Tag: Marvel Studios

  • ‘Multiverse of Madness’ Concept Art Reveals Doctor Strange’s Meeting with the Vishanti

    ‘Multiverse of Madness’ Concept Art Reveals Doctor Strange’s Meeting with the Vishanti

    For the most part, every frame of every film is the culmination of an incredible amount of work done behind the scenes in pre-production. It’s a complicated process that some find daunting and the most laborious part of making a film. Marvel Studios films are typically full of visual spectacles that fans don’t see until they’re fully realized after dozens and dozens of hours of work by concept artists. However, for every piece of concept art that makes it through pre-production, there are countless more that don’t when the scenes they are created for are cut either from the script or end up on the editing room floor.

    In that regard, Doctor Strange in the Multiverse of Madness may have been one of the most maddening films for concept artists whose work was never adapted to the finished product. Originally, the film was set to be directed by Scott Derrickson and it is very likely that a good deal of pre-production work was done before he departed the project. Sam Raimi took over the film with writer Michael Waldron and the two went to work on creating an entirely different film which meant all new concept art had to be created. At the heart of the film was a MacGuffin known as the Book of Vishanti, a magical tome that Multiverse of Madness co-producer Richie Palmer described as “a magical book that gives— if you’re good, it will give you the power you need to defeat any bad. It will fight the Darkhold; it is good, and it is pure.

    The film wasted no time introducing the Book of Vishanti as fans were thrown into the middle of America Chavez and a Variant Doctor Strange’s pursuit of the tome in the opening scene. With the Darkhold-influenced Scarlet Witch after Chavez’s powers, the Book of Vishanti, which Palmer described as the “greatest power of good” in the Multiverse became Chavez’s best hope at survival because it served as the antithesis of the Darkhold.

    On the opposite end of the spectrum is the Book of Vishanti. It exists in the space between universes, and is not for any one sorcerer to wield or keep as their own. The Darkhold has the quality about it where you want to possess it and you want to keep it. The Book of Vishanti is the opposite. It’s for everyone and all sorcerers.

    Richie Palmer

    In the Marvel Comics, the book was created by Agamotto, the first Sorcerer Supreme of Earth. Agamotto was the son of the Elder God Oshtur and with her and the alien god, Hoggoth, formed a trio of god-like beings known as the Vishanti. Over centuries, the Vishanti became the guardians of Earth and its Sorcerers Supreme. Having served as Earth’s Sorcerer Supreme, Stephen Strange has come face-to-face with the group before and thanks to some newly located concept art created by Aaron Black, it seems that the idea for him to meet up with them in Multiverse of Madness was tossed around at one point.

    Obviously, the Vishanti didn’t make the final cut and all that can be done is to speculate about what Strange’s visit to them might have entailed. The concept art for the trio is stunning, however, and given the importance the Vishanti play in the comics, it would not be surprising to see the idea revisited somewhere down the road.

    Sources: Marvel.com, Art Station

  • Vincent D’Onofrio Hypes ‘Daredevil: Born Again’, May Hint at Showdown with The Punisher

    Vincent D’Onofrio Hypes ‘Daredevil: Born Again’, May Hint at Showdown with The Punisher

    Daredevil: Born Again is shaping up to be Marvel Studios’ most ambitious streaming series to date. The 18-episode event will take nearly all of 2023 to film before hitting Disney Plus in 2024 and is rumored to include a whole slew of characters including the Punisher and White Tiger, a new street-level character from the pages of Marvel Comics. Even without those characters, the hype for the series, which will see Charlie Cox and Vincent D’Onofrio share the lead for the first time since the Netflix Daredevil series was canceled, has always been high. But it can always get better…

    At a recent appearance at Salt Lake FanX, D’Onofrio took the time to get the audience in attendance even more fired up about the upcoming series. While responding to a question about what hero he’d like to face down the road in the MCU, D’Onofrio veered off-topic (or did he?) to hype Daredevil: Born Again.

