Tag: Marvel Studios

  • RUMOR: Black Bolt Will Appear in ‘Doctor Strange in the Multiverse of Madness’

    RUMOR: Black Bolt Will Appear in ‘Doctor Strange in the Multiverse of Madness’

    Following the events of Spider-Man: No Way Home, we finally have our first glimpse into the multiverse within the Marvel Cinematic Universe. The upcoming sequel to 2016’s Doctor Strange will dive deep into a realm of infinite possibilities with the return of Benedict Cumberbatch as Stephen Strange. No Way Home featured quite a few multiversal cameos from characters like Willem Dafoe‘s Green Goblin, Tobey Maguire‘s Spider-Man, and even Jaime Foxx‘s Electro. With the multiverse open, it is unsurprising to think many more could pop up soon, one of which is rumored to be quite a popular Inhuman. 

    A new rumor from Fandomwire states that the ruler of Attilan himself, Black Bolt, will be making his MCU debut in Doctor Strange in the Multiverse of Madness. The character is believed to be a variant from within the multiverse working alongside the rumored multiversal Illuminati. Currently, there’s no name attached to the role, and it’s unknown if this Black Bolt will be the one we saw a while back in ABC’s Inhumans series, which ran for one season before being canceled by the network. If that was the case, then perhaps we could see Anson Mount reprise the role, but the Inhuman’s future in the Marvel cinematic universe is still up in the air. 

    Doctor Strange in The Multiverse of Madness is currently set to release in theaters on May 6, 2022. The film was directed by Sam Raimi and stars Benedict Cumberbatch, Benedict Wong, Elizabeth Olsen, Rachel McAdams, and Xochitl Gomez.

    SOURCE: Fandomwire

  • Marvel Studios Most Pedestrian Stinger of 2021 Might Have Been Hinting at a Much Bigger Story

    Marvel Studios Most Pedestrian Stinger of 2021 Might Have Been Hinting at a Much Bigger Story

    After sitting out 2020 due to the pandemic, Marvel Studios returned with 4 films in 2021. Black Widow, Shang-Chi and The Legend of the Ten Rings, Eternals and Spider-Man: No Way Home all took their turns in theaters and introduced fans to new characters who would be a part of the future of the MCU. The first three films also had both mid-credit and post-credit scenes that, upon further review, may have followed a potentially intriguing pattern that serves as the basis of this wildly speculative piece.

    Eternals featured a mid-credit scene that seemed to set up an Eternals sequel and a post-credit scene that seemed to set up a spinoff project, in this case, Black Knight. The mid-credit scene following Shang-Chi and The Legend of the Ten Rings felt like a set up for the sequel, which we recently learned will see the return of Destin Daniel Cretton as both writer and director, while the post-credit scene guaranteed that we’d see the return of the Ten Rings organization, now headed up by Xialing, which could be one of the Disney Plus properties Cretton chooses to develop as part of his new deal. Finally, Black Widow’s post-credit scene set up Yelena Belova’s recent appearance in the Disney Plus streaming series, Hawkeye; however, upon first, second, third, fourth and fifth viewings, the mid-credit scene for the film seemed to be little more than a cute nod Avengers: Infinity War. Upon further review, however, it’s possible that there is more to that scene than meets the eye.

    Black Widow takes place in 2016, following the events of Captain America: Civil War, leaving the better part of two years between it and the save-the-day entrance of Rogers, Black Widow and The Falcon in Scotland in Avengers: Infinity War. Could Marvel Studios be setting us up for more adventures with the duo?

    Last year, we discovered that Marvel trademarked “Marvel Studios Nomad.” Among the several different trademarks on the property was one specific to “Entertainment services, namely, the development, creation, production, and distribution of digital multimedia and audio and visual content, namely, motion picture films, television programs, and multimedia entertainment…“, a trademark commonly filed when the studio plans to produce a film or series. Other similar trademarks were filed last year at the same time for the slew of projects Marvel Studios announced during their Investor’s Day presentation. Since the news of the trademarking broke, however, there’s been no mention of the development of any sort of a Nomad project at Marvel Studios, though the studio did file an additional trademark for Nomad just 4 months ago.

