Tag: Movies

  • ‘Doctor Strange 2’s ‘Assembled’ Episode to Release in July on Disney+

    ‘Doctor Strange 2’s ‘Assembled’ Episode to Release in July on Disney+

    We’re only a few more hours away from Doctor Strange in the Multiverse of Madness finding its way to Disney+. While the film will still be available in theaters, it does seem like people will be given Marvel’s first true trip into horror another shot from the safety of their home. Well, it seems that fans will get a little extra, as on July 1st we’ll also get the Assembled entry from the latest Marvel Studios film.

    Disney Plus Informer has shared the release date, which will follow a week right after its Disney+ premiere. The timing is also perfect to build up some momentum for the release of Thor: Love and Thunder which is also set to fire up the box office. The entry will be titled Assembled: The Making of Doctor Strange in the Multiverse of Madness.

    Sadly, it seems the future episodes will remain as individual episodes rather than summarized under the Assembled banner. It does continue to imply that they simply draw in more viewers individually rather than as a continuing series. Who knows they might get combined in the future, but it’s great that they are continuing the tradition of adding new entries once a film is added to the streaming service.

    Source: Disney Plus Informer

  • Chris Hemsworth Open to Return as Thor after ‘Love and Thunder’ After All

    Chris Hemsworth Open to Return as Thor after ‘Love and Thunder’ After All

    Chris Hemsworth has recently made a statement that had many surprised, as he hinted that Thor: Love and Thunder may be his last outing as Thor. With Natalie Portman‘s Mighty Thor arriving, many assumed that might be the reason and would take over. Yet, in a new interview with Entertainment Tonight, he reveals that he is actually open to returning if the right story comes around.

    Each time I’ve done it, I’ve sort of thought: “I don’t know what else I can say as this character but thanks for having me, great.” then something else came up, a new script, new director, and has given me a new idea or perspective on it. I am open to anything. I am so thankful for having done so many. I am so proud of this film and if I am lucky enough to do more, great, if not, it’s fantastic.

    Chris Hemsworth

    There are definitely quite a few stories to explore with the character, especially given the iconic Fear Itself story is still open to being adapted. It would’ve been a shame to not give Theor the send-off he deserves if Chris Hemsworth genuinely is leaving the franchise behind.

    Yet, it may simply depend on if someone offers the right script and Marvel Studios is in, he’ll jump on board. So, we shouldn’t expect that we’re seeing the last of Hemsworth moving forward after all. Here’s hoping that either Taika Waititi has an idea to continue to story or maybe a new director can take the character into a new direction.

    Source: Twitter

  • Paul Downs Colaizzo to Take Over ‘Harbinger’ as Wes Ball Focuses on ‘Planet of the Apes’

    Paul Downs Colaizzo to Take Over ‘Harbinger’ as Wes Ball Focuses on ‘Planet of the Apes’

    Wes Ball has been quite busy working on the next Planet of the Apes film, and it seems that his commitment led to him stepping down from his upcoming adaptation of the Paramount film, Harbinger. As the Disney/20th Century reboot is deep in pre-production, it seems that Paul Downs Colaizzo is currently in talks to take over the film. Valiant Entertainment’s Dan Mintz is producing alongside Original Film’s Neal Moritz and Toby Jaffe. The adaptation will follow the story of teen superheroes, who take on a corporation that is exploiting their abilities.

    Colaizzo has made a name for directing and writing the Sundance darling Brittany Runs a Marathon. The film was a massive success back in 2019’s Sundance Film Festival and would eventually release on Amazon prime Video. He’s definitely an interesting choice for the project and may be his step out of the indie scene into the blockbuster scene. With one Sundance darling under his belt, it’s a big step for his career and it’ll be interesting how he adapts the iconic comic.

    We’ve seen quite a few superhero adaptations over the years, but a group of teen heroes hasn’t been truly explored. The Boys has been trying to bring a spinoff that takes place in college to life, but it’s only been recent that it picked up any kind of speed. Marvel is also seemingly building towards a Young Avenger storyline. So, now’s the time to explore the storyline before the big guns get their chance.

    Source: Deadline

  • Sebastian Stan Set to Star in New A24 Thriller ‘A Different Man’

    Sebastian Stan Set to Star in New A24 Thriller ‘A Different Man’

    Sebastian Stan will star in A24’s latest production, the physiological thriller A Different Man. Stan joins Renate Reinsve and Adam Pearson, who are also set to be in lead roles for the film. A Different Man is written and directed by Aaron Schimberg (who worked with Pearson on his 2018 film Chained for Life). Production for the project is slated to begin next month in July.