    I will say though…see you guys have no idea what you’re in store for in Born Again. I know a little bit more than you guys and all I can say is, during that next series you’re not going to be thinking about anything but the next episode. I promise.

    Vincent D’Onofrio

    What made D’Onofrio connect the dots from a hero he’d like to face to the comment about Born Again? Though he’s often been clear that he’d love to see Kingpin take on Spider-Man in the MCU, he’s also made it known that a Punisher vs. Kingpin battle is on his list of goals. With the rumors of Jon Bernthal’s return to the role continuing to swirl, perhaps D’Onofrio’s comments could give fans of the character a little more reason to hope he’ll be included.

  • Vincent D’Onofrio on Which MCU Hero is the “End Goal” for Kingpin to Take On

    Vincent D’Onofrio on Which MCU Hero is the “End Goal” for Kingpin to Take On

    When Kevin Feige revealed that Daredevil and Spider-Man would lead the MCU’s street-level heroes, it only added fuel to the fire that the two heroes would eventually team up to take on their greatest common enemy: Wilson Fisk, aka the Kingpin. All the principles involved in the potential battle royale have shared their desires to tangle with one another before. Vincent D’Onofrio, who returned to the role of Kingpin in Marvel Studios D+ streaming series Hawkeye, has gone on record twice describing his hopes to take on Spider-Man, saying that if there were one hero he could battle down the roadit definitely has to be Spider-Man.

    If Kingpin and Spider-Man don’t go toe-to-toe, however, it won’t be because of D’Onofrio’s lack of trying. If he hadn’t been clear enough already, the actor reiterated his wish to see the two characters fight during a panel at September’s Salt Lake FanX. During a Q&A session, D’Onofrio was asked who in the current MCU he’d love to interact or fight with. As an audience member shouted Spider-Man, D’Onofrio said, “there’s only one, really, end goal…and I think somebody just said who that would be.

    Given Kingpin first hit the pages of Marvel Comics in 1967’s Amazing Spider-Man #50, it would be tragic if he didn’t take on the Web-Head at some point in the MCU now that Marvel Studios has the opportunity to have them face off. With Tom Holland reportedly inking a new deal, perhaps D’Onofrio will get his wish, squaring off with Spidey in Spider-Man 4.

  • First Look at ‘The Marvel’s Main Trio in New Merch Leak

    First Look at ‘The Marvel’s Main Trio in New Merch Leak

    Just as we finally got to sit down in theaters to watch Black Panther: Wakanda Forever, Marvel Studios is already preparing for what’s to come in 2023. We already got a trailer for Ant-Man and the Wasp: Quantumania but now it seems that some merchandise has been spotted that offers a first look at the main trio of The Marvels.

    As shared by umportalgeek on Instagram, there’s already a The Marvels‘ shirt available that gives us a good look at the main trio of Monica Rambeau, Carol Danvers, and Kamala Khan. The biggest reveal from this merchandise is the costume that Monica will seemingly wear during her outing as a hero in the Marvel Cinematic Universe.

    Not much is known about the project and there’s a lot of potential with this film having not one but three leads. The balance it’ll hold by switching between perspectives of Brie Larson, Iman Vellani, and Teyonah Parris. Their dynamic will definitely be a highlight for the project.

    We already got a hint at what direction the project is taking during the post-credit sequence of Ms. Marvel. With merchandise already making its way into stores, we’ll have to see if more is already circulating even with the film not set to release until July.

    Source: Instagram

  • What Bob Iger’s Return Might Mean for Marvel Studios’ Disney+ Future

    What Bob Iger’s Return Might Mean for Marvel Studios’ Disney+ Future

    There’s a lot happening over at Disney since Sunday’s announcement that Bob Iger will return as CEO and take back control of Disney after passing the torch to Bob Chapek. It’s not every day that a former executive just takes over a position shortly before the holidays and with an announcement on a Sunday of all things. Not even a day later, the development continued with Chapek‘s right-hand man, Kareem Daniel, leading the streaming revolution also leaving the company, someone who had much more control over projects than some might think.

