Tag: TV

  • ‘Halloween Kills’ Jamie Lee Curtis Would Love to Play Dr. Kureha in Netflix’s ‘One Piece’ Series

    ‘Halloween Kills’ Jamie Lee Curtis Would Love to Play Dr. Kureha in Netflix’s ‘One Piece’ Series

    We’re still anticipating the casting for Netflix’s upcoming adaptation of One Piece. The upcoming adaptation of Cowboy Bebop will be our first window into its potential, but the recent short has proven they can capture a live-action anime quite well. Still, the casting will play a vital role in the series’ potential. So far, we have no diea who’ll take on the iconic roles from the popular manga series. The only rumor was taht they were eyeing Ludi Lin for the role of Roronoa Zoro. Well, it seems one well-known actress has her eyes set on a specific role.

    Halloween KillsJamie Lee Curtis is well-known for her love of the series. In the past, she has openly discussed her wish to play Robin. Of course, the age difference won’t make that a reality, but she does seem to have a Plan B that matches some fan castings. In an interview with the One Piece Podcast, Curtis‘ daughter Ruby Guest joined the podcast’s hosts talking about the show. She ended up also getting a question on the fans wanting her to play Chopper’s teacher, Dr. Kureha.

    My mom loves Kureha. I would be 100% for it and I honestly, since Netflix is doing the live-action adaptation, I would highly recommend her to pull some strings to see if she can. […] I know my mom is 100% for it.

    Ruby Guest

    In the interview, Guest also reveals that her mother loves Chopper. So, it almost seems like a destined casting. Of course, if they end up casting her it won’t be until the series gets a second season renewal, as Kureha doesn’t appear until the Drum Island arc. It was a pitstop on tehir way to Alabasta as Nami fell ill from their time on Little Garden. The island was famous for its doctors until the selfish King Wapol tried to monopolize their services. She was one of the few doctors that roamed the island alongside the quack Dr. Hiriluk. Here’s hoping that we’ll get to explore the Grand Line after the first season’s time on the East Blue.

    Source: One Piece Podcast via Twitter

  • REVIEW: ‘Doom Patrol’ Episode 7 – Bird Patrol

    REVIEW: ‘Doom Patrol’ Episode 7 – Bird Patrol

    Episode 7 of Doom Patrol methodically builds onto the Sisterhood of Dada storyline while gradually weaving in our main heroes. Flashing back and forth from past to present, we see how intricately the details of Laura and Rita’s past have come to a head in the present. While it takes a little time to truly get going, by the end of Bird Patrol there’s no doubt that the story is rolling and rolling fast. While the Dada story is undoubtedly still the heart of the episode, we get very meaningful developments with our main characters that suggest more dramatic changes and decisions will come their way very soon. The end of the episode is wacky and confusing, but is an incredibly intriguing cliffhanger and setup for next episode.

    The episode gives us more of an explanation as to what the Sisterhood’s goal actually is. Last episode, they were simply metahumans trying to find comfort with one another and express their creativity in a safe space. While in present day, we watch foreboding fog roll in slowly throughout our characters’ unrelated lives. At some point, the Sisterhood grow pretty tired of their lives because they realize they are not actually making any difference in the world. The growing fire for change coupled with a triggering event is what moves the Sisterhood from an eccentric group of friends to an odd group of perpetrators bent on the eternal flagellation.

    Laura’s role in the Sisterhood’s transformation becomes apparent as we watch her ultimately betray the Dada by caving into Bureau pressure and reclassifying the members as weapons. What makes this arc so interesting, though, is that Laura does not become “evil” or a “villain”, but rather is portrayed as a woman who saw the need for more soldiers after World Wars I and II. She’s tired, depressed, and somewhat hopeless—there’s not much active intent to do harm, and she truly believes she is doing the right thing.