    The film is said to follow a man named Edward, an outcast based on his disability, who desires a new start on life away from his struggles. Following a facial reconstructive surgery, Edward becomes fixated on a portrayal of him and his past life in a stage production. Based on this description, it can be assumed that both Stan and Pearson will be portraying Edward in different stages of his life.

    This film has the potential to continue a long-line of success for Stan, including his time as Bucky Barnes in various projects in the Marvel Cinematic Universe, Jeff Gillooly in I, Tonya, and most recently his critically acclaimed performance as Tommy Lee Jones in Pam and Tommy.

    Meanwhile, for A24, it will certainly be noteable to see if A Different Man will follow the continued critical success for the independent studio. With Everything, Everywhere, All At Once becoming the young studio’s most commercially successful film, more attention will turn to the projects distributed by the New York City company. This news also comes within days of their newest release in Marcel the Shell with Shoes On, a film that has already been receiving rave reviews ahead of its release this Friday. Not to mention the murderer’s row of critically acclaimed and award-winning filmography A24 has to offer such as Minari, The Green Knight, The Lighthouse, The Farewell, Eight Grade, and Hereditary

    A Different Man certainly holds big expectations on that front and hopefully, Aaron Schimberg’s newest project will join this lofty pantheon of modern films.

    Source: Deadline

  • New ‘Thor: Love and Thunder’ Spot Features Key Location from Thor Comics

    New ‘Thor: Love and Thunder’ Spot Features Key Location from Thor Comics

    The promotional footage for Marvel Studios Thor: Love and Thunder has been coming fast and furious as the release date for the film approaches. The fourth Thor film will feature one of Odinson’s most fearsome comic book villains, Gorr the God Butcher, and his quest to rid the universe of gods. Gorr was introduced in Jason Aaron’s highly-acclaimed Thor: God of Thunder and the latest promo for the film features a key location from that run.

    Just six seconds into the spot, entitled “Speech”, we see what looks to be Thor’s goat-drawn ship leaving a building floating high in the clouds. Fans of the Aaron comic no doubt recognized the building as Omnipotence City, a location that was central to Thor’s quest to uncover information about Gorr’s murderous spree against the gods.

    In issue #3 of Thor: God of Thunder, Thor makes his way to Omnipotence City, a vast neutral zone for the gods built millions of years ago following a war. Once there, Thor makes his way to the Halls of All-Knowing where with the help of the Lord Librarian, he began researching all the gods who had already fallen victim to Gorr…and those who might in the future.

    Thor’s quest for knowledge was interrupted when Gorr’s Black Berserkers attacked, but he was able to get enough info to continue his quest. Given what’s seen in the brief glimpse here, it’s likely that Thor’s trip to Omnipotence City will serve as a waypoint on a much longer quest.

  • ‘Thor: Love and Thunder’s Final Runtime is Shorter Than ‘Thor: Ragnarok’

    ‘Thor: Love and Thunder’s Final Runtime is Shorter Than ‘Thor: Ragnarok’

    It looks like we may finally have our last reported runtime for the upcoming Thor: Love and Thunder film. There’s been a lot of speculation on where the film would end, as some reports from official theater chains hinted at it being one of the longest and even among the shortest Marvel Cinematic Universe entries. Yet, it seems that the latest update has finally given us what may be the full runtime for the fourth Thor film, which is going to scratch the two-hour surface.

    It seems that Thor: Love and Thunder will run around 1 hour and around 59 minutes. That runtime is quite the departure from the first AMC showcase that had the film at 150 minutes, which would be around two hours and 30 minutes. Yet, it would later be revised to what is now the finalized runtime of 1 hour and 59 minutes shortly after. Given the sudden shift, it was uncertain if that would remain but it looks like the film is among the franchise’s shorter films.

    Thor: Love and Thunder is now shorter than the first Iron Man, which was just eight minutes above the two-hour mark. Also, we have to keep in mind that this runtime also includes the credits, as pointed out by Big Screen Leaks on Twitter. With 119 minutes, the film is only four minutes longer than the first Thor film, and Thor: The Dark World‘s 112 minutes. So, it technically is still quite in line with other entries of the franchise. It’ll be interesting to see how Taika Waititi keeps all his ideas within that runtime.

