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  • ‘Hocus Pocus 2’: Doug Jones Shares Closer Look at New Billy Butcherson Design

    ‘Hocus Pocus 2’: Doug Jones Shares Closer Look at New Billy Butcherson Design

    Just yesterday, executive producer Adam Shankman revealed that the Halloween classic revival of Hocus Pocus has just finished production. The project will see the return of the original Sanderson sisters, Bette Milder, Sarah Jessica Parker, and Kathy Najimiy. Yet, they aren’t the only ones as Doug Jones is also making his return as the zombie Billy Butcherson. Outside of a single set photo of the sisters flying, we sadly never got a good look at his updated take on the character. Luckily, as production has wrapped, the actor has shared a closer look on his Twitter featuring him in full Butcherson make-up.

    https://twitter.com/actordougjones/status/1488583087168516099

    It certainly looks like they stuck to his original design for the most part. He’s wearing a jacket that hides the rest of his costume, but it does seem like it is mostly the same as the original. The best part of the costume is that he once again gets to do a practical mask to bring the zombie to life, which is a perfect way to pay tribute to the original. Jones is famous for his work on bringing various monsters to life through practical prosthetics and it’s great to see him return to one of the roles that put him on the map.

    Source: Twitter

  • Tom Holland Confirms Conversations are Ongoing for MCU’s ‘Spider-Man 4’

    Tom Holland Confirms Conversations are Ongoing for MCU’s ‘Spider-Man 4’

    After the massive success of Spider-Man: No Way Home, there has been a lot of anticipation about what the future may have in store for the web-slinger. The franchise’s main star, Tom Holland, has been quite coy on if he would even return, but Marvel Studios’ CEO Kevin Feige confirmed that they are already working on a fourth entry in the franchise. In a new interview with Entertainment Weekly, he confirms that discussions have started on the next entry while he is busy promoting Uncharted.

    We’ve had conversations about the potential future of Spider-Man, but at the moment they are conversations. We don’t know what the future looks like.

    Tom Holland

    The actor highlighted that he believes talks are currently happening between Feige, Sony’s Tom Rothman, and producer Amy Pascal, but that he doesn’t know where exactly they are with it, as he currently is “not really thinking about the future.” He goes on to highlight his current way ot handling the situation with No Way Home‘s success.

    I’m still riding the wave of the success of the film and enjoying that.

    Tom Holland

    It makes sense the two companies are following up on the film’s success by taking a look at how they can continue the story. Feige is no stranger to planning quite a bit in advance. So, he may already have some plans for how they might potentially tackle the project. Though, with director Jon Watts moving on to Fantastic Four, they may already be considering who might be the perfect choice to tackle the next trilogy.

    Source: Entertainment Weekly

  • RUMOR: ‘Eternals’ Don Lee May Film a New Marvel Studios Project in the Summer

    RUMOR: ‘Eternals’ Don Lee May Film a New Marvel Studios Project in the Summer

    It looks like an Eternal might be making a grand return in the near future, as the site allkpop is reporting that Ma Dong Suk, also known as Don Lee to Western fans, is returning to the United States to film an unknown project. He originally played the character of Gilgamesh in the film, and it seems that he’ll return to take on the role in the unnamed project.

    The actor is currently busy promoting his Korean film Wilderness before heading out in the summer. He has hinted in the past that he would potentially return, similar to a statement by Selma Hayek confirming she signed on for multiple films. So, we might see the members of the Eternals film make their return throughout multiple projects, as we still haven’t received a confirmation for a sequel.

    Of course, fans of the film might question how he may make a return after his fate in the 2021 Marvel film. There’s a chance he may make an appearance before the snap, as his death in Eternals doesn’t take place until after Thanos’ defeat at the hands of the Avengers. Yet, as they are artificial begins, he may make his return as a new version of the character that doesn’t have the same memories. Whatever it may be, it’s great that he may have a future with the franchise.

    Source: allkpop

  • REVIEW: ‘Clifford the Big Red Dog’

    REVIEW: ‘Clifford the Big Red Dog’

    Clifford The Big Red Dog is ultimately a mild-mannered but generic adaptation of the beloved book series by the same name. While the titular Clifford, a giant red puppy, is as massive as one would want, the film lacks much of the whimsy of—and seems particularly confused about—the Clifford mythos. At the end of the day, Clifford is solid and consistent family fun even if it feels like a cut-and-paste from most movies in the genre. 