    The show has been working on filling in the gaps in Laura’s story, but at the same time we’ve been adding on to Rita’s. Her relationship to Laura and Laura’s betrayal causes everything to come together by the end of the episode. The moment the episode chooses to reveal Laura’s true betrayal of the Sisterhood is pretty stunning. After the fog rolls in and takes over, the Doom Patrol and Laura are in a sort of rundown, haunted version of the place the Sisterhood used to meet. Something possesses the characters to do strange dances that the Sisterhood members used to do. All of this causes Laura to regain her memory, and its shown that she is reenacting when she and the Bureau came to apprehend the Sisterhood as well as Malcolm’s death in the process. The past-present switches are phenomenal, and it solidifies how important Rita’s role in the story is after her love Malcolm’s emotional death.

    The only negative to the reveal is that Laura isn’t close enough with the Doom Patrol for the reenactment of her betrayal on them to hit all that hard. Still, it underscores Jane’s realization later that this story has really nothing to do with the Doom Patrol. It’s an interesting stance to take for the show, but the past couple of episodes have proved that they can be a useful vehicle for the Dada story, and the upcoming eternal flagellation along with Rita’s new life will certainly play into our characters’ own stories. Plus, the Dada story certainly benefits in terms of how enjoyable it is from having the Doom Patrol serve as a sort of middleman.

    The Doom Patrol are continuing their (what feels like) mini-stories while the rest of this is going on. Cliff is still addicted to several online activities and is generally being an idiot. Jane is inching closer and closer to a major confrontation with the other personas over Kay growing and maturing—no one really says it explicitly, but clearly the other personas are concerned about disappearing, and it’s interesting that Jane doesn’t seem to either think or worry about it. Vic is still looking into synthetic skin and calls Roni who encourages him to keep the tech to be a better hero—essentially, Vic has to figure out if Cyborg is important enough to outweigh the fact that he doesn’t know if he even is “Cyborg”. Larry’s lump turns into some sort of giant larvae that he vomits up. Laura tells him to burn it, but Larry can’t get himself to hurt it. Instead, he leaves it in the woods with a sleeping bag and a peanut butter and jelly sandwich.

    The end of the episode is bizarre in the best way. Rita shows back up in the present day as the surprise-ish orchestrator of the eternal flagellation. She’s notably different—she’s much more confident, angrier, and more demanding. She’s certainly not the passive Rita we’ve known. The Sisterhood have some sort of giant cage with a bonkers-looking monster. Rita absolutely insists that Laura has to be the one to open the cage and begin the eternal flagellation. It seems to be pretty important, but Laura doubles down on believing she did the right thing so someone else opens it. Countless strange birds (“Dada birds”) emerge and fly everywhere. It is yet to be seen if the fact that Laura didn’t open the cage has some actual consequences.

    While Rita and Laura are coming to a confrontation, Laura escapes by shapeshifting into a bird and flying off. It’s absolutely chaotic, and this is all happening while the Doom Patrol just sort of stand there confused and not a part of any of it. It seems like they will be, though, because the final scenes are them being sort of zapped up by Dada birds and disappearing.

    Bird Patrol was probably the most exciting episode of Season 3 to date. The ending undoubtedly served as quite the cliffhanger going into the eternal flagellation, which is still incredibly mysterious and unknown. This episode makes it clear that Doom Patrol can tell a story where the Doom Patrol isn’t actually all that important. The show recognizes that they are entertaining and creative vehicles to tell another story through, and the inevitable weaving of them into the greater narrative can only make the actual story more fun than it could be on its own. On the other hand, having the Doom Patrol’s sporadic individual stories organized and portrayed through a larger and somewhat unrelated plotline also amplifies those stories in a way they would not have been otherwise. 

