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  • REVIEW: ‘TITANS’ Season 3 Episode 8 – Home

    REVIEW: ‘TITANS’ Season 3 Episode 8 – Home

    The beginning of Season 3 Episode 8 of Titans might make you briefly reminisce about the first few minutes of Episode 1 of the season where the Titans were a successful team popular with the San Fransisco public. That was a decent concept at the time as they were finally an actual team. Now, though, they have a Titans Signal in Gotham after the fact that they just celebrated that they won the whole Gotham situation with one tiny fight, and any happy memory is pretty marred by the pretentiousness of it all now. The episode does deliver some likely unintentional irony by the end of the episode when it is the Titans who actually cause the ultimate problem the season has been leading up to. 

    I would love to skip over it, but the episode certainly did not and it’s a hard pass on the Conner-Komand’r romance arc. Superboy has the acknowledged essence of a very young and naive boy, while Blackfire is supposed to come across as a hardened, elitist, dominating badass. Neither really lands so it comes across as overly cringe and it’s not what Gotham deserves right now. Also on a Tamaranian note, Kory is once again back to having visions she can’t control and that whole deprivation chamber nonsense is coming to the rescue again. The show seems determined to never give the woman a fair shot at being much more than a confused person waking up in random places and sometimes shooting fire out of her hands. 

    The Red Hood plot has had yet another rapid-fire turnaround. Jason declares to Crane that he is done with him and is done being used. Did that not happen two episodes ago? Either way, the episode seemed to commit to making Scarecrow the true villain at this point. We get the scenes with his overly horrible mother, his increasingly angry rants, and his increasing violence (see: dead mother), which classically hint that the man is approaching his final evil form as this absolutely insane and puppet master mastermind. Crane definitely makes you uncomfortable, but the character is still portrayed as entirely too casual to be particularly threatening or even plausibly pulling such intricate strings. 

    Episode 8 does deliver some good news by making it clear Titans will continue throwing a growing number of Robins at every problem, causing intra- and inter-Robin problems, which makes the original problem much worse. Dick is very harsh at times with Jason, telling Barbara for example that he essentially plans to execute Jason when he gets the chance. Later, he offers Jason a chance to come home if he gives up Crane—I assumed he was bluffing, but he apparently means it and the real kicker is that many of the Titans now absolutely hate Jason and would, I guess, prefer Dick kill him. 

    Jason seems repentant once he is cut off from the anti-fear gas, which is emphasized by the creepy scene where he goes to role-play apologizing to Hank and Dawn to exhibitionist sex workers. So while Jason is struggling with his actions stemming from his downfall from Robin to Red Hood, Dick (after being hit by a car) is now having visions reflecting his struggles with his Robin to Nightwing journey.

    Enter Tim Drake. Honestly, he’s sweet, he’s likable, and he just wants to help. Unfortunately, he also wants to be the next Robin and there is absolutely no indication that he will not get to be that in the near future considering Titans. While he will probably get to be the next sacrificial lamb for everyone to say, “Wow, the Robins really are problematic!”, at the moment he sparks a glimmer of joy. Does he get (presumably) fatally shot at the end of the episode? Sure. But there’s always Episode 9. 

    To be fair, Episode 8 ends with a major Scarecrow victory as all of Gotham City’s water supply is dosed with the chemical. While this plan, like much of the Gotham lore this season, is unoriginal and stale, it did finally come to fruition. Maybe the Titans will be kicked into more action and at a quicker pace as a result. Maybe the interpersonal relationships—between the Titans or Dick and Barbara or everyone and Jason—will be put to the test and come out with more complex understandings of themselves. But then again, there are still a considerable 5 more episodes left to stretch it all out.

  • ‘GOD OF WAR: RAGNARÖK’s Cory Balrog Talks Why They Aren’t Creating A Norse Trilogy

    ‘GOD OF WAR: RAGNARÖK’s Cory Balrog Talks Why They Aren’t Creating A Norse Trilogy

    After the reveal of God of War: Ragnarok‘s first gameplay, we found out that the second entry will end the so-called Norse series. Of course, it doesn’t mean we might not see Kratos and Atreus visit other pantheons in the future, but, surprisingly, Santa Monica Studio is moving away from the trilogy structure. Luckily, the game’s producer and director of the 2018 game, Cory Balrog, offered some more insight into why they chose to take this path and it has to do with the extended production time with modern game adaptations.

