Director Domee Shi brought a heartwarming story about puberty and family to Disney+ with Turning Red. We get to meet a colorful cast of characters, who introduce us to the magical land of Canada. Jokes aside, our time with Meilin and her friends offers quite a few cute and awkward moments that any teenager goes through. Even though it just arrive don Disney+, there’s quite some interest in a sequel that further explores Mei’s time as a giant red panda and seeing her get to spend more time with her friends. Luckily, Shi has revealed that the ending was meant to keep the door open for more..
We are open, but we haven’t talked about it. But yeah, it’s an invitation at the end for more stories.
Domee Shi
Producer Lindsey Collins also highlights that they hope the audience connects with the film’s cast and that it keeps people wanting a chance to spend more time with them.
Hopefully, at the end of a movie, you’ve fallen so in love with the characters that you have a hard time letting them go. I mean, as the filmmakers, not even as the audience, I feel that way. I love these characters. I never got tired of them. I was always like, ‘I’d go hang out with those characters again.’ I want to see what they’re up to. So, yeah. Who knows?”
Lindsey Collins
While there are no definite plans, it does seem like the team behind the project is definitely all in for a sequel. With Disney’s new streaming home, they aren’t restricted to just a film and could also explore a TV series. They have also been quite vocal about other animated projects being franchises that will continue to grow, and Turning Red is a perfect addition to their ever-growing library moving forward. So, here’s hoping.
Here’s some interestingly hidden information. Tucked away in The Wrap’s article on Disney’s John Carter box office bomb, there’s a brief statement on how Marvel Studios has made reshoots part of its production schedule no matter the project. In addition, they reveal that Taika Waititi‘s Thor: Love and Thunder is going back for additional photography in the next few weeks. There’s no word for how long but the timing is interesting considering it is still planning on releasing on July 8th.
It’s not uncommon that reshoots have just a few months before the film releases, especially as we don’t know what exactly the scope is for the production. Marvel Studios has standardized this practice for all its films, as it gives them a chance to refocus or tighten up specific scenes. Doctor Strange in the Multiverse of Madness also underwent reshoots to add scenes for characters that initially faced scheduling issues.
There’s no mention of what or for how long Thor: Love and Thunder will undergo but we’ll have to see. There’s always a chance they are aiming to add some scenes or even refine action elements. These films also undergo testings that help the creative team get a feeling for what works for audiences and what doesn’t. Who knows if Waititi just had some fun ideas that he is dying to add into the film.
It’s never easy tackling sensitive topics like autism in media. While some have explored the honest side of how it affects people and families, like Amazon’s As We See It, others tend to veer off into very stereotypical territory. Sadly, Planet 9 Productions’ latest film Tyson’s Run falls into the latter category. A story about a 15-year old boy with autism, who finds the passion to run a marathon while also finding a way to mend his family. While there’s a heartwarming story of a broken family bonding once again at its core, the film is distractingly unfocused in a world without consequence that leads to an unsatisfying payoff.
There will be spoilers in this review. So, if you want to watch the film spoiler-free, only continue at your own risk.
It’s odd to say, but there are so many moments in this film where I couldn’t pinpoint where it fits into the overarching narrative. The Kim Bass-directed project has a very straightforward story set out from the beginning but has an issue with weaving every story beat cohesively. It’s trying to sell a lot of moments as a sporadic character action, but it happens for the sake of happening. There’s no real natural lead into Major Dodson‘s Tyson wanting to run a marathon, which is the grand finale of the story.
He only gets into running once he sees Barkhad Abdi‘s Akilu randomly showing up in the background while he’s helping his dad. We don’t meet this character or get any teases in advance. Tyson then just suddenly runs alongside him, which is played off as part of his autism but there’s never a hint or slow build-up that eases the viewer into seeing his interest in that topic. For all we know, he just really wants to learn algebra. Glances or stares at the marathon, seeing people run in the background to build a rapport for the character would help ease viewers into the idea and make it a stronger moment, but it’s just there.
The biggest issue I have with this film is that there is a complete absence of consequence. Even handling a sensitive topic like autism, the actions characters take would still have some kind of effect on their environment, something a show like As We See It handled very well. Yet, in this film, Tyson starts running away at random points. There’s a massive storm, flood warnings, and after overhearing his parent’s fight, he runs off. Now, that makes for drama and there’s a reason why he does it, but later on, we learn it was just him running to see how far he can do it in the rain. No one’s mad at him for running off–for the second time mind you, especially after almost drowning.