    Shortly after the discovery of the Nomad trademarks, the news broke that Chris Evans was nearing a deal to return to the role of Steve Rogers in two potential MCU projects. Strangely enough, the trade noted that neither of those projects were expected to be Captain America projects. And of note to this wild theory is that, just recently, Marvel Studios One-Above-All, Kevin Feige, revealed that Scarlett Johansson was working with Marvel Studios on a “top secret, non-Black Widow-related project.” It’s easy enough to theorize that the return of both Johansson and Evans could be connected and related to either the Nomad project or another one of Evans’ potential projects.

    Bringing the two back together would allow Marvel Studios to capitalize on the chemistry between Evans and Johansson, first seen in 2014’s Captain America: The Winter Soldier. It is during the time period mentioned above that Rogers, who put down the shield in Civil War, took on the mantle of Nomad, according the writers and directors of Infinity War. With nearly two full years of time to explore, it’s possible that a Johansson-produced project, starring Evans, could be in the works and would reunite Johansson’s Widow with Evans’ in a way that’s otherwise pretty tough given that one is dead and the other is 100 years old.

    Could the project be called Nomad? Maybe. Sure it would feature the Secret Avengers (that’s the name of the group according to Joe Russo), but featuring them in a project called Nomad wouldn’t be any different than featuring the same group in a project called Captain America: Civil War. But the idea of them being the Secret Avengers is interesting enough in and of itself because, like most of what makes the MCU great, there’s a comic book behind it.

    How Captain America's Secret Avengers Stayed Hidden in the MCU

    In 2010, Ed Brubaker, whose Captain America run has defined the MCU’s Cap as much as anything, began writing an espionage-heavy series called Secret Avengers. In it, Rogers led a team of heroes, including Black Widow, that found themselves up against the Shadow Council, the Roxxon corporation and even Shang-Chi’s evil father. As the title indicates, they had to operate on the down low, much like Rogers’ team in the MCU would have had to do. Walking away from the shield almost certainly didn’t stop Rogers from doing what was right. Just because we didn’t see it on screen doesn’t mean that the MCU’s Secret Avengers weren’t active, but they certainly had to be discrete. And as we found out in Black Widow, Nat has some friends, one in particular that knows how to be discrete.

    Black Widow introduced O-T Fagbenle’s Rick Mason, an ex-military character whose brief appearance showed us that he has some prior relationship with Nat and that he’s very, very good at finding things, especially given some time and money, as seen in the mid-credit scene in Black Widow. Fagbenle is charismatic, handsome and a rising star and has teased the return on the character down the road, saying it would be “criminal” for him not to return and that there’s a “great space” for him in the MCU.

    And while a guy like Mason could show up just about anywhere, the hints at the relationship with Nat made him that much more interesting. That relationship could come in very, very handy in a Nomad project where Rogers and the Secret Avengers want to go out into the world to do some good, but don’t have Tony Stark bankrolling their projects. And that brings us full circle. When Nat takes off to break her pals out of prison at the end of Black Widow, it’s the beginning of something that we only see the end of two years later in Avengers: Infinity War, leaving a lot of stories to be told in between, the sweet spot for a Johansson-led Nomad project.

    Any stories told during this time could bring in any number of villains from Cap’s rogues gallery that could or could not carry over into the era of Sam Wilson’s Captain America. Any stories told during that time could feature a run in between David Harbour’s Red Guardian and Evans’ Rogers. Any story told during that time could set up any number of villains or story lines to be further explored in Phases 4 or 5. Any stories told during that time could even feature Florence Pugh’s Yelena. You can see the pattern: just because these potential stories are told in the MCU’s past does not mean they can’t have a big impact on the MCU’s future, just like Black Widow has done.

    Of course, this is all theoretical and, as such, based on almost no evidence. However, should Marvel Studios be planning on a Secret Avengers/Nomad project set in the post-Civil War/pre-Infinity War time period, at least we have some idea of just how fun it might be.

