvel. The Internet may complain about the number of projects they put out and have the IP Marvel brand slapped onto it, it’s all this one production studio can use. They aren’t Lucasfilm that developed other projects based on various IPs besides their anchor of Star Wars. They aren’t Warner Bros. that can publish Don’t Worry Darling and Black Adam in the same year as distinct projects. Marvel is in their name and it’s all they can use.
Disney’s Plus on Pressure
Plus, the expectation of any project being part of the MCU adds to that pressure. Disney+ is a Disney-owned streaming service that needs to become competitive fast. It would’ve been dumb not to make use of your biggest brand to ensure its growth can compete with the likes of Netflix, Amazon, and more. So, Marvel Studios now stands at the challenging crossroad to help Disney grow its streaming service while remaining bound to its MCU structure.
Marvel Studios didn’t just up their production without any forethought; no matter how some tried to paint that very picture. They absorbed Marvel TV, who had barely any projects moving forward and facing challenges long before they entered the streaming game, to make use of their experience. They had long-time employees that were involved since the early days take on producing roles to help these developments.
Now, they wanted to offer something unique while former Disney CEO Bob Chapek tried to shape the streaming service with his own unique team; something Bob Iger‘s return swiftly wiped out. There’s a lot that happened behind the scenes throughout the years that definitely made Phase 4 way more challenging than it truly needed to be. We don’t know all the details but somehow Marvel Studios still managed to produce some high-quality productions as they adapted to a new format under very challenging circumstances.
A Pandemic of Issues
Speaking of, we can’t forget that there’s another elephant in the room that is still showing its fangs to this day. COVID-19 changed everything we know and hampered many productions throughout the years. It forced the newly developed Volume technology, made popular through The Mandalorian, to take on a much bigger role for projects like The Batman, Thor: Love and Thunder, and more. VFX artists are forced to work from home trying to keep up the usual pace we saw before the pandemic.
Productions like Black Adam pushed back its release to work on its VFX longer, but this still led to the similar issues anyone has accused Marvel of throughout the year. There’s a bigger issue at play with how VFX artists and the industry’s general abuse of its systems, but it’s not a singular problem even if the most popular franchise became a quasi-popular choice to point it out. Productions like Moon Knight or Falcon and the Winter Soldier couldn’t film in locations due to travel restrictions, forcing them to adapt as quickly as possible.
All these small issues add up and can be seen in some productions. Not just that, Marvel Studios even with its TV merger was still new to this game. They not only had to adapt their usual structure to a format they weren’t adjusted to but during times when you’re not given many choices in how you adapt. Most productions that have released up to this point were all still filmed during the high point of the pandemic. There’s an interesting irony in how two of the only productions to beat box office expectations in 2022, Minions: Rise of Gru and Top Gun: Maverick, are holdovers from 2020.
Phase 4’s Gamble
Under all these circumstances, there’s something fascinating about how Phase 4 felt the most creatively free of any phases. Fittingly, it felt like a callback to the early days when Marvel Studios was still learning the ropes during Phase 1. The studio took a gamble with Phase 4 by simply diversifying rather than relying too much on what worked in the past. In a way, they may have worried that the superhero fatigue would set in eventually; even if it has been mentioned since Avengers: Age of Ultron all the way back in 2015.
So, they seemingly took more chances with their projects. She-Hulk had a very specific audience in mind that opens up their portfolio to new viewers. Moon Knight was an actor-driven project while Secret Presentations introduced a more open concept for further exploration of the MCU in short film form. Even the films had some rather strong director-driven elements like Chloé Zhao introducing indie filmmaking elements with Eternals, Sam Raimi doing his thing in Doctor Strange in the Multiverse of Madness, and Taika Waititi going full comedy in Thor: Love and Thunder.
Playing the Long Game
As much as people want to focus on the now, this gamble is something more for the long term. If they diversify and try out new things now, they’ll benefit from it further down the line as the new Saga, confirmed to be the Multiverse Saga, finds its legs. Still, they haven’t lost all their momentum and power at the box office, especially after a harsh year like 2021.