No, I am not kidding, he randomly gets trapped under a branch. Still not sure how that happened. The spot he’s at is getting flooded and if his dad (Rory Cochrane) didn’t find him he’d have drowned. Actually, his father also gets injured in the process. So, if Akilu also didn’t somehow find his way to the same location after Tyson’s mother (Amy Smart) asks for his help after meeting him once, they’d both be dead. We spend so much time on the hunt for this kid that it’s full of unnecessary scenes. We meet a cop, he catches up with the dad with a team so that they go through the woods. Yet, no joke, one of them randomly gets bitten by a snake so that the father is alone again in the woods.
Somehow, Tyson running away only makes the family stronger without anyone getting mad at him. Both parents are hinted at having some massive weights on their shoulders, their marriage is on the brink and now he realizes he should spend some time with his family. What just drags an actual heartfelt moment down, is that Tyson shows absolutely no remorse, learns nothing from the event and the film doesn’t try to grow him as a character. There was such a disconnect to the rest; they’ve could’ve just cut chunks of this sequence out and the film would’ve actually benefitted.
There are moments where the acting is very over-the-top which just adds to that disconnect. Smart‘s approach to being mad is mostly awkward yelling, and Cochrane‘s Coach is the epitome of a cliché football coach. You can tell Dodson cared about the role and is trying to make it more than just a cliché but the lack of actual character development just takes away any nuance it could’ve had. We get to a point when he suddenly has a girlfriend, but we’ve only spent like three scenes with her. It’s a sweet moment but we don’t spend time with how that affects him. He just ends up having a girlfriend and nothing is done with it. We even have a bully character who literally laughs at him while pointing like a cartoon character and he never learns his lesson. One guy stands up to him, and he’s never seen again.
Speaking of a bully, on top of all of it, we randomly get a villain moment with Reno Wilson’s mayor near the end of the film. And again, there’s no payoff or consequence to him threatening Tyson’s dad. The only thing that happens is a sudden has big reveal that is swiftly solved minutes later by Tyson. It just makes you wonder why no one in this family thinks to lock their kid’s window, especially if he has a tendency to run away constantly. It highlights the problem that Tyson is a plot device and not a character. It is a disservice to a story exploring the topic of autism and the challenge for families that deal with it daily.
It’s all perfectly encapsulated in the titular run of Tyson’s Run. We have news reporters that are there to explain word-for-word what we know, or even explain running terms in the most obvious exposition I’ve ever witnessed in a film. There’s such a perfect bow on everything that it just adds to the fact that everything comes together as it needs to be. Without any consequences, no one changes by the end of the story outside of the workaholic dad spending time with his family. There’s not even a consequence to him just ditching his job randomly. The film has good intentions, but it really doesn’t know how to bring it all together.
Doesn’t it feel like they started filming the “Weird” Al Jankovich biopic just a few days ago? It has been some time but it still seems crazy how fast the Daniel Radcliffe-led project with the title Weird: The Al YankovicStory managed to wrap production. We first got some set photos almost two or three weeks ago featuring Radcliffe as the titular star. Eric Appel is in the director’s chair to explore the story of a young Jankovich parodying his way up to stardom.
It’s astonishing that they wrapped production in 18 days, and it’s great to see Yankovich‘s excitement for the project. We still don’t know just how much of his story this project will cover or how they might approach it. So far, we only saw Radcliffe rocking his original look when the comedian started making a name for himself, especially with his iconic afro and mustache.
Yankovich has been heavily involved with the project and it wouldn’t be too surprising if he will also appear in the film as himself, or break the fourth wall now and then. If they already wrapped production this fast, it seems likely that the film could find itself on Roku before the year ends.
There’s something rather fun about looking back at a film and how it may have changed throughout production. Spider-Man: No Way Home is no exception, as concept art finding its way online offering a glimpse at how they brought the designs from previous Spider-Man films to a new era. Yet, it seems that one of the members may have looked quite a bit different.
The Amazing Spider-Man‘s Lizard makes his return after RhysIfans played the character back in 2012. He had the same design in the threequel, but it seems that they’ve considered giving him a more comic-accurate design at some point. Ian Joyner shared some artwork offering a glimpse at a very different Lizard wearing his purple pants, lab coat, and a stronger reptilian face.
The design looks great but probably wouldn’t have fit with the character talking throughout the film. Plus, you do lose that charm of his original design as they changed quite a bit with Elektro. So, it would be a shame if both Andrew Garfield‘s villains got a complete redesign while Tobey Maguire‘s remained mostly the same. Hopefully, we do get to see a horror-themed film with Spidey as he takes down Lizard. He is about to enter college and meet a new Dr. Curt Conners and knowing what happens to him, it seems like Parker would be the one to accidentally push him to still end up the way he would throughout the multiverse.
