Tag: Loki

  • ‘Loki’s Threshold: A Scarlet Nexus Event Into the Multiverse

    ‘Loki’s Threshold: A Scarlet Nexus Event Into the Multiverse

    There’s still a lot to digest from Loki‘s grand finale. Time is no longer what it used to be, and we face a multiverse of problems. He Who Remains warned our loving duo that the other villains to follow are far more dangerous than his control over the Sacred Timeline. Yet, throughout all the explanations on the future coming of Kang, we break past a threshold. The point of no return where a single choice will change the outcome of the entire multiverse. All eyes were on Jonathan Majors‘ performance. So, we never thought to question what that very threshold ended up being. So, let’s take a closer look and see what may cause such an event where even the master of time has no more control.

    Once the threshold got broken, we see the multiverse slowly grow. It’s not at one point but multiple nexus events simultaneously. The show implied that it would be Sylvie and Loki’s love that ends everything. Yet, the threshold takes hold long before the kiss. It does lead to the eventual breaking point, as it is the last act in deviance before the multiverse completely breaks free. In the end, it wasn’t the literal breaking point but rather the event that would push it. He Who Remains knew their journey. So, the events beyond that point were merely a prediction. In a way, the way he acts before his death. It seemed like it was his hope of freedom. Somehow it was He Who Remains’ last act of free will. Even if he knew nothing beyond that point, he did know of the threshold’s existence and potential.

     

    Who Is He Who Remains in 'Loki'? Could He Be Phase 4's New Villain?

     

    Yet, if he knows what will happen throughout time, what kind of chaos would keep him from knowing beyond this point. The Time Variance Authority’s existence is to keep order across the Sacred Timeline. In a way, their natural enemy would be chaos. It’s an important element we’ve gotten introduced to in the first Disney+ series by Marvel Studios. In WandaVision, we learn that the Darkhold predicted the coming of the Scarlet Witch. A being forged out of chaos magic that may break reality as we know it. Her chapter states she will destroy the world. Yet, it never specifies which one. It doesn’t even specify but we know it connects to Doctor Strange in the Multiverse of the Madness.

    All we know is the Darkhold in her possession may break reality as we know it. With the rumored appearance of Shuma-Gorath, perhaps the book was created by this being rather than Cthon to lure the being to break him free from the restraints of time. Perhaps the Scarlet Witch is a nexus being within the Marvel Cinematic Universe, but not in the way we know it from the comics. Loki introduces us to Nexus events that create Variants within the Sacred Timeline. Perhaps, her fully coming into control of that power created the ultimate Variant. Her existence of pure chaos energy is not just a Nexus event but an entire being. The word exists within her dreams for a reason.

     

    WandaVision: Finale erklärt Ursprung und Schicksal der Scarlet Witch

     

    Even from an outsider’s perspective of time, it is an “event” that happens randomly to onlookers. In a way, it happens at a transfixed point of time outside of the literal timeline. The man knew when Loki and Sylvie’s Variants would come into existence. So, he must know when the Scarlet Witch would be born. He exists beyond time, but the only variable to how time breaks is through a Variant. From an outside perspective, time is flat. They aren’t living at a specific point in time. Yet, the threshold echoed throughout the room as a certain event passed. So, the only way a breaking point erupts is when a specific Variant breaks away from the timeline. We learn that Loki’s are the most frequent visitors of the TVA. They are agents of chaos. As such, they can easily break free from their timely restraints. In a way, a being that forged in pure chaos could even break beyond those limitations that even He Who Remains loses sight of what is to come.

  • ‘Loki’: Open Questions for Season 2

    ‘Loki’: Open Questions for Season 2

    After a long six-week wait, Loki has come to an end. Luckily, it is just the beginning as a second season is already in the books. Even if it closed many questions, there are still quite a few questions left remaining. As we enter the Marvel Cinematic Multiverse, it’s time to ask how the events of this first season will shape the second.