    In the interview with Kaptain Kuba on YouTube, Balrog alongside director Eric Williams revealed it was his idea initially and that they’ve realized that the amount of time it took to produce the first entry in the game would make the wait to finish the story. While it’s only one of multiple reasons, he does highlight it in the interview:

    There are several reasons. I think, one of the most important reasons is. The first game took 5 years. The second game, I don’t know how long it’ll take, but I’ll through it it’ll take close to a similar time to do this. When you think: ‘Wow, a third one in that same, we’re talking about a span to close of 15 years of a single story.’ And I feel like that is just too stretched out like we’re asking too much to say for the actual completion of the story taking that long, just feels too long.

    Cory Balrog

    It’s a great approach to not drag out the story. The first entry was a bit more intimate and built up the world filled with Norse creatures. As we enter Ragnarök, the core will remain on Kratos and Atreus moving forward. He also points out that the sequel will expand upon the first game’s biggest criticism of a lack in enemy variety. We’ll also meet a variety of new NPCs and the Blades of Chaos will get more of a focus moving forward. So, it’s exciting to see what the sequel has to offer, and hopefully, the wait isn’t too long.

    If you’re interested, you can check out the full interview here:

    Source: YouTube

  • ‘WANDAVISION’ Composer Christophe Beck Teases ‘HAWKEYE’ Involvement

    ‘WANDAVISION’ Composer Christophe Beck Teases ‘HAWKEYE’ Involvement

    Just recently, we finally got our first look at the upcoming Hawkeye Disney+ series. The big surprise was that the series is fully committing to a holiday-inspired theme, as Clint uncovers a young Kate Bishop using his old Ronin persona. It also leads to them ending in conflict with the Tracksuit mafia, as Clint tries to make it back to his family before Christmas. Of course, the trailer included a very popular Christmas song and we don’t know what the soundtrack will be. Yet, it seems that composer Christophe Beck may have hinted at his involvement with the project.

    Beck took to Twitter to share the official poster alongside the new release date. He doesn’t leave any comments on the series or sharing how excited he is for the project, which makes many think that he’s advertising his involvement with the project. He’s no stranger to working with Marvel studios, as he was behind the iconic soundtrack for their first Disney+ venture WandaVision, Ant-Man, and its sequel, Ant-Man and the Wasp.

    The composer had a pretty busy year, as his latest project Free Guy also recently hit theatres. What’s curious is that Beck seems to have a love for winter-themed projects. His filmography includes both Frozen titles for Disney and Netflix’s two The Christmas Chronicles films. It’s always curious to see trends in a composer’s work that hints at what type of stories they enjoy working on. Still, Christophe Beck‘s work is quite diverse with projects ranging from Pitch Perfect, Edge of Tomorrow to The Peanuts Movie. It’ll be interesting to see what touch he’ll bring to what may be the last Marvel Disney+ series for 2021.

    Source: Twitter, Christophe Beck

  • ‘SHANG-CHI’ Actor Florian Munteanu on Razor Fist & His Loyalty to Wenwu

    ‘SHANG-CHI’ Actor Florian Munteanu on Razor Fist & His Loyalty to Wenwu

    Shang-Chi and the Legend of the Ten Rings only recently hit theaters, but star Florian Munteanu is already talking about what didn’t make the cut. During a recent interview with ComicBookMovie, the former heavyweight boxer revealed that fans will be seeing much more of him when the film hits Blu-Ray. While Munteanu‘s presence was undoubtedly felt throughout the movie, his role essentially just functioned as an over-the-top bodyguard. Now, “Big Nasty” claims that he filmed a few Razor Fist scenes that would have expanded on the character’s backstory and motivations.

    His spoiler-filled explanation begins,

    We had that big end battle, and you [originally] would have seen a bit more there from Razor Fist. I’m looking forward to people seeing that because there was a reason why he replaced his blade with the dragon sword and fights with two swords, but I don’t want to spoil too much and I don’t want to give away too much.

    The last we see of the Ten Rings’ foremost mercenary, he’s aligned himself with the organization’s newest leader – the formidable Xialing. Munteanu continues his informative recount by stating that deleted scenes would have given audiences a better idea as to why Razor Fist was so loyal to both Xialing and his former boss, Wenwu.