Denis Villeneuve has been busy casting for his upcoming Dune sequel, as shortly after it was revealed that Florence Pugh has entered negotiations to join the project, they have now revealed that Elvis star Austin Butler is also in talks to take on the role of Feyd-Rautha. The film is eyeing a release on October 20th next year, and he doesn’t have much time until he needs to start production to continue the adaptation of Frank Herbert‘s iconic novel.
The role Butler is tackling is the younger nephew of Baron Vladimir Harkonnen, who is just as “cruel, treacherous, and cunning” as what you’d expect from a member of the royal Harkonnen bloodline. The actor made his career in Quentin Tarantino‘s Once Upon A Time…In Hollywood before nabbing the starring role in the Elvis Presley biopic.
Quite a few actors have vocally shown their interest in joining the Dune franchise, which is a given with how unique it is when it comes to what a modern-day blockbuster film is like. Yet, there has been a growing concern regarding the casting decisions for the Dune franchise, as most of the cast doesn’t reflect the cultural inspiration for most of the book’s characters and cultures. We’ll see what the future has in store as we might expect a lot more casting in the near future.
Matt Reeves and Peter Craig’s latest film is making quite the bank even as most expected its three-hour runtime and darker take might get in the way. Still, here we are talking about The Batman having already passed $300M after earning an additional $11.77M on a Tuesday. It only dropped 1% from Monday, which further highlights the incredible staying power of the DC film. For a comparison point, as Forbes points out, it had a stronger hold from Sunday to Monday than Alice in Wonderland, Logan, Captain Marvel, and more.
What is playing right into The Batman‘s hand is that there aren’t any major releases until May. Right now, the expectations of the second weekend are similar to most with it being around 60%, but we’ll see if word-of-mouth boosts the film after all. Still, going from a pandemic standpoint the film is already competing with most major releases of the year and is very likely to pass Dune and Eternals at this rate.
Will the film pass a billion? That’s the big question, as it is performing quite well internationally. The biggest advantage the film has lies in its confirmed release in China. The 45-day release window for digital might hurt it, however, as China is also infamous for piracy. It is releasing ahead of its digital availability, but there’s still some time before that happens that it’s available in Chinese theaters. For now, it seems likely the film will pass $400M by this weekend.
In addition to producing live-action streaming series that are a part of the DCEU, Warner Bros has begun development on a few DC films that will be exclusive to the streaming service as well. Batgirl, which will introduce Barbara Gordon to the DCEU, is currently the first of what is presumed to be many HBO Max exclusive DC films, but recent shifts in the DC film release slate may have given it a window of opportunity for a theatrical release.
Substantial changes to many upcoming DC film release dates were part of a cascade begun by Black Adam being pushed back from its July release date to October 21st, 2022. Shazam: Fury of the Gods jumped forward on the calendar, taking the December 16th, 2022 slot previously held down by Aquaman and the Lost Kingdom, knocking the sequel into March of next year. Also moving into 2023 is The Flash, streaking to June 23rd, 2023, 7 months later than previously scheduled. Following the release of Blue Beetle on August 18th, 2023 there is nothing set moving forward, meaning Batgirl would have a perfect window to release in late 2023.
The Flash being delayed means Batgirl’s reported 2022 release is highly unlikely as the events of that film directly lead into the The Flash, reintroducing Keaton as the main Batman of the DC Extended universe. So what should Warner Brothers do with this new opportunity? Move Batgirl to a late 2023 release date and give the film the opportunity for a theatrical release instead of only putting it on HBO Max.
We’ve seen quite a bit from the set of Batgirl and we know the film is set during the holiday season with the set in Glasgow being covered with a ton of Christmas decorations. Instead of creating another Shazam! situation, where a film centered around one season is released in the opposite, the film could thrive with a a theatrical release during the 2023 holiday season.
Blue Beetle was originally set to be an HBO Max exclusive film but was moved to a theatrical release, so its possible for Batgirl to get the same treatment. Batgirl is an instantly recognizable character for many people and has had prominent roles in many DC projects. This move seems like a no-brainer for Warner Brothers, who could bring in more money with a more strategic release. It would also give the film additional time during production, as it always seemed a bit risky to shoot and release a film in the same year.
Batgirl’s release date is still unknown as production on the film continues in Glasgow. The film will be directed by Adil El Arbi and Bilall Fallah with Leslie Grace in the titular role. Alongside Grace will star J.K. Simmons, Michael Keaton, Brendan Fraser, Ivory Aquino, Jacob Scipio, and Rebecca Front.