  • ‘Hawkeye’ From Page to Screen: Episode 6

    ‘Hawkeye’ From Page to Screen: Episode 6

    With the finale in the rearview mirror, Marvel Studios’ Hawkeye series has come to a close. Each week we have looked at ways in which the live-action series has adapted parts of the Matt Fraction and David Aja Hawkeye comic book run. Between the origins of Lucky the Pizza Dog, Clint’s capture by the Tracksuit Mafia, Episode 3’s car chase and trick arrows, the connection between the live-action LARPERs and the comics’ neighbors, and Kingpin’s role, the series has covered a lot of ground. Looking at the finale episode of Hawkeye, a few things stand out as having strong ties to the source material: (1) the importance of Kate taking on the “Hawkeye” mantle; (2) the six-day Christmas-themed adventure; and (3) Kate’s parents’ role in the organized crime that the Hawkeyes go up against.

    Hawkeye and Hawkeye

    Marvel Studios’ ‘Hawkeye’ Episode 6
    Marvel Studios’ ‘Hawkeye’ Episode 6

    A clear goal of the live-action Hawkeye series was to introduce and establish Kate Bishop as the next “Hawkeye.” While the show follows Kate from her pre-superhero days through her first adventure with Clint, in the Hawkeye comic she is already established as Hawkeye alongside Clint’s own Hawkeye persona. While the series finale ended just shy of officially referring to Kate as Hawkeye, it’s almost certain that the next time we see Hailee Steinfeld’s character there won’t be any question about her superhero identity.

    The live-action and comic Hawkeye stories also both seem to have built a greater appreciation for Kate’s character over time. While both the series and comic are premised on Clint Barton’s story, Kate is a major character throughout his story. The Hawkeye series of course ends in a way that reflects Kate’s new role in Clint’s life and as a hero. The Hawkeye comic ends with a similar acknowledgment of the significance of the relationship between the two. On its final page, it also calls the Hawkeye comic run a “Clint Barton/Kate Bishop Comic Book,” giving further credit to Kate being deserving of the Hawkeye mantle on the same level as Clint.

    ‘Hawkeye’ #2 (2012)
    ‘Hawkeye’ #22 (2015)

    Six Days of Christmas

    Marvel Studios’ ‘Hawkeye’ Episode 6

    Hawkeye made itself a Christmas show, and it made sure you knew how Christmas-y it was as often as it could. The series was clever to use its six episodes to cover the six days leading up to Christmas, which served as a countdown for Clint to get home to his family for the holiday. Not only did the second issue of Hawkeye explore a heavy Christmas theme, it also specifically looked at the six days of Clint’s life during that time. The comic version of the six days of Christmas had cameos from Tony Stark, Wolverine, and Spider-Man, which obviously the series did not. But it did heavily feature Kate, as well as the Tracksuit Mafia like the live-action series, did. In Hawkeye, the six days were presented out of order, and that added to the intrigue of the narrative––it’s interesting to think about how the Hawkeye series would have played out if its reveals and investigative themes were similarly distorted in order.

    Both six-day stretches end with Clint having company for Christmas. In the Hawkeye series, Clint makes it home to Missouri with Kate to spend Christmas with his wife and kids. Comic Clint has a much different family life than MCU Clint, though. He is divorced with no children and is living alone. At the end of his six days, a family that lives in his apartment building comes to keep him company in a warming moment for the self-deprecating and down-on-his-luck archer.

    Bishop Family Values

    Marvel Studios’ ‘Hawkeye’ Episode 6
    ‘Hawkeye’ #22 (2015)

    One of the major reveals of the Hawkeye series was that Kate’s mother Eleanor Bishop was working for Wilson Fisk, also known as Kingpin, and her ties to New York City’s criminal underground was essentially the catalyst for the entire series. In the comics, Kate Bishop’s mother is the one who is presumed dead, and her father Derek Bishop raised her. In the live-action series, of course, the parents’ statuses are reversed, but in both iterations, they made deals with Kingpin among other criminal figures and organizations that ultimately impacted Kate and her safety.

    In any event, the Bishops were a wealthy family which gave Kate the status as a socialite on top of being a superhero. As a result, we get to see Kate bring Clint to a fancy event in a skyscraper in order to investigate some criminal activity in both the comic and the series.

