Category: Features

  • THEORY TIME: Russell Crowe May Be Playing the Villain Grim Hunter in ‘Kraven the Hunter’

    THEORY TIME: Russell Crowe May Be Playing the Villain Grim Hunter in ‘Kraven the Hunter’

    Sony is now three movies into is shared universe of Marvel Characters, and for the most part, they’ve all been pretty much the same thing. In Venom, the title character learns to control his abilities and accept his destiny while doing battle with a more sinister version of himself. In Venom: Let There Be Carnage, the title character once again learns to control his abilities and accept his destiny while doing battle with a more sinister version of himself. Finally, in Morbius, the title character learns to control his abilities and accept his destiny while doing battle with a more sinister version of himself. After spending several full minutes studying this pattern and dissecting what may come to be known as “The Sony Formula,” only a single conclusion could be truly reached. In Kraven the Hunter, the title character will likely learn to control his abilities and accept his destiny while doing battle with a more sinister version of himself.

    The real question surrounding the next big Marvel-Sony project is who that “more sinister version” of the anti-hero Kraven will be to fight the titular character. Aside from the Venom sequel’s inevitable use of Carnage, the SonyVerse has had to make a couple deep pulls to materialize antagonists for its solo Spider-Villain movies. The symbiote-heavy stories at least have a handful of “Venom but worse” baddies to choose from, but Morbius literally had to create it’s own original character in order to satisfy the “Sony Formula” developed in the studio’s screenplay labs. As if further proof is needed of the plot recipe’s existence, Matt Smith was originally announced as playing the very minor comic malefactor Hunger before his role was morphed into something that more closely resembled Jared Leto‘s protagonist. So, if one were to try a guess at who the currently-unrevealed villain of Kraven is, they would probably be best off looking for an obscure Spider-Man criminal with a power that reflects the lead’s own skill set. Enter: Grim Hunter.

    In the comics, Sergei Kravinoff is somewhat of a family man. He spawned four children with his lover Sasha, all of whom grew up to be problems for either Spider-Man or Kraven himself. The oldest son and firstborn child, Vladimir, aspired to be as good of a hunter as his renowned father, and eventually dabbled with an experimental elixir enough to make it almost all the way there. Once at full power, he named himself the “Grim Hunter” after a legendary warrior he was told stories about as a boy, and went after Spider-Man. He would ultimately be killed in battle by Peter Parker’s clone Kaine, revived decades later by his mother in the form of a humanoid lion-like creature, and then be killed again by his father for not living up to the family name. It’s a lot to take in, but it’s probably just enough for Sony to use as the basis for a solo Kraven film.

    The problem is that story doesn’t make Sony’s “bad guy who’s also sort of good” come off in the best light, and Aaron Taylor-Johnson seems a little young to be a guy with a fully grown son. This is where Russell Crowe comes in. Back in February, the famed actor was cast in a mystery role for Kraven the Hunter that The Illuminerdi claimed would be Nikolai Kravinoff. Though whether or not this is true remains to be seen, having Crowe as the father of the eponymous Hunter would help to fill in a few blanks where the movie’s antagonist is concerned. While he was never a major player in any specific comic book stories, Nikolai was instrumental in shaping who Sergei would become. He was an abusive dad, who tormented Sergei and his half-brother Dmitri (a.k.a. Chameleon, set to be played by Fred Hechinger in the movie) before dying and leaving the boys orphaned. This life aspect seems like an easy inclusion for the writers trying to make their hero sympathetic, and the recent casting of Levi Miller, who looks an awful lot like a young Taylor-Johnson, suggests that fans might be treated to some flashbacks over the course of the film.

    Of course, Sony wouldn’t get someone as talented as Crowe for a few simple flashbacks, which indicates Nikolai could potentially have a bigger role in the plot than comic book history implies. In fact, it seems likely that Sony could take the comic relationship between Sergei and Vladimir and flip it on its head, casting Nikolai as the legendary “Grim Hunter” and Sergei as the firstborn son trying to live up to his father’s legacy. Doing this would give Taylor-Johnson‘s Kraven a reasonable motive to become the world’s greatest hunter, and the unavoidable climax in which Kraven defeats his crazed poppa and vows to be a Hunter with more honor than him would do wonders in portraying the titular character as more anti-hero than a straight villain.

    The one broken cog in this theory is Christopher Abbott‘s The Foreigner. Recently announced as a villain in the film, the character fits the bill of “wildly obscure Spider-Man villain with abilities similar to the protagonist.” He’s a master assassin in peak physical condition and an expert martial artist. And unless that character is also dramatically altered, there isn’t much there in the way of emotional conflict between him and Sergei. Perhaps they are both after the same target, but even that seems like a weak central conflict. Imagine instead that Crowe‘s Nikolai is pulling the strings in the background, using Foreigner as a test of his son’s might before using the elixir Vladimir used in the comics and taking the stage himself for a grand final duel. Maybe Foreigner is even reimagined as another child of Nikolai, alongside Sergei and Dmitri, dramatically revealed to the audience just before the Grim Hunter coldly kills him for failing to outdo Sergei.