    • Loki and Sylvie learn that free will is an illusion after meeting Jonathan Majors’ He Who Remains. A season of running through time and introspection led them to a dissertation of horror. This leads to Sylvie’s dead-set thirst for vengeance being quenched, and Loki being left alone. The additional gut punch comes when even Mobius and B-15 don’t recognize him. We are left questioning what happened and if Loki will be able to trust again or fall back to his old ways.
    • We know that Jonathan Majors will return as Kang the Conquerer in Ant-Man and the Wasp: Quantumania. He Who Remains made sure to warn Loki, Sylvie, and the audience with his chilling words in the finale. It does open the question if we will see any of those Variants before then, or will we just have to wait for the second season. The terror is foreboding, whether it’s Kang, Scarlet Centurion, or Rama Tut, all as we know is in grave danger.

     

    Loki season finale recap: Post-credits scene, ending of episode 6 explained - CNET

     

    • Ravonna still has faith in the TVA. She wants to know the truth and heads out on the search for free will. We know the comic book implications of Ravonna and Kang throughout history. Miss Minutes changed the notes Ravonna downloaded and she’s on her way to somewhere else in time. Whatever her goal is, it may redefine her own path moving forward.
    • One has to wonder if He Who Remains knew that the kiss between Loki and Sylvie would be the Nexus event that breaks the timeline. As Sylvie chooses to breaks time as we know it, where does she go from here? She has spent her life believing that she deserved retribution. Consumed by it, now nothing will ever be the same. It’s quite the weight to carry. Will she find Loki and try to repair things? Maybe not immediately. It feels like there’s a new road for her to travel in light of the cataclysmic events.

    There’s a lot to accomplish in the second season, as it continues to build upon the rules set in the first season. We don’t know what the Multiverse truly has in store with only inclinations for the Doctor Strange and Spider-Man sequels. We have no idea when the second season releases and how it ties into the overarching storyline set with future installments. Of course, the only question that truly matters at the end of the day is if Mobius finally gets to ride a jet ski next season. 

  • ‘Loki’: The Mystery Behind the Unused King Loki Scenes

    ‘Loki’: The Mystery Behind the Unused King Loki Scenes

    There have been many mysteries surrounding Loki. The show built up the big question of who is the man behind the curtain. We all wanted to know who was the puppet master of the Time Variance Authority. Trailer after trailer teased whoever it could be. There were countless teases, and even the trailers put many on the path of the mastermind being a king version of Loki.

    Well, it turns out that brief tease had nothing to do with the actual finale. It was a big question mark for many viewers, and it turns out it originally was part of the first episode all along. Chris Hemsworth even recorded the grunts of that brief cameo. Composer Natalie Holt offered some insight into why the scene didn’t make it into the first season in an interview with The Direct.

    That was a moment in Episode 1. When Mobius is showing [Loki] his life, there were more moments in there. I think they just kind of cut it down to kind of give it a bit more focus. But there were a few extra moments in there, and that Frog of Thunder moment was one of them. I had actually written, I had done something with choir for it like it was this big, grand moment where Loki takes over the crown in Asgard, and then you see Thor as a frog

    Interestingly enough, a week ago, we already heard that the first episode planned a fight sequence between Loki and Throg. It’s our first confirmation that this ties together with the King Loki sequences we’ve seen scattered throughout the trailers. It’s a great move to avoid this sequence, as it would’ve taken away from his cameo in the fifth episode. We also got a lot of comedic moments in the opening and adding more could’ve taken away from the dramatic core of Loki’s acceptance.

    There’s always a chance they might revisit this concept in the future, especially now that Loki will have a second season. Still, it was clever to use this unused footage in the trailers to keep people guessing until the end. Even if it didn’t serve the series directly, it was a clever idea by Marvel Studios’ marketing team.

    Source: The Direct

  • ‘Loki’: Jonathan Majors Voiced The Time-Keepers in the Disney+ Series

    ‘Loki’: Jonathan Majors Voiced The Time-Keepers in the Disney+ Series

    The Loki finale finally revealed the mysterious man behind the Time Variance Authority, Jonathan Majors. While he was only referred to as He Who Remains, we’ve known for a while that he is playing Kang the Conqueror in Ant-Man and the Wasp: Quantumania. His early casting opened the floodgates to theorize his appearance and, luckily, it panned out. However, it seems we were wrong when he made his debut in the Marvel Cinematic Universe. We only get to meet him in person in the finale, he did appear in the fourth episode of the season, as director Kate Herron revealed he voiced all three of the Time-Keepers.