  • Michael Giacchino to Direct a Marvel Studios Streaming Project

    Michael Giacchino to Direct a Marvel Studios Streaming Project

    No, you didn’t read the headline wrong nor did we mistype. Composer Michael Giacchino, who has worked with Marvel Studios on Doctor Strange, two Spider-Man films and Thor: Love and Thunder, is rumored to be on board to direct one of Marvel Studios’ upcoming streaming projects for Disney Plus.

    The rumor comes by way of The Illuminerdi, who point out that Werewolf By Night, Echo and Ironheart are among the streaming projects up next for Marvel Studios. As we pointed out here, Sydney Freeland is likely to be directing Echo, taking one potential project off the board for Giacchino. Out of the other two projects, Giacchino seems a much better fit for Werewolf By Night, especially given that his two prior director jobs were shorts. Werewolf By Night is expected to be a short, one-off film rather than an extended series like Ironheart.

    Giacchino’s previously worked behind the camera on an episode Star Trek: Short Treks and the comedy short, Monster Challenge, which starred Patton Oswalt. Should Giacchino be directing Werewolf By Night, which is expected to film from February through March, it’s likely he’ll be happy with the work of the composer. This is an interesting choice for Marvel Studios, experimenting with a relatively inexperienced director on their first streaming movie.

    Werewolf By Night will star Gael Garcia Bernal as the lead character, rumored to be Jack Russell, and is expected to stream sometime during Spooky Season 2022.

    Source: The Illuminerdi

  • ‘Hawkeye’ Rumor Review

    ‘Hawkeye’ Rumor Review

    Correct: Kingpin Will Appear

    This one was a well-known fact among many in the “scooper” community and made its way into the public via a Reddit post. After being referenced regularly and teased in Episode 3, Kingpin was seen at the end of Episode 5 before making his grand entrance into the MCU in Episode 6.

    Incorrect: A Combo of a Fat Suit and CGI Will Be Used to Make Kingpin Appear Huge

    Kingpin se verá tan exagerado como en Spider-Man: Into The Spider-Verse en  su regreso al MCU | Código Espagueti

    This one spread like wildfire after RPK News shared it and ended up generating the ridiculous looking picture above. As it turned out, it was just D’Onofrio who, at 6’4″ and 250+ lbs., is plenty big enough to be physically menacing.

    Correct: Clint Barton Would Need an Audiologist

    One of our own and one that was never in doubt since it came from a casting call. Clint’s hearing loss played an integral part in the beginning of the series and, as expected, he had to visit an audiologist. This visit was also seen in set pics taken during filming.

    Incorrect: Madame Masque Would Appear in a Supporting Role

    Shared last Fall by The Direct, this one turned out to be inaccurate. To add to it a bit, there were also rumblings that Kate’s Mom, Eleanor, would be revealed to be Madame Masque: this was never the case and not something that was “cut” from the series.

    Partially Correct: Trickshot and the Tracksuit Mafia Would Appear

    Who Are the Tracksuit Mafia in Hawkeye? Why Do they Want the Watch?

    An old rumor from MCU Cosmic suggested that Trickshot, the brother of Clint Barton, would appear in Hawkeye. In what seems like a missed opportunity to introduce that character, he was not included. The same report also indicated that the Tracksuit Mafia would appear in the series. Of course, they did appear and were one of the highlights of the series.

    Correct: Carlos Navarro Joined the Cast

    Another one of ours and it was spot on. The MM team was tipped off and a quick check of social media gave us enough confidence to run it. At the time, we thought maybe Navarro would be playing one of the NYC detectives in the show but, as it turned out, he got to be one of the bros in the Tracksuit Mafia instead!

    Correct: Ace Ventura Villain Simon Callow Joined the Cast

    This past summer, The Cosmic Circus correctly reported that Simon Callow joined the cast of Hawkeye. Callow, who played one of the Armand’s, was fantastic in his short time in the series.

  • New ‘Doctor Strange’ Trailer Includes Updated Version of Original Marvel Fanfare Used in ‘X-Men’, ‘Spider-Man’, And More

    New ‘Doctor Strange’ Trailer Includes Updated Version of Original Marvel Fanfare Used in ‘X-Men’, ‘Spider-Man’, And More

    Here’s a rather curious detail. For some time, Marvel Studios has been highlighting its intros in new and creative ways, as fanfare has become an essential aspect of any Marvel viewing experience. It also makes them distinct from other studios that used the logo, such as Sony who included the “In Association With” during airings of their spinoffs like Venom. Interestingly enough, the first trailer has dropped for next year’s ‘Doctor Strange in the Multiverse of Madness and it includes an interesting detail.