    Obviously, absolutely none of this is confirmed and is almost entirely fun conjecture. It’s a theory that’s been stewing in my brain for a while that I thought would be fun to get out there. It’s very possible none of this comes to fruition, but it would be very entertaining if even an ounce of it turns out to be true. In the spirit of this article, I’ll leave off on one more little theory nugget, throwing out what seems like an entirely plausible post-credits scene based on what we’ve seen Sony do in the past. Chameleon is already confirmed for the movie, and in the comics, is the one who tells Sergei about Spider-Man’s existence in the first place. It feels like this would be something Sony might want to capitalize on. Probably.

    Sources: Marvel, Comic Book, Variety, CBR

  • ‘Moon Knight’ is Teasing Marc Spector’s Second Resurrection

    ‘Moon Knight’ is Teasing Marc Spector’s Second Resurrection

    Much of the conversation surrounding Moon Knight Episode 4 is no doubt focused on that twist ending. But the moments before Marc Spector wakes up in what looks like a psych ward may have been inspired by the events of Marc Spector: Moon Knight #27 and #28, which have surprising parallels to Marc’s death by Arthur Harrow in the live-action series. There is a chance Moon Knight could show a resurrection of Marc Spector that involves a new understanding and acceptance of his role as the Fist of Khonshu. In essence, even though we have not witnessed the actual origin of the character in the series, Episode 4 could have just set up Moon Knight’s “true” origin in the MCU.

    ‘Marc Spector: Moon Knight’

    Towards the end of Episode 4, Arthur Harrow shoots and presumably kills Marc Spector, who floats down through water in the tomb for quite some time. Eventually, we see a light ahead of him and he wakes up in the psych ward. While the mental hospital aspect shows a lot of similarities to the Lemire-Smallwood run in the comics, the moments before are suspiciously reminiscent of the Scarlet Redemption arc in Marc Spector: Moon Knight. In it, Moon Knight is fatally stabbed, and he falls into some water. His body spends virtually the entirety of the next issue sinking deeper into the water in a visual that has undeniable comparisons to Episode 4.

    Marvel Studios’ ‘Moon Knight’
    ‘Marc Spector: Moon Knight’

    In Marc Spector: Moon Knight #28, an explicitly-dead Marc Spector sinks down through waters while passing through memories that seem to haunt him, including his past as a murdering mercenary. That’s not all, as also present are visions of his father. He was a rabbi, and Marc thinks through his relationship to the values of his youth and how he strayed from them. He ultimately realizes that his father’s teaching of goodness, love, and redemption were things he should not have completely turned against.

    By the end of the issue, Moon Knight comes to “understand” that Khonshu wanted him as his Fist of Vengeance for more than just his violent skills from his life as a mercenary. He believes that he also chose him for the influence his father had on him and what mental lessons he took away from being the son of a rabbi.

    It is one of the first major moments in Moon Knight’s comic history that emphasizes and explores Marc Spector’s heritage, as well as his connection to Judaism. Whether Moon Knight goes into this more in the next few episodes is yet to be seen, but Marc Spector’s personal epiphany in this issue of the comics may be absolutely crucial to understanding what comes next in the live-action series.

    Marc Spector, of course, was first resurrected by Khonshu in a tomb when Marc was killed by Bushman—his traditional origin story. In Marc Spector: Moon Knight #28, Khonshu resurrects Marc Spector a second time, and Moon Knight is very much reborn. He emerges from the water sure of his newly realized role as more than a fist of vengeance—he is also a beacon of hope.

    ‘Marc Spector: Moon Knight’

    While the psych ward arc in Moon Knight will surely play out in its own unique way, it is very possible it could include a look back on Marc or Steven’s lives before they took on the mantle. It might end up with all personalities embracing, accepting, and redefining the Moon Knight mantle. In that way, the Disney+ series could be seen as a traditional origin story in and of itself. While the first “origin” may have been in the past, the series may have built itself around this second resurrection which could serve—for all intents and purposes—as the origin of the Moon Knight we come to know in the MCU.

  • Exploring Netflix’s Obsession With Quantity Over Longevity

    Exploring Netflix’s Obsession With Quantity Over Longevity

    The last few days have been rough for Netflix. Not only did they publicly have to acknowledge that they lost subscribers for the first time in over ten years, but they’ll face 2M more jumping ship by the next quarter. Subsequently, investors are furious and fearful as their shares have dropped by a scary amount. Many find themselves wondering what exactly has led to this sudden shift within the market, as streaming was seen as this bottomless potential with billions of subscribers. What seems like they have potentially reached their limit, may showcase a general trend that has been waiting to show its fangs over the years.