    I always call [him] stepdad because, at the end of the day, Wenwu gave him a new life and purpose and a home. He trained him and took him away from the streets. That’s also something you will see in the bonus material. [Xialing’s] his daughter, so there’s more meaning to that than just following a new leader, but we’ll have to see what happens.

    It would appear that Razor Fist, often presented as the butt of the joke, may have a more tragic origin than initially believed. Luckily, he made it out of Shang-Chi alive, so there’s still hope some of that could be explored in a future MCU project. That is if it’s not on the DVD bonus features first.

    Shang-Chi and the Legend of the Ten Rings is in theaters now.

    Source: ComicBookMovie

  • Pixar’s ‘NONA’ Is a Punk Rock Heartwarmer

    Pixar’s ‘NONA’ Is a Punk Rock Heartwarmer

    Nona is Pixar’s latest short in its Sparkshorts film series, a program that lets Pixar employees develop and create their own short films to foster the company’s next generation of filmmakers. The results have been stellar so far and Nona is no exception.

    Directed by Louis Gonzales, Nona depicts a day in the life of a wrestling-loving grandmother. Anticipating a great day of watching her favorite wrestling program, a pastime she shared with her late husband, the titular Nona is in for a surprise when her grandaughter spends the day her. According to Gonzales in an interview we did with him:

    I’ve always had this concept of a grandma that loved wrestling. I’m an older guy in animation and I was seeing a lot of younger, hungrier, up-and-coming artists. I had this real connection to the idea of an older lady whose life hadn’t passed by but is on the cusp of that. That felt like it called to my attention. That’s where the story started.

    Nona is brimming with wholesome punk rock energy. From the music down to its pulsating sense of fun, this short is one that will leave a smile on your face. And like all great Pixar shorts and films, Nona gets a ton of emotional mileage out of a seemingly innocuous premise. Beneath all that crazy energy is a truly heartwarming vignette of life, love, and memory. With all that in mind, it isn’t surprising how personal the story is for Gonzales:

    I don’t know how to tell a story that isn’t personal. Even when I’m storyboarding for other directors, there has to be a personal component. Otherwise, there’s no truth in it. If there’s no truth, audiences aren’t going to connect with it. My short is filled with my truth. It’s filled with people I love that inspired these characters and stories.

    Short films are synonymous with that nostalgic Pixar viewing experience. Even going back to that iconic chess short from the 90s, Pixar shorts are truly special. Producer Courtney Casper Kent also briefly talked about these shorts get made and what makes a good Pixar short like Nona.

    I feel like where you start isn’t necessarily where you end up. That’s true with every short I’ve worked on [laughs]. It’s about telling the story that people can connect to and continuing to refine that to keep it honest. I feel like this story getting told at this point in time when people are presented with more challenges like having more family around than usual and having to balance that with work. I think that only enhanced the story and make it all of the things we are always looking for in a Pixar short.

  • Lauren Ridloff On Makkari’s MCU Reinvention for ‘ETERNALS’

    Lauren Ridloff On Makkari’s MCU Reinvention for ‘ETERNALS’

    Marvel Studios’ upcoming Eternals looks like it will stand out from the bulk of the MCU for numerous reasons. In particular, the diversity of the film’s cast and its inclusion of underrepresented groups in superhero roles is undeniably a major move for the franchise. Actress Lauren Ridloff will make her debut as Makkari, the speedster of the Eternals, and the MCU’s first deaf superhero.

    In the comics, Makkari is a very different character— a large blonde hearing man. When asked by the New York Times why Eternals took such a different route with the character, Ridloff had this to say:

    To be honest, I don’t know much about how they made that decision. But I love that they decided to make Makkari everything he’s not in the comic books — he’s a huge guy, let’s find someone tiny. He’s blond, let’s find someone who has Black hair. He’s a man, let’s go with a woman. He’s hearing, and now the character’s deaf.

    Lauren Ridloff

    Ridloff also noted that she feels the pressure and stress that comes with the expectation for her to pave the way for future deaf actors. Asked what she hopes people will take away from Eternals, she responded:

    Growing up, I didn’t dream about becoming an actor. I didn’t see myself on the screen. As a little girl, I thought I was one of only a few deaf people walking on this Earth. Now, as an adult, I’m aware there are at least 466 million deaf people and hard-of-hearing people out there. I’m not the only one. And that’s what it means to have a deaf superhero — a lot more people will see a lot more possibility.