  • REVIEW: ‘Titans’ Finale – Purple Rain

    REVIEW: ‘Titans’ Finale – Purple Rain

    After a difficult season, we’ve wound up at a strangely simple finale for Titans—after not being well set up whatsoever, Purple Rain seems to also want to push through it and get it over with. Only about two-thirds of the finale is devoted to the resolution of the overarching Gotham/Crane plot, so the often convoluted twelve episodes that built up to this moment feel even more insignificant. As a positive, though, the plot in this episode is pretty cohesive and understandable, which isn’t something we’ve been able to take for granted. Otherwise, the ideas and actions in this episode are just ridiculous. 

    By the end of the finale, there are certainly a few loose strings, and a few random elements appeared, but there’s no strong momentum leading into Season 4. Honestly, that could mean there’s some chance of starting “fresh” and making something better, but that’s probably too hopeful. The show is an expert at forgetting its own past though as we’ve seen major characters completely drop off the radar without a mention. Probably worse is the fact that no matter what the characters experience, say, kill, decide, or have an epiphany about, it almost always is completely forgotten in either the same episode or the next. There are numerous examples of this in the finale too, and too many to actually mention. 

    By the end of the previous episode, none of our characters are near each each other, thinking about the same thing, or pursuing the same goal. This is usually not a great place to start a finale, but it is no shock that this isn’t any barrier for Titans. All of our characters magically end up in the same place and on the same page almost immediately. From here on out, the plot feels pretty routine—here’s the problem, within 30 seconds we’ve figured out the solution, and let’s go get it done. It’s not exciting in terms of pacing or creative storytelling, but it’s easier to follow than a lot of Titans so that’s worth something. 

    While the fundamentals of the story are simple, the actual “problems and solutions” really struggle. There are two tracks of the action: the group that goes straight for Crane in Wayne Manor, and the rest that do one of the most ridiculous things we’ve seen (but it definitely has competition)this season to save Gotham citizens . While the concepts for all of this are both laughable and too easy, they at least go by quickly without too many diversions.

    The boy band—Dick, Jason, Gar, and Tim—think they are doing some dramatic stuff. At one point Dick says, “We’re going to beat Crane by doing what Batman never would.” While that sounds like it could be aggressive, violent, or even creative, it is none of those things. Apparently Batman would never break into Wayne Manor through a window, turn off an alarm, have someone else hack into the computer, and then punch the bad guy. There really isn’t any reason why this couldn’t have been done in some form at any other point in the season if it were that easy. They do use this time to shoehorn Tim into the mix, and he gets the dramatic last word in with Crane before being the one to punch him. He’s a Titan now.

    Conner and the women (the people with powers) do the silliest stuff of the episode. After Crane kills hundreds of people, they figure out immediately that they can turn the Lazarus Pit into a storm that rains over Gotham and just casually revive everyone. Some nonsense combination of Rachel absorbing the pit’s nightmares, Blackfire shooting fire into water, and Starfire containing it in some sort of energy ball that she then throws into the sky is what does the trick. Luckily, there is also deadly lightning that Donna gets to lasso easily as a call back to her death by electrocution last season. How a season that started with Batman leaving Gotham managed gave us this ending is wild.

    After all of that, the whole finale battle is over more quickly than Titans has ever finished anything. We get about sixteen extra minutes of post-win content featuring a lot of Jason and Bruce Wayne. Bruce’s dramatic and mopey absence honestly made me forget about his whole role in this. So the dramatic conversation between him and Jason comes across so forced and cringey—they just made Bruce’s character so terrible, and the only attempt to redeem him is have him apologize for being a bad Batdad. We supposedly get some Jason redemption and resolution in the finale, but like everything, it’s too easy. He’s mostly just forgiven for no reason, and no other satisfying or realistic interaction between him and the others happens. As noted above, there are no consequences for the twelve episodes of constant bad decisions we had to slog through. 

    While we know that the Titans are returning to San Francisco, the show doesn’t leave any significant plot on the table. Honestly, that’s probably for the best. What we got in Season 3 has mostly been unfortunate. The episode did drop the fact that V is actually working for A.R.G.U.S.—which was an ex machina for computer hacking apparently—so the organization and characters associated with it are set up to show up again soon. Blackfire now has the ability to return to Tamaran using the ship Conner blew up because Conner perfectly remembers every detail of it. Just in case we forgot there are no consequences. 