2022 was the first year of recovery for the box office since the pandemic hit and Marvel Studios still stands strong at the box office with most of its entries pulling in strong numbers. People tend to point to them not passing a billion with any of the projects as one warning sign, but it’s not too surprising given China’s exclusion, two key markets currently at war, still adjustments post-pandemic, and a generally dead year for releases.
Avatar: The Way of Water and Top Gun Maverick are the only films this year showcasing any strong legs; ironically both being the same type of nostalgia-driven entry building upon a long absence combined with good word-of-mouth. Marvel is still going strong and all that in a post-Endgame blues phase that would require some reshaping and reorganizing to keep going.
Phase 5 and Beyond
We’re about to enter Phase 5 of the Marvel Cinematic Universe and it’s got a lot of interesting projects that seem like they continue this trend of what we saw before. The projects may continue to get more interconnected moving forward as Ant-Man and the Wasp: Quantumania builds upon the main antagonist of the saga, who may also appear in the second season of Loki. Secret Invasion and The Marvels may build upon each other reshaping our understanding of the world; perhaps even past projects. Daredevil: Born Again and Echo act as a pair further exploring more grounded elements of this world with Captain America: New World Order and Thunderbolts‘ rumors hinting at the MCU continuing to expand in creative but exciting ways.
The MCU is not going to end anytime soon and we may slowly see a shift back to those elements that people fell in love with. Marvel Studios may also adapt its pacing with the shows and films; especially after taking some lessons from what they learned. Bob Iger is back in charge at Disney and he may give some more freedom back to the studios that were lost during Chapek‘s reign and the needs built around Disney+. We may also see some lessons learned from the pandemic on how to best optimize and further develop their projects.
Change isn’t something immediate, just like how the Phase 4 gamble may not pay off for everyone right now. While the outcry machine that is the internet remains the way it is, there’s more to what is currently happening. Fatigue may be building up for some but others may have just found themselves joining a world they only heard about from friends. Maybe everyone is just waiting for that one project to catch their attention like the franchise used to; especially with our nostalgia for what once was many years ago. Like any long-running franchise, we sometimes remember “what once was” with different glasses than when it was released especially after the emotional rollercoaster that was Avengers: Endgame. Perhaps there’s a good reason why there hasn’t been another Avengers film since and won’t be until 2025.
The X-Men are coming to the Marvel Cinematic Universe and Marvel Studios has no small task ahead of them in making sure that the iconic team can lead the franchise in Phase 7 and beyond. Marvel Studios is also sure to make every effort to separate their adaptation of the team(s) from what came before. To celebrate the 12 Days of Christmas, we’ve decided to put together a list of which characters might play a key role and how Marvel Studios can ensure nobody will confuse them with their Fox counterparts.
The Twin
Betsy Braddock made a token appearance in X-Men: The Last Stand and was then drastically underutilized in X-Men: Apocalypse. Given the poor adaptation of pretty much every character introduced in Apocalypse, including the titular mutant, it’s safe to say Simon Kinberg and Bryan Singer must have Googled “sexy X-Men costumes” and gone from there in developing Psylocke for the film. For a character with such a rich and complex history, she was reduced to cleavage and butt cheeks. While there’s certainly precedent for that in the comics, Fox really wasted a fascinating character.
Part of Betsy Braddock’s comic book history is muddled with some uncomfortable body-swapping business with another mutant, Kwannon, that was recently resolved following the mutant move to Krakoa. Marvel Studios would be wise to skip over all of that and keep the focus on Betsy as the gateway character to a completely unexplored corner of the world in the Fox movies: jolly old England. Betsy’s comic book history as an agent of S.T.R.I.K.E., her twin brother Brian just so happening to be Captain Britain and her connection to Excalibur make her the perfect character to open the door to the weirdness that takes place on that side of the pond.