    Lauren Ridloff

    Notably, the MCU is already set to introduce deaf actress Alaqua Cox as Maya Lopez/Echo in the upcoming Hawkeye and Echo Disney+ series and even has plans to explore Clint Barton’s AKA Hawkeye’s comic book history of deafness in the former. Marvel Studios’ vital moves to increase and highlight the diversity of its characters in Phase 4 will certainly be featured in Eternals, and Ridloff is no doubt ready to inspire a new generation of superheroes and superhero fans. 

    Source: The New York Times

  • 3 Things We’d Like to See Explored in a ‘SHANG-CHI’ Sequel

    3 Things We’d Like to See Explored in a ‘SHANG-CHI’ Sequel

    Shang-Chi and The Legend of The Ten Rings has established itself as both a critical and popular success, carrying a strong 98% audience score and 92% positive reviews on Rotten Tomatoes and a Metascore of 71 and 7.6 user score at Metacritic. Financially, it has outperformed pandemic expectations and looks to have another good week or two in the tank. All that success combined with Kevin Feige and Destin Daniel Cretton’s comments which have indicated a sequel is essentially waiting to be given the green light mean that a follow up to Shang-Chi is an inevitability at this point. The first film was pretty well self-contained, but as is always the case found ways to connect itself to the MCU and leave some threads left to pull for potential sequels. What could we see in Shang-Chi 2? We have some thoughts…

    The Capital Cities of Heaven

    The pocket dimension of Ta Lo is integral to the plot of Shang-Chi and The Legend of The Ten Rings. When Shang-Chi and Xialing first arrive in Ta Lo, they get a tour of the small town along with a history lesson: in short, there are other hidden cities that, like Ta Lo, are likely pocket dimensions. As we prepare for the Sacred Timeline debuts of Matt Murdock and Wilson Fisk, it’s possible that Shang-Chi also laid the groundwork to bring Daniel Rand-K’ai, the Iron Fist, along for the ride as well.

    Should Marvel Studios decide to take the leap (and make no mistake, bringing Iron Fist to the MCU will come with several big shit storms), a Shang-Chi sequel could easily make use of the pre-established idea of hidden cities to introduce the Capital Cities of Heaven and, should the want to make an absolutely incredible movie, center it around the Tournament of the Heavenly Cities. Introduced during Ed Brubaker, Matt Fraction and David Aja’s run on Immortal Iron Fist, the capital cities of heaven are all mystical cities located in pocket dimensions around the Earth, each with their own Immortal Weapon or champion. Among those cities if K’un Lun whose champion is, of course, The Immortal Iron Fist. Every 88 years, 7 of the 8 cities converge into one breathtaking setting, the Heart of Heaven, and host a tournament that pits the Immortal Weapons against one another. Bringing the tournament to the big screen would provide MCU fans with a chance to meet characters such as Fat Cobra, John Aman and Tiger’s Beautiful Daughter while giving Feige a chance to reboot Danny Rand, Dog Brother #1 and the Bride of Nine Spiders, all of whom were done dirty in the Netflix series.

    Where is Madam Gao from? - Science Fiction & Fantasy Stack Exchange

    It wouldn’t take much imagination to shuffle things around enough to have Ta Lo be one of the Capital Cities and have Shang-Chi be their champion. Given Cretton’s effective use of flashbacks in the first film, it would be fun to watch him explore the rich history of these cities while introducing characters that could stick around for a while and have their own stories told down the line. Given what we learned in Shang-Chi and The Legend of The Ten Rings, it’s safe to assume these cities already exist. Now it’s a matter of how badly the team at Marvel Studios wants to explore them.

    The Atlas Foundation

    Mr. Lao screenshots, images and pictures - Comic Vine

    Shang-Chi and The Legend of The Ten Rings did a wonderful job of establishing the long history of the Ten Rings organization without telling us too much about either the organization or the rings themselves. We know the organization has existed for around 1,000 years and that during that time, Wenwu was known by many names, among them the Great Khan. Logically, if one organization has existed for a thousand years, so could another: The Atlas Foundation.

