Author: Joseph Aberl

  • Taika Waititi’s ‘Flash Gordon’ No Longer an Animated Film

    Taika Waititi’s ‘Flash Gordon’ No Longer an Animated Film

    It looks like Taika Waititi isn’t done with wacky space adventures, as his Flash Gordon project will no longer be animated, but rather a live-action film. In an interview with producer John Davis, Collider has learned that the project, which initially got revealed two years ago, will switch gears. He revealed that the decision came while preparing the script that it might work better in live-action.

    Taika is writing it. It was a movie that was a huge influence on him growing up. It is one of his favorite movies. He initially said to me, ‘Let’s do it animated.’ I said, ‘Okay.’ Then we got into it and started developing it and he said, ‘No, let’s do it live-action.’ I said, ‘Even better.’

    In the interview, he also hinted at how Waititi’s vision might be closer to the original 1930s comic series rather than the 1980 space opera film starring Sam J. Jones.

    He has the most fantastically interesting vision for this movie. And you can only know it is Taika. It is what he does. It is the way he looks at the world. He is the greatest guy in the world. He is the funniest guy in the world. And he thinks on a different plane. And this movie embraces everything that’s special about Taika, and his vision. It harkens in a very interesting way to the original conception from the comics.

    Technically, the director already gave people a glimpse of what his take on the franchise would be through his Thor films. Ragnarok, in particular, seems to take some inspiration from the space opera, with the sequel potentially dipping its toes even more into this era. We’ll see what the future holds, but the move to a live-action adaptation is certainly interesting and has a lot to live up to for long-time fans of the cult classic film.

    Source: Collider

  • Report Hints at Internal Strife Between Kevin Feige and Disney Over ‘Black Widow’s Release

    Report Hints at Internal Strife Between Kevin Feige and Disney Over ‘Black Widow’s Release

    It looks like the Black Widow drama might leave its scars internally. There have been various hints that Marvel Studios president Kevin Feige was a strong contender for Disney to wait out the pandemic for a pure theatrical release. Yet, Disney moved forward with pulling it on their streaming platform. This decision has now recently led the film’s lead, Scarlett Johansson, to file a lawsuit against the company. Disney’s backlash by calling out her actions may have stirred up some discomfort within the company. Hollywood Reporter’s Matthew Belloni shared a “What I’m Hearing” newsletter that hints at Feige being unhappy with the overall release and seemed to have predicted the potential lawsuit.

    [Feige is] a company man, and not prone to corporate showdowns or shouting matches. But I’m told he’s angry and embarrassed He lobbied Disney against the day-and-date plan for Black Widow, preferring the big screen exclusivity and not wanting to upset his talent. And then when the sh-t hit the fan, the movie started tanking, and Johansson’s team threatened litigation, he wanted Disney to make this right with her.

    This report matches what has been talked about for some time and opens up the question about Disney and Marvel Studios’ relationship moving forward. It also doesn’t bode well for Disney CEO Bob Chapek‘s current run as the new head of the company, after only recently taking over from Bob Iger. The hope of utilizing the streaming service within the pandemic made sense, but it seems they simply moved forward without consulting internally.

    Of course, it’s not an easy decision to make, but this move could leave some scars between the house of mouse and its subsidiary. It also reveals the limitations of what Feige can decide and with backlash after backlash, Jungle Cruise may lead to similar events. It’s Disney’s hands to do the right thing, but their first legal and public action left a sour taste. So, we’ll keep an eye out on how this develops.

    Source: What I’m Hearing Newsletter via Comic Book

  • What ‘Black Widow’s Third Act Could’ve Learned from Marvel Studios’ Phase 1

    What ‘Black Widow’s Third Act Could’ve Learned from Marvel Studios’ Phase 1

    Marvel Studios has come a long way from where it started. In 2008, they introduced the world to Iron Man and slowly started expanding into the entertainment behemoth they are today. Even among Disney’s many star IPs, Kevin Feige‘s work has reestablished what it means to be a comic book fan. Even to this day, they still try to test out new genres to reinvent their approach to films. Disney+ has become a new playground, with WandaVision and Loki offering very distinct storytelling among the many heroic tales.