One of the most powerful psychics on Earth, Betsy’s comic book time as a S.T.R.I.K.E. psi-agent could be reworked to make her an agent of MI13, Marvel’s X-Files division. Having her story begin there would allow for Marvel Studios to introduce the mystical wonders of England and Otherworld and characters such as her brothers, Brian and Jamie, Pete Wisdom and her royal pain in the ass, Majestrix Saturnyne. Whether through a Psylocke series, a Braddock series or an MI13 series (I’ve been pitching that one for almost 7 years now!), Betsy should be the star of the show before moving on to join the X-Men. Once with the X-Men, Betsy should be one of the founding members of the MCU’s X-Men strike team: X-Force. Of all of Betsy’s rich history, her time on X-Force in Rick Remender’s Uncanny X-Force stands about among her adventures as one of her most memorable. Marvel Studios is sure to expand beyond the core team of X-Men, including teams like X-Factor and X-Force in the MCU, and an X-Force team of Psylocke, Angel, Fantomex, Deadpool and Wolverine is exactly the kind of deadly strike team the MCU deserves. Psylocke has 10 years of interesting stories in her past. By allowing her to develop in her own world before joining the X-Men, Marvel Studios could smartly open up a whole new world of stories while bringing Betsy along on her own arc before she joins X-Force. This one almost writes itself!
James Gunn has a big job ahead of him in creating a shared cinematic universe out of the ashes after nuking the old guard. While he’ll smartly focus on Superman, Batman, Wonder Woman and the Justice League, he’ll also have to keep it fresh by bringing some new blood to the DCU. With that in mind, we have a handful of suggestions for Mr. Gunn as he gets things moving ahead in 2023.
Joao Roque Pinto on Mister Terrific
Dream casting: John Boyega, John David Washington, Scarlett Johansson
When thinking of a character that will allow for interesting storylines (be it through solo outings or as part of a team), with interesting powers without them being too out there, someone who big screen audiences have little to no knowledge of who it is and its back story, and that will be able to play well with the biggest names in the DC catalog, Mister Terrific (Michael Holt) came immediately to mind.
Gunn usually thrives when defining characters within team dynamics and Mister Terrific can be integrated into several teams the character has been a part of over the years. From the Justice League to the Justice Society of America, from Task Force X’s subdivision Checkmate to The Terrifics. His Genius-level intellect, “a natural aptitude for having natural aptitudes”, can also allow for a more plot-driven type of story, moving away from the spectacle that most team-up movies tend to be.
Not discounting his use of T-Spheres, he remains a character that can easily be combined with almost any sort of comic book movie approach, from the more grounded to the most fantastical, all while also bringing to the table a representation factor into the larger DC Universe that should never be dismissed.
Jeffrey Peterson on Clayface
Dream casting: Denzel Washington, Josh Brolin, or Brad Pitt.
An origin story that starts in the 60s, maybe 70s, but definitely after the ‘golden age’ of cinema. Automatic buy-in through casting a respected Hollywood star that’s on the older side, but the film also gains the benefit of really only effects of makeup or CGI when really necessary. The film can still use noir and thriller elements of The Batman while leaning into a more physiological terror space. The movie has the opportunity to discuss body dysmorphia and alteration, self-help, generational trauma, and the arts, specifically film, without doing any of it too directly. The other golden opportunity is that Clayface’s abilities only have to be hinted at since those actors are good character actors anyway. The more monstrous reveal once the powers get out of hand can naturally happen in the third act or the first, depending on the classic film a director (Jordan Peele or Alex Garland) wants to reference.
Dalbin Osorio
I know there’s going to be a consensus for all sorts of Green Lanterns to show up, so I’m going to get in front of that and say that Simon Baz is the Lantern we need to see. As a hero who ends up wielding a fusion of Sinestro and Hal Jordan’s power ring, and as the Corps’s first Arab-American member, Simon has the chance to bring some much-needed diversity to a DC Slate that is predominantly cis hetero white men. Showing Simon’s street racing, and racial persecution following a subsequent car accident, would make some amazing TV.
Now, who to play him, you ask? How about 40-year-old Lee Majdoub, who played Agent Stone in Sonic The Hedgehog? You’ll next see him playing the villain in Assassin’s Creed: Mirage, and he’s still young enough to where he could theoretically play this Lantern for 10 years.