    The Atlas Foundation’s origins date back to the time of Genghis Khan and have ties to him as each of the Foundation’s leaders have always been descendants of him. Given Wenwu’s long life, it’s entirely possible that he fathered more than the two children we met in Shang-Chi and The Legend of the Ten Rings and that one of those children could have gone his or her own way from Wenwu and created a secret organization that has grown significantly over the last 1,000 years. This part of the sequel writes itself as, should this organization exist, both Shang-Chi and Xialing would be direct heirs of Wenwu and the rightful leaders of the Atlas Foundation. With Xialing now running the Ten Rings, it would make for some killer sibling rivalry if Shang-Chi took his place atop Atlas and used its resources to work against his sister.

    Introducing the Atlas Foundation opens the door not only for another really cool dragon (Atlas has long been advised by the immortal lung dragon known as Mr. Lao) but could also pave the way for Jimmy Woo to enter the picture and open the door to an Agents of Atlas project as a direct follow-up.

    Fin Fang Foom

    Who's The Dragon In Shang-Chi? Great Protector & Fin Fang Foom Explained

    When we found out that Shang-Chi and The Legend of The Ten Rings would feature multiple dragons, NOBODY predicted we’d get the Great Protector and the Dweller-in-Darkness. Nobody is complaining about how great they worked out but fans are still crossing their fingers that the one we all thought was coming will show up and the mid-credits scene, while intentionally ambiguous, certainly leaves open the possibility we will see Fin Fang Foom in the sequel.

    As the Avengers explain to Shang-Chi, his use of the Ten Rings activated a beacon that is calling to something ancient. Given the presence of Captain Marvel in the room, it’s easy to believe that this beacon is calling to something far away across the stars, however, that is never made explicit. The opening of the film leaves the origin of the Ten Rings intentionally ambiguous, stating only that Wenwu maybe found them in a crater or in a tomb, leaving room for a sequel to explore just exactly where they came from. Given his comic ties to the rings, it would be pretty great if the answer to that question came in the shape of He Whose Limbs Shatter Mountains and Whose Back Scrapes the Sun.

    Though his story has changed some over the years, Fin Fang Foom is an ancient being from the planet Kakaranthara from where his species, the shape-shifting Makulans, left to conquer other planets. FFF arrived in Ancient China prior to the 8th century and while his fellow Makulans went out to conquer, he was given a reserve role and put to sleep in a tomb. Eventually, the Mandarin ventured into the tomb and took the Ten Rings, Makulan technology that contained the souls of dead warriors, and woke the Foomster.

    Again, the story writes itself and keeps its ties to the comic books while updating it to keep it fresh. Wenwu’s rings are clearly alien tech; the combination of that tech with Ta Lo’s magic could be just the catalyst to bring Foom out of his slumber and into the world where he would lay waste to it in the form of a giant dragon, giving Marvel Studios its very first Kaiju film. While Fin Fang Foom might seem like an Avengers-level threat (indeed the mid-credit scene with the Avengers leads us down that path), Shang-Chi is pretty powered up with the rings and could put up a fight against Foom and maybe even learn something new about the rings along the way.

  • REVIEW: ‘What If… Killmonger Rescued Tony Stark?’ – Episode 6

    REVIEW: ‘What If… Killmonger Rescued Tony Stark?’ – Episode 6

    What If… Killmonger Rescued Tony Stark? takes advantage of its freedom and the flexibility of the series to focus almost exclusively on upgrading an existing supervillain. It pairs with the Doctor Strange episode in terms of establishing a singular powerful villain as the overarching goal. The episode returns to previous What If… ? form by heavily tracking sacred timeline stories, though with dramatic alterations here. It’s an obvious mash-up of Iron Man and Black Panther, with hints of Iron Man 2, Avengers: Age of Ultron, and even a touch of Avengers: Infinity War—as a result, Episode 6 truly emphasizes how interconnected the existing MCU is in ways not obvious from the films alone.

    Michael B. Jordan continues his iconic and powerful role as Erik Stevens AKA Killmonger, and the episode gives the role proper respect and recognizes his overall merit as a character. He is eight steps ahead of virtually everyone he encounters and completely dominates the entire plotline with hardly any difficulty. He continues a trend in the series of eliminating major characters and superheroes from the main MCU—in this case, Killmonger swiftly takes out Tony Stark, T’Challa, and James Rhodes. 

