As first presented at SDCC ’22 (and remains unchanged as far as anyone knows), Phase 6 begins with Fantastic Four and ends with Avengers: Secret Wars. The “SDCC Slate” contained 5 films beginning in November 2024 and ending in November 2025. 2025 was set to be a monster year with two Avengers films releasing within 6 months of one another with one other untitled film releasing between them.
Then came a delay to Blade, the shift of the date of Deadpool and Wolverine from February 2024 to November 2024, Fantastic Four from November 2024 to February 2025 and the move of Avengers: Secret Wars into 2026. The sum certainly looks to be greater than the total of its parts in this case. When placed side-by-side, it becomes clear that the “New Slate” not only stepped into Phase 7 territory but by doing so also added one film to the Phase 6 slate and put two films worth of storytelling between Avengers: The Kang Dynasty and Avengers: Secret Wars, creating a three film gap between them now.
At this point, Marvel Studios has several theatrical projects at varying stages of development though only two of those have been officially acknowledged by the studio. What films should fill that three-film gap between Avengers: The Kang Dynasty and Avengers: Secret Wars and why? We have thoughts…
For the purpose of this exercise, the most recently updated Marvel Studios slate will be treated as it is “locked-in.” Thinking and speculating about projects four years away from release is tough going because the reality is that the most recent slate will change again, maybe multiple times, before Phase 6 wraps up the Multiverse Saga. However, for simplicity’s sake, this article is working within the slate as it currently stands. Under those conditions, here’s our best guess:
Shang-Chi 2
Theories about the true nature of Shang-Chi’s rings have always been interesting, but following the trailer for Ant-Man and The Wasp: Quantumania and the undeniable similarity they share with some of Kang the Conqueror’s gear, the game has really changed. Shang-Chi has always been primed to be a major part of the Multiverse Saga, but with Shang-Chi and The Legend of The Ten Rings director Destin Daniel Cretton now on board to helm Avengers: The Kang Dynasty, it stands to reason Shang-Chi, and his rings, might play a much larger role in the Saga then originally imagined. The first film left the origin of the rings intentionally vague and an upcoming animated series is rumored to connect some dots between the rings, Kamala’s bangle and more. That series, which is being overseen by Todd Harris and potentially directed by Brian Kesinger, revolves around a secret society of earthbound aliens who scour the world for a series of powerful and influential artifacts. The rings are certainly just those types of artifacts and it’s possible that the aliens trying to find them are either affiliated with or working against Kang. Whatever the case, Shang-Chi’s a major player, the sequel is announced and seems like it absolutely must come out ahead of Secret Wars.
Armor Wars
Armor Wars has been part of Marvel Studios’ plans for the Multiverse Saga since before fans knew there was a Multiverse Saga. First announced in 2020 at Disney’s Investor Day, Armor Wars was originallydeveloped as a streaming series before shifting gears and becoming a feature film. If the series was planned to be in the Multiverse Saga, it would stand to reason that the film will be too, especially given its close ties to Secret Invasion.
Nomad
We’ve always had Nomad as a streaming series, so this represents a major shift in thinking though nobody seems to know what to expect of it. However, the best “Nomad” story Marvel Studios could tell would be one following Chris Evans‘ Steve Rogers as he returned the Infinity Stones to their respective timelines. As explained by Reed Richards in Doctor Strange in the Multiverse of Madness, an incursion can be caused when people travel between multiverses and alter that reality more than the allowable margin for error. If that’s true, that sweet sendoff for Steve and the end of Avengers: Endgame looks like it might be a pretty major problem now that He Who Remains is no longer around to protect the timeline. Could a Nomad feature film center on Steve’s journey to the other timelines where it’s revealed he actually caused multiple incursions?