Jared Kirschenbaum
Bat-Mite, as John Economos puts it in Peacemaker, is “a two-foot-tall interdimensional imp who stans Batman.” There are many interesting things DC Studios could do for a Bat-Mite project or an appearance elsewhere. Bat-Mite is similar to the Superman villain Mister Mxyzptlk, with a very different characterization. He is a being from the Fifth Dimension, which means Bat-Mite has access to phenomenal cosmic powers. And while Mister Mxyzptlk uses his powers to toy with Superman, Bat-Mite uses his powers to “help” Batman, because Bat-Mite is at his core, not a bad guy. His biggest problem is just that he is irritating. Basically, Bat-Mite is the fan from hell. He critiques Batman, makes things more difficult, and ruins Batman’s plans. The closest thing to Bat-Mite is probably Syndrome from The Incredibles. And in the wrong situation, Bat-Mite is dangerous. Sure, he likes Batman and wants Batman to succeed, but if Bat-Mite gets angry at Batman or wants to make a task more difficult for him to make it more fun to watch, there really are not many limits to what Bat-Mite can do. He is a nerd who just cannot help himself. Sometimes he is more bad than good, but a lot of the time, in his heart, he does just want to help.
To be fair, since he is not showing up in a Batman movie anytime soon, James Gunn could totally make a Bat-Mite movie and it would probably be a lot of fun. However, this is not really where he would be the most useful in the DCU, especially since Bat-Mite has already come up in Peacemaker. And since a second season of Peacemaker will probably factor into whatever Gunn is cooking as Co-chairman and CEO of DC Studios and is more of a lock than the majority of other DCU projects, Bat-Mite should 100% show up as part of season 2. Imagine, Bat-Mite shows up floating next to Peacemaker. Only the audience and Peacemaker can see or hear Bat-Mite as he spends most of the show telling Peacemaker that he is not as cool as Batman. Is Bat-Mite real or is he a figment of Peacemaker’s imagination or some subconscious manifestation of his inadequacy? Who knows? But a stylized cartoon or weird CGI-man thingy floating around Peacemaker in season 2, telling him how he needs to do a better job of being a hero like Batman is the totally out-of-left-field choice that Gunn would absolutely make. When season 1 started, nobody thought that Peacemaker would be fighting aliens. So, why not throw in a being from the Fifth Dimension, especially one who would not really work in many other movies or shows? Bat-Mite as the angel and devil on Peacemaker’s shoulder in Peacemaker season 2 would be so much fun.
MTF III
Who better to be an entry point character for the present state of the Batman Family and all of its tentacles than Bruce Wayne’s son, raised by Ra’s Al Ghul in the world of assassins, then introduced into the world of vigilantes as the next to carry on the legacy of Robin? Through him, we can meet all of Bruce’s surrogate sons and daughters and explore a different dynamic with Bruce, as he needs to find his softer side to connect with an offspring who might be more intense than even him.
My #2 choice would be Nubia. While the idea of a “Black Wonder Woman” might seem at first glance to be one note, through her we can learn about the secret history of the lost Amazon tribe of Bana-Mighdall, who left Themyscira’s magical protection and gave up their immortality to create a society of warrior women in the Amazon way, but amidst the tumult of Northern Africa. Through interactions with Diana, Nubia could be a doorway into juxtaposing a more militant vision of the Amazons against the utopian one we were exposed to in some of the previous Wonder Woman outings. Nubia’s heroic journey can be about her learning to inspire hope in Man’s World rather than instilling fear.
Charles Murphy on The Spectre
As Marvel Studios’ fans wait for Ghost Rider to make his way into the MCU, DC’s own Spirit of Vengeance could serve an important role in James Gunn‘s new DCU. The being known as Aztar is as old as the universe and serves as the hand of divine vengeance for DC’s One Above All. There have been a whole lot of different iterations of the character over the years and Aztar has been bound to a few different human hosts, but a combo of the New 52’s modern version of Gotham PD officer Jim Corrigan mixed with the brilliant work done by John Ostrander in the 1990s offers the perfect mix of a character tied into the connected universe Gunn is building while also being able to do his own thing. Is this the right superhero role for Gunn’s bestie Nathan Fillion?