    Donna also seems to depart the team while Tim joins it—it is interesting to see how the show will go about Tim’s superhero identity considering he was absolutely not set up to become Robin by never meeting Bruce and leaving Gotham. Maybe the show is appropriately not going down that path after its aggressive Bruce-is-a-child-abuser vibe this season. But it hasn’t been all that self-aware before. 

    The end of Titans Season 3 is absurd and ridiculously simple after this convoluted season. The best part of the finale is that all of this is over. The show left itself in a place no different than where we started honestly—while Jason was supposed to be a cornerstone of the story, he actually got about two episodes at most worth of development and his character barely changed if at all. The “Robin” theme wasn’t tapped into in a way that could have made it interesting. The Blackfire plot was horrible, the best characters were wasted if not damaged, and most actions that any character took made no sense and were hard to watch. At the end of the day, Titans hasn’t necessarily forced itself into a new plot, so maybe—just maybe—they can take advantage of a fresh start.

  • Warner Bros. TV Strikes Back at Ruby Rose’s ‘Batwoman’ Claims

    Warner Bros. TV Strikes Back at Ruby Rose’s ‘Batwoman’ Claims

    Just earlier today, actress Ruby Rose publicly talked about her experience on the set of Batwoman. She even went as far as to call out specific names that affected her experience and led to leaving the project. It looks like Warner Bros. TV has not wasted any time and is hitting back at the actress to publicly discuss complaints and workplace behavior concerns as the reason her work on the series was discontinued before the second season started production.

    Despite the revisionist history that Ruby Rose is now sharing online aimed at the producers, the cast and crew, the network, and the Studio, the truth is that Warner Bros. Television had decided not to exercise its option to engage Ruby for season two of Batwoman based on multiple complaints about workplace behavior that were extensively reviewed and handled privately out of respect for all concerned

    It’s certailny a PR statement to cover their base given the allegations made by Ruby Rose. They don’t go into specifics and highlight they aimed to keep it private, but are now publicly confirming it. There’s a likelihood that the actress might also make another statement in the near future, but it’s uncertain if this might lead to any legal ramifications.

    Source: Deadline

  • Ruby Rose Opens Up on Why She Left CW’s ‘Batwoman’

    Ruby Rose Opens Up on Why She Left CW’s ‘Batwoman’

    Batwoman surprised many when Ruby Rose left the project after one season. She played the show’s main protagonist Kate Kane, who would take on the mantle of Batwoman after Bruce Wayne suddenly vanished from Gotham. Suddenly, the second season announced that she’d exit the project with Javicia Leslie taking over. Her character even made a return later on but got recast with Wallis Day taking on the role. Rose has been quiet for quite some time in her absence but that came to an end. She took to Instagram to share he displeasure with working on the project and especially calling out showrunner Caroline Dries in the process.

    I’m going to tell the whole world what really happened on that set. I will come for you so what happened to me never happens to another person again. And so I can finally take back my life and the truth. Shame on you.

    Ruby Rose

    It seems that one of Warner Bros. TV’s former head Peter Roth forced her to return to production even after sustaining her injury. In her statement, she highlights that she was blackmailed, as her not returning to set would get the whole crew and cast fired. Seemingly, she was even investigated by a PI hired by Roth after leaving the production. It’s one of the reasons she goes on to talk about the fact that she isn’t happy with people hoping she returns to the project, as she refuses to do so.

    I wouldn’t return for any amount of money nor if a gun were to my head. NOR DID I QUIT. I DID NOT QUIT. They ruined Kate Kane and they destroyed Batwoman, not me. I followed orders, and if I wanted to stay I was going to have to sign my rights away. Any threats, any bullying tactics, or blackmail will not make me stand down.