    One thing is for sure, it’s not a good look for Netflix and there are many discussion points that can be made on what led to this current downward spiral. Netflix will still hold on to its top spot and we’re already seeing it with the decision to add an ad-supported version at a cheaper price. Yet, there’s one aspect that seems worth exploring and that is Netflix’s obsession with quantity. They are investing a lot of money in originals, which leads us to get a diverse selection of projects. Yet, it also led to the new perception of the streamer becoming a safe haven for canceled projects but sadly a new trend has arisen.

    Oddly enough, they’ve become obsessed with swiftly canceling projects. While some select projects manage to have some sense of longevity, they manage to drop franchises that have even proven to be quite successful. When Bright was first released in 2017, it was one of their most-watched films. Yet, somehow the sequel was buried at one point without any fanfare, and we got a prequel Anime spinoff that had little to no marketing push. There are projects where we do get some news ahead of its release, but there’s a trend that a lot of it is creator-driven.

    The biggest example of Netflix’s modern marketing approach was their live-action Cowboy Bebop series. While production did face quite the delay and an adaptation of such a cult classic was definitely going to face some backlash, it just suddenly arrived. Its release date was announced on August 23rd and would hit the streamer on November 19th. At the time we didn’t get a trailer to build up the excitement and it wasn’t until the 19th of October that we got a mini-episode titled The Lost Session. we wouldn’t get the actual trailer until the 27th with only a few more weeks before it hit Netflix.

    By the time we got any actual promotion or the series, people’s opinions have already been made on what to expect and a new audience had barely any time to relate to it. Considering it was released on the 19th of November, it barely even got a few weeks before Netflix just dropped the axe on the series on December 9th. Early reports indicated that the production was going in expecting multiple seasons and it was cut short before it even got started. The issue is also we don’t know what exactly the metric is that they are going for, especially with newly established franchises. They seemingly banked on the addition of the anime which may have hurt the release more than anything else.

    It almost creates this belief that existing IPs will always draw in an audience no matter what. Yes, Cowboy Bebop has an extensive following but it’s also quite a bit more niche than some might expect, especially given Netflix’s focus on worldwide viewership. They are currently working on two other projects with Avatar: The Last Airbender and One Piece that have strongly established audiences but would still require a certain amount of marketing to ensure fans that this will be a faithful adaptation while pulling in new audiences.

    There’s also a strange inconsistency with how much marketing a project ends up getting. As we were speaking of building upon existing IPs, there is the series Human Resources, the spinoff of the animated series Big Mouth, that got released on March 18th. The series actually got the first teaser back on October 4th. Even if it was short, it had the strict advantage of building upon an already established franchise on the service even if the naming wouldn’t hint at a connection. Its official trailer dropped in January, which gave it multiple months of momentum ahead of its release. The Season 2 renewal wasn’t until a full month before an announcement was made.

    Ironically, a project that already has a well-established audience is given more time than a project that only a select few really are aware of. The odd decision to drop many animation projects as a result of the current development creates this odd disconnect of what exactly Netflix’s end goal is. They seemingly are dogpiling project after project that get no more than one or, if they’re lucky, two seasons.

    Even those that seem like sure-fire franchises to build upon are killed off before they even get a chance to get going. The life and death of a series, or even an entire franchise, ends faster before it even has a chance to start. With the amount of growing competition, it’ll get more and more difficult for this model to survive by only giving spinoffs time to grow and just wait and see if a new series, even if based on a new IP, will somehow end up becoming successful.

    Once a show drops with every episode, there’s hard to no additional marketing at play to keep it alive. They pretty much just bank on the show living on their own without putting in the work to keep it so. Disney+, Amazon Prime, Peacock, and more are slowly leaning towards weekly releases as it keeps these series alive way more than a single release. Yes, viewers are complaining about it but it’s a sign of how these continued marketing attempts build up the momentum as we get more impatient for what lies at the end. Perhaps Cowboy Bebop could’ve had some more attention given to it if it was a weekly release, especially as it moved away from the more disconnected storylines of the original.

    Yes, Squid Game technically was one of the most talked-about series for weeks but that was a lightning in-the-bottle moment. If Netflix is hoping to keep that kind of series as their ongoing pillar, they are putting all their eggs into a single basket. Competition is rising, the demand is higher than ever and growth can no longer be the only focus. Some people subscribe to their service for specific series and franchises. If they have the feeling it barely sticks around, they won’t either. Word-of-mouth depends if the series is a game-changer and only rarely do we see that happen.