I never really liked living in a city. Too many people. Too many germs. Too many people with germs.
I guess I was right to be worried. People are already calling it “Outbreak Day”, which is kind of dumb. Why does history always give it’s biggest moments the silliest names? So self-serious. “The Plantdemic” was right there. Anyway, there’s a good chance writing this won’t matter. By the time anyone else gets their hands on it, “Outbreak Day” will either be in every history book or history books won’t exist.
I’m not really sure what’s happening, but it doesn’t feel good. It feels really bad, actually. It started with a few nerve-wracking headlines and flashing news tickers. But it was always so easy to ignore. I mean, who really pays attention to the news? None of it seems to matter until it’s changing your life. Then, oh boy, does it matter.
Alright, here it goes. The truth. Or at least what I’m pretty sure is the truth. Picture me clearing my throat here, for dramatic effect –
Most people are dead. The ones that aren’t are suffering.
That being said, momma didn’t raise no quitter. So, for the sake of my own sanity, and maybe yours, I’m putting together this little guide to surviving the apocalypse. “THE APOCALYPSE“, I can’t hardly believe it. Is this really the apocalypse? I don’t know. I’m just not really sure how long I’m gonna make it, and if I can’t make it, I hope someone else finds this and makes it themselves. Although, if I don’t make it, maybe this survival guide isn’t really worth reading? Fingers crossed.
Rule #1, Cities Are Bad
Spending my entire life surrounded by fields felt like a curse until it wasn’t. I grew up in New York, but not the part you’re thinking of. I’m from Western New York, where there’s room to roam. A couple years ago, when it was time to pick a college, I went with the University of Buffalo. Close to home, but far enough to feel independent. I had some friends ahead of me who already lived there. Plenty of things to do. It was safe. It made sense. It was densely populated.
I was supposed to graduate from college this semester. A big celebration. Years of hard work. I was only on campus for about a month before I noticed the chaos on every screen.
“CORDYCEPS BRAIN INFECTION REACHES CRITICAL MASS”
Remember when you learned about the Cordyceps fungus in high school? Of course, you don’t. It never happened. Literally, not a single person cared about Cordyceps, unless they loved ants. That, like the name “Outbreak Day”, was pretty stupid. Its whole thing is getting on the brain and growing until it takes over. Should have been a red flag. For the longest time, it only infected insects. Turned them into zombies, made their corpses move on their own. A fun YouTube video, at most.
Then, at some point this year (2013 if you’re keeping track)*, Cordyceps managed to evolve. It spread through contaminated food, like the worst case of salmonella you’ve ever had. It started infecting people, making them act all funny. They became violent and mindless. Tearing people apart. I’m not sure if they’ve been eating anyone, but I wouldn’t rule it out. The “Infected”, or whatever we end up calling them, are pretty hard to reason with.
On the morning of September 26th, this is what The Buffalo News had to say:
The Food and Drug Administration’s investigation of crops potentially tainted with mold continues across the country. Initial lists distributed to vendors nationwide warned against crops imported from South America, but now the scope has extended to include Central America and Mexico. Several companies have already voluntarily recalled their food products from the shelves.
Buffalo News
By nightfall, Channel 4 was claiming a 300% increase in area hospital admittance. By the next day, there weren’t many normal people left. There was a lot of screaming. Crashes and bangs. Fire. Tears. There’s always snow in Buffalo. I’ll never forget realizing the white flakes outside my window were ash.
I remember it all so clearly. I was supposed to get an apartment off-campus with a few friends, but that fell apart last minute. I was in the dorms. So compact. Every footstep felt like it was coming for me. Pure anxiety. If one person was infected, an entire hall was infected. Nowhere was safe. Nothing made sense. It was densely populated.
