Tag: TV

  • REVIEW: ‘Andor’ Episode 12

    REVIEW: ‘Andor’ Episode 12

    Andor writer and executive producer Tony Gilroy has a knack for creating unnerving tension in his projects. Whether in the Bourne franchise, Armageddon or his directorial debut, Michael Clayton, Gilroy’s works often resolve under incredibly stressful circumstances that leave the audience reeling while they process. The season finale of the first season of Andor, “Rix Road”, and in fact the entire first season itself, certainly fits that pattern, slowly using every tool at the creative’s disposal to simultaneously build tension within the audience and the characters nearly right until its final moments.

    On the surface, the finale is all about the convergence of nearly all of the series’ key figures on Ferrix where they hope to find Cassian returning for Maarva’s funeral. But what makes the episode carry so much weight is that it also works as a convergence of nearly all of the series’ key themes. This thematic convergence is much more impressive both in the way it is reflected by the key parties involved and also that it was possible at all, much less done so well given the scope of Andor. Has been oft-discussed, the 12-episode season was shot as “pods” of 3 episodes and each “pod” seemed to neatly tie up the themes that pervaded each of them. To have them all thunderously return here required significant planning and craftmanship by Gilroy and his team.

    Most prominent among those thematic echoes is the recurring idea that everyone has their own rebellion. That sentiment, first spoken by Vel Sartha to Cassian in “The Axe Forgets”, and the weight it rightfully carries in a galaxy where the Empire has now made it clear that there are no limits to what they’ll do to maintain “order”, come rushing back to mind during Maarva’s funeral march down Rix Road. During the holographic speech recorded before her death, Maarva powerfully reminded the people of Ferrix that they’ve been comfortably and somewhat selfishly ignoring the truth of the Empire. Calling it both a “wound that won’t heal” and a “darkness reaching like rust into everything”, Maarva uses her final moments to tell the people of Ferrix to wake up. Indeed her “last words” before B2 stops broadcasting are “Fight the Empire!”, inciting and inspiring the Rix Road revolution. Maarva Andor goes down in history as an OG Rebel by stirring the people of Ferrix to fight.

    Maarva’s words resonate with the words of another dead character who longed to see the Rebellion move ahead. Though he had a short arc in Andor, Karis Nemik’s manifesto, which Cassian read through when he first returned to Ferrix earlier in the episode, ultimately served more as a book of prophecies. Nemik’s beliefs that “the smallest acts of insurrection” advance the cause of the Rebellion, that “the Imperial need for control is so desperate because it is so unnatural”, that “authority is brittle” and that “oppression is the mask of fear” are all fully realized during Maarva’s revolt. It’s ultimately the act of an Imperial officer to stop Maarva’s speech that becomes the tipping point of a largely unarmed group of mourners (there is, of course, the bomb) choosing to charge into battalions of troops. The Empire’s devastating response ends in mass casualties but with so many survivors, including those who escaped, word of what happened on Ferrix will spread and can almost certainly be counted on to become a key point on the timeline of the formation of the Rebellion.

    Though Cassian hasn’t been the primary protagonist of every episode, the finale goes a long way in bringing him to the end of a long character arc that started with him simply in search of his long-lost sister. Cassian’s transformation comes in part when he seemingly comes to the conclusion that the audience has had all along: despite believing his actions only ever impacted him, he’s right at the center of the series of events that have caused so many unintended consequences for those he loves and those he’s never met. Seemingly inspired by the memory of Clem Andor’s words that “people don’t look down to where they should…they don’t look past the rust”, which connect directly to his words to Luthen Rael during their first meeting, Cassian changes the course of his entire life. Though he has ample opportunity to escape, Cassian chooses to seek out Rael and fully commit himself to the Rebellion. Sure of his worth, Rael smirks as he takes Cassian back into the fold, but as awesome as that is for Cassian, it’s likely problematic for some of the others involved and a likely plot point for an early arc in Season 2.

    Ultimately, Episode 12 of Andor is a remarkable standalone episode depicting what will certainly come to be known as one of the inciting moments of the Rebellion and a remarkable season finale that embraces the massive totality of Season One. So often finales miss by only serving one of these purposes but Gilroy served both purposes masterfully by resisting previously established themes, stirring a sense of tension that had been building for 12 episodes while also putting at the center of the episode an event that built on that tension while providing a release that will carry over to Season 2 for the audience and the characters.

  • ‘Andor’ Finale Post-Credit Scene Explained

    ‘Andor’ Finale Post-Credit Scene Explained

    Season One of Andor concluded with a bang. A series of them actually, as the people of Ferrix stood against the Empire in what could only be described as a revolution. The revolt may go down in the books as the first open act of defiance against the Empire, but as audiences already know, the Empire isn’t going down quite yet. In fact, it’s still building to its peak level of terror. To that end, the episode came with the first post-credit tag of the series which served as a chilling reminder that the worst from the Empire is yet to come.