    Something that was really fun for me was we hadn’t, for example, cast the voice of the Time Keepers yet, because you know Wizard of Oz was an obvious reference of ours. I was like, ‘Oh, let’s get Jonathan to do it, because he’s an amazing character actor,’” she said. “We sent him the art of all the characters and it was really fun [because] he was sending us all of these different voices he could do for each character, which was great.

    It makes a lot of sense that he would voice them. He was the mastermind behind it all and pulled the strings on the puppets. We’ve wondered why there was no mention of the voices, which was a better-kept secret than the identity of the Loki Variants. The breaking of the multiverse will determine the future of the franchise and we might see a lot of different versions of Majors in the near future.

    Source: Entertainment Weekly

  • ‘Loki’ Director Kate Herron Not Returning for the Disney+ Series’ Season 2

    ‘Loki’ Director Kate Herron Not Returning for the Disney+ Series’ Season 2

    In a shocking twist, besides the one in the Loki finale, Kate Herron won’t be returning for the second season. She acted as director and executive producer on the first season and is moving on two other projects. She revealed in an interview with Deadline that she never planned on a second season. It just developed as the series came together. There is no replacement announced and it’s uncertain if head writer Michael Waldron will also return for the series. She had the following to say on her departure:

    I always planned to be just on for this and to be honest, season 2 wasn’t in the — that’s something that just came out and I’m so excited. I’m really happy to watch it as a fan next season, but I just think I’m proud of what we did here and I’ve given it my all. I’m working on some other stuff yet to be announced.

    She confirmed that she is moving forward with her own projects but doesn’t deny a potential return to a Marvel project in the future. It’s a shocking reveals, as the series blending of Blade Runner and Minority Report was part of her original pitch. The open-ended nature of the series would make you think it was planned out, but they may also be taking a very different direction with the second season.

    Marvel Studios likes to reinvent their projects and could be making a similar approach with their series. The first season acted as a mystery thriller but as there are no more questions on who is controlling the TVA, it might take a completely new direction. It’ll be exciting to see what the future holds for Loki and especially Kate Herron‘s next project.

    Source: Deadline

  • ‘Loki’ Scenes Featuring Mobius and Ravonna Got Cut Due to Pandemic

    ‘Loki’ Scenes Featuring Mobius and Ravonna Got Cut Due to Pandemic

    The first three Disney+ series by Marvel Studios didn’t have an easy start. Falcon and the Winter Soldier was to kick-start the franchise’s new venture. Yet, that role ended up going to WandaVision. As the pandemic continued to rage across the world, their productions got delayed, and I was uncertain how they might be affected by it. Later, we’ve learned that both series went through some harsh limitations and had to cut quite a few scenes. WandaVision director Matt Shakman offered a detailed look behind the scenes with an entire sequence getting cut due to time restraints.

    We’ve all wondered if Loki was affected similarly, but there was no official word. Luckily, one of the writers and producers of the show, Eric Martin, took to Twitter to offer a glimpse behind the scenes. In it, he confirmed that Mobius and Renslayer were going to share the screen more often but got cut due to COVID.

     

    https://twitter.com/MrEricMartin/status/1415528496701394944

    It’s not surprising that the series had to cut some elements, especially as Gugu Mbatha-Raw‘s Ravonna felt underdeveloped, especially how she just exits the show at the end. Still, it’s a shame we didn’t get more from their dynamic. Luckily, we know that a second season is heading our way, and she’ll very likely make a grand return. It’ll be curious to see how she reacts once she realizes that Mobius and everyone she worked with lost their memory. We are still waiting for details on the second season which will give us some answers on where the franchise is heading and where within the MCU it takes place.