    In the brief showcase of the fanfare getting split apart by what is likely the multiverse, similar in design to What If…?’s crystal effect, you can spot the original Marvel opening that was used for the original X-Men, Spider-Man, or any classic Marvel film. Early on, even Marvel Studios used it only adding the “Studios” part to make it distinct.

    It’s not a direct reference, but the logo nowadays includes the live-action characters in its opening rather than comic depictions. It looks like an updated or slightly altered version of the original, if you compare it to Logan, for example.

    The current version is quite a bit different, as it opens up with the comic logos but doesn’t showcase the Marvel logo until much later. What is interesting is that you can see a 3D version of the classic logo included as well. Perhaps we get a unique intro fanfare in the Doctor Strange sequel, which would make it stand out even more. It would be fun for them to explore different versions of their intro to highlight what the series or film focuses on, as they expand with cosmic and grounded storylines.

    Source: Twitter

  • ‘Hawkeye’ Finale’s BIG “Death” Explained

    ‘Hawkeye’ Finale’s BIG “Death” Explained

    Marvel fans waited patiently to see Vincent D’Onofrio’s Kingpin make a big splash in Hawkeye and their patience paid off in the season finale. Wilson Fisk proved to be a major physical threat and pretty damn hard to kill. He shrugged off an arrow to the chest, showed almost no ill effects to being hit by a car and was able to walk away from an explosion that would have left a normal person in pieces. His reward for all that? Being shot at point-blank range by Maya Lopez at the end of the episode. Is it over for the Kingpin? Did Marvel Studios bring D’Onofrio back simply to kill him off? Absolutely not.

    The final meeting between Lopez and Fisk in Episode 6 of Hawkeye was nearly identical to the way things went down between the two characters in David Mack’s Daredevil (Vol.2) , Issue #15, entitled “Vision”, published in 2001. In both cases, Maya took her revenge on Fisk by shooting him at point-blank range.

    As we saw in Hawkeye, the Fisk from the comics has also been notoriously hard to kill. In “Visions”, as Fisk is brought into the hospital following his encounter with Maya, readers learn that he was shot multiple times, including once in the head. The medical staff concludes that while he might live, they won’t be repair the damage done to his vision, leaving Kingpin blind. Of course, Fisk didn’t say blind forever and, after having surgery in Sweden to repair the damage done, he returned to his criminal ways.

    Given the combination of the way the event went down in the comics, the fact that Hawkeye’s Fisk was essentially indestructible and that we didn’t actually get a look at what transpired, it is reasonable to assume that Fisk is not dead and will be back in action in Echo.

  • Ranking Marvel Studios’ Series Finales

    Ranking Marvel Studios’ Series Finales

    The Hawkeye finale marks the end of Marvel Studios’ first year of Disney+ series and the conclusion of the fifth installment to date. From WandaVision to What If…?, Marvel Studios showcased its ability to pull off a wide range of stories and styles. Still, it pulled off some better than others, and we now rank the finales of all of the Disney+ series below.

    There’s something about TFATWS, other than its horrible title, that tends to land it at the bottom of lists. The series finale wasn’t bad and it wasn’t riddled with flaws. In fact, it was quite comforting, and there’s something about a straightforward series focused almost exclusively on already-established characters that is satisfying. Unfortunately, even a satisfying finale can be completely forgotten and left behind when it’s entirely bland. Even with Sam’s triumphant claim of the Captain America mantle, not much else propped the finale up.

    What If… ? will always be at a disadvantage if it has little connection to the Sacred Timeline as we know it. But it was particularly disappointing that the finale did not feature any connection whatsoever, even if that’s an unfair desire given the premise of the series. It also felt like a bit of a letdown by not capitalizing on the strong momentum that the penultimate episode had and ultimately being pretty forgettable instead. It did have the Guardians of the Multiverse, including Party Thor and Doctor Strange Supreme, up against Infinity Ultron, which was great. The pure absurdity of the situation makes it a unique and fun addition to the Marvel Cinematic Multiverse.