    We’re seeing a new era of television, as Netflix’s original model is potentially reaching its limit. We’re either going to see more hybrid models moving forward, as we slowly step back into elements that made broadcast television work. As legacy companies are getting their hands back on their projects and Netflix is more dependent on its originals to keep people watching, they might require the number of reasons that remain as binge-able as The Office, Friends, and more. As they are losing their usual library and may soon no longer have all the bit IPs they usually had available, investments will only continue to grow moving forward.

    People come to watch The Ozark, but they stay to watch their favorite comfort show. At some point, they became so dependent on existing series, that the demand for newer ones has reached some rather questionable highs if they keep canceling shows out of convenience. perhaps shifting to more long-form storytelling with various stories unfolding and growing audiences across multiple seasons will benefit them moving forward. With Netflix’s Geeked Week on the horizon, perhaps we’ll see a new shift in how they tackle their projects moving forward.

    Sources: The Verge, YouTube, TV Line, YouTube, YouTube, Collider, The Wrap, The Sun, Looper

  • How ‘Doom Patrol’ Could Serve as a Template for Marvel Studios Future Plans

    How ‘Doom Patrol’ Could Serve as a Template for Marvel Studios Future Plans

    When Disney purchased 21st Century Fox in 2019, Marvel Studios gained access to the live-action rights of a treasure trove of Marvel Comics characters. The X-Men. The Fantastic Four. Doctor Doom. Galactus. The Silver Surfer. Annihilus. The list goes on…and it really goes on. However, 3 years after the deal was sealed, we’ve only seen a Variant of Kang the Conqueror and some Skrulls, which were already kinda-sorta useable anyway, while Marvel Studios carefully constructs their plans for the mutants and The First Family.

    To date, very little is known about said plans. At SDCC ’19, Kevin Feige announced that a Fantastic Four film was on the way and teased the arrival of the mutants. Since then, however, other than announcing that the new FF film would be helmed Jon Watts, whose recently completed Spider-Man trilogy integrated the Sony-owned Webslinger into the MCU, there has been no official news. Word did come that Marvel Studios was seeking pitches on The Mutants and minor tidbits have surfaced here and there about the Fantastic Four, but nearly 3 years later fans are still in the dark. And that’s ok. It’s ok because, as Feige well knows, Marvel Studios has to proceed carefully with both properties because, simply put, they have to get it right.

    As with Spider-Man, the Fantastic Four and X-Men have had previous and relatively recent films. In the case of the FF, the most recent attempt to bring the characters to resulted in one of the most despised superhero films of all times; in the case of The X-Men, Fox’s love affair with Wolverine and inattention to continuity left some of the best characters on the bench, some others poorly adapted and fans feeling fairly frustrated with the end result. As Marvel Studios attempts to reboot these properties, fans are going to carry their experiences with these previous iterations with them into the new projects. In a way, that means Feige and the Parliament are starting in a hole they didn’t dig, but if they don’t get it right out of the gate with these projects, they’ll bury what should be two different properties that could each generate a decade’s worth of stories.

    Fantastic Four Star Blames Fox for 'Goofy' Doctor Doom: 'It's a Shame'

    As mentioned previously, fans will be be wary of these MCU reboots as they carry the trauma of the previous versions with them into theaters. If the MCU versions of these properties start to follow familiar arcs or feel similar to what Fox did, fans will find themselves triggered and the aforementioned decade of projects will be DOA. In this case, doing it right almost certainly means they need to do it very differently to separate the MCU versions from the Fox versions as much as possible. That’s no easy task, given that both the Fantastic Four and The X-Men franchises have each been “rebooted” once already, however, Feige and The Parliament could find some inspiration in an already established property that has been incredibly successful: Doom Patrol.

    The three properties are a great example divergent evolution in comics, so while their modern day iterations don’t seem to be incredibly similar, Doom Patrol, the X-Men and the Fantastic Four are fairly inexorably entangled and have been for nearly 50 years. The group of metahuman misfits that came to be known as Doom Patrol first appeared as The Legion of the Strange in the pages of 1963’s My Greatest Adventure #80. Just 3 months later, The X-Men #1 introduced comic readers to the world of mutants whose strange powers kept them from being accepted by society. If the similarities of a team of weirdos being led by a wheelchair-bound doctor/professor hadn’t ever occurred to you, they certainly did to Doom Patrol creator Arnold Drake, who once stated his belief that his plans for the team somehow made their way to X-Men creator Stan Lee, allowing him to launch his book shortly after the Doom Patrol first appeared. While Drake’s stance on “insider trading” softened over time, the reality is that other than some superficial similarities, the books didn’t truly have much in common. The X-Men dealt with themes of social injustice while Doom Patrol found themselves caught up in the incredibly strange types of adventures that fans of the HBO Max streaming series have come to know and love. And in that regard, it’s another group of Marvel heroes that have much more in common with Doom Patrol than the X-Men really ever did.