    Yet, the recent release of Black Widow has also showcased that it’s hard to avoid your own trappings. After a visceral and grounded first two-thirds, the grand finale falls back into some bombastic and over-the-top action sequences. In a way, in the studios’ early days, they didn’t have the budget for it. So, they were able to keep the main battle focused on the protagonist and antagonist.

     

    Scarlett Johansson: Black Widow Star verklagt Disney

     

    Even if Marvel Studios’ first phase was a bit simpler. Iron Man’s final battle was a simple confrontation between Tony and his former mentor. Yes, they were in mechanical suits, but the backdrop didn’t take away from the confrontation. Even the first Thor film ended on a magical rainbow bridge in space, but it was a battle of hesitance. If the God of Thunder had a choice, he wouldn’t even be fighting his brother.

    We technically get a similar emotional core with Romanoff’s confrontation against Taskmaster. Her regret pushes her to free her and leads up to the final confrontation on the ground.  The collapse of the Red Room, which fits right in with other James Bond inspirations in the film, makes for a fantastic backdrop. Yet, the final battle doesn’t happen until they safely land.

     

    Neues Bild beweist: Darum ist der neue Marvel-Bösewicht Taskmaster so gefährlich · KINO.de

     

    It felt like a waste of having the confrontation be on the floating fortress. It would’ve added a sense of urgency as they lose footing. In a way, it would even be the way to give Natasha an advantage against the soldier capable of copying everything she does. It would’ve allowed for a more creative fight sequence. Taskmaster can copy all her abilities, but might not take the environment into account. So, like the Arc Reactor in the first Iron Man and Thor‘s rainbow bridge, the backdrop adds urgency and becomes an integral part of the core fight sequence and character’s arc.

    The Red Room falling apart is a physical visual of Natasha finally breaking free from the past, but it doesn’t feel quite fully realized. Integrating the fight into its fall would add more suspense to her decision. Once they were safely on the ground, the result of their fight felt simple. We’re not as connected with the moment like we were when Thor tried to save his brother. There’s no real sacrifice for Natasha, and neither is it a difficult decision to make. We have stakes, but they feel disconnected from the rest.

     

    Black Widow-Stars teilen Details zur Produktion des Films - Warnung: Spoiler sind jetzt in Sicht

     

    It’s something Marvel Studios’ first phase did quite well and is hopefully something they return to with future installments. They’ve learned a lot over the years, and after their massive release of Avengers: Endgame, it seems like the perfect time to take a step back. We’re about to meet a whole new world, and the Disney+ ventures are already exploring these smaller, more personal stories. Here’s hoping the films don’t forget that is what drew us to this universe in the first place.

  • Disney Fights Back Against Scarlett Johansson’s ‘Black Widow’ Lawsuit

    Disney Fights Back Against Scarlett Johansson’s ‘Black Widow’ Lawsuit

    It’s not every day we get to discuss legal actions on this site. In a sudden move, Scarlett Johansson sued Disney for breaching her contract on Black Widow being a theater-only release. The claim is that this would keep her from gaining the benefits written within her contracts. The film was released in theaters, but also on Disney+ Premier Access. We don’t know if she originally was set to receive a specific type of percentage from the Box Office income, which has been hampered by the digital release.

    It looks like Disney wasn’t going to sit there and take it, as they already gave a public statement in regard to this legal action. It confirms that her bonuses were tied into its Box Office earnings. They offered a public statement regarding their contractual obligations and that she received $20M for her work with additional compensation on top of the digital release. Disney’s statement is as follows:

    There is no merit whatsoever to this filing.  The lawsuit is especially sad and distressing in its callous disregard for the horrific and prolonged global effects of the COVID-19 pandemic.

    Of course, we have no further details on the matter. To some degree, it seems like a public display rather than an actual lawsuit. We’ve seen open discourse regarding contracts and combined releases. HBO Max and Warner Bros. are no strangers to this discussion. The bigger question is if this will end the working relationship between Disney and Johansson for future projects. It seems very unlikely we might see her return in any capacity if they burn bridges with this lawsuit. Here’s hoping they come to a consensus, and it doesn’t put the final nail in the coffin on Natasha Romanoff’s time in the Marvel Cinematic Universe.