    The ending of WandaVision got a little murky due to wild speculations built up over the two-month-long run. While it will go down in history as not having Mephisto in it, it honestly was a good finale. It brought the series’ eccentric and creative storyline to a proper close and featured arguably one of the Marvel Cinematic Universe’s most emotional moments. It also brought with it Wanda’s formal transition into the Scarlet Witch, which was a long-awaited moment after her introduction in 2015.

    While the resolution of the series’ plot left plenty to be desired, the Hawkeye finale was easily one of the most–if not the most–enjoyable finales that Marvel Studios has delivered. All of the things that the series did well, the finale did even better. It was funny, the character dynamics were on point, and the action finally arrived. The inclusion of Kingpin was very exciting, but it can’t really compete with Loki.

    The season finale of Loki will surely always be iconic, and long after the series itself is forgotten, this episode will be remembered. Of course, the actual opening of the multiverse was stunning and marked an exciting and dramatic new chapter for the MCU, and the fact that it happened on Disney+ rather than on the big screen makes it even more interesting. The He Who Remains reveal was on another level thanks to an amazing performance by Jonathan Majors. And who can forget the opening where the entirety of the MCU was dramatically condensed into the glowing Sacred Timeline?

  • REVIEW: ‘Hawkeye’ Finale – So This Is Christmas?

    REVIEW: ‘Hawkeye’ Finale – So This Is Christmas?

    It is still not clear if another season of Hawkeye is to come, but the disney+ series “season finale” titled “So This Is Christmas“, is the strongest installment of the series on almost all fronts including humor, character work, and action. The finale is also highly representative of the series as a whole. While it has several great components, it ultimately felt somewhat anti-climactic due to the weakness of the overarching plot. This episode emphasized how the series is more of a collection of other stories rather than its own. At the end of the day, the actual plot was Kate Bishop stepping into the shoes of a superhero, but it was flanked by the vague and stagnant criminal storyline. 

    By the end of the episode, it does not feel as though much has happened throughout the series. Even though there was an Echo, Black Widow, Kingpin, and a Kate’s-mom-is-actually-the-bad-guy reveal, none of these potential adversaries were genuinely essential to the story. Most of what happens in Hawkeye comes across as a string of crazy coincidences. As such, the lack of a central and strong adversary left the finale and the series needing more. Many interesting narratives turned out to essentially be interesting cameos rather than meaningful additions to the story. For example, the fact that the Rolex first encountered in the first episode revealed that Laura Barton was once an agent of S.H.I.E.L.D. is cool, but much of the underlying mystery was centered around that watch for the entire series for little to no plot payoff. There was a lack of connection why this watch was so relevant to the Tracksuit Mafia.

    Kingpin’s use was a bit confusing in the finale. At first, it seemed like he was going to be grossly underutilized, but did have a solid fight scene with Kate where it was made clear that he is a military tank in human form. His ending with Maya supposedly shooting and killing him isn’t convincing given the importance of his character, but it would be quite a wild decision for Marvel to have made.

    This episode and Hawkeye as a whole aced the character work, though. Clint got the first real development the MCU has given him other than a haircut, and he became a fleshed-out character that stayed true to what he experienced before the series. He’s a traumatized, mildly retired family man, and Jeremy Renner never really missed on his portrayal of the senior Hawkeye. The moments between Clint and Kate, including some of the more poignant conversations, were always strong and drove both characters’ development, and pushed the theme of what it means to be a hero.

    The introduction of Kate Bishop was obviously the series’ main purpose, and while it felt plenty forced and contrived, Kate genuinely grew over the course of the series. By the time she did her leap of faith down the side of the building, the viewer was plenty invested in watching her true hero moment. The finale made it unambiguous that she had crossed the line from idolizing superheroes to embodying one herself. It doesn’t hurt that Hailee Steinfeld’s character already had twice the amount of personality that Clint did, and her personality was fairly fresh and unique when looking at MCU frontrunners. 