    As Marvel Studios prepares to bring the First Family to the MCU, they could certainly take a few cues from the way that DC has brought Doom Patrol into live-action. Most importantly, Jon Watts and the creatives behind the project should embrace the strangeness that really defined the early days of The Fantastic Four and has made Doom Patrol a streaming hit. The Fantastic Four has been drastically redefined over the years, but their roots grew through stories about Mole Man and Monster Isle, Skrulls being turned into cows, traveling through time and having Ben Grimm be mistaken for Blackbeard, meeting the Impossible Man and many more ludicrous adventures that often take a back seat to Doctor Doom.

    In order for Marvel Studios’ Fantastic Four to be successful, it has to be different from its predecessors. Embracing the weirdness of the Puppet Master, The Red Ghost and His Indescribable Super Apes, the Mad Thinker and his Awesome Android ensures that nobody will mistake this iteration for one of Fox’s attempts. Doom Patrol has provided a template for doing so successfully, not just because of the weirdness, but because the series has captured something that is also central to the story of the Fantastic Four: a family.

    Sure, Doom Patrol isn’t a family in the same sense that the FF are, but they share a sense of tragedy and loss and loneliness that unites them. Over the course of several seasons, the characters of Doom Patrol have come to know, care for and rely on one another as a result of their crazy adventures and this idea is, at its core, what Marvel Studios could-maybe even should-do with their Fantastic Four. A family of explorers going on the type of weird adventures not previously seen in the MCU, but in the DCEU.

  • An Interview With The Filmmakers Behind ‘Polar Bear’

    An Interview With The Filmmakers Behind ‘Polar Bear’

    Our own Mary Maerz was fortunate to spend a few minutes picking the brains of Jeff Wilson and Alaistair Fothergill, the visionaries behind Disney’s latest nature documentary Polar Bear. Check out the video below:

  • ‘Moon Knight’ Includes Evidence That Either Steven or Marc Could Be the Original Personality

    ‘Moon Knight’ Includes Evidence That Either Steven or Marc Could Be the Original Personality

    Moon Knight has certainly put the spotlight on Steven Grant and Marc Spector as two different personalities. While Episode 1 opened the series from the perspective of Steven Grant, Marc Spector is the one originally connected to Khonshu and the titular Moon Knight. While Marc is the original personality in the comics, the Disney+ series has been purposefully ambiguous when it comes to suggesting which personality is the original.

    While it would be a bold departure from the comics to have anyone other than Marc be the original identity, the series has not been shy to depart from the comics. Below we’ve compiled some of the strongest evidence that Moon Knight has presented that either Steven or Marc is the original.

    Steven Grant

    1. One of the biggest flags for Steven’s character is that he is supposedly in frequent contact with his mother. While there are plenty of reasons to be skeptical about the postcards he received from her and the fact that we’ve never heard her speak back to him on the phone, if he does have a relationship with his mother that would suggest she knew him as a child and that he was very often in control of the body.
    2. Moon Knight as a show officially adopts Steven as its protagonist. Not only is he who we follow for nearly the entirety of Episode 1, but the actual synopsis for the series only mentions Steven.
    3. Speaking of control, from what we know, Steven has been in primary control for at least several months. Spector seems to be able to take control when Steven falls asleep, but clearly he has had a difficult time manifesting his personality.
    4. When Marc did take control at the end of Episode 2, Steven was extremely uncomfortable being “in the mirror”. Marc had clearly gotten used to it, but Steven acted like he had never been there before and was totally unfamiliar with the feeling.
    5. Steven seems to have a life with a foundation. It is nothing overly intricate, but he does have his own flat and job, and it seems as though the people he works with have known him for some time.
    6. He also has quite a wealth of knowledge on all things Ancient Egypt. That would take some time to acquire, which suggests a significant amount of time in control. Marc does not have any of this knowledge, and the depth of his intelligence suggests it is definitely something Steven must have studied for years.

    Marc Spector

    1. The easiest and strongest evidence that Marc is the original is that, in the comics, he is. There is nothing stopping Moon Knight from twisting that, but it is a strong bet that the original character would remain the same.
    2. Marc is also the personality that had the connection to Khonshu and Moon Knight. His alter obviously meets Khonshu in the series, but even in suit form he is Mr. Knight, not Moon Knight. It would only make sense that Moon Knight is the original personality in Moon Knight.
    3. There’s also plenty of evidence that Marc had periods of time where he was in consistent control. He is married, and although it might be ending and we don’t know how long it lasted, presumably that relationship took some time. And, as we learned in Episode 3, Layla had no idea that Steven existed.
    4. Marc also told Layla in that same conversation that he “had it under control until recently”. That suggests that Steven’s time in control could be recent and unprecedented.
    5. One thing that raises more questions than answers is that Marc was aware of Steven while Steven was not aware of Marc. This could suggest that Marc knew because Marc was the original, but there are no obvious reasons why Steven would have absolutely no clue about Marc’s existence.