    Source: Variety, Variety (Disney)

  • ‘Marvel’s Avengers’: New Story Details Revealed for Black Panther’s ‘War for Wakanda’ Expansion

    We’ve finally gotten the confirmation on when Black Panther will join Marvel’s Avengers. He is releasing on August 17th and will be fully playable alongside a unique story titled war for Wakanda. In the past few weeks, we got some teases of the story and even a word from his voice actor, God of War’s Christopher Judge. With the official release date, we also got a bit more details on what the expansion entails, which was called the biggest content drop since the game initially launched last year.

    The official press release by Square Enix confirms that the free update will get a special War Table showcase that includes trailers and insight into the expansion on August 16th. We’ll also get an in-game event that will also add to the overall world-building, which is a curious tease. We also get our first story summary, which teases betrayal in T’Challa’s future.

    The story of the free War for Wakanda expansion revolves around King T’Challa, the Black Panther, devoted protector and current ruler of Wakanda. Blindsided by a betrayal and the resulting tragedy, T’Challa finds it difficult to entrust his duty to anyone else, even his sister Shuri, while also confronting those who wish to do Wakanda harm. When arch-villain Klaw’s forces threaten Wakanda’s safety, T’Challa must take the fight right to them to defend everything and everyone he holds dear.

    The mission will let you explore the jungles of Wakanda and various new environments, which were teased in an exclusive developer stream some weeks ago. To celebrate, the game also offers a free-to-play weekend from 29th of July up until the 2nd of August on PlayStation, Steam, and Stadia. All players get a resource grant, and you earn XP four times faster than usual. A new PlayStation tweet offered a tease of the new content:

    Source: Square Enix Press, Play Avengers, Twitter

  • ‘Hawkeye’: Jeremy Renner Teases Hailee Steinfeld’s Kate Bishop’s Motivation in the Disney+ Show

    ‘Hawkeye’: Jeremy Renner Teases Hailee Steinfeld’s Kate Bishop’s Motivation in the Disney+ Show

    After a long wait, we finally got the official release date for Marvel Studios Hawkeye series. It’ll take inspiration from the famous My Life as a Weapon run by Matt Fraction. In addition, it’ll see the return of Black Widow‘s Yelena Belova. We still know very little about the story, but luckily Entertainment Weekly got a chance to talk to Jeremy Renner. He offered some insight into Clint Barton’s new protégé, Kate Bishop.

    She will be played by Hailee Steinfeld and bring new energy to the retired archer’s life after the Avengers. He offered some insight and confirmed she will retain her Hawkeye fandom from the comics when they first meet.

    [Kate is] a 22-year-old kid and she’s a big Hawkeye fan. She has a wonderfully annoying and equally charming manner about her, because she’s such a fangirl of Hawkeye. The relationship grows from that, but the biggest problem for Clint is Kate Bishop and the onslaught of problems that she brings into his life.

    He also shared that he took Steinfeld under his wing to introduce her to the world of working in the Marvel Cinematic universe. It also seems to hint that her entering Clint’s life is what drags him out of his never-beginning retirement. We’ll find out what trouble is haunting her when it releases on November 24th on Disney+. With the official announcement, there’s a good chance we’ll get a trailer shortly after What If‘s August premier.

    Source: Entertainment Weekly

  • Taking on ‘Marvel’s Avengers’ First Omega Level-Threat and the Super-Adaptoid

    Taking on ‘Marvel’s Avengers’ First Omega Level-Threat and the Super-Adaptoid

    We’ve been covering Marvel’s Avengers for quite some time now. Ever since the beta was released, we have been taking a closer look at the stories surrounding the controversial game. It had a rough release with a plethora of content getting delayed as it tried to fight through California wildfires and the pandemic on top of everything. After around eleven months, the first Omega-Level Threat has finally arrived alongside quite a few new and returning additions to fill out the summer. It isn’t the initially promised Cloning Labs but the second introduced OLT, Family Reunion. It’s a reworked version of a mission released with Kate Bishop’s DLC in December. After its initial release, I had the chance to tackle the OLT with friends to see if it keeps its promise of the game’s most challenging content.