It’s not out of the realm of possibilities. As Steve told Tony, when he sees a situation pointed south, he can’t ignore it. Could little acts of do-gooderism during his visits to the timelines from which the Infinity Stones were borrowed actually end up accelerating the incursion process and speeding up the timeline to Secret Wars? It’s hard to say because not enough is currently known about what incursions are truly all about in the MCU, but if Evans is truly back for a pair of projects as reported, it’s hard to imagine that one of them is really just about him riding a motorcycle around the countryside and helping people change flat tires. Not with Secret Wars looming…
Artificial intelligence (AI) is no longer foreign to the general public. If you’re reading this article because you clicked the link on Twitter, you likely came across at least one AI-based creation on your social media feeds in the past month. Integrating AI into our daily lives is becoming increasingly common in various industries, including entertainment.
AI has been heavily used in the entertainment industry in the production of visual effects. In recent years, AI algorithms have been employed to generate complex visual effects in television shows, such as The Mandalorian. In this series, AI technology was used to recreate the highly realistic image of a young Luke Skywalker and synthesize his voice with great detail. While some see the use of AI in the entertainment industry as a valuable tool that can enhance the creative process and revolutionize visual effects production, others worry about the potential displacement of “traditional” production methods and the loss of jobs for those working in the industry.
Does History Repeat Itself?
Some people have drawn comparisons between the use of AI in the entertainment industry and two significant technological developments in the past: sound and CGI. In the 1920s, filmmakers and actors were concerned that introducing sound would make actors obsolete, as audiences were accustomed to focusing on physical gestures and facial expressions. Similarly, in the 1990s, the emergence of CGI led to concerns that practical effects in cinema would be replaced by computer-generated imagery and actors would be replaced by computer-generated characters.
However, using AI in the entertainment industry is a different matter entirely. While it may be a helpful tool, it is not necessarily “necessary.” It can be used as an excuse for major studios to replace human labor with algorithms, as it is often cheaper. This is not a far-fetched possibility, as we have seen reports of companies such as Warner seeking to reduce their tax expenses.
The poor performance of projects like Facebook Metaverse and the NFT craze of the early 2020s suggests that our current obsession with AI may be detrimental due to an overreliance on technology and a belief in its ability to solve all problems. This can lead to a lack of critical thinking and neglect of necessary ethical considerations. Fortunately, directors like Christopher Nolan and Damien Leone are pushing back against this trend and promoting practical effects to enhance the viewing experience and make moviegoers fall in love again with practical effects.
It is up to the entertainment industry and its stakeholders to ensure that AI adoption is done responsibly and ethically, considering the values and concerns of all parties involved. Ultimately, the role of AI in the entertainment industry will depend on how it is used and the priorities of those who implement it.
Spider-Man: Across The Spider-Verse will feature more than 240 characters and will be set in 6 universes! The second trailer for the new installment in Sony’s Spider-Verse saga featured more than 20 webslingers, and this was just the beginning. The first plot details for the sequel have already confirmed Miles going rogue against the other variants, which we can’t wait to see.
As explained by director Kemp Powers in an interview with Empire, Miguel O’Hara, voiced by Oscar Isaac, will be the leader of a “band of fighters that are trying to clean up the consequences of the collider explosion at the end of the first movie.” As seen in the trailer, the fighters are obviously variants of Spider-Man who will be part of an organization working against The Spot.
However, the variants won’t be the main villains of the movie. As confirmed by the film’s producers and director, The Spot will be the villain of both the sequels to Into The Spider-Verse. Powers teased a secret connection between Miles and The Spot, which will be explored in the movie.
The Spot is an interesting villain because he seems like a joke, but when you really look at his powers, there’s incredible potential. His ability to open portals across dimensions sets him up perfectly for the Spider-Verse. He’s the villain of the next two films… and let’s just say that the Spot and Miles are connected in surprising ways.
Kemp Powers
New Poster For ‘Spider-Man: Across The Spider-Verse’
Sony Pictures Animation has released the first official poster for Spider-Man: Across The Spider-Verse. Feast your eyes on it below:
The hype for Marvel Studios’ untitled Deadpool and Wolverine film has been steadily growing over the past couple of months. Following the official announcement of the return of Hugh Jackman as Logan, rumors of the plot of the film began to populate the usual channels. One of the more interesting and sensible rumors indicated that Owen Wilson‘s Mobius and his employer, the Time Variance Authority were set to play a key role in the film. It looks like those rumors stand a strong chance of being proven true down the road.