    Source: Twitter

  • Kevin Feige Offers Insight Into How Marvel Studios Expands the MCU

    Kevin Feige Offers Insight Into How Marvel Studios Expands the MCU

    The final episode of Loki has redefined the Marvel Cinematic Universe. All the eons that the Time Variance Authority spent keeping the Sacred Timeline in order was for nothing. One single action has unleashed the multiverse, and Marvel Studios has a brand new challenge ahead of them. Avengers: Endgame gave us the base rules for how time travel works. It seems like they had everything mapped out in advance, but Kevin Feige offered some insight into how they tackle these projects.

    Mary Livanos oversaw WandaVision from start to finish, Zoie Nagelhout oversaw The Falcon and the Winter Soldier on the ground every day from start to finish, Kevin Wright came up with much of what you love about the Loki series and was right next to Kate Herron and Tom Hiddleston the entire time

    It might be the most insight we got into the way they approach projects, as he confirmed they have one person focusing full time on a specific project. The latest Disney+ show helped us understand how time and dimensions are connected within this franchise before breaking it wide open.

    There are people whose sole tasks it is to keep it in their head and deliver it for us and then we have interconnected meetings quite often about how things grow and evolve and [Louis D’Esposito] and I and [Victoria Alonso] bounce between all of those.

     

    Datei:Kevin Feige Infinity War Premiere.jpg – Wikipedia

     

    Head writer Michael Waldron probably built upon the rules set by the last Avengers film that will continue to grow with the next Doctor Strange film. So, it continues to grow with each project and the multiverse might just be the beginning. Before that, What If will be our first follow-up into the multiverse. It seems that the Marvel Studios team found out about the overarching rules now that it is public information.

    As you indicated before we started recording, the multiverse is coming up in a big way. There’s interconnectivity there that people have already started to see and suss out and I had a meeting this morning with the whole broad Marvel Studios team going through the multiverse and the rules of the multiverse and exactly how to really deliver on the excitement surrounding the multiverse.

    He also goes on to say that they do make changes to adapt to the ongoing storylines but never at the sacrifice of the individual story being told. As the franchise continues to grow through films and Disney+, they will have a lot of opportunities to explore the multiverse in new and creative ways. Here’s hoping they’ll share some more information in the coming months.

    Source: D23 Inside Disney via The Direct

  • Why MARVEL STUDIOS Series Can and Will Improve

    Why MARVEL STUDIOS Series Can and Will Improve

    The Marvel Disney+ shows have hit the ground running ever since WandaVision‘s premiere back in January. As we approach August we’ve now had 21 episodes spread through three different shows, that even with their ups and downs have managed to capture both the imagination of fans and good reviews from critics. 

    The aforementioned WandaVisionThe Falcon and the Winter Soldier and now Loki have pretty much delivered on what was promised. Deeper dives into the lives of characters that had limited screen time in the movies, allowing time for each to introduce their own universe of surrounding characters in a way that perhaps not even the a-listers from the big screen managed to. The action set-pieces, something hard to match to the movies’, have mostly delivered and the scripts have, in many ways, felt like a breath of fresh air as the boundaries of a 150-minute blockbuster were nowhere to be seen.

    But this is not to say that the upcoming shows don’t have room to grow. In fact, that is probably the only way to go, as with what happened in the early days of the MCU where it’s safe to say that they only hit their stride already a few movies in. The issues with the shows we’ve had so far range from normal and expected, to natural disasters and once-in-a-generation global-affecting events. Here are a few of those issues the shows have had to face, and why Marvel Studios will likely manage to overcome them in the future.

    The Pandemic
     

    WandaVision and The Falcon and the Winter Soldier were hit the hardest by the pandemic. We can all recall the early days when little was known about the virus and the responses were often a swift and total lockdown. These two shows had pretty much to stop production, at a time when FatWS was abroad in Prague, in the Czech Republic, with no idea of how or when they would be allowed to return. When productions were allowed to resume, both struggled with what they could do while maintaining safety on set, thus limiting their access to certain locations and the setup of specific set pieces involving a higher than usual number of actors. This might be a reason why WandaVision‘s finale felt a bit hollow and why there were times in FatWS where every Latvian building felt the same because perhaps they were. WandaVision might have even ended up shortening their episode count on behalf of the limitations production faced because of the pandemic, so even though shows like Ms. Marvel and She-Hulk have all been impacted, in one way or another by safety concerns, it’s safe to say the first few Marvel Studios streaming shows were hit the hardest, in ways others wouldn’t be. With knowledge regarding the virus at an all-time high, with vaccinations going ahead at a fast rate, this is something upcoming shows will have n easer time dealing with than their predecessors, with minimal impact on the final product.