     

    Marvel's Avengers gets first Omega Level Threat and multiplayer Mega Hives | EGM

     

    Crystal Dynamics has openly discussed that this OLT will feel “old” to the latest Villain Sector focused on AIM’s Monica Rappaccini. It is mainly a reworked version of the original mission that premiered in December with some tweaks. The new modifiers offer a different level of challenge as you face the Tachyon timer, which was never a big deal. Enemies are spawned very frequently with unflinching armors that sadly restrict you from making full use of your character’s juggling capabilities. On the flip side, you also make it difficult to just one-shot the various AIM bots and Keepers. It’s not a perfect solution, but it did force me to communicate closely with my teammates to ensure I don’t die or we run out of time.

    The true challenge is two-fold. The giant AIM mech is way faster than before and quite difficult to take down. It was a pleasant surprise and was a blast coordinating with others to take out its different weak spots. Then comes the true challenge of the game, the new Super-Adaptoid fight. At first, you can take a good chunk of damage off of it, but then it splits into multiple clones, and chaos ensues. We’ve probably got wiped around six times in the Super-Adaptoid fight, as we slowly adjust to the new moves. Even knowing what was coming didn’t make it any easier. My Thor had no chance and got knocked out frequently, as I have casually just looked for gear that I felt gave me good stats. It was a blast playing with my team and taking on the mission in a new way, as I mostly played solo until today.

     

    Marvel's Avengers Kate Bishop DLC content cut in new delay | Metro News

     

    Yet, the loss was exhilarating as we’ve kept getting closer and closer to beating the Adaptoid. Few shared their frustration with the mission, but I believe it does what it promised. It’s not perfect, as it does feel strange to remake an older level instead of adding something new, especially after a long delay. It’s even the small things such as reusing the old visual icon on the War Table rather than making it stick out as a unique mechanic. It truly feels like an element of an earlier era for the game, as it was still finding its footing as a service offering.

    The one thing I want to commend both the OLT and the Cosmic Cube Villain Sector, they’ve changed the way I played the game. I no longer use whatever random gear I get but sit down and go through each piece. As a more casual player, these new additions put me in a situation where gear matters. Yes, the gear doesn’t stick out as it could in the game, but the latest additions did make me sit down and think about what I want to do with my gear. So, I want to praise the game for pushing me to rethink my approach to it even 200 hours into my overall run.

     

    Marvel's Avengers Warbot Boss Mission Agony And The Ant Hill | Marvel avengers, Avengers images, Adventure video game

     

    Overall, I think the OLT was a great addition. It certailny isn’t perfect, as it could’ve benefitted from some surprises, and it’s time to test out new elements on how to add challenges besides through specific modifiers. They teased that future content will be closer to Cosmic Cube, which took me quite a few tries before I was able to finish it. It was a lot of fun coming together with friends online and take on this mission. If this is just a taste, I am hopeful and excited to see what the future holds for the game. I still hope that we get more randomization that can add to the challenge and even catch players off-guard. Here’s hoping Black Panther’s War for Wakanda update adds some new modes to extend the endgame in the future. Still, it’s a great first step, and it’s a great warm-up ahead of what they described as their biggest content drop to date.

  • REPORT: Sony Eyeing Jodie Turner-Smith as ‘Kraven the Hunter’s Calypso

    REPORT: Sony Eyeing Jodie Turner-Smith as ‘Kraven the Hunter’s Calypso

    It’s gotten quiet on the Kraven the Hunter front. It’s been two months since Aaron Taylor-Johnson joined the project as the titular villain. The film is eyeing a release in 2023 but Sony has been rather quiet overall during the pandemic. Illuminerdi did run a story that they are interested in adding the Russian master of disguise Dmitri Smerdyakov. Marvel fans will instantly recognize the pedestrian name of the Chameleon, who is related to the infamous hunter. It looks like they got one more bit of news, as the film is eyeing Jodie Turner-Smith in the role of Calypso.

