Tag: Marvel Studios

The Hawkeye series finally introduced none other than Kingpin at the very end of its penultimate episode, after quite some time teasing the villain’s introduction. While Kingpin did not play a particularly central role in the Matt Fraction and David Aja My Life as a Weapon comic, it’s clear that his role in both the comics and show has some major overlaps worth exploring. Is the Kingpin, better known as Wilson Fisk, just the man behind the curtain, or is he more involved than it seems?

In the comic he is heavily involved in three major areas of interest: (1) he’s at the top of the Tracksuit Mafia food chain; (2) he was at a black-market auction to buy incriminating evidence on Clint Barton; and (3) he was involved in hiring an assassin to kill Clint Barton. This article will explore each of these elements in turn and how they relate to the Hawkeye series.

The Guy Clint’s Been Worried About

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One thing we know about Kingpin in every adaptation is that he is at the top of the New York City criminal organization pyramid. We know little so far from the Hawkeye series, but in the comics, Kingpin is a general presence that overshadows much of the crime syndicates below him. In both the series and the comic, Clint is hesitant to work with Kate or go about his general business, not because of the Tracksuit Mafia, but because of who they work for. In the series, Clint tells Kate that they do not want to get too involved, because they could run into the “Big Guy”. In the comics, Kingpin delivers a speech to a cohort of villains that “Clint Barton must die,” for interfering with their plans. The Tracksuit Mafia makes it pretty clear the Clint that they work for someone much more powerful. Later on, it’s obvious that Fisk is at least one of who they are referring to. As seen below, the comics make it much more explicit than the Disney+ series does.

The Auction

Curiously, both the comics and the series feature a black market auction for Barton and Avengers-related items. In the series, of course, we see people bid on the Ronin sword, but the Tracksuit Mafia break into the event to grab the still-mysterious Avengers-related watch before it goes up for sale. While Clint tells Kate that the watch could blow the cover of his friend, in the comics a tape of Clint assassinating targets on behalf of S.H.I.E.L.D. goes up for auction. Kate manages to buy the tape – in disguise as Madame Masque – and, you can guess, Kingpin is not too happy.

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In the series, the first episode shows Jack and Armand Duquesne at the said auction that featured several items found from the destroyed Avengers compounds, including Ronin’s sword, suit, and the mysterious watch. While we did not see Kingpin physically at the auction, we know the Tracksuit Mafia—that he controls—broke in to steal the watch. As little as we know about the watch, it’s clear it might have the same effect on the owner and Clint’s tape in the comics did on him.

The Assassin

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In the comics, Kingpin is one member of a group, including the Tracksuit Mafia, that decides to hire an assassin to kill Clint Barton. He hires Kazimierz Kazimierczak in the comics, who is otherwise known as the Clown. The Kazi in the series definitely strays from the Kazimierz in the comics, so we have not seen any elements of the “Clown” at this point. But in the series, Episode 5 tells us that Kate’s mother Eleanor hired Yelena Belova to kill Clint. Shortly after, we find out that Eleanor appears to be working with Kingpin, begging the question as to whether he was involved in the live-action scheme to take down Clint Barton.

While Kingpin’s introduction was fairly small in Hawkeye Episode 5, it’s worth noting the connections he has to the Fraction-Aja comics. We’ll find out more about Kingpin’s involvement in the Hawkeye finale on Wednesday, December 22, 2021, when it airs on Disney+.

With Episode 4 ‘Partners, Am I Right?’ Marvel Studios’ Hawkeye is now moving into its third act. Unlike previous episodes where we could find entire sequences taken straight out of the Matt Fraction and David Aja’s Hawkeye comic run (introducing Lucky in episode 1, Clint and the Tracksuit Mafia in episode 2, the car chase and trick arrows in episode 3), these references were now a bit more subdued.

Flipping the script
Going back to the trick arrows theme that we focused on last week, we got a reference showing us how, at times, the series has managed to flip the script on the comic run. There’s a small gag in issue #3 that starts off with Clint praising the qualities of his Boomerang Arrows. Kate, on the other hand, doesn’t really see the point or how they could ever come in handy on the field. Later on while facing the Tracksuit Mafia, who have a machine gun to Clint’s head, Kate is asked not to engage and to ditch the arrow she has pointed at the Bro who has Clint. She complies, shooting it way above the Mafia Bro’s head, only for the arrow to come back and hit him in the back of the head, thus saving Clint. ‘Boomerang Arrow. It comes back to you in the end.”

In the show that initial discussion goes the other way around. Boomerang Arrows aren’t a real thing but Kate kinda wishes they were. Clint, as Kate did in the comic run, doesn’t really see the appeal of having an arrow you shot coming back to bite you in the ass. Kate then mentions there might have a little bit of dodging involved. This might still be setting up a payoff down the line when a Boomerang Arrow is actually used in action but, for now, it serves as an example of how the series is approaching the Clint / Kate dynamic differently than the comic run. In the books, Kate was always the more level-headed of the two. Clint, a single guy living alone in NYC struggled to get his shit together and was often given crap about not doing the right thing. As we’ve been watching in the tv show, things are very differently portrayed.

This might be due to a number of factors with one being that, with the show being used to introduce Kate Bishop to the world, you still need to allow the character to have enough room to grow in upcoming projects. There would be no point in presenting Kate in the place you want her to be in five years from now. Just think of the amount of development you’d have to skip over. At the same time, the series, unlike the comic run, had to deal with preestablished Clint Barton’s background, both in terms of his family life and his past avenging. Even if the comic approach of making the young protégé being the sane one was a welcomed one, both the past and future of the MCU strongly benefit from approaching the Barton / Bishop relationship the way the show does.

LARPers helping out
In a pretty good self-aware and self-deprecating bit of storytelling, we got introduced to the LARPers in episode 2, ‘Hide and Seek’. Episode four brought them back in a more active role, making them a part of Clint and Kate’s.. guild? If there’s one thing that the Tracksuit Mafia has over our heroes is strength in numbers and the LARPers could just be the missing pieces in order to level the playing field in the upcoming episodes.

The comic run didn’t feature these characters but still managed to deliver Clint and Kate the help they needed by having Barton’s neighbors step up and help out. Throughout the series, we get to see Clint, hesitantly at first, connect with his neighbors to the point where their well-being becomes as important to him as his own. He helps one of them (Grills, sound familiar?) reconnect with his dad and even babysits Simone’s kids. At the end of the series, as the Tracksuits prepare one final attack on their building, everybody plays a part in defeating them, some with more success than others.

In a show that has been so much about family, be it through Clint’s point of view (where you value what you have) or through Kate’s (where she learns that there’s family to be found outside the typical idyllic entity) the development of a family-type unit with the help of LARPers found along the way seems like a welcomed prospect for both characters.