    Earthquakes in Puerto Rico

    The Falcon and the Winter Soldier was set to shoot in the incredible locations the Caribbean island is known for, including the iconic Arecibo Telescope (which collapsed in late 2020). Due to a series of earthquakes on the island in early 2020, production was suspended and later abandoned altogether. Not having impacted the show in the same way the pandemic did, it certainly hurt the “globe-trotting adventure” we were somewhat promised, limiting the scope of the show as it had to settle with one less exotic location to explore, something upcoming shows won’t have to struggle with. With upcoming shows focused on limiting the way the pandemic might affect them in the coming months, traveling abroad should be limited whenever possible (not in Moon Knights, case, for one), and therefore avoiding unexpected naturally occurring phenomena that could impact productions should then become a by-product of that initial concern.

    The available runtime

    With the advent of streaming, most shows now have the power to decide what runtime suits them best. No longer limited by the constraints of network tv, there is no longer any excuse if you could do with those extra 10 minutes to tell your story, or if you feel that a shortened episode works best. From WandaVision to Loki we’ve seen Marvel dabble with shorter and longer formats, and even though most of the choices have worked it might be fair to say that the lack of constraints has allowed for a freedom that might need to be reigned in. There are still times when we could probably use a few more minutes and in others when the story managed to drag a little bit so, in a way, it feels production might have overcompensated at times. There obviously isn’t such a thing as a work of art that manages to please everyone enjoying it in the same fashion and the results so far have been very enjoyable, but I wouldn’t put it past Marvel Studios to try and hone down on what might improve these shows even further, and the pace of the storytelling seems like something that could be easily improved.

    Dealing with the “twists”

    I’m all for one new episode every week as it allows for the type of discussion that truly makes a show a communal event. But by going that route, Marvel has got to do better than just expand the runtime of their usual blockbuster and split it through 6 episodes, like they’ve stated many times as something these shows would end up looking like. Even though there has been enough substance to justify the added duration, there are subtleties to the “language” of a weekly that differ from the movies’. In terms of twists, while you might have been caught off guard in a movie by something you didn’t see coming, when you have an entire week to theorize, to digest, or even just to read what other people have to say about what you all saw the previous week this just isn’t the case. So being, audiences ask for a very different type of surprise from episode to episode than the ones they can handle in theaters. The Agatha and Powerbroker twists were something many saw a mile away due to this, and even if most didn’t, they probably read about it before the final reveal. And the same could have happened with the Taskmaster twist had Black Widow been a tv show and audiences had the possibility of spending days reading online articles in between watching acts 2 and 3 of the movie. The twists, if they do occur, should then be focused less on Marvel comic book history and more on less identifiable elements, so that at least audiences may keep themselves from figuring it out by a simple google search.

    There are likely dozens of other aspects being currently addressed at Marvel Studios concerning the streaming shows. More than anyone, they know what’s been working and what needs some work. These are just a few aspects of how, in some cases with no fault of their own, it’s identifiable how the series can continue to grow, as things get back to normal in terms of production and as they get a few more shows, from which to learn from, under their belt.

  • In ‘LOKI’, Disney Plus Fulfills Its Own Glorious Purpose

    In ‘LOKI’, Disney Plus Fulfills Its Own Glorious Purpose

    Glorious purpose. Glorious purpose! We’ve heard Loki’s line delivered many times and in many ways. We’ve heard it said with arrogance, we’ve heard it said derisively and we’ve heard it said as a character acknowledges his fate. Today, Loki’s line took on new meaning as the finale of Marvel Studios third Disney Plus streaming series stuck the landing in a way neither of the series before it managed to do. This finale succeeded by undoing the tenuous existence of the bond between Sylvie and Loki that began on Lamentis-1 and ending/pausing their time together in a way that felt satisfying if not painful. It handled the small, personal part of the series incredibly well. However, this finale also succeeded by undoing the tenuous existence of the Sacred Timeline and undoing all the progress the TVA agents had made in coming to know who they really were (those last moments with Mobius and Loki were heart wrenching). It handled the huge, MCU altering part of the series incredibly well. The finale of Loki handled it so well that we don’t even have an MCU anymore, we have an MCM. Just like that, a streaming series changed everything fans know about their favorite shared universe.