    Source: AMC, Cineplexx, Twitter

  • Aaron Taylor-Johnson Teases Sony’s New Take on ‘Kraven the Hunter’

    Aaron Taylor-Johnson Teases Sony’s New Take on ‘Kraven the Hunter’

    We’ve all scratched our heads when Sony once again continued its goal of expanding the Spider-Man rogue’s gallery without the webhead’s direct involvement. While El Muerto is still the most surprising choice, Aaron Taylor-Johnson will also take on the role of Kraven the Hunter. Now that the famous hunter doesn’t have his iconic prey, it does seem like they’re taking a different direction with the character. Luckily in an interview with Variety, Taylor-Johnson offered some insight.

    While calling Kraven “Spider-Man’s number one rival” but highlights that what makes him stand out is that he’s “not an alien, or a wizard. He’s just a hunter, a human with conviction. An animal lover and a protector of the natural world. He’s a very, very cool character.” He also highlights that the character is more of an anti-hero which we saw in the past with the character’s development in the past.

    The big reveal is that this version of Kraven is “an animal lover and a protector of the natural world.” As such, he may no longer be the “hunter” in the traditional sense and has put his focus on taking down others that harm animals. It’s definitely a departure from the character’s usual origin and it’ll be interesting to see how he brings him to life on the silver screen. Plus, there’s the tease of how it may all tie together with the post-credit sequence of Morbius, as the “human with conviction” might need a few tweaks to be inspired in taking down a human dressed as a spider.

    Source: Variety

  • Illumination’s President Praises Chris Pratt’s Performance as Mario

    Illumination’s President Praises Chris Pratt’s Performance as Mario

    When the news hit that Chris Pratt was going to voice Mario, many were a bit surprised by the choice. The cast generally led to quite a few reactions with a stacked cast including Jack Black as Bowser and Seth Rogen as Donkey Kong. It didn’t help matters that Pratt was cast for an upcoming animated Garfield film, which added to the jokes that any animated character could be voiced by the Guardians of the Galaxy actor.

    In an interview with Animation Magazine, Illumination CEO Chris Meledandri had a lot of praise for his performance, as he went on to highlight that many of the criticism will be mute once they get to see his performance in action.

    When people hear Chris Pratt’s performance, the criticism will evaporate, maybe not entirely — people love to voice opinions, as they should. I’m not sure this is the smartest defense, but as a person who has Italian-American heritage, I feel I can make that decision without worrying about offending Italians or Italian-Americans… I think we’re going to be just fine.

    Chris Pratt

    It definitely is still a curious casting, especially when the character of Mario has such an iconic voice. Charles Martinet voiced the character since 1992 and is confirmed to appear in the upcoming animated film. Yet, it simply seems odd not to use the man who defined the character all those years ago if they’re going for an animated project, to begin with. We’ll have to wait and see what the project has to offer once the first trailer arrives.

    Source: Animation Magazine

  • ‘Sherlock Holmes 3’ Director Confirms Pandemic Derailed Film

    ‘Sherlock Holmes 3’ Director Confirms Pandemic Derailed Film

    If there’s one case Sherlock Holmes can’t seem to solve, it’s how to get the third movie in theaters. Before Benedict Cumberbatch‘s hit BBC series became the fan-favorite version of the famed character’s world, fellow Marvel star Robert Downey Jr. enjoyed a brief period as the great detective. The former Iron Man actor co-starred with Jude Law as Holmes and his partner John Watson in 2009’s Sherlock Holmes and 2011’s Sherlock Holmes: A Game of Shadows, both directed by Guy Ritchie in his signature style.

    The sequel left off with a literal question mark, with Downey Jr.‘s Sherlock having just faked his death in a duel with Jared Harris‘ evil Professor Moriarty. It seemed the doors were wide open for a third installment to be made, but for one reason after another, a threequel never materialized. In 2019, director Dexter Fletcher was announced as the man taking over for Ritchie, with a third movie entering production after years of rumors and comments from the franchise stars about wanting to return. Unfortunately, nothing ever came of this. In a recent interview with Collider, Fletcher revealed the global pandemic is to blame:

    The pandemic derailed it. I do think it will get made. I think it has to be made. I don’t know what the timeline of that is, unfortunately, but I believe it should be. It’s fantastic. I think it’s about all the right people being at the right place, at the right time. I think it’s that. It’s one of those cruel twists of fate, where the pandemic hit and that scattered people around the world to the wind. But I know that the appetite is huge for it, and I’m sure there are other people acutely aware of that as well. But I believe it should be because it’s brilliant. I very much hope so.