While explaining in an interview with Sirius XM how his character, who died in 2017’s Logan, would be able to make an appearance in the new film, Jackman gave a pretty simple answer…time travel!
But all because of this device they have in the Marvel world of moving around timelines, now we can go back because, you know, it’s science. And so I don’t have to screw with the Logan timeline, which was important to me, and I think probably to the fans too.
Hugh Jackman
Hugh Jackman has revealed that ‘DEADPOOL 3’ will utilize a Time Travel device throughout the film. 👀
That handy little device Jackman referenced could well be one of the TVA’s TemPads, first seen in Season 1 of Loki. Jackman’s comments also indicate that, according to MCU logic, the events of the Deadpool and Wolverine film are going to create an alternate timeline and, most likely, an incursion. Given the most popular theories about the film include Deadpool visiting timelines from past Marvel films like Fantastic Four and the Fox X-Men franchise, it’s possible that his meddling in those timelines creates a number of incursions. Deadpool creating a mess that the new team of Avengers would end up having to clean up sounds like just the right way to bring the Merc with a Mouth into the MCU.
Pirates of the Caribbean has been on a bit of a hiatus. The franchise was one of Hollywood’s strongest and created a newfound love for pirates. Sadly, it never really picked up; here’s hoping One Piece can gain a similar momentum with its unique take on pirates next year, but Disney still hopes to bring the franchise back with style. There isn’t just one but two new entries planned to bring it back to life, but it’s still looking like rough seas ahead.
I would love to have him in the movie. He’s a friend, a terrific actor and it’s unfortunate that personal lives creep into everything we do.
Jeff Bruckheimer
Johnny Depp has been out of the business for some time. He lost his role in the Fantastic Beasts franchise due to the controversy surrounding his marriage to Amber Heard. The trial gained quite a bit of attention online and it does seem like he is trying to make his way back into the business. Though, Depp has also openly stated that he has no interest in ever returning due to how Disney treated him after the controversy got everyone’s attention. It seems Captain Jack Sparrow is unlikely to return, but who knows what might happen in the future.
After a strong but surprisingly below-expectation opening weekend, Avatar: The Way of Water still made an impressive global $435M opening weekend. It won’t break any records but going by its hold over the weekend, it’ll likely have the legs any other James Cameron film has though just how far it’ll go remains uncertain. Still, the pressure is on as the film must make at least $2 billion to be profitable, at least that is what Cameron has shared in the past.
We never knew exactly just how big the budget was for the film, but it turns out that it’s far more massive than any of us could’ve imagined. Even Avengers: Endgame and its multitude of big-name stars had a production budget of around $300M. The CG-heavily film has a massive budget of $460M according to a new report by Deadline. That’s quite impressive and makes sense given they also filmed the first two sequels back-to-back.
The film’s budget is definitely impressive and there are currently no fears the film will perform incredibly well moving forward. It’s entering the holiday season where the normal day acts like a weekend. Presales factor about 20% for its post-release window and even Marvel averages around 5%. Cameron will likely do what he always does similar to what Top Gun: Maverick accomplished earlier in the year. Now, the only question remains: just how far will it go, and will it inspire Disney to go all in with Cameron‘s plans for the franchise?
Evil Dead is back, and one of the few projects to actually benefit from Warner Bros. Discovery’s recent mismanagement. Originally, the film was set to become an HBO Max original and they didn’t scrap it like some other unlucky projects. Instead, Evil Dead Rise by director Lee Cronin was made a theatrically exclusive release and 2023 will finally give us the return to a much-loved horror franchise.
Sadly, Cronin can’t give us any details regarding what we can expect from the Deadite’s return, but he makes one clear promise: there shall be blood! The franchise has never shied away from making good use of bloodshed and it seems that the film “straps you onto a rocket that’s fueled by blood” in a recent interview with Empire.
It straps you onto a rocket that’s fueled by blood. You can either get off or you stay on ’til it explodes.