     

     

    Make no mistake, this was a bold, bold move. Using a streaming series to completely alter the very fabric upon which this narrative is woven is unheard of. It was also planned and executed masterfully but not without risk. The big shift on screen represents a big shift behind the scenes. A few years ago, it seemed the MCU was headed in a little bit of a different direction than where this new, multiversal trajectory is headed. The Doctor Strange sequel seems to me the poster child for the big changes behind the scenes. Scott Derrickson was back, he had a script and was ready to create the MCU’s first big horror film. Suddenly, the brakes were pumped, Derrickson moved on due to creative differences and Sam Raimi and Michael Waldron were brought on board to set recreate the film in a way that it fell in line with the big creatives at Marvel Studios’ decision to open up the multiverse. Deciding to go the route of the multiverse meant risks were going to be taken. Presumably the calculations were done and the losses were deemed acceptable because the expected rewards were going to be great. But the biggest risk of all was including moments that shift the very foundation of the stories being told in streaming series that would only be watched by the hardcore fan base. It meant that at some point down the road, a whole lot of fans would be walking into a theater not prepared for what they were about to see. In a 2019 interview with Bloomberg, Marvel Studios One-Above-All, Kevin Feige, told us all exactly what was coming.

    If you want to understand everything in future Marvel movies, you’ll probably need a Disney+ subscription, because events from the new shows will factor into forthcoming films such as Doctor Strange in the Multiverse of Madness. The Scarlet Witch will be a key character in that movie, and Feige points out that the Loki series will tie in, too.

    And to nobody’s surprise, a lot of fans, even the hardcore ones, didn’t take Feige at his word. “Nothing major will ever happen in these shows! Didn’t you learn anything from WandaVision?” But then the finale of Loki happened, the multiverse was born, Jonathan Majors, who is set to play a huge role over the next several years, made his debut as a kooky Variant Kang known as He Who Remains, and all of those “crazy” Spider-Man “rumors” suddenly seemed a lot more plausible. This series, particularly this episode, is landmark event for the Marvel Cinematic Multiverse. It’s a cliche thing in the comics to say that the big summer events will “alter the landscape” and “things will be changed forever.” Loki is Marvel Studios version of that summer event and through it, Disney Plus fulfilled the glorious purpose that Feige set for it: “to expand the MCU to even bigger and better heights.” It’s just the beginning.

  • Tom Hiddleston Expected to Make an Appearance in ‘DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS’

    Tom Hiddleston Expected to Make an Appearance in ‘DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS’

    The multiverse is real. The finale of Loki saw the Sacred Timeline branch off and create countless new realities and it also came with a warning that trouble was coming. It’s been known for some time now that Loki would share some connective tissue with the film that will most directly deal with the multiverse, Doctor Strange in the Multiverse of Madness, especially since Michael Waldron, the creator of Loki, was brought on board to rewrite the Strange sequel when new director Sam Raimi took over; however, according to a trade report, the two projects are going to share more than the brains behind the operation. THR is reporting that Tom Hiddleston is set to appear in next year’s Doctor Strange sequel, reprising his role as (we think?) Prime Loki.

    Loki Trailer Gives Tom Hiddleston New Superpowers and a Slap in the Face |  Entertainment News

    Season 1 of the streamer ended with Loki stuck at a remade TVA where nobody, including his bro Mobius, knew who he was. Disney used the finale to officially announce a second season of the series, but an appearance by Hiddleston in Multiverse of Madness means fans will get more Loki before Season 2, which I’ve heard is RUMORED to shoot next Spring, even gets underway. Since Loki is at the TVA, he can presumably get anywhere at any time, which could explain how he finds his way to Stephen Strange.

    Source: THR