    Now, the big question is what exactly this new direction means for Disney and especially Disney+. The streaming market has hit a bumpy road once things calmed down with the pandemic. In many ways, we saw a slight counter-development as people finally felt safer going out again, which lead to many doubts about the potential and profitability of the streaming market. Netflix hasn’t helped in that regard with them throwing as much money as they can against the wall to find their “next big franchise” for better and for worse.

    The rise finds demand also showed its fangs with Marvel Studios, who started producing a few Disney+ shows and started ramping up as demand during the pandemic skyrocketed. While some believe it turned into a “quantity over quality” matter, one cannot deny that Marvel made the best of the situation, as it filmed many of its projects during the pandemic with many restrictions holding them back. In a perfect world, the studio may have kept its originally planned course and developments but this isn’t about what ifs.

    What we are aiming to talk about is what will be, as Iger‘s return and Daniel‘s exit raise some interesting questions about what this means for Disney+ moving forward. The most important aspect is that creatives are back in the center, a significant showcase of what made his reign stand out as the company’s leading man. The dangers of algorithm-driven filmmaking have always shown their thorns throughout streamings history and this could rejuvenate hope in the market.

    Not just that, but it also likely hints at Marvel Studios gaining a bit more control over how they tackle the development of their series. At this point, Marvel Studios is capable of pumping out up to four or five series per year. Not a small undertaking for any production company in the markets even if it expanded to do just that. They made the best of the situation with some of Marvel Studio’s most out-there and creator-driven projects yet. Still, Iger’s return might mean the studio has a bit more control over just how much they produce.

    Many are quite concerned about R-rated content on Disney+, but that might not truly be an issue. The Star expansion internationally and a strong focus on more adult content were already put in motion before Iger left his position. He even highlighted Deadpool during the 20th Century Fox acquisition. We might still see some more family-friendly offerings in the future, but it doesn’t seem like he’ll suddenly force projects to become more PG-13, especially with how the studio has been growing with its new library. Of course, this is just speculation and nothing concrete outside of some fear of the old Disney model showing its hands.

    There is one major aspect that could see a shift; even if it won’t be noticeable immediately. Up until now, Chapek’s goal was to drive subscriber numbers as fast as possible. To do so, they needed to bet on their cash cow to do exactly that, which was Marvel Studios and even Lucasfilm. So, they faced the challenge of having to push out as much as possible to keep that number growing. While Marvel studios might have been just as ambitious, it’s hard to not think there was some growing demand internally to get out as much as possible.

    As noted, whatever the aftermath will be from Iger‘s return, we won’t see it for quite some time. Daniel leaving was the first signal that a new yet familiar era is set to return to the company and Marvel Studios will likely reflect that development. We might see them dial it back once the current projects that are already in production have been released. The Multiverse Saga is generally the Marvel Cinematic Universe going through its sophomore season and with post-Endgame blues affecting some, they can currently use the era to experiment.

    The Disney+ shows are a new venture for the production company, and Marvel Studios tried to take its cinematic experience into a new market; with the help of Marvel TV’s experience after merging with the division. One can feel about their consistency in quality one way or another, but it’s definitely been interesting to see Marvel go beyond its usual ventures in many ways. Special Presentations opened up the possibility to move away from high-budget series with unique ventures and who knows if we’ll see more of those moving forward.

    Iger‘s era is just about to begin, and we’ll very likely be stuck with many questions for some time. We don’t know if they’ll replace Davis and rebuild the streaming division, or potentially take a completely different direction moving forward. Perhaps Marvel will have more control over its own segments connected to the streamer, as originally envisioned when the Disney+ venture first started picking up steam. Whatever the future may bring, all eyes will be on Kevin Feige on how he’ll tackle this new direction.