    Set deep in space, the tag shows a group of small droids shuffling around and installing some very familiar-looking components into a much larger assembly. As the camera pulls back, it’s revealed that the droids are putting together a layer of the Death Star’s Superlaser. Given Andor’s 5 BBY setting and the massive undertaking of assembling a station the size of the DS-1, its construction fits the timeline as well as many fan theories that have swirling about since Episode 8.

    The Superlaser’s power came from the combination of 8 separate laser beams which were converged into the one massive, planet-killing beam that made the Death Star the most terrifying weapon in the galaxy. Though no details were given, it seems as though the droids are using the components to assemble channels for the individual beams.

    Of course, the most chilling aspect of the post-credit scene is the realization that the components being installed were built by Cassian and his fellow inmates in the prison on Narkina 5. The tag adds context to so much of Andor, Rogue One and really any other projects that take place in the timeline prior to A New Hope. The prisoners at Narkina 5, a place that felt so incredibly oppressive, were working tirelessly and competitively to create the Empire’s most oppressive weapon.

    For Cassian, coming to learn that he’d build part of the Death Star could go a long way in explaining his commitment to its destruction in Rogue One, where he’s willing to give his life to ensure the plans get to the Rebels. Finally, with the Empire becoming aware of the growing threat of a Rebellion and the fact that the tag shows the importance of the parts the prisoners have been building, it provides a terrifying additional layer to the idea that the prisoners of Narkina 5 were never getting out and also that by escaping, they may have paused the project just long enough to let the Rebels catch the break they needed to ultimately destroy the Death Star!

  • James Gunn Clears the Air on the Rumors Surrounding Henry Cavill’s Superman Contract

    James Gunn Clears the Air on the Rumors Surrounding Henry Cavill’s Superman Contract

    For those outside of the know, visionary director James Gunn is now in the driver’s seat at DC Films, alongside co-leader Peter Safran, and he’s not afraid to clear things up when the internet gets them wrong. A recent online rumor claimed British star Henry Cavill, who has portrayed Superman in the DCEU since 2013’s Man of Steel, had signed a new contract with the company that included the potential for television appearances. While Gunn has not yet fully denied this, he did take to Twitter to clarify that no current reports on the matter come from anyone with actual knowledge on the situation.


    Cavill made a grand return to his iconic role in last month’s Black Adam, while Gunn has been hard at work revitalizing DC’s television slate since the release of The Suicide Squad spin-off Peacemaker earlier this year on HBO Max. The return of Cavill to playing Superman after several years away from the superheroic spotlight has gotten audiences very excited, and reports like the one Gunn has shot down are likely to be plentiful. However, no official announcements have been made regarding what’s next for DC Films now that Gunn and Safran are in charge. Luckily for fans, the duo’s track record indicates they might have a lot to be hopeful about. A dedicated comic book fan and proven filmmaker, Gunn is slated to head the creative aspect of DC’s cinematic future while Safran handles the business side. When the pair are ready, there’s a good chance the DC fandom gets quite a bit of thrilling news. Until then, it appears reports about Superman and his fellow Justice Leaguers should be taken with a grain of salt.

    Source: Twitter

  • Vincent D’Onofrio Praises Alaqua Cox’s Performance in ‘Echo’; Teases ‘Born Again’ Connection

    Vincent D’Onofrio Praises Alaqua Cox’s Performance in ‘Echo’; Teases ‘Born Again’ Connection

    Marvel Studios’ streaming series Echo stands poised to be a trailblazing project in a number of ways. Not only will it be the first Marvel Studios project to feature a Native American lead and largely Native American supporting cast, but it also puts star Alaqua Cox, who is deaf and an amputee, in the spotlight making good on a wish she expressed during her time on Hawkeye to be part of the effort to “see more deaf and disabled role models to inspire the next generation.” Disney debuted footage of the series exclusively at D23 and though the show has completed production, rumors of issues behind the scenes have begun to swirl ahead of its slated release in the Spring of 2023.

    If there are any issues, they would seemingly come as a surprise to Vincent D’Onofrio, who has a sizeable role as Wilson Fisk in Echo. Speaking recently at Salt Lake FanX, D’Onofrio praised the performance of Cox as Maya Lopez “I have to say that in Echo, which is coming, where you get to see Alaqua Cox’s performance…it was just phenomenal.” The actor then went on to tease the scenes that his Kingpin shared with Cox’s Maya Lopez, hyping specifically “the last few episodes” and saying of the show that “it’s going to be quite something.