I was lucky enough to live on the second floor and fled out the window. Short drop, didn’t hurt. I could hear them screeching and banging on my door. Wood broke as I hit the ground. I ran until I couldn’t anymore. I’ve been held up in an abandoned wing of the school ever since. Looks like one of the janitors was doomsday prepping in his closet. Glad it worked out for one of us.
I haven’t seen my family since they dropped me off on campus. Cell service isn’t a thing anymore, so I have no idea if they’re alive. If they’re thinking about me, wondering the same thing. Downtown is too full of – whatever those are – to make an escape. I think I’m all alone at the moment, though sometimes I think I hear shuffling at night. I don’t sleep much.
Enough with the sad stuff, though.
I’ve decided the first session of “Apocalypse 101” is about cities. They’re bad. Don’t go to them. Don’t go anywhere with a lot of bodies. If you have supplies to survive in open spaces, stay where you are. If you found this note in the city of Buffalo, get the hell out. More people means a higher infection rate, and a much lower chance of you keeping your human brain.
Even what I’m doing right now isn’t sustainable. I need to be somewhere I can move, and I need a volleyball I can draw eyes on. Living by yourself isn’t all it’s cracked up to be.
Good news, though. There’s a radio in here, and it just started picking up a military frequency. Only a little unsettling. Looks like they might be showing up soon, making UB a “Quarantine Zone”. Maybe I won’t have to keep this up very long after all…
Murphy’s Multiverse’s Extremely Talented João Roque Pinto
The Marvel Cinematic Universe
This should come as no surprise. Of course, fans flock to MCU news. Splitting it into films and Disney+ series, the biggest movie news seems predictable. But our readers’ interest in the series is perhaps a bit unique. Of course, in general, the most interesting MCU news this year came from San Diego Comic Con’s debut of Marvel Studios’ slate for Phases 5 and 6, culminating in Avengers: Secret Wars.
Black Panther: Wakanda Forever was a big moment in 2022 for countless reasons. The MCU's newest anti-hero, Namor, finally made his live-action debut. While many want to see the return of the character, it may not be in the form of a solo film. Black Panther: Wakanda Forever producer Nate Moore confirmed that the character can definitely return in a future project, but Disney is not able to produce a standalone project based around the character. It seems the rights are still with Universal, who also holds the rights to Hulk and was the reason that character never got a sequel since the Edward Norton film back in 2008.
As a side note, MM readers apparently got a kick out of our Ultimate Lists of What to Watch Before Doctor Strange in the Multiverse of Madness and Thor: Love and Thunder. If you thought the Multiverse of Madness list was chaos, just imagine what the Ultimate List for Secret Wars will look like (hint: the entire MCU and then some). Rest assured, an Ultimate List for Ant-Man and the Wasp: Quantumania will hit the internet soon.
Readers also flocked to news about the upcoming Secret Invasion. Perhaps fitting for the show, some of the most-read articles involved leaked set photos or rumors about the identity of characters—specifically Emilia Clarke's character—whose identity will further be questioned throughout the series.
To be honest, DC has been a mess for quite some time. Whether you love(d) the DCEU (and/or all of the things that were in the DC multiverse but not the DC Extended Universe, which makes no sense), hated it, or (most likely) were indifferent to it, it existed. However, late this year all of it was thrown into complete additional chaos when it was announced that James GunnandPeter Safran would be taking over as co-leaders of the newly-formed DC Studios. There is plenty to try and unpack so far—for example, Henry Cavill is no longer Superman. Who else will be recast? What will they do with their current 2023 slate that includes The Flash, Aquaman 2, Blue Beetle, and Shazam 2?
Given they distract from the movies, aren’t always followed through on and the disturbing trend in their quality, it really is time for the Marvel post-credit scene to be retired. We’ll always have that kiss between Jane and Thor…before Jane disappeared for a decade.
Charles Murphy
If you still have too many opinions about it, feel free to hop right back into that conversation. But screaming into the Twitter void about movies feels so 2022. 2023 is better...right?
Honorable Mentions
It's not all about superheroes, though MM readers certainly love them. But in 2022 we had some major interest in several other things. Check out some of the most noteworthy ones below.
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