Thereseem to be some shake-ups happening behind the scenes of DC’s cinematic venture following the release of The Batman. This year will see the release of multiple DCEU films, which include The Flash, Black Adam, Aquaman and The Lost Kingdom, and reportedly Batgirl as production on that continues over in Glasgow. It seems after years of development hell on Black Adam, fans are gonna have to wait just a bit longer to witness his arrival.
Dwayne Johnson took to instagram to announce that League of Super Pets would be taking Black Adam’s July 29th release date with Black Adam now set to release on October 21st, 2022. The actor does not state a reason as to why the films were delayed but wanted to the news to come from him before it hit the trades. It’s possible the ongoing pandemic led to a few bumps in the road and they need some extra time to get things done.
Oddly Johnson also states that Black Adam will play theatrically throughout November and December, which would contradict Warner Bros. new 45-day theatrically exclusive release window for its films. Either way, Black Adams’ new release date is quite the shake-up to the current DC slate as this would now put Black Adam two weeks ahead of The Flash solo film’s.
It is highly unlikely that the studio would set those two massive films so close to each other so it wouldn’t be hard to believe that a delay for The Flash is a possible outcome, it’s possible that Flash could take Aquaman’s December release date, however that would pit it against the long-in-development sequel to Avatar. There’s a chance that WB is trying to pull out of that scenario altogether.
While most of the Walt Disney Annual Meeting for Shareholder was mostly focused on the inner workings of the company, Disney was surprised with a special look at some future projects. The biggest was our first look at Tom Hanks as Gepetto for the Disney+ original live-action remake of Pinocchio.
— Walt Disney Studios (@DisneyStudios) March 9, 2022
It’s kind of crazy to see a live-action doll of Pinocchio that is just a one-to-one replica of the design from the cartoon. Yet, it makes sense given that dolls in this design are being sold worldwide and he is made of wood. Gepetto even looks amazingly faithful to the original with Tom Hanks truly embracing the character. He’s also a great choice for the role with his general optimistic attitude.
The film will likely follow the original quite closely, but the question is how much they’ll tone down specific elements. I wouldn’t expect children to smoke and drink beer in this film, but they might still turn some naughty children into donkeys to teach them a lesson. So far though, it looks quite faithful and it’ll be interesting to see what they may change once it releases.
We use cookies to improve your experience on our site. By using our site, you consent to cookies.
This website uses cookies
Websites store cookies to enhance functionality and personalise your experience. You can manage your preferences, but blocking some cookies may impact site performance and services.
Essential cookies enable basic functions and are necessary for the proper function of the website.
Name
Description
Duration
Cookie Preferences
This cookie is used to store the user's cookie consent preferences.
30 days
These cookies are needed for adding comments on this website.
Name
Description
Duration
comment_author_email
Used to track the user across multiple sessions.
Session
comment_author_url
Used to track the user across multiple sessions.
Session
comment_author
Used to track the user across multiple sessions.
Session
Statistics cookies collect information anonymously. This information helps us understand how visitors use our website.
Google Analytics is a powerful tool that tracks and analyzes website traffic for informed marketing decisions.
Contains information related to marketing campaigns of the user. These are shared with Google AdWords / Google Ads when the Google Ads and Google Analytics accounts are linked together.
90 days
__utma
ID used to identify users and sessions
2 years after last activity
__utmt
Used to monitor number of Google Analytics server requests
10 minutes
__utmb
Used to distinguish new sessions and visits. This cookie is set when the GA.js javascript library is loaded and there is no existing __utmb cookie. The cookie is updated every time data is sent to the Google Analytics server.
30 minutes after last activity
__utmc
Used only with old Urchin versions of Google Analytics and not with GA.js. Was used to distinguish between new sessions and visits at the end of a session.
End of session (browser)
__utmz
Contains information about the traffic source or campaign that directed user to the website. The cookie is set when the GA.js javascript is loaded and updated when data is sent to the Google Anaytics server
6 months after last activity
__utmv
Contains custom information set by the web developer via the _setCustomVar method in Google Analytics. This cookie is updated every time new data is sent to the Google Analytics server.
2 years after last activity
__utmx
Used to determine whether a user is included in an A / B or Multivariate test.
18 months
_ga
ID used to identify users
2 years
_gali
Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
Marketing cookies are used to follow visitors to websites. The intention is to show ads that are relevant and engaging to the individual user.
Pinterest Tag is a web analytics service that tracks and reports website traffic.