    Overall, though, Episode 6 falls flat. While it definitely explores more of Killmonger, it comes across as a kind of standard remix to our known universe’s plot without much more depth or even a solid grasp on what Killmonger’s bigger picture might be. His motivations—which are one of the strongest aspects of the character and what, along with Jordan’s portrayal with them, makes him as interesting as he is—are noted more heavily towards the end of the episode, but they are glossed over compared to their treatment in Black Panther. While Killmonger is given his due as a powerful character, it a fairly surface-level take on him.

    The episode hones in on the general premise that one small change in a hero’s story can dramatically change the course of everything we know to be true. As our friend the Watcher reminds us, heroes are made, not born. If they miss their opportunity to “make” themselves, they merely become pawns in someone else’s story. Killmonger rescuing Stark—as a Navy Seal involved in an undercover operation with the Ten Rings—is all the grease Killmonger needs to succeed where he failed in Black Panther. Apparently, he already had plans for a weaponized automated drone called the Liberator, and Stark’s technology and help seals the deal to create these machines in contrast to the Iron Man suit. 

    In terms of performances, the voice acting in this episode is solid across the board. Michael B. Jordan is unmistakably great. Don Cheadle is quality, and Jon Favreau is very true to Happy. Andy Serkis is absolutely phenomenal and honestly gives one of the best performances of the series to date. Chadwick Boseman’s talent goes without saying. Mick McGill is decent as Tony Stark—the writing and his performance definitely capture the character well, but it’s near impossible to not stand out as not being Robert Downey Jr. in that role.

    Episode 6 also continues a growing trend in the series of ending on a very obvious cliffhanger and/or generally being an unfinished story. Earlier episodes always left the door cracked for future implications, but this episode and the immediately preceding zombie episode very much leave the door wide open for their respective stories to continue. It certainly implies that What If… ? is building to something bigger and something that likely involves interconnecting episodes.  

    Even so, the Watcher—who certainly acts as a connector—does not involve himself whatsoever, leaving the Doctor Strange episode as the sole exception to his general narrator-only role. He does, however, look noticeably unhappy and disturbed as a giant head in the sky at one point. While Killmonger certainly rules the day in this episode as he makes his way to become the Black Panther, the Watcher does cue that heroes—specifically our classic heroes—never die as they live on in those they inspire. Perhaps we will get to see later in this season or further down the line what Shuri and Pepper have to offer against Killmonger in this universe.

  • How Insomniac Can Improve ‘SPIDER-MAN 2’s Approach to Side Missions

    How Insomniac Can Improve ‘SPIDER-MAN 2’s Approach to Side Missions

    When Insomniac Games dropped their smash-hit Spider-Man in 2018, it seemed they might have done the impossible. Against all odds, the project was almost universally acclaimed by the character’s widespread fandom. The studio received praise for their work on the story, graphics, voice acting, mechanics, character designs, and much more. Yet, there was one aspect that left a good chunk of players wanting more. The game’s many side quests proved to be a fun way of traversing the open-world map of New York City, they often felt as though they were lacking a little spark.

    Spider-Man 2 PlayStation game to unleash Venom in 2023 - CNET

    The video game’s main plotline was an emotional rollercoaster filled with surprising twists that involved a number of big-name Spidey characters. As a result, it began to feel a little flat when the majority of the side missions were simply repetitive jaunts to fix broken pipelines and knock the mind-control out of raging college jocks. Sure, a game about your friendly neighborhood Spider-Man should probably have a few friendly neighborhood objectives, but they shouldn’t take up most of the game’s precious real estate. The recently revealed Spider-Man 2 should take advantage of this to improve its take on side quests, and Insomniac should start the process by revolving the goals around more intriguing characters.

    It makes sense that Insomniac might not want to use a major Spider-Man villain for a side mission when they could be used as the main antagonist in the future. This might be part of the reason Taskmaster set the challenges instead of a character like Kraven, who the company clearly plans on using in the franchise’s next installment. Luckily, our beloved heroes exist in a universe toppling with extravagant foes and tales just waiting to get adapted. One could take a look at any member of the webhead’s extensive rogues gallery and turn them into a short chain of mission objectives. That being said, the villains selected for the game would work best if their stories are able to possess a solid emotional core to build on. Peter Parker and Miles Morales tend to be at their most interesting when they have a little skin in the game. The stakes of their quests are raised by a personal connection to the threat they face.