    Moon Knight might very well not never resolve the question of who is the original, just to keep the ambiguity and mystery alive. Or, in the next couple of episodes, we learned more about our characters and their pasts. This could be a confirmation of Marc as the original, or a dramatic reveal that it is Steven instead. Or, who knows, another personality altogether could be revealed and take on that role.

  • Western Conference Playoff Notebook

    Western Conference Playoff Notebook

    The NBA’s Western Conference Playoffs have been fascinating. To date, all series have played 2 games. As each series shifts cities, let’s take a look at some of the most important stories so far.

    The High Octane Warriors

    There was some concern that Steph Curry wouldn’t be healthy for the postseason. Through 2 games, Steph has come off the bench but it has not mattered. The Golden State Warriors have thoroughly embarrassed the Denver Nuggets. 

    In our preview, we talked about Denver being able to defend in space being a key to the series. A lot of that involved targeting Nikola Jokic. The reigning MVP is an improved defender, but when you can repeatedly put him in pick and roll every action, you’re bound to find cracks.

    For example, The Warriors are great at using other teams’ inclination to ignore Green on the perimeter against them. Jeff Green turns his back on Draymond, pick and roll with Jokic in the action, slow rotation and Draymond gets an easy dunk.

    Golden State has used Draymond at center in a lineup with Steph Curry, Klay Thompson, Jordan Poole, and Andrew Wiggins for 11 minutes in the first two games. They are a +29 on the court. Draymond has shut down Jokic 1 on 1 and has made it extremely hard for Denver to get anything done offensively.

    The Nuggets have yet to play a home game but it does feel like a series that won’t be long. Expect Denver’s best effort in Game 3 but that may not be enough the way Golden State is playing. They are systematically breaking down Denver and you hope they will respond with the requisite effort.

    The Big Injuries

    With Phoenix Suns star guard Devin Booker now out with a strained hamstring, there are two big injuries looming over the West playoffs. Booker’s hammy joins Luka Doncic’s calf, which has the Dallas Mavericks in a dog fight with the Utah Jazz. Both Suns/Pelicans and Mavericks/Jazz are tied at a game apiece but feel like different series.

    It’s been the same song for the Utah Jazz. Chemistry issues, defensive breakdowns at the point of attack and rough the fourth quarter in Game 2 have them asking the same questions. Should they keep Donovan Mitchell and Rudy Gobert together? Why are they struggling this much? It’s 1-1 and they’re not the team with home court and yet it feels like they’re down.

    With Luka Doncic now listed as questionable for Game 3, his sudden inclusion into the series might be able to tip the scales for Dallas. They’ve played admirably so far, getting a 41-point performance from guard Jalen Brunson

    After only scoring 34 points in the 1st half of Game 1, it feels like the New Orleans Pelicans have found their game. Brandon Ingram got it going in Game 2(37 points, 11 rebounds, 9 assists) and their supporting cast stepped up. Injuries do happen, but you still have to take advantage and that’s what New Orleans did. Now they have a shot to turn this series into something real competitive with their 125-114 victory.

    With Booker set to miss at least the next two games, a lot more will be placed on Chris Paul. CP3 had the great fourth quarter in Game 1, but he’s going to need more help. Center Deandre Ayton is going to have to assert himself more in Booker’s absence. The Suns are more than capable of winning this series, but now it feels like they have less of a margin for error.

    Tweaks and Adjustments

    After the Minnesota Timberwolves were so successful in Game 1 against the Memphis Grizzlies, there needed to be a change. Head coach Taylor Jenkins made that adjustment, only playing center Steven Adams 3 minutes. Wolves center Karl Anthony Towns had his way with Adams in Game 1 and after Adams picked up two immediate fouls we never saw him again.

    The Grizzlies as good as Ja Morant, but are also defined by their deep roster. Jaren Jackson Jr. switched onto Towns and was able to have an impact defensively. Xavier Tillman came off the bench with 13 points and 7 boards in 21 minutes. It didn’t help that Towns was in foul trouble but it was a great effort from the Grizzlies to adjust.

    Going into Game 3, we’ll see if the Wolves can get D’Angelo Russell going and regain control. This is an interesting spot for Memphis being a team not big on playoff experience, and same for Minnesota as well. The West continues to shift, and we’ll find out who comes out when the smoke is cleared. 