    Even though Clifford himself cannot fit in any box, Clifford is as inside-the-box as any film in the general family-friendly genre can be. Every step is by the book—while the film lifts up “being different”, it falls flat on its advice. To be fair, the movie passes every trope with flying colors, and the fun moments promised are unpretentiously fun. Clifford also offers some themes a bit more mature than expected, such as classist struggles and the threat of homelessness looming over the main characters at all times. 

    Ironically, the titular Clifford does very little of the heavy lifting in the movie. While an enormous red puppy should ordinarily keep someone’s attention above anything else, it is interestingly not the case in Clifford. The giant puppy has little personality beyond being a puppy, and the CGI companion has the stage presence of a second-string Paw Patrol member. Still, he is ultimately a good boy as he acts as the glue that holds the often-nonsensical plot together while a more sincere story plays out around him.

    What keeps Clifford from being stale, however, is its star-studded cast. Jack Whitehall ends up shining as the most interesting protagonist despite his cliché “fun uncle” role. Izaac Wang is funnier than the rest of the already-pretty-funny cast combined, including Tony HaleKenan Thompson, and Alex Moffat. Add in the ensemble that portrays the main character Emily Elizabeth’s Harlem neighbors, and the cast ends up breathing life into a movie that otherwise might have died on the vine. 

    Clifford the Big Red Dog is fine. Kids will certainly be plenty entertained by the spirited romp, and the cast maybe bring enough humor for general audiences to sit and stay for the entire film. While it does not quite accomplish anything as impressive as Clifford himself, there is plenty of family fun to fetch.

  • REVIEW: ‘Reacher’ Is Your Dad’s New Favorite Show

    REVIEW: ‘Reacher’ Is Your Dad’s New Favorite Show

    Picture a stereotypical father. He’s wearing a flannel and a pair of reading glasses he insists he doesn’t need. Perhaps he’s just finished barbecuing chicken on the grill and has cracked open a light beer after giggling to himself over the worst joke you’ve ever heard. Now, he plans to sit down in his chair, kick up the footrest, and turn on his latest favorite show. It’s another straightforward tale of the hero with a thousand faces, a lonesome wanderer who keeps finding that he’s the only thing standing between a group of innocents and those that would seek to harm them.

    Thirty years ago, this show might have been Walker, Texas Ranger on CBS, and ten years before that it may have been Knight Rider on NBC. Starting this month, it will be Reacher, a new show based on Lee Child‘s acclaimed series of novels, streaming on Amazon Prime.

    Over the course of eight episodes, Reacher checks off pretty much every box that its genre requires. We’re introduced to a quiet, pie-loving man’s man with more muscles than any shirt could adequately contain. His past is a secret, his emotions are cut off, and his proficiency with a gun is seemingly unmatched. He is portrayed as a force of good, who always knows what he’s doing and never does anything wrong. If he ever gets close to committing a crime, he probably has a good reason for it. He’s flanked by skeptical companions that do most of the talking and opposed by bad guys who’ve never met a line they won’t cross.

    There is soft-hearted romance, tough-guy bromance, criminal conspiracy, damsels in distress, and plenty of violence to go around. The general plot is mostly predictable, even if the central mystery is not, and you can pretty much guess how the season will end before it’s done beginning. It’s easy reading, better as a light rational dessert than a full mental meal. Yet, in spite of the entire preceding paragraph, I actually think the show is pretty enjoyable.

    Though he may not carry the same name recognition or star power as Chuck Norris or David Hasselhoff before him, the headliner behind the titular man of action is a big part of why the show works as well as it does. Alan Ritchson gives a stoic performance as Jack Reacher, slipping a surprising amount of acting into the motions of the strong, silent type. He’s exactly the kind of lead a show like this wants to build itself around; charming, authoritative yet somehow able to make the audience feel safe while delivering bad news with gruff curtness. His buddy-cop banter with Malcolm Goodwin‘s straight-laced detective character makes for a few good laughs, even if his romantic sub-plot with Willa Fitzgerald feels a little forced at times. A testament to Ritchson‘s likability in the role can be found in the way nobody really outshines him for the duration of the series, despite the fact he’s often given little to do in the script outside of spitting facts and taking names.