    Turner-Smith has been building up her career throughout the last few years which includes appearances in 2017’s The Last Ship, 2019’s Queen & Slim, and 2021’s Without Remorse. She recently starred in the Channel 5 psychological thriller Anne Boleyn. She would take on the role of Calypso, the Haitian voodoo priestess. In the comics, she sacrificed her younger sister to become more powerful and pushed Kraven into his madness. The character first premiered in Amazing Spider-Man #209 in 1980.

    We still know very little about the upcoming film. It’s uncertain how they’ll tackle the character, who has strong ties to Spider-Man. There’s always a chance that Sony wants him to appear in the film, which may act as Kraven’s origin story before he became obsessed with the friendly neighborhood spider. They might even connect his franchise to Venom, which would add a very unique flair to the character’s obsession with defeating the strongest beasts.

    Source: Illuminerdi

  • Justin Simien’s ‘Haunted Mansion’ Eyeing Tiffany Haddish and Laketih Stanfield

    Justin Simien’s ‘Haunted Mansion’ Eyeing Tiffany Haddish and Laketih Stanfield

    It looks like Disney is ready to expand its theme park-inspired film series. Jungle Cruise will open in theaters and on Disney+ Premier Access this Friday. Without losing any momentum, they are already eyeing Tiffany Haddish and Lakeith Stanfield to lead a new Haunted Mansion film. It’s not the first adaptation of the famous Disney ride, as Eddie Murphy led a horror-comedy adaptation back in 2003. Dear White People and Bad Hair‘s Justin Simien joined the project to direct the big-budget franchise film based on a script by Katie Dippold. The news got reported by Illuminerdi a few days ago with THR confirming it.

    The story would follow a family that moves into the iconic haunted mansion. They also shared some casting details. Stanfield will play a widower who once believed in the supernatural while Haddish will communicate with the dead as a psychic. It’ll film in Louisiana, which will definitely add some beautiful iconography to the film. They also confirm that it will not connect to the 2003 original.

    Haddish recently starred in the Netflix comedy Bad Trip and is finishing work on Easter Sunday. Stanfield is well-known for his role in FX’s Atlanta, Judas and the Black Messiah, as well as the upcoming The Harder They Fall Western. It’s uncertain if the film will embrace the horror elements or end up returning to the comedy route. Haddish‘s filmography would hint at a more comedic direction, but they may try to balance the genres. The 2003 film was more comedy than horror. So, we’ll see how Disney tackles this new adaptation.

    Source: Hollywood Reporter, Illuminerdi

  • Jeffrey Wright Confirms Some ‘What If’ Episodes Were Recorded During the Pandemic

    Jeffrey Wright Confirms Some ‘What If’ Episodes Were Recorded During the Pandemic

    It’s crazy to think that Marvel Studios is heading into animation. The once small production company grew by quite a bit. Disney+ was just the beginning of their next big step. WandaVision kicked off a new era for the company that will soon enter its next phase. What If will expand the franchise into animation and introduce us to the multiverse. As one question can change everything, Jeffrey Wright‘s Uatu will guide us through the various episodes.

    The actor had a chance to sit down with Entertainment Weekly to talk bout recording for the series and getting to work on the project alongside Chadwick Boseman, as the animated series will be his last performance within the MCU. He also got to share how he decided on what voice to use, as he has experience with doing voice work. he revealed that a few of the episodes were recorded during quarantine from his closet.

    We recorded some of these episodes during lockdown during the pandemic last year. I recorded a bunch of stuff in my closet in Brooklyn. [Laughs] So the preparation was setting up the little mini recording studio and closing the closet door, and banging it out next to my underwear drawer. But it worked out! Good acoustics in there.

    It’s become the norm that many actors that do voice work started building recording booths in their homes. Christopher Judge shared some insight into how he did all his work from home while voicing Marvel’s Avengers version of Black Panther. Luckily, it’s gotten easier than ever to work from home. So, they don’t require a fully built booth to do voice work, and actors have gotten creative to solve this issue. Wright shares his excitement about getting to work in his pajamas.

    Source: EW