    The series also handled its other characters well. Yelena, while only making appearances in the final three episodes easily outshined the main characters and will likely forever be considered one of the most iconic parts of Hawkeye. While her quest to kill Clint was a bit shallow at first, her ultimate resolution with him evoked a great performance from Florence Pugh. It added a lot of color to Natasha Romanoff’s death and absence. The series offered us a decent epilogue to Black Widow, but that is another example of how Hawkeye juggled other stories more than its own. 

    Maya Lopez’s introduction in the series was similarly used as a vehicle for another project, which was evident in her waning presence after her initial appearance. The future for Echo is bright, but setting up her series was clearly the priority for the character rather than a focus on what she brought to Hawkeye

    Unfortunately, the least interesting character at the end of the day was also – in terms of the main Kate storyline – the “big bad”. Eleanor Bishop was fine, but there was not much about the character that was overly compelling. She worked well as a narrative tool to push back on Kate’s ambition, but Eleanor being the vague reason why all of the events of the series happened is not particularly memorable. The episode even managed to fully redeem and solidify Jack as a bonafide lovable guy, but the easy switch from the main suspect to completely in the clear was too uneventful to make any of it thrilling. 

    What the finale did prove is that Hawkeye is funny. From character personalities, LARPers to Tracksuit bros, this episode and the series as a whole had plenty of humor to go around on a higher level than simple comedic relief. The inclusion of the full Rogers the Musical musical number in the credits is a testament to the lightness of the series and the more upbeat approach to its production. 

    The finale’s extended skyscraper-to-ice rink scene joins episode 3’s car chase as one of two truly memorable action sequences of the entire superhero series. Between the trick arrows and the arrival of every character – other than Lucky the Pizza Dog – to the area felt like a worthy payoff. The archery and hand-to-hand choreography were very well done. The final Hawkeye suits were extremely corny, but fitting for the tone of the series and the weak gravity of the actual plot situation.

    Hawkeye’s series (or season) finale capitalized on all of the things that the show did well. The character development and humor that it consistently mastered across all of its episodes are fairly unique to the MCU’s slate of Disney+ series, which makes Hawkeye a welcome addition for that alone. The action here is the series’ best, but overall that element was limited. Unfortunately, Hawkeye suffered a bit from a loose and varied narrative that lacked much punch. But overall the street-level, dog-loving holiday romp was a fun ride that brought plenty of lovable characters to the table. 

  • ‘Hawkeye’ Finale Primer

    ‘Hawkeye’ Finale Primer

    The latest episode of Hawkeye was the most revealing one yet. Kate and Yelena had a great girls’ night leading to Kate finding out that Yelena was hired to kill Clint…but by who? This question is answered in the final minute of the show: Eleanor Bishop! Clint reveals to Maya that he is Ronin and that he was tipped off by an informant, hired by her boss, who was revealed to be Kingpin. The informant is no other than Kazi. Maya learns this quickly and this might result in a fight in this last episode.

    Some of the biggest things that haveto happen in this next episode are Kate confronting her mom about being essentially the bad guy in this whole thing. And then we have the Kingpin issue at hand; he is obviously going to be a problem for Maya. We also still have Yelena coming after Clint. And he has to get home for Christmas. All of these things have to wrap up seeing that this is the last episode.

    Arlyn’s Assumptions

    How Spider-Man: No Way Home's Ending Connects to Hawkeye's Finale

    At the end of Spider-Man: No Way Home, we see Peter swinging over the Rink at Rockefeller Center, the location where the big, final fight is supposed to happen in Hawkeye. As cool as it would be to see Spidey join the fight, if he is in the show for too long it would take the focus off of Clint and Kate’s stories. Now that Maya knows that Kazi helped get her father killed, she’ll be looking to put a hurting on him. She will also want to get back at Kingpin, but I don’t think that Kingpin is going to make too big of an impact in the finale because the last thing he wants to do is be openly associated with criminals. I think he’ll be back in a bigger role in another series. Eleanor is going to end up in jail leaving Kate all by herself and, after everything Kate has done for Clint, I think she’ll be joining him as he makes it home just in time for the Barton family Christmas.

    The final episode of Hawkeye streams tomorrow!