Lee Cronin
A rocket fueled by blood sounds exactly like what one would want from an Evil Dead entry. It’s unclear still if this is a continuation of the original trilogy or perhaps we might even see this as a direct sequel to the remake from 2013. It’s crazy to think that it has taken another 10+ years to get to this point and hopefully a trailer isn’t too far anymore to get a good feeling for how this project might stay true to the previous entries.
Why is it always animation when companies need to save money? Sadly, it seems that Netflix has decided they are no longer moving forward with a hand-drawn animated film by director Sergio Pablos. The mastermind behind the amazingly animated Klaus was going to direct a film titled Ember but surprisingly this might not have been scratched for cost-saving measures but rather due to creative decisions.
Pablos is not losing the rights to Ember, however, and is openly looking to show the film at another studio. The director has worked on projects like Despicable Me and Smallfoot. So, perhaps he’ll find a new home as part of Dreamworks’ current new direction but there’s also always the chance that they could try their hand at Disney getting their hands on it.
The only thing we know about the film was its description as an “epic adventure tale of humankind’s quest for fire told through the eyes of young Dikika who embarks on an impossible race to a distant volcano to retrieve the precious spark that will save her tribe.” It was only hinted as a hand-drawn animated project but there are no details if it would’ve shared a similar art style to Klaus.
Animation has been going through a rough patch and here’s hoping that we’ll see a more positive development. While Netflix still released some of its projects like the recent Wendell & Wild or even Pinocchio, it also decided to scratch quite a few productions. Animated TV projects like Wings of Fire, and With Kind Regards From Kindergarten never got a chance to get going.
After thirteen dormant years, James Cameron‘s epic story has at long last been continued as Avatar: The Way of Water has finally hit theaters. After releasing as the biggest film of all time in 2009, Avatar looked ripe to become the next major Hollywood franchise. However, to the surprise of nearly everyone, director Cameron famously pumped the brakes on the future of his hot new intellectual property to allow for technology to catch up to his grand plans. He didn’t spend the next decade just twiddling his thumbs, though. On top of eventually making The Way of Water, the iconic creative also filmed a second sequel, and outlined a full-blown saga lasting at least five total movies, with the potential for more should the audience demand be there.
While plot details for the remaining films past The Way of Water are sparse, there may be an unexpected source that teases what Cameron has in store. All the way back in 2018, the BBC reported a list of leaked titles they claimed were for the planned Avatar sequels:
Avatar: The Way of Water
Avatar: The Seed Bearer
Avatar: The Tulkun Rider
Avatar: The Quest for Eywa
At the time, fans took the names with an appropriate grain of salt, but it’s easy to see now why that’s no longer the case. The BBC is now 25% correct, which has caused many people to assume the rest of the Avatar title line-up is going to follow suit. In an effort to maintain mystique, executive producer Jon Landau recently stated he and Cameron had already decided on what the sequels will be called, and that online users shouldn’t go by the previously rumored movie names. It’s very possible that the creatives ultimately decided to change the rest of the titles at some point in the development process, but the specificity of the BBC nailing The Way of Water, a fairly non-generic moniker, and referencing a creature from the sequel, the whale-like Tulkun, so many years before it’s release would suggest the other labels were at least correct at some point.
As such, the names may actually lend themselves well to an attempt at deciphering the events set to take place in the next three Avatar projects. Admittedly, combining the remaining titles with the plotlines established in the first two films still only paints a fairly vague picture, but theorizing is almost always fun and it can’t hurt to try. So, Murphy’s Multiverse is going to throw some thoughts at the wall and hope they stick.
Avatar: The Seed Bearer
Weirdly enough, the direct sequel to The Way of Water may be the most difficult to figure out. Unlike the other titles on this list, The Seed Bearer does not reference any specific concept or idea already set in place by the initial films. Luckily, The Way of Water does lay out a few obvious threads for the next movie to pick up on, so one can assume Cameron expands upon those and goes from there.