    Ruby Rose

    Deadline highlights that Rose was also facing allegations for her behavior by the studio which ended up with them parting ways. The public statement of leaving the show being her decision is a common PR practice within the industry. It’s certainly not a good look for the series and Warner Bros. We’ll see if something comes of this in the near future.

    Source: Instagram via Deadline, ComicBook.com

  • Report: Production on Lucasfilm’s D+ Series, ‘The Acolyte’ On Track for Early 2022 Start

    Report: Production on Lucasfilm’s D+ Series, ‘The Acolyte’ On Track for Early 2022 Start

    Production on Lucasfilm’s upcoming Disney+ exclusive series, The Acolyte seems to be on track. According to the Bespin Bulletin, the series will indeed begin shooting in the UK in February 2022, at Pinewood Studios. This fits with a previous report, and even though it’s now new information, it does bode well towards the expected 2023 release as everything seems to be on schedule.

    The London setting is seemingly justified by the tremendous success of shooting The Mandalorian with the help of StageCraft technology in Los Angeles. Something that lead Lucasfilm to later announce that three new StageCraft stages were being built around the world. A new one in California, one in Australia (used while shooting Marvel’s Thor: Love and Thunder), and another one in London, at Pinewood. This means that even though production might move to the UK, audiences can be assured of the same production value.

    The Acolyte will be led by Leslye Headland (Russian Doll), who will serve as showrunner, producer, and writer on the show. Details regarding casting are as of yet unknown, something that will probably change in the upcoming months as principal photography nears. Back in May 2021, production was searching for a female POC as the lead, as the series has been described as a “female-driven action thriller with martial arts elements”. The show will be set during the late High Republic era something that could mean that the events of the series might be set a mere 50 years before The Phantom Menace, making it possible for several characters known to be alive at this time to make an appearance.

    Source: Bespin Bulletin

  • New ‘Hawkeye’ TV Spot Provides a First Look at The Clown

    New ‘Hawkeye’ TV Spot Provides a First Look at The Clown

    Marvel Studios Hawkeye will be streaming on Disney Plus in just over a month and while we’ve seen a trailer and some other spots, there are still some pretty secrets yet to be revealed, including the faces of the big bads the Hawkeyes will go up against in the series. Sure, we’ve seen the Tracksuits, but they’re mostly there to beat up and provide comic relief; however, a new TV spot has given us our first look at one of the projects real threats alongside a surprising partner.

    The spot reveals the first look at Fra Fee‘s Kazimierz Kazimierczak, aka the Clown, alongside Alqua Cox‘s Maya Lopez. While teasers and footage can be edited to trick fans, it seems clear Lopez and Kazi are working together and, when the series streams beginning November 24th, it’ll be interesting to see exactly who the duo are working for since they both have comic book ties to Wilson Fisk, who is heavily (get it) rumored to appear in the series.

    Fee doesn’t look too clown like in the new footage, nor does Lopez look very Echo-y, but they both look to be out to cause someone some harm. We know Echo is likely to come around and join the good guys before moving on to her own series, but it seems far less likely The Clown will have a similar transformation.

    The first two episodes of Hawkeye will stream on Disney Plus on November 24th.

  • ‘Naomi’ Clip Confirms Thanagarians Will Appear in New CW Series

    ‘Naomi’ Clip Confirms Thanagarians Will Appear in New CW Series

    DC is notorious for announcing movies that would never actually go anywhere, one of those being Ava Duvernay’s highly anticipated New Gods, which would sadly end up being shelved at WB. But Duvernay wasn’t done with the DC Universe as she’d begun developing, Naomi, the popular comic by Brian Michael Bendis, for the CW Network. The project moved into action quite quickly, gathering a cast and crew, filming the pilot shortly after. The series would receive a green light from the CW for a full-season order.