  • Yann Demange On Board to Helm ‘Blade’

    Yann Demange On Board to Helm ‘Blade’

    Over the past several months, Marvel Studios Blade has perseverated through some turmoil. The project, which was announced at SDCC ’19, had to undergo a search to replace both its writer and director following the departure of Stacy Osei-Kuffour and Bassam Tariq. Beau DeMayo, who worked on Moon Knight and is the head writer and executive producer of the animated X-Men ’97 came on board to work on what looks like a near-complete rewrite of the script and now the film has found a new director.

    According to THR, Lovecraft Country director Yann Demange has signed on to direct the project. Additionally, writer Michael Starrbury has joined the production and is preparing a brand new script for the film. THR also reports that despite the complete overhaul to the project, it is still expected to go into production in 2023 and meet its currently slated release date of September 6th, 2024.

    While a complete rewrite of the script doesn’t mean throwing the bathwater out with the baby, THR indicated that the expectation is that Blade will be “dark and gritty in tone, falling on the edgier side of Marvel fare and maybe even find common shading” with the 1998 Wesley Snipes‘ film.

    A previous rumor had Elegance Bratton in talks to helm the project though THR makes no mention of that here. Following his successful debut as a director in Werewolf By Night, Michael Giacchino was also thought to be among the pool of candidates Marvel Studios might dip into though he quickly ruled himself out of contention.

    Source: THR

  • ‘Ant-Man and The Wasp: Quantumania Director Confirms Which Version of Kang Appears in the Film

    ‘Ant-Man and The Wasp: Quantumania Director Confirms Which Version of Kang Appears in the Film

    When Jonathan Majors was first announced to be portraying the villainous Kang in Ant-Man and The Wasp: Quantumania, it was revealed that his deal with Marvel Studios set the actor up for several appearances over the course of multiple projects. By the time Majors appeared as He Who Remains in the season finale of the first season of Loki, it started to become clear just how big of a factor Majors was set to be in what ultimately became known as the Multiverse Saga. The aloof He Who Remains, as it turns out, was just one of an infinite number of versions of Kang and, as he said himself, definitely not the worst one. Majors teased that He Who Remains was just one of “many iterations” of Kang that he’d be playing during his tenure in the MCU and now Ant-Man franchise director Peyton Reed has chimed in on which version audiences will see in Quantumania.

    Kang The Conqueror in our movie is a very different character,” from Majors’ He Who Remains, teased Reed in an interview with Empire. “He’s someone who has dominion over time, and he’s a warrior and a strategist,” added Reed, whose description is in lockstep with how Majors has previously described this version of the character. Reed finished the thought by describing this version as, “an all-timer antagonist“, giving fans of the comics (and probably Avengers: Earth’s Mightiest Heros) a pretty good idea of what to expect.

    The third installment in the Ant-Man franchise has always been destined to break the mold of the first two films, which were small, palate-cleansing features that followed Avengers films into theaters. According to Reed, Quantumania has a profound affect on the MCU” and teases a connection between it and 2025’s Avengers: The Kang Dynasty, both of which are written by Marvel Comics and Rick and Morty writer Jeff Loveness. “There’s been a lot of discussion about the impact that this appearance of Kang The Conqueror makes,” said Reed, adding “there are big things in store.”

    But what about Lang and his Ant-Family? Do they stand a chance against someone like Kang. Reed didn’t give anything away, but does make it clear that Lang is definitely the underdog. “That’s interesting to me: to take the tiniest, and in some people’s minds weakest, Avenger, and put them up against this absolute force of nature.

    Audiences dont’ have to wait too long to find out exactly what happens as Ant-Man and The Wasp: Quantumania hits theaters in February.

    Source: Empire

  • How The Sentry Can Work as the “Evil Superman” of ‘Thunderbolts’

    How The Sentry Can Work as the “Evil Superman” of ‘Thunderbolts’

    Marvel Studios Thunderbolts won’t hit theaters until 2024, but it’s already becoming incredibly interesting. Word that the villain of the film is set to be an “evil Superman” has sparked an incredible amount of debate and speculation as to who it is that the Super Soldier-heavy team will take on in the film. Over the years there have been plenty of “Superman” analogs on the pages of Marvel Comics, but not too many of them really fit the bill as “evil.” One, however, does have a bit more of a bad streak in him than the rest and an origin that’s tied to the Super Solider Serum making him a more likely option than the rest.