The end of the second film features Jack Champion‘s human Na’vi appreciator “Spider” rescuing the villainous Recombinant clone of his father, Stephan Lang‘s Colonel Miles Quaritch, from drowning. Given his twisted nature has yet to falter, and the fact he’s confirmed to return in the next sequel, it’s insanely likely that Col. Quaritch once again plays an antagonistic role in Avatar 3. Cameron revealed in 2017 that Lang would act as the baddie of all five written Avatar movies, so don’t expect him to die off in The Seed Bearer either.
It also stands to reason that the children of Sam Worthington‘s Jake Sully and Zoe Saldana‘s Neytiri will continue to play massive roles in the franchise. Each surviving youth seems to possess some sort of important character trait within the world of Pandora. Britain Dalton‘s strong-willed Lo’ak has a natural ability to understand the downtrodden, and is primed to take a leading role following the tragic death of his older brother, while Sigourney Weaver‘s Kiri has a strong, visceral connection to Eywa and the heart of all living things – something Sully is warned could kill her in the middle of The Way of Water before being all but dropped as plot device in the finale. It seems reasonable to say these characters and their development will be a big focus of The Seed Bearer and everything that comes after it.
As for the title and overall plot, it’s still but a loose guess. The Way of Water saw Jake and Neytiri accept the sea-faring Metkayina as their people and new home, but that doesn’t mean the tree-dwelling Omaticaya are never to appear again. The beginning of Avatar 2 revealed much of the Omaticaya’s homeland was destroyed by the return of humans to Pandora, positioning the once-comfortable Na’vi in a fortified, cavernous mountain home as they stay prepared for assaults by their mortal enemies. When the Sully family departed their tribe, Neytiri was notably against leaving her home behind, and only did so out of concern for the safety of her kids. Perhaps The Seed Bearer has Neytiri growing uncomfortable with the Metkayina and her act of abandonment, eventually convincing her husband to travel back into the forest with a plan to save the Omaticaya, defeat the humans, and regrow the Hometree that fell during the events of the first film.
Col. Quaritch would undoubtedly see this as another opportunity to bring down Jake Sully and claim Pandora for Earth, and it’s plausible he uses his undeniable charm to weasel his way back to the front of Earth’s brutal army. The identity of the titular Seed Bearer is hard to pin down, but it could end up being Kiri, whose connection to Eywa and the Tree of Souls might be the key to restoring Pandora to it’s former glory. Especially if she manages to gain access to her unconscious (or deceased) mother’s scientific knowledge of Pandora’s inner workings.
Avatar: The Tulkun Rider
It’s incredibly easy to figure out who this title is referring to. The Way of Water has a major subplot involving the Tulkun, the aforementioned whale-like creatures who form spirit bonds with the Na’vi of the Omaticaya. Specifically, it tells a riveting tale about Lo’ak and his growth into a young warrior, which occurs by way of his bonding with Pandora’s most feared Tulkun – an outcast called Payakan. Following the third act of the second Avatar entry, Lo’ak all but gains the honorary mantle of “Tulkun Rider”, and with his leading franchise role being taken into consideration, there’s a good chance he’s The Tulkun Rider in question.
Yet, this doesn’t explain why the fourth Avatar might be named after him. Fortunately, a little digging gives further hints. In a 2021 conversation with Denis Villeneuve for Variety, Cameron stated that he was forced to film nearly a third of The Tulkun Rider at the same time as The Way of Water and Avatar 3, because he needed the children to stay the same age until a certain point in the movie. He elaborated at the time:
I had to shoot the kids out. They’re allowed to age six years in the middle of the story on page 25 of movie ‘4.’ So I needed everything before then, and then everything after, we’ll do later.
James Cameron
This means that, partway through The Tulkun Rider, there will be a sizable time-jump of around six years. Lo’ak, already a young man in The Way of Water, will probably be allowed to grow into adulthood and find himself after the timeline skip. With the nature of storytelling in mind, there’s a very solid chance The Tulkun Rider revolves around Lo’ak’s ascent to a leadership position within the Na’vi people, and a succession of his father as their most legendary warrior. Potentially, if the third film does go back to the forests of Pandora, he will also be shown as a great unifying force between all of the Na’vi tribes. How the other characters factor into this concept is too difficult to tell, but a betting man would be smart to theorize Lo’ak as the essential lead of Avatar 4.