    Spider-Man Remastered: Creative Director äußert sich zum neuen Peter Parker

    A great way to accomplish this is by telling stories that build on the previous game or even hint towards the future. For example, the first game featured a character named Dr. Morgan Michaels, a precursor to Morbius. A fantastic follow-up to this would be Spider-Man hunting down a mysterious new serial killer, only to discover a vampiric Michaels. As this is a character Peter already knows, it would make his efforts to help him all the more engaging. The resulting side quest would feel far more earned and satisfactory than trying to race through Screwball’s obstacle courses ever did. Imagine the controversial F.E.A.S.T. building is taken over by Dr. Elias Wirtham and establishes his new medical center, H.E.A.R.T. Around the same time, the vigilante known as Cardiac begins stealing experimental medical equipment around the city. It results in two separate side stories combining into one.

    The upcoming sequel’s additional expeditions would also be best optimized if they added new mechanics. Far too many of Spider-Man‘s added crusades utilized the same gameplay structure. It felt tedious in nature and led to a lack of replayability outside of the game’s grand narrative and general free-roaming. The next adventure’s inclusion of two active Spider-Men with different abilities will play a role in alleviating this issue, as Miles’ camouflage and venom strikes could be used for special stealth-based quests that Peter isn’t equipped for. The intermittent release of Spider-Man: Miles Morales also lends Spider-Man 2 the advantage of additional material to work with, some of which might give Miles some personal connections to new side villains.

    Spider-Man is the same video game we've been playing for a decade - CNET

    A potential example comes to mind in regards to Miles’ brush with the Tinkerer. Building upon one of the last game’s best side quests, it would be interesting to see what might happen if Tombstone’s gang got their hands on her technology and used it to transform a pair of their wayward youths into the rivals Rocket Racer and Big Wheel. Feeling obligated to deal with Tinkerer’s fallout, Miles could rush to detain the duo and attempt to set them on a better path. Despite having just mocked the original game’s Screwball missions, the idea of a speed-based task to break up combat objectives isn’t a terrible one. It would just be better executed if Miles, and the player, had a deeper relationship with the material.

    Insomniac looks to be on track to develop another success with Spider-Man 2, but if they really want the game to top its predecessor they’ll need to fix what didn’t work last time. The quality of the game’s side quests won’t make or break it, but they will be an integral part of the project’s legacy. Making them worthwhile through world-building and proper storytelling is something that could help cement the project as one of the industry’s great sequels.

  • ‘VENOM’ Sequel’s Andy Serkis Has No Doubt Spider-Man Will Face the Symbiote In a Future Project

    ‘VENOM’ Sequel’s Andy Serkis Has No Doubt Spider-Man Will Face the Symbiote In a Future Project

    Spider-Man found a comfy home in the Marvel Cinematic Universe, but that didn’t stop Sony from slowly building their own. 2018’s Venom was their first foray that will soon get a continuation in Venom: Let There Be Carnage. Of course, as Sony finally gave their franchise a name, it opened up the question of Spider-Man will interact with these characters. Morbius offered a glimpse at a connected universe with the appearance of Michael Keaton‘s Vulture, but there hasn’t been much on that since.

    Well, it seems the director of the Venom sequel, Andy Serkis, is pretty sure that it’s going to happen at some point in the future. He discussed the eventual fight between the long-time comic adversaries in an interview with IGN during the film’s premiere.

    Look, that’s the question on everyone’s lips. They want to know if Venom is gonna meet Spider-Man, but personally, it’s never gonna happen. I’m only joking, of course, it’s gonna happen. But, I think there’s so much. Look, it depends when you want to get there, and also, what the appetite is. If people want more Venom stories, then, to jump straight to Spider-Man, you could be missing out on so many great supervillain characters in between now and then. So, in a way, by rushing to it, you might be closing the door.

    Andy Serkis

    What makes this statement curious is that back in May, the director did highlight they’ve treated Venom as its own world. So, if he believes he’ll face Spider-Man, the bigger question is which one. Tom Holland seems to remain as a mainstay in the MCU moving forward, but a while back Kevin Feige hinted that he can cross between cinematic universes. Perhaps the events of Spider-Man: No Way Home push him out into Sony’s Spider-Man Universe. Whatever happens, it’s not going to

    Source: Instagram via The Direct, IGN