    The MCU loves its Super Soldier Serum. First mentioned in 2008’s The Incredible Hulk as General Thunderbolt Ross’s pet project, the backstory of the original serum, and its creator, Dr. Abraham Erskine, was filled in in 2011’s Captain America: The First Avenger. More was learned about the Serum in Captain America: Civil War and The Falcon and The Winter Soldier and at current, there are about a half dozen known Super Soldiers in the MCU including Bucky Barnes, Alexei Shostakov and John Walker, all of whom are set for roles in Thunderbolts. While The Falcon and The Winter Soldier seemed like the end of the line for new Super Soldiers in the MCU, it’s possible that the “evil Superman” set to antagonize the Thunderbolts could be one of the comics’ most powerful Super Soldiers ever: Robert Reynolds, aka The Sentry.

    While Doctor Erskine created the Super Soldier Serum for the United States, several countries developed their own serums and it might be the right time to find out about one more country’s work on it: Canada. In the comics, Canda’s Department K, a shady little part of the Canadian government, scraped together what they could from Project Rebirth, the Weapon Plus experiment that created Captain America, and tried to recreate the effects as part of Project: Sentry. The result of their work was a serum, The Golden Sentry Serum, that was thousands of times stronger than the U.S. version. That serum was ultimately consumed by a drug addict named Robert Reynolds, who turned into a superhero known as The Sentry.

    For years, The Sentry was one of Earth’s greatest protectors; a hero amongst heroes. The Sentry found himself up against a great evil, The Void, who became his archenemy. However, when the equally powerful and destructive Void was revealed to be a part of himself, The Sentry worked with Doctor Strange and Mister Fantastic to make the entire world, including himself, forget he ever existed. This worked so incredibly well that The Void disappeared and Reynolds went on to become a balding, overweight, middle-aged man that had no idea of the power within him.

    A direct adaptation of The Sentry wouldn’t truly result in an “evil Superman”, but Marvel Studios rarely directly adapts anything and just based on the little information provided above, it doesn’t take much imagination to see how the character could end up in opposition to the Thunderbolts. Just exactly what to expect from the MCU’s Sentry is a little tricky to predict. If he were truly the fully powered-up version of the character from the comics, the Thunderbolts wouldn’t stand a chance against him, meaning whatever version of the Serum he takes, it probably won’t result in him gaining “the power of a million exploding suns.” But it doesn’t mean that a version of the character can’t or won’t exist, even if he’s not Candian.

    All the plot really needs is someone willing to be working on Weapons Plus behind the backs of others and Thunderbolts has no shortage of people like that among its cast of characters. Harrison Ford’s Thaddeus Ross, who is rumored to be the U.S. President by the time the film rolls around, has always had an interest in the serum. Julia Louis-Dreyfus‘ CIA Director Valentina Allegra de Fontaine, who has been assembling the Thunderbolts for some time now, seems to have a great affinity for Super Soldiers, having collected 3 of them for her team. Other options could exist as well as the entire cast of the film isn’t known at this time. What does seem clear though, is that the true villain of the film won’t be the “evil Superman”, but whoever made him in the first place.

    Given that the future of the MCU will include the X-Men, Thunderbolts is as good a time as any to learn that someone has restarted the Weapon Plus Program that, in the comics, created Weapon 1, Steve Rogers, and Weapon X, Wolverine, among its many Super Soldiers. Even Ted Sallis, aka Man-Thing, has a history with Weapon Plus in the comics. Weapon Plus had a broad reach in the comics and Phase 5 would be an ideal time to continue to add to its MCU backstory while potentially preparing for the arrival of the mutants on the scene.