Avatar: The Quest for Eywa
Another somewhat difficult title to break down, but not entirely impossible. Based on the first two films, viewers know that “Eywa” – also known as the “Great Mother” – is the lifeforce that binds all of Pandora together. She is essentially the Na’vi’s greatest deity, and the power they hold most sacred. Though, if Eywa is something that exists in every living thing around Pandora, how could there possibly be a search for her? If taken at face value, this title sounds as if Lucasfilm titled the next Star Wars project something along the lines of Star Wars: The Search for The Force. A little goofy. Unless, of course, it isn’t.
As mentioned in the theorized plot for Avatar: The Seed Bearer, Sigourney Weaver‘s Kiri has an unusual connection to Eywa and the planet of Pandora at large. She can communicate and direct both flora and fauna at her will, feels the pulse of Eywa at any given moment, and occasionally experiences intense, seizure-inducing visions when bonded with the ecosystem. Her birth is also a bit of a mystery, having occurred after the death of her genetic mother, from an Avatar body, with no known father or signs of pregnancy beforehand. Almost, one might say, a bit Christ-like. When Weaver‘s previous Avatar character, Dr. Grace Augustine, passed, she was connected to both her Avatar and the Tree of Souls. This is quite the pitch, but maybe, somehow, Eywa used this scenario to produce a child that could act as it’s physical embodiment on Pandora.
In theory, Kiri could actually be Eywa. If this is true, then Avatar: The Quest for Eywa may be about the hunt for a missing Kiri, who has been realized as the true savior of her people and an essential part of Pandora’s future. What remains to be asked is this – if Kiri is gone, where did she go? Allow producer Jon Landau to give further insight:
I wasn’t going to talk about it, but I’ve now subsequently heard that Jim has talked about it a little bit. In [‘Avatar 5’] there is a section of the story where we go to Earth. And we go to it to open people’s eyes, open Neytiri’s eyes, to what exists on Earth. Earth is not just represented by the RDA [the franchise’s evil organization known as the Resources Development Administration]. Just like you’re defined by the choices you make in life, not all humans are bad. Not all Na’vi are good. And that’s the case here on Earth. And we want to expose Neytiri to that.
Jon Landau
This quote, taken from a recent Variety interview, might be hiding a lot more than people think. Jake Sully, or any other Avatar character for that matter, doesn’t seem like the type of person to rationally take his native Na’vi wife to Earth as a way of sending a message. It seems as though Neytiri would end up on Earth for a different reason altogether, with Cameron using the experience as a way of progressing her development arc. Neytiri is fierce, and The Way of Watershowed she’d do anything to protect her family. Next theory? Avatar: The Quest for Eywa sees Col. Quaritch and the RDA also coming to understand Kiri’s importance, and abducting her to weaken Pandora and advance their studies on Earth. Neytiri, among others, would then go to Earth to retrieve her daughter and restore Eywa to her homeworld.
Along the way, Neytiri gains an appreciation for the common people of Earth, and her attitude toward the next step in Pandora’s relationship with humans begins to differ. This idea is, like the rest of the thoughts laid out here, not set in stone, but it is the best that Murphy’s Multiverse can come up with based on current information. Only an immense amount of time and money will actually pull back the curtain on the puzzle that is Avatar‘s future, and fans of the franchise are sure to be eagerly awaiting when it happens.
Weeks after ascending to the top of DC Studios, James Gunn made a major statement about the future of the DC Universe when he announced that he was writing a treatment for an all-new Superman film. Gunn’s project, which he may ultimately direct, has no ties to Henry Cavill‘s Man of Steel or the Snyderverse and should be a signal to fans about the direction of the newly minted studio. Superman is a priority for DC Studios and by taking it on himself to write the script, Gunn is making sure his vision is the one that defines the character.
Telling a good Superman story isn’t easy in the 2020s which means Gunn’s taking a lot of responsibility in his new role as co-chair. If fans don’t respond well to the new project, Gunn will take the heat. That’s a long way off, however, as the script is obviously just being developed now but that doesn’t mean that Gunn hasn’t had Superman on his mind for quite some time. In fact, he’s been very vocal about his love for and interest in the character over the last several years and has come close to either developing a Superman or Superman-adjacent property more than once! Here’s a look, albeit a brief one, at Gunn’s love of Superman.