    Dexter Fletcher

    At least the Rocketman filmmaker seems hopeful that Sherlock Holmes 3 will still happen. The fan desire is still there for another adventure, and the charismatic Downey Jr. is due for his return to leading franchise films. Until then, catch Fletcher‘s latest project The Offer, a new series about the making of The Godfather, on Paramount+.

    Source: Collider

  • A Caper With Actual Capes: How ‘Thunderbolts’ Can Be More Than the MCU’s Suicide Squad

    A Caper With Actual Capes: How ‘Thunderbolts’ Can Be More Than the MCU’s Suicide Squad

    From the moment Helmut Zemo made his debut in the Marvel Cinematic Universe, comic book film fans have looked forward to the possibility of seeing his signature team, the Thunderbolts, enter the narrative. And recently, it became (semi) official, as it was reported in the industry trades that the long-rumored project was in active development, with a writer and director attached, and an expected filming schedule of Summer 2023. And with speculation season now in full swing, now’s a great time to look at what the MCU’s version of the Thunderbolts could entail, and what form the project could (and should) look like.

    The Thunderbolts is a group that has had several incarnations in the comics, but is best understood to be former villains assuming heroic roles, either at their own behest or at the behest of the government. At first measure, then, it’s easy to understand why one would think of the Thunderbolts as Marvel’s answer to the Suicide Squad. And with two somewhat successful cinematic forays into presenting that kind of team to audiences, it wouldn’t be completely surprising if Feige & Co. decided to go that route. But the original premise for the Thunderbolts, back in 1997 in a story written by Kurt Busiek, was much more groundbreaking, because readers were led to believe that they were in fact new heroes who had stepped up to fill the void in a world without an Avengers team. That is, until the rug was pulled out from under the audience, and the Thunderbolts were revealed to be an elaborate ruse to earn the world’s trust while covering for their villainy. It is that idea that can truly distinguish the T’bolts from the Suicide Squad, because it’s essentially a con job. And a movie based around a con job can allow the MCU to do a full-blown crime caper…with actual capes.

    The heist movie is a familiar genre, and in the Ant-Man films, as well as Avengers: Endgame, we’ve definitely seen nods made to those types of films. But a crime caper where all the characters are criminals is far more intriguing, because there is more potential for shifting loyalties and double-crosses, as everyone’s morality is a little more murky. Captain America isn’t really going to abandon the Time Heist for Peggy Carter, for instance. But if one of the characters in a crime caper gets the opportunity to go for dolo and turn on their teammates, that character just might. And that adds another layer of uncertainty to the stakes.

    Thinking about the film like a con/crime caper also helps us outline how the story might play out, as well as who the best fit for the Thunderbolts lineup would be, both in terms of MCU characters we’ve seen before, and who we might realistically see introduced in the film. Consider this as a loose blueprint for the Thunderbolts film.

    The Con


    In a world where the Avengers are currently disassembled, various players have a stake in getting a piece of The Next Big Thing in superheroics. With the Sokovia Accords still in effect, but public support for them somewhat on the wane, there is significant interest by the US government in having high profile superhero operatives who can do the PR work while also following deployment and stand down orders with minimal pushback.

    Enter Project Thunderbolt. A fully government-sponsored team led by the decorated (but disgraced) super soldier John Walker, the US Agent, and assisted by a cadre of colorful new heroes, recruited through various means by Valentina Allegra de Fontaine, a private off-the-books contractor with ties to several intelligence agencies. The Thunderbolts are provided with enough tech and logistical support to become America’s premier superhero team.

    But in fact, the Thunderbolts are actually a plan by Helmut Zemo to use the government’s desire for an Avengers replacement to engineer his release, gain the public’s trust, and procure access to the Mother Lode, a top secret storage facility that contains the most advanced and powerful confiscated tech in the world, including a working copy of the Ultron AI.

    The Characters


    The Mastermind (Helmut Zemo aka Z) We’ve already seen his penchant for playing the long game in The Falcon and the Winter Soldier. His disdain for superheroes, specifically powered individuals, is well-documented, as is his belief that the people are gullible and easily fooled. So would it be terribly shocking if he played up his Batmanesque penchant for contingencies in order to cook up a caper worthy of the prep time?

    In the comics, Zemo chose “Citizen V,” a star-spangled fighter of fascists, as his cover identity, but that would be redundant with US Agent at the forefront of this Thunderbolts team. The Z persona, then, would be something slightly different, a swashbuckling international man of mystery who would evoke both Bond and Zorro, and allow him to get his Errol Flynn on.