    Val made her Vibranium lust known in Black Panther: Wakanda Forever and while it’s really hard to imagine her team of Thunderbolts being able to take on the combined might of both Wakanda and Talokan in order for her to get her hands on some (though it should be pointed out that a fully powered Sentry could do whatever he chose), the possibility that she might be connected to an ongoing, covert Weapon Plus program does bring another precious metal to mind. It’s obviously just wild speculation, but they need to do something drastic quickly to make Val’s character interesting and having her be the link from Cap to Wolverine might just do it. Should Val somehow be behind whatever they choose to call the MCU’s Project: Sentry (Project: Sentry has a nice ring to it), a lot of things start to make sense, both in the present and the future.

    At the end of the day, a Super Soldier experiment gone wrong really does make for the best choice for the “evil Superman” of Thunderbolts and it isn’t much of a stretch to see how easily Robert Reynolds’ comic book origins as Sentry could be tweaked to fit the ongoing narrative of the MCU. Will he be strong enough to rip the God of War in half? Probably not. But he’ll almost certainly be strong enough to take on John Walker.

  • Marvel Studios EP Reveals the Jack Kirby-inspired Pitch for ‘Captain America 3’ That Kevin Feige Rejected

    Marvel Studios EP Reveals the Jack Kirby-inspired Pitch for ‘Captain America 3’ That Kevin Feige Rejected

    Captain America: Civil War was one of Marvel Studios’ most jam-packed films. Not only did it pay off on the long-gestating hostilities between Steve Rogers and Tony Stark, but it also introduced two major new heroes in Black Panther and Spider-Man AND set the stage for both Avengers: Infinity War and Avengers: Endgame. A big film, to be sure, and as Marvel Studios Executive Producer and Parliament member Nate Moore revealed it was a major step up from the original pitch for the threequel.

    In an interview with Matthew Belloni, Moore let slip that the original pitch for the film revolved around a story arc from the 1970s that was written by Marvel Comics’ legend Jack Kirby: the Madbomb!

    So we were developing Captain America 3 and we were [doing] really good. Winter Soldier worked, people were back in, they’re interested, and we were talking about a movie, and we knew we had to resolve, obviously, the Winter Soldier storyline. We wanted Cap and Bucky to ultimately reunite. And the plot that we… And we knew we wanted to use Zemo. What a great character. You know, he’s obviously a classic Cap villain. And we were building the movie around a MacGuffin around the Madbomb, which, the Madbomb goes off and causes normal people to start fighting each other. It’s honestly a little similar to what I think they did in Kingsman.

    Nate Moore

    Moore’s comments give some insight into the creative process at Marvel Studios. Regardless of what the plot was, Cap 3 was seemingly always going to include Zemo and the reunion of Steve and Bucky. Moore and his team were high on the possibilities of the story, but unfortunately for them, Kevin Feige was not. According to Moore, the Madbomb simply was “not a big enough idea” for Marvel Studios The One-Above-All. But Moore wanted to prove him wrong.

    And it was cool, and it was grounded, and it was political, and whatever, and [Feige] was like, ‘That’s not a big enough idea, guys.’ And we’re like, ‘Let us write a draft, we’ll prove it to you.’

    Nate Moore

    Moore mentioned that Feige responded by saying, “Okay, prove it to me” and so they set to work on adapting Kirby’s Madbomb arc for the big screen. Moore continued the story and described the genesis of the jump from Madbomb to Civil War.

    As we’re getting done with it… he pulls me into his office and he said, ‘You know, I think we should try to do Civil War.’ And I was like, ‘Kevin, we don’t have half the stuff that’s in Civil War. We don’t have the New Warriors, we don’t have… Here’s all the reasons why we can’t do it.’ And he’s like, ‘Go home, read it, let’s talk about it.’ So I went home that night, read it… I re-read it, ’cause I had read it before and I was like, ‘Yeah, look we don’t have the Negative Zone prison…’ There were so many things that we didn’t have.

    Nate Moore

    Shortly after that, as Moore tells it, Feige approached Joe and Anthony Russo along with co-writers Christopher Markus and Stephen McFeely and gave them their marching orders saying, “So, stop with the Madbomb, you guys are doing Civil War.” Moore and the team were then faced with throwing out a great deal of work and having to start over. According to the executive producer, it was a scary time, but as we all know now, Feige was right.