    The show occasionally succumbs to a handful of superficial low-budget television tropes, like poorly choreographed hand-to-hand combat and background fire that feels a little too obviously fake. Luckily, the events of each episode prove to be engaging enough that none of it matters all that much. There are some genuinely surprising twists and turns as the story goes on, and I found myself pleasantly surprised by how interested I was in what would happen next. In fact, some of the season’s cheesier moments play as fairly self-aware, breaking away from an intriguing conversation or important plot development for a corny one-liner or an action shot out of an early Stallone film. If you’re in the right state of mind, it might just make you smile.

    Ultimately, Reacher proves to be a completely serviceable television series, and maybe even a better adaptation of the source material than the pair of Tom Cruise movies that came before it. There may not be enough spark to garner attention from a wide range of Amazon viewers, but those who gravitate towards it will probably find pleasure in a series of episodes that are exactly what they expect. If not, perhaps, a little bit better. At the very least, your old man will probably love it.

  • REVIEW: ‘Raising Dion’ Season 2 Ups the Ante

    REVIEW: ‘Raising Dion’ Season 2 Ups the Ante

    Note: This review is spoiler-free. Any bits hinted at were introduced at the tail-end of Season 1, or teased in the trailer for Season 2.

    The first season of Raising Dion focused on the relationship between Nicole and Dion, and the struggles both characters endured due to Dion’s unexpected abilities. It was a deep dive into the mystery surrounding her husband’s death, and how the events leading to his death ultimately led to Dion’s powers. At the heart, though, it was very much a family drama full of self-discovery, humor and loss. The second season takes the series in a brand new direction, though.

    A two-year time jump allows the series to move forward, while also allowing for leading actor, Ja’Siah Young, to grow into the role. This time around, he’s in control of his powers and trying to use them to do some good around his neighborhood. Along with Esperanza and Jonathan, the former bully of Season 1, the trio form the Triangle of Justice. Rather than focus on the pain of growing up and being accepted by their peers, we get to see the students grow into their characters this go-round. They’re more confident, a heck of a lot more daring and all the more compelling. Seeing them work against the new big-bad? It’s exciting because there’s such a huge change in these characters we met in 2019.

    Season 2 picks up two years after the events on the school football field, where the battle between Dion and the Crooked Man took place. The world has, for the most part, moved on from the event, however, it soon becomes clear wherever the Crooked Man appeared, the land was impacted — left to decay, rot away without answer. Rather than being an imposing threat this season, BIONA is quickly proven to be the safety net for Dion and others like him. However, just as things seem to be going well, an old friend returns to upheave everything.

    There’s very little to complain about when it comes to Season 2 of Raising Dion. It’s a more cohesive storyline that allows its characters to thrive; it’s action-packed, having already established this unique spin on our world, and there are plenty of thrills to keep viewers guessing. One of the downfalls, though, is the decision to bring in Griffin Robert Faulkner‘s Brayden full-time this season. While Brayden does capture the creepiness aspect that Season 1 teases at the end, he often comes across as cruel more so than terrifying. This isn’t at the fault of the young actor, of course, but rather the way the character was handled. It’s all the more evident at the end when everything erupts into chaos.

    One thing Raising Dion does perfectly is build upon what it has already established. The series doesn’t dwell on what’s done. Season 1 was focused on the Iceland Event, the mystery surrounding Mark’s death and the Crooked Man. All were vital to Dion’s story, however, the second season moves beyond the Iceland Event and Mark’s death. The writers know viewers are not looking to rehash the same plotlines. Yes, they may be occasionally mentioned, but this is something entirely new. It’s an exciting story that is easy to binge in a single setting.

    While a third season has yet to be officially announced, fans will quickly find themselves awaiting said announcement. The ending of Raising Dion Season 2 will surely leave fans with more questions than answers and, in this instance, that’s far from a bad thing. It just proves there’s plenty of power left in this series, and if you haven’t already, it’s time to familiarize yourself with Mind Mover because Dion is the type of superhero we need on our screens.

  • ‘Red Notice’s Rawson Marshall Thurber to Direct ‘Dungeons & Dragons’ Series

    ‘Red Notice’s Rawson Marshall Thurber to Direct ‘Dungeons & Dragons’ Series

    Entertainment One has been quite focused on adapting a TV series based on Dungeons & Dragons. It looks like they have also found the person to bring it to life with Red Notice director Rawson Marshall Thurber signed on to adapt the classic role-playing game. He is set to write, direct and executive produce the pilot for the series. It’s uncertain if this will connect to the film that is currently in production by Jonathan Goldstein and John Francis Daley.