For Gunn, it likely all started in 1978 when, as a 12-year-old, he saw Richard Donner‘s Superman at a theater in Des Peres, Missourri. Gunn called Superman a “great movie” that “rivaled Star Wars” for him and, in a 2021 interview, credited it with getting him “really excited about the genre.”
Before becoming the driving creative force behind Marvel Studios Guardians of the Galaxy, Gunn wrote and directed 2010’s Super, a black comedy about a hero with no super powers which may or may not be a part of a cinematic universe where the “evil Superman” character from Brightburn exists, but even while he was tied up at Marvel, he remained a fan of Superman. In a long Twitter thread from 2016, Gunn made it clear that he enjoyed 2013’s Man of Steel despite some of his criticism about how it portrayed the hero, citing a lack of empathy as an issue.
Gunn has always kept up a major presence on social media and in 2016 during a live Facebook Q&A, he was asked who would win in a fight between Hulk and Superman. At the time, Gunn was very much believed to be one of the architects of the future of Marvel Studios, making his response a bit surprising.
Hulk vs Superman, who wins? Probably Superman, right?“He’s much more powerful than Hulk.
James Gunn via Radio Times
In 2017, after congratulating Zachary Levi for landing the lead role in Shazam!, Gunn was besieged on social media by fans for even mentioning a DC property. His response was pretty epic as he urged fans to drop the “Marvel vs. DC” mentality.
Every time I mention anything DC, no matter what, my feed becomes an endless screaming match about BvS. You guys are never going to convince each other – it’s just a bunch of wasted energy. At least when you’re screaming at each other about Trump, it’s something of international importance. But it’s a 2 year old movie that some people like and some people don’t. Why is someone else’s opinion so important to you? As Marvel and DC super fans you have way more in common with each other than you do with the rest of the world. So why do you spend so much time raging at each other? It’s silly. Please just stop it. Stop engaging in that way.
James Gunn
Less than a year later, Gunn had been fired from Marvel and hired by the old guard at DC to direct The Suicide Squad. Interestingly enough, before moving forward on The SuicideSquad, Gunn had his pick of projects including a Superman film that he turned down. Gunn also indicated that while he ultimately chose not to direct it, he briefly considered a project centered around Superman’s dog, Krypto. Though he passed on the Superman project, Gunn later revealed that he nearly ended up including the character in The Suicide Squad…as the bad guy until he settled on Starro.
I thought that was a very interesting story. But when I came up with Starro…he’s a character I loved from the comics. I think he’s a perfect comic book character because he’s absolutely ludicrous, but he’s also very scary in his own way … He used to scare the crap out of me when I was a child, putting those facehuggers on Superman and Batman and stuff. So, I thought he was one of the major DC villains that was probably never gonna be put into another movie. And if they did, they would do it like the ‘black cloud’ version of Starro — not a giant, walking starfish that’s a kaiju, that is bright-pink and cerulean blue. Just a ridiculously bright bad guy.
James Gunn via Script Apart Podcast
It’s safe to say that Superman, and the state of DC’s films, has been on Gunn’s mind for some time now. In that sense, it’s no surprise that he’s decided to make the character a priority in his early days as the co-chair after seeing him mostly sidelined by the previous regime. It looks like Gunn is going all in on that character as one of the building blocks of the DC Universe and given his love for the character, fans should look for a return to the character’s roots as a symbol of pure goodness and hope.
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Used by Google Analytics to determine which links on a page are being clicked
30 seconds
_ga_
ID used to identify users
2 years
_gid
ID used to identify users for 24 hours after last activity
24 hours
_gat
Used to monitor number of Google Analytics server requests when using Google Tag Manager
1 minute
Marketing cookies are used to follow visitors to websites. The intention is to show ads that are relevant and engaging to the individual user.
Pinterest Tag is a web analytics service that tracks and reports website traffic.