    Look, It was scary and when you’re throwing out a whole thing and starting new, it’s always a bit weird, but he was right. He was right. We were still able to pay off the Bucky storyline. We still figured out how to use Zemo. But the central conceit of the movie was something that audiences would gravitate towards and they did.

    Nate Moore

    It’s well-known that Marvel Studios will often use discarded storylines in other projects and the Madbomb idea may at one time have been part of the plot of The Falcon and The Winter Soldier. A common rumor ahead of production on the project was that the series, which filmed under Pandemic Productions LLC, was going to feature a terrorist bioweapon that could have been similar to the Madbomb. As a real-life pandemic beset the world, rumors swirled that the pandemic plot was rewritten, though director Kari Skogland debunked the rumors that the plot was ever in the script. Whatever the case with The Falcon and The Winter Soldier, the Madbomb arc remains open to adaptation down the road in the MCU whether as part of a streaming series or as the first act in another Cap film.

    Source: The Town with Matthew Belloni transcribed by the staff of The Direct

  • The Sunday Paper—November 20, 2022

    The Sunday Paper—November 20, 2022

    This week featured a smattering of news throughout the entertainment industry. With Black Panther: Wakanda Forever rounding out its second weekend in theaters, M’Baku actor Winston Duke confirmed his character’s ending in the film. Deadpool 3 continues to make steady news. Rather, Untitled Deadpool and Wolverine is making news, and the new working title seems to be a clear hint to how big Hugh Jackman’s role in the film is. A recent casting rumor also points to the iconic X-Men villain Danger as the antagonist of the film. In the comics, she is the physical embodiment of the training room known as the Danger Room, which became a massive threat to the mutants.

    It is now rumored that Harrison Ford’s Thaddeus “Thunderbolt” Ross will both be the President of the United States and Red Hulk in Captain America: New World Order. Casting for the Wonder Man series has begun, which is expected to begin production in the Spring of 2023. With that comes a description of the villain of the piece, who happens to be the agent of struggling actor Simon Williams, aka Wonder Man. The villain may well be based on a character first introduced in 1991’s Wonder Man comic book series, created by Gerard Jones and Jeff Johnson. That series introduced Simon’s agent, Neal Saroyan, who was ultimately revealed to be a supervillain in charge of a cadre of assassins known as The Nobility. Bob Odenkirk is rumored to be in talks for the role, though it is unconfirmed at this time.

    The upcoming Armor Wars remains intriguing, after having been announced as a streaming series but later revealed to be changing gears and being developed as a feature film. Producer Nate Moore this week explains that Armor Wars was simply “too big” to be a Disney+ series. It seems that Marvel Studios wanted to have a full budget for the armor, but bringing it to the big screen might mean the film’s story takes on a greater purpose in the Marvel Cinematic Universe.

    In Marvel television news, if new rumors are true, Marvel Studios’ animation department may be facing some layoffs and are actively waiting for their release to greenlight future seasons. Agents of SHIELD star Chloe Bennett posted a very daisy-inspired photo, prompting more speculation that she may make her formal debut to the MCU. It turns out that Matt Murdock will likely find a new love interest in Daredevil: Born Again, as Karen Page actress Deborah Ann Woll made it clear she has not been asked back for the Daredevil revival. Another Born Again rumor suggests that hero White Tiger will be joining the show’s roster.

    Peter Safran and James Gunn have only recently taken on the role of DC Studios’ co-CEOs. Warner Bros. Apparently, their long-term plans for the studio could be announced within the next couple of months, but all Henry Cavill and Man of Steel sequel plans have been stalled for the time being. Otherwise Warner Bros. is looking to adapt Harry Potter and the Cursed Child, Greta Gerwig might be directing Netflix Narnia films, Margot Robbie’s Pirates of the Caribbean film is no longer happening, and Disney is eyeing a The Princess Diaries revival.