    Derek Kolstad was tapped to create a series based on the franchise, but it’s uncertain if he’s moved on from the project given he’s recently signed on to adapt various projects like Battle Chasers. It seems their plan is to create a live-action cinematic universe based on the tabletop franchise. It’s uncertain how involved Thurber is in establishing the greater franchise besides this series.

    Before he worked don Red Notice, he was also the mastermind behind projects like Central Intelligence, Skyscraper, We’re the Millers, and Dodgeball: A True Underdog Story. He does have some background in TV with Fox’s The Loop and NBC’s Marry Me. So, the writer and director is no stranger to long-form storytelling and it’ll be interesting to see how he might tackle a fantasy-based storyline.

    Source: The Hollywood Reporter

  • ‘Loki’ Season 2 Eyeing a Summer Production Start

    ‘Loki’ Season 2 Eyeing a Summer Production Start

    There are quite a few Marvel Studios series heading our way on Disney+ this year, but we’ve still haven’t had an update on the first one to receive a second season, Loki. It left us with quite the cliffhanger as we awaited what the future might have in store for the God of Mischief. It looks like we might have our first hint that the Tom Hiddleston-led Disney+ series will start production this year.

    In a new piece by Backstage, they hint that production is eyeing a summer start at Pinewood Studio. Back in July, it was confirmed that Kate Herron was not returning to direct the series but there hasn’t been an update on who might’ve taken over since. After she left the project, there was some belief that it may not start production until 2023, but if it is indeed going to start production this year, they may have already found their director.

    A summer production start might offer some hope that the series could find its way to Disney+ in 2023. Given that Kang the Conqueror might have a role in the series, they could be trying to connect it to Ant-Man and the Wasp: Quantumania, where Jonathan Majors will technically make his first appearance as that specific variant. Here’s hoping we might also get some casting announcements in the coming months that offer a hint at what else we cane expect from Loki’s return to the TVA.

    Source: Backstage

  • ‘Dune’s Legendary Sells Minority Stake to Apollo

    ‘Dune’s Legendary Sells Minority Stake to Apollo

    Legendary Entertainment has seen a strong rebound during the pandemic, as their latest releases Dune, Enola Holmes, and Godzilla vs. Kong left a good impression, especially since the latter was the first to revive the box office during its March release. Yet, the company has been open to potentially sell or even merging with other companies back in July. It seems that they found a buyer, as Legendary has sold a minority stake of its company to the equity firm Apollo for $760M. However, no official statement has been made on how large that equity stake will be. CEO Josh Grode had the following to say on their sale:

    We didn’t need to do this now. We have a significant amount of cash on our balance sheet.” The influx of funding from Apollo “positions us for what we believe is the future, which is a lot of M&A opportunities.

    Josh Grode

    The company was first purchased back in 2016 by Wanda for $3.5 billion and went on to produce some strong box office franchises. Dune made quite a splash at the box office last year and they’ve made some strong deals with streamers to extend their IPs through other means, such as the recent announcement of an Apple TV+ series that explores the aftermath of 2014’s Godzilla. It seems they have also considered a full takeover, but decided against it. Besides its film offerings, Legendary also consists of a comic book, VR, licensing, and merchandising divisions.

    Source: Deadline

  • ‘Hocus Pocus 2’ Has Wrapped Production

    ‘Hocus Pocus 2’ Has Wrapped Production

    Disney+ has been busy reviving cult classic franchises. Among them is a sequel to Hocus Pocus, which will see the return of Bette Milder, Sarah Jessica Parker, and Kathy Najimy in their iconic roles, as they once again start haunting Salem. A new group of teenagers, played by Whitney Peak, Lilia Buckingham, and Belissa Escobedo, will take on the sisters. Doug Jones is also set to return as Billy Butcherson. It looks like the production has wrapped, as revealed by executive producer Adam Shankman in a new Instagram post.

    We did get a set video of the Sanderson sisters taking flight back in November, but nothing else has found its way online. The last entry was filmed back in 1993 and it’ll be interesting to see how they handle the time difference since the events of the original. It’ll also be interesting to see what has happened to the mysterious black candle since the events of the original. Either it remained forgotten in the attic of an unsuspecting family, or perhaps it has found its home in a museum. Whatever happened to it, teenagers are about to light a candle they will surely regret.

    Source: Instagram