    A recent clip from Naomi has made its way onto the internet and seems to confirm that the series will remain accurate to the mini-series. The clip gives us our very first look at Alexander Wraith as Dee, the mysterious mechanic in town who Naomi believes is holding a secret the could solve the mystery of her origin.

    https://twitter.com/dcnaomibr/status/1449488585258897417?s=20

    POSSIBLE SPOILERS FOR NAOMI SEASON 1

    The series seems to be adapting the Raanian/Thanagar War plotline from the comics. Dee is a Thanagarian war deserter, who planned to run from the conflict with his wife who didn’t make it to earth. Naomi’s adoptive father is the one who came to earth in search of Dee but ended up falling in love and staying on Earth.

    Naomi is one of DCs newest and perhaps most interesting stories, focusing on Naomi McDuffie as she begins to realize her life in Port Oswego isn’t what it seems. Naomi comes to believe that there’s something larger at play and that she’s at the center of it as she begins to develop energy-based meta-human abilities and looks for the truth behind her origin.

  • ‘What If…?’ Zombie Captain America Spotted at Avengers Campus

    ‘What If…?’ Zombie Captain America Spotted at Avengers Campus

    Here’s a fun surprise. Marvel Studios has been promoting their various films and Disney+ series through the Avengers Campus at Disneyland Resort. Throughout Loki‘s run on the streaming service, you could spot the character alongside some TVA agents. With each new episode, his costume would continue to change. It created a nice synergy to cross-promote the show and Disneyland attraction. We heard very little about any appearances for their first animated project What If…? but it seems they just waited for the right opportunity. Twitter user @danyeal shared a video from the park as a zombified Captain America makes his debut.

    https://twitter.com/danyeal/status/1449956315682406401

    The costume looks amazing and highlights that Marvel Studios might see the potential in the Zombie concept. It makes sense they’d kick it off with Captain America, as he was the main advertised character. Plus, while it was odd they didn’t include it during What If…?‘s release window, revealing the zombified versions of our favorite heroes during Halloween is a perfect idea. Who knows if we get others joining Captain America in the near future.

    It’s also crazy to think how they managed to make a classic R-rated concept work so well in a family-friendly environment. Not just that, it also shows how well the concept can get translated into live-action. So, if they do manage to expand the concept in the MCU beyond just an animated episode, here’s a proof of concept that they can make the jump to live-action in a film or series. Of course, we might not get the usual bloody action like in other zombie movies, but that’s not always necessary to tell a compelling story.

    Source: Twitter

  • New ‘Hit-Monkey’ Trailer Seemingly Reveals Major X-Men Villain

    New ‘Hit-Monkey’ Trailer Seemingly Reveals Major X-Men Villain

    The new trailer for Marvel’s Hit-Monkey, set to stream exclusively on Hulu on November 17th, not only gave us a little more insight into the plot of the series, but also a look at another potential antagonist for the murderous macaque. The first look revealed that Hit-Monkey would be going up against Lady Bullseye and Fat Cobra and now it looks like we can add Wolverine’s one-time mentor and bad ass ninja sorcerer Ogun to the mix.

    Ogun once trained Wolverine in the way of the samurai before betraying him and trying to inhabit his body to cheat death. He later abducted and possessed Logan’s student, Kitty Pryde, before being “killed” by Logan. Over the years, Ogun has returned to haunt Logan many times, including during the Death of Wolverine story line.

    Though he’s not been revealed as part of the show, the trailer shows a character who seems to be wearing the trademark mask of Ogun and wielding two swords. In Hit-Monkey, it seems that Ogun is one of several “bosses” that the title character will face off against on his quest to avenge the death of the ghost of the assassin Bryce, voiced by Jason Sudekis, who becomes bound to Hit-Monkey following his murder. The trailer seems to set up what looks to be a pretty wild ride over the course of the series with a few other obscure characters whoing up as well.

    Hit-Monkey begins streaming November 17th.