    But how would he get himself freed from international custody? Enter…

    The Partner In Crime (Conrad Mack aka Smiling Tiger – new character): Every Danny Ocean needs a Rusty. DiCaprio in Inception needed a Joseph Gordon-Levitt. The Mastermind typically needs a swiss army knife, a character with all the skills to be the #1, but who is content to be the #2. But currently, there aren’t too many folks in the MCU who’d fit the bill. However, the aforementioned Disney Plus series introduced us to an associate of Zemo’s who is well-known in the Madripoor underworld scene, a flashy dresser, and somewhat resembles Sam Wilson, but little else beyond that. This provides a somewhat blank canvas for introducing a backstory, motivations, and the skill set the stories required.

    A Black man with a cat motif is going to invite Black Panther comparisons, and I think that’s worth leaning into. He should absolutely pretend to be Wakandan, and interactions around that ruse could easily be played for comedic effect. However, none of that should undercut his core competency and ability to excel in a variety of situations. He pitches Zemo as the asset that Project Thunderbolt needs, because of his contacts and vast knowledge of the inner workings of Hydra and other networks.

    The Antagonist (Henry Gyrich – new character): To be clear, Zemo’s scheme is nefarious. But one reason we might be willing to root for him is that it provides an opportunity to defeat an far less likable character. This is who Gyrich is, the government bureaucrat who loves the power that having a fiefdom affords him. And having superheroes that answer to him makes him even more loathsome. With Project Thunderbolt as his crowning achievement, Gyrich’s eventual discovery of its subversion by Zemo should be positioned as an tremendous humiliation for Gyrich, a takedown that the audience should absolutely be rooting for.

    The Benefactor/Backer (Valentina Allegra De Fontaine): So far, we’ve been her as the go-between for her unnamed backers and both John Walker and Yelena Belova (more on them later). Her comics counterpart is an espionage operative on par with Nick Fury, so we can expect this character to have her finger in a lot of pies. And she’s more likable and charming than Gyrich. So far, Val seems unlikely to freelance, as opposed to standing in for the interests she represents. But that situation could change, and she, like a lot of spies, would ultimately serve her own interests. Val, then, wouldn’t be an antagonist per se, but she wouldn’t be a full ally either.

    The Tech Specialist (Justin Hammer aka “HQ”): Be it a hacker, gadget guy, or man in the chair, every heist needs someone who can make the impossible possible through technological shenanigans, and Sam Rockwell’s Hammer stole scenes in Iron Man 2 with his charismatic performance. When we last saw him, he was in custody, but a role in the Thunderbolts as both their “Q” and their man in the chair (and occasionally, quasi-mission participant via remote piloted armor) can afford him the opportunity to secure his release and step into the “superhero mogul” void that Tony Stark left.

    In reality, however, Hammer has been co-opted, and the tech he supplies to the T-Bolts has all been equipped with overrides controlled by Zemo, based on the promise of not only a substantial cut of their score, but access to the Ultron AI, which he believes he can improve upon, and one up Stark for all time.

    The Femme Fatale (Yelena Belova aka “the White Widow”): Trained as a Black Widow assassin, Yelena not only has top notch skills in infiltration and diversion, but a master of weaponry and fight skills. And as the sister of a beloved Avenger, she has a built-in avenue to garner sympathy with the public, as the same “red in her ledger” narrative carries over.

    But despite her ruthlessness, we’ve seen Yelena’s reluctance to behave strictly as a weapon. This would position her as a possible “change of heart” candidate, someone who could actually grow to enjoy the trappings of being a hero, despite her more cynical exchange with Natasha in Black Widow about not wanting to be celebrated as a killer. She’d be most likely to experience misgivings about her role in the con.

    The Thief (Ava Starr, Ghost AKA “Silver Phantom”): On a team with multiple spies, Ghost might seem somewhat redundant, but being able to phase and become invisible makes her uniquely suited to perform side heists while the team is on a mission, as well as be the contingency plan if things go sideways. And her history of being a former SHIELD/Hydra operative means that her orientation tilts towards the morally grey.

    Ava’s constant need for quantum energy made her somewhat easy for Smiling Tiger to co-opt, but it’s more so that she’s pretty cynical about who gets to be viewed as a hero, and who gets to be redeemed. The Silver Phantom persona allows her to reinvent herself as someone not cursed by her abilities, but gifted with them.