  • THEORY THURSDAY: Khonshu is ‘Moon Knight’s’ Big Bad

    THEORY THURSDAY: Khonshu is ‘Moon Knight’s’ Big Bad

    With the big twist at the end of Moon Knight Episode 4, the series is telling us to question everything we thought we knew. While Steven and Marc’s mental health certainly will come into play, it’s worth noting that the door is open for certain elements of the show to be drastically different from what we thought up until now. My guess is that the villain Moon Knight has set up so far, Arthur Harrow, is actually a red herring for the Big Bad of the series—Khonshu.

    It would be pretty bold to throw a villain twist in after the “what is reality?” twist we just got, but it could be fantastic. For one, it could easily work with what looks like a Lemire-Smallwood comics-run-inspired psych ward twist. But Khonshu as the series’ ultimate villain has a strong foundation in the comics, and it would improve upon the still vague and generic-feeling Arthur Harrow.

    Marvel Studios’ ‘Moon Knight’

    So first, why would Khonshu be the villain? As you know from Moon Knight, the lunar god isn’t exactly warm and fuzzy. He was banished and is now imprisoned by the other Egyptian gods of the Ennead. While his imprisonment was framed as a situation where Khonshu tried to do the right things while the others just ignored what needed to be done, perhaps there is much more going on. Weirdly, Harrow told the Ennead that Khonshu was actually the one who had him start looking for Ammit. Accusing Khonshu of now working due to jealousy and paranoia towards stopping him.

    While Harrow is obviously not looking like a good guy, he is a big advocate of honesty. Either way, the fact that we still know little to nothing about the Khonshu-Harrow relationship is suspicious. There is a very good chance whatever that Ammit-related history between the two is, it could fundamentally change how we look at Harrow’s mission and Khonshu’s interest in stopping him.

    So, yes, there are some shady open questions. But Khonshu has been helping Marc and Steven this whole time, right? From what we’ve seen, the god has not acted against either personality, but we know that Khonshu is actively interested in Layla as his next avatar. In that way, he does not seem overly enthused or pleased with Marc. I think that Moon Knight can and will reveal that Khonshu’s motives are similar to the god’s in the Lemire-Smallwood comics run—the same run that clearly inspired the end of Episode 4.

    Long story short, Khonshu puts Marc through psychological warfare because he wants to break Marc’s mind completely in order to take complete control of his body so that he would essentially have a direct presence on Earth. Moon Knight actually already teased this idea if we look back at what the series has told us so far.

    After Khonshu was banished, Harrow gives a dramatic speech to Khonshu’s stone statue. He specifically says to Khonshu, “if you hadn’t broken me completely, I never would have learned the value of healing.” So, the concept of Khonshu breaking his avatar “completely” has already been introduced. During the “trial” in the Pyramid of Giza, Harrow also suggested that Khonshu is taking advantage of Marc, who is clearly suffering from a dissociative identity disorder. That tracks with the theory that Khonshu, like in the comics, chose Marc because he knew his mind was “weak”, so he knew he had a better chance of breaking or controlling him.

    ‘Moon Knight’ (2016)

    Basically, Khonshu could be revealed as the ultimate or final villain in the next two episodes. It would be another dramatic twist, and it would make a more interesting story than Arthur Harrow. Don’t get me wrong, Ethan Hawke puts in a phenomenal performance, but Harrow and his motivation are unfortunately a bit generic. While that could just be something the rest of the series has to develop, it also would make Harrow a perfect red herring. Considering he has been killing people because a cane told him to, it’s less likely that he will be a surprisingly good guy.

    His goals and actions might just take a backseat to whatever Khonshu is up to—as noted above, there is something missing regarding the Ammit plot. We have not seen any version, memory, or depiction of Ammit. Harrow is a devout follower despite not being her avatar and never communicating with her considering she has been imprisoned for thousands of years. Khonshu is apparently the one who set Harrow on his Ammit-obsessed path in the first place. Whatever Khonshu’s interest in Ammit is, he might want control over Marc’s human body to carry out his own plans.

    The biggest issue with this theory, in my mind, is that Khonshu is currently imprisoned. It is not exactly clear who would set him free—my guess is Layla—but presumably, the god might be needed to resurrect Marc from the water he died in before the Episode 4 twist. The water resurrection is a whole theory of its own, but it assumes that everything that happened before the psych ward was not simply imagined and that Marc will come back to that “reality” eventually. If Khonshu does resurrect Marc, though, doesn’t that seem like he is friendly? Not necessarily if he still wants to use Marc as a seemingly “weak” mind to break—especially after Marc might go through the psych ward twist.

    ‘Moon Knight’ (2016)

    This theory also matches up with a common theme in Moon Knight comics. Often, Marc is at odds with Khonshu and his influence. He alongside Moon Knight (to the extent they can) leave Khonshu behind. The human and god are so connected that Khonshu always comes back again, but Marc frequently recognizes how toxic his guardian can be and tries to better his life by leaving him behind. In doing so, he continues to be Moon Knight. At a certain point, the hero/fighter/vigilante is in his personality, and he always wants to continue it. He just wants to do it on his own terms. That could be a perfect jumping-off point for MCU Moon Knight—Marc/Moon Knight saying goodbye to Khonshu to become the hero they actually want to be.