    The Muscle (Emil Blonsky AKA “Agent Gamma” ): Formerly the Abomination, this super soldier turned Hulk nemesis has all the strength one would want. He’s morally compromised, yes, but he’d be willing to work with the government in exchange for some degree of freedom, even if his gamma issues make full freedom unlikely. Wearing a helmet that conceals his identity and outfitted with experimental tech that allows him to siphon off the gamma radiation coursing through him, Blonsky can temporarily maintain a more humanoid form (or even full human) before he goes full Code Green. The Agent Gamma persona gives him a heroic rebrand, and affords him the opportunity to capitalize on some of the goodwill Hulk and She-Hulk have been able to garner.

    However, this guy doesn’t want to play nice with authority. Being locked up has embittered him, and as soon as he can get the opportunity to break bad, he will. Zemo has promised him the means to get completely free and start a new life somewhere he can’t be extradited from.

    The Fixer (Toni Masters, Taskmaster AKA “Winter Soldier II” ): The cover story for Antonia Dreykov is that she was part of the Red Room’s continuation of the Winter Soldier project as Taskmaster, and after being freed by Yelena Belova, now she wants to do good in the world. The truth is actually more complicated. After being freed from her father’s control, Toni abandoned her surname and decided that she’d become the “Master” of her fate, choosing to live a hedonistic lifestyle funded by her ability to replicate any skill she sees, and sell her services to the highest bidder.

    The role Taskmaster should play in the caper is the ability to mimic anyone’s mannerisms or skill set, and with her natural androgyny combined with potential false face tech, she should be able to step into anyone’s identity if need be. As for her susceptibility to fall in with Zemo’s scheme, she absolutely should be willing to go along with the con in service of a bigger payday.

    The Inside Man (Rick Mason): A former SHIELD operative turned contractor, he has shown a propensity for acquiring whatever needs being acquired. So while he may not be an official member of the Thunderbolts, he would be an asset to the team.

    Mason’s association with Natasha in defiance of The Sokovia Accords put him in a tough spot, as his business ventures were squeezed by the government in an attempt to draw her out. So really, he is working with the Thunderbolts because he has no choice, and if Zemo can promise him a better deal, he might just take it.

    The Patsy (John Walker AKA the USAgent): For this con to work, Zemo needs to employ an unwitting ally, someone who is meant to be out in front, loud and flashy, to take attention from, while being oblivious to, the caper happening around him. And John Walker fits the bill. He’s a hothead, but he really wants to do good. He’s not averse to taking extreme measures, but he can still find righteousness in the cause. And so, given the opportunity to show that he can be just as inspiring a leader as Steve Rogers, he can be manipulated into thinking he’s modeling for his teammates a course towards redemption, and that he’s keeping Zemo on a short leash.

    In reality, of course, Zemo is running Walker. His compliance tech, already subverted by Zemo. His leadership tactics, anticipated and steered towards Zemo’s contingency plans. His inspiration of his teammates, a way for those teammates to get close enough to gauge his suspicion, and relay what they find to Zemo. And when the day comes for the Big Job, there’s enough doctored evidence secretly planted to make it look like Walker was in on it all along.

    THE COMPLICATION(S)


    The Thunderbolts actually start to make a difference, saving lives and protecting the innocent, and that leads to each of them having misgivings about going through with the Big Job. Walker, as we all know, does want to redeem himself and for the most part wants to see these former villains redeem themselves as well. For Yelena in particular, she begins to understand better what her sister’s legacy was, and that it is a noble pursuit. For Ghost, having people actually see her, as well as look up to her, starts to gnaw at her conscience as well. Other characters have similar existential crises and conflicts.

    Additionally, Val begins to suspect that something is afoot, and starts looking into things in order to report her findings to Gyrich. But thankfully, she and he aren’t 100% on the same page, and when it comes down to it, if she won’t benefit from exposing the con, she just might see how things play out.

    THE CONCLUSION


    I mean, it’s a con job, and it’s a superhero film. Some things go wrong when it’s time for our (anti)heroes to pull off the Big Job. There’s infighting and a betrayal or two. Ultron kind of gets rebooted, and they have to put their differences aside to save the world. The (anti)heroes win, and the heist is ultimately aborted it. Or is it?

    Ultimately, the setup laid out above would make for an innovative and effective introduction of the Thunderbolts concept to a mass audience, while also providing a distinct enough throughline to stave off the Suicide Squad comparisons. The MCU loves to put its own spin on concepts from the comics, and I think that letting the audience know from the outset that there is a caper afoot still pays homage to Busiek’s original story, but sets up new trajectories for the characters involved that would be tremendously intriguing going forward.