    ‘Moon Knight’ (2016)

    The first four episodes of Moon Knight are now streaming on Disney+.

  • Deebo Samuel’s Trade Request Creates Questions, Uncertainty for the 49ers

    Deebo Samuel’s Trade Request Creates Questions, Uncertainty for the 49ers

    I find it WILD that the best offensive player for the San Francisco 49ers is asking for a trade. Deebo Samuel stated, per Jeff Darlington of ESPN, “He did not want to discuss specific reasons behind his request, but he has indeed let the 49ers know his desire to leave the organization.” Deebo is such a versatile player that he is, essentially, positionless. He can play any skill position the team needs and is not pigeon-holed into being just a wide receiver or running back or punt returner or kick returner. This makes him unique, and thus, valuable. There is no one in the NFL like Samuel. Deebo is not a player you can just replace with a veteran or through the draft. He understands his current role, how to play in the league, AND how to have and maintain success.

    Additionally, Kyle Shanahan has done a masterful job of creating touches for Deebo that has allowed him to use his full compliment of skills…and those skills have helped lead the 49ers to past two NFC Conference Championship Games. The same cannot be said for every coach, including coaches in the NFL. Think Percy Harvin when he was in the league. Shanahan has been given the moniker of “genius” throughout his time as an offensive coordinator. Where that “genius” lies is in his ability to find the weakness of the defense, create formations and motions that attack those weaknesses and then an ability to counter the defenses adjustments. In layman’s terms, Shanahan uses his most gifted and explosive athletes against the softest part of the defense. The relationship between Shanahan and Deebo seemed to be symbiotic, with each party benefiting from the skills of the other.

    Something has occurred between the Niners and Deebo that has pushed Samuel to ask for a trade. Samuel stated it’s because of how he was used in the offense, according to NFL Network’s Ian Rappaport. That could be the reason. It seems improbable. Finding more ways to take advantage of Deebo’s skills is, seemingly, in Shanahan’s wheelhouse. What seems more probable is the communication, personalities, and/or off-field interactions between Samuel, Shanahan, and the Niners have created a chasm so wide that it’s unable to be mended. While he may have been frustrated with how he was used in the offense, it doesn’t seem plausible that that singular issue would create such discontent as to implode the relationship.

    As of now, two things are clear: Samuel’s request and the 49ers desire not to trade him. It’s important to note that the Niners have the leverage in this situation. The “why” hasn’t been shared and we may never know the real reason and, invariably, any comments that come from Shanahan or 49ers’ general manager John Lynch will be “coach speak.” Lots of words that say little to nothing about the topic.

    The Niners will, most likely, start 2nd-year quarterback Trey Lance from North Dakota State this coming season and, unless they get a TRUCKLOAD of talent and picks, will be playing with an unhappy WR/RB/PR/KR1.

    In the end, the only person who knows the real reason is Deebo.

  • Connecting Imaginary Dots: ‘Reservation Dogs’ Devery Jacobs May Have Joined Disney+ Series ‘Echo’

    Connecting Imaginary Dots: ‘Reservation Dogs’ Devery Jacobs May Have Joined Disney+ Series ‘Echo’

    We just ran the news that Alaqua Cox has shared that Echo’s production is seemingly going to start tomorrow. She announced it via an Instagram story featuring flowers. What stands out though is that she got the flowers from fellow actress Devery Jacobs, who many might remember for her role in FX’s Reservation Dogs. Well, if we take a closer look at the letter that she sent, it would hint that the actress may also have joined Echo in an unknown role. So, let’s connect the dots here.

    In her letter, she states that “I wish I could be there to kick it off.” That alone wouldn’t really give it away, as she simply could be sharing that she wished she could join her on the series to support her, but also hints that she would join just not that early in production. But, what does definitely hint at her potentially having a role in the series is the addition of “see you soon” which highlights that she may join production at a later date.

    Jacobs would also match a casting of a character known as Julie. Echo was looking to cast a Native American actress between the age of 27 to 33 in the role, who is the responsible type with a strong will of her own. A casting that would match the actress perfectly, as it’s not too dissimilar to her character Elora Danan Postoak from Reservation Dogs.

    What also helps is that director Sydney Freeland is involved with the series, something she confirmed back in March. It’s not uncommon that directors would bring along talent that they are interested in working with again. There’s no official confirmation so far, but Devery Jacobs‘ letter would certainly hint at her potentially having some kind of role in the series. Perhaps we’ll get an official casting announcement soon, as production starts tomorrow or before she joins the project at a later date.