    Before switching gears, though, D’Onofrio indicated that long-standing rumors that Echo would serve as a direct lead-in to his next MCU project, Daredevil: Born Again, are accurate saying, “And that leads into, of course, Born Again.” Again, whatever purported issues there are with the series, if any, D’Onofrio seemed entirely unaware of them at FanX, which was held in late September.

    Like many projects, it’s possible that Echo may require some more work and might even find its release date bumped back a bit. However, considering its importance as the first superhero project centered around Native Americans and the connection to Daredevil: Born Again, it seems likely that Marvel Studios will find a way to remedy any issues with the finished product.

    Source: Emmys.com, YouTube

  • Vincent D’Onofrio Hypes ‘Daredevil: Born Again’, May Hint at Showdown with The Punisher

    Vincent D’Onofrio Hypes ‘Daredevil: Born Again’, May Hint at Showdown with The Punisher

    Daredevil: Born Again is shaping up to be Marvel Studios’ most ambitious streaming series to date. The 18-episode event will take nearly all of 2023 to film before hitting Disney Plus in 2024 and is rumored to include a whole slew of characters including the Punisher and White Tiger, a new street-level character from the pages of Marvel Comics. Even without those characters, the hype for the series, which will see Charlie Cox and Vincent D’Onofrio share the lead for the first time since the Netflix Daredevil series was canceled, has always been high. But it can always get better…

    At a recent appearance at Salt Lake FanX, D’Onofrio took the time to get the audience in attendance even more fired up about the upcoming series. While responding to a question about what hero he’d like to face down the road in the MCU, D’Onofrio veered off-topic (or did he?) to hype Daredevil: Born Again.

    I will say though…see you guys have no idea what you’re in store for in Born Again. I know a little bit more than you guys and all I can say is, during that next series you’re not going to be thinking about anything but the next episode. I promise.

    Vincent D’Onofrio

    What made D’Onofrio connect the dots from a hero he’d like to face to the comment about Born Again? Though he’s often been clear that he’d love to see Kingpin take on Spider-Man in the MCU, he’s also made it known that a Punisher vs. Kingpin battle is on his list of goals. With the rumors of Jon Bernthal’s return to the role continuing to swirl, perhaps D’Onofrio’s comments could give fans of the character a little more reason to hope he’ll be included.

  • Kareem Daniel to Leave Disney, Streaming Division Facing Reorganization

    Kareem Daniel to Leave Disney, Streaming Division Facing Reorganization

    It was only a question of time but it’s insane that it only took a day before the news hit that former Disney CEO Bob Chapek‘s internal executive structure is already falling apart. As it seems, the head of media and entertainment distribution, Kareem Daniel, is set to leave the company as well with former CEO Bob Iger returning. It was a strong move away from Iger’s creative-focused era that has left the company with a few scars in its wake, especially souring the views on its streaming ambitions with Disney+. Iger always was the kind of leader that used data but didn’t overly rely on it to muddle creative ambitions; the issue the current leadership fell into, especially with dramas surrounding Black Widow‘s release.

    In a world and business that is awash with data, it is tempting to use data to answer all of our questions, including creative questions. I urge all of you not to do that.

    Bob Iger

    Daniel and Chapek’s goals were quite ambitious and they aimed to grow Disney+ as fast as possible with investment, but it seemingly led to many sparks internally, especially with the issue of return on investment being left behind in those ambitions. Disney+, ESPN, and Hulu stand at a proud 235M combined subscriber base making it quite competitive with Netflix and shouldn’t be ignored, but the concern that the $1.5B investment can’t be recouped by the time it was meant to be is definitely one of the reasons for this massive executive switch. Still, with Daniel‘s exit, we can expect some major changes in Disney+’s streaming strategy and structure moving forward.

    Source: The Hollywood Reporter

  • Bob Iger Returns as CEO of Disney, Bob Chapek Exits Company

    Bob Iger Returns as CEO of Disney, Bob Chapek Exits Company

    Disney has been under constant fire for some time with a lot of uncertainty about where exactly the company is truly trying to head. Bob Chapek took over at a rather rough time, as streaming was still a booming market, and then suddenly the pandemic happened. No matter where one lies in regard to streaming’s future, Disney was all in long before Chapek took over and Bob Iger was still leading.

    in a shocking twist though, it seems that Iger is back in business. While having left the position behind, the iconic manager has once again decided to return to the position. Chapek is set to leave the company with the Disney board of directors has announced it on a Sunday night, a very uncommon move in the industry.

    We thank Bob Chapek for his service to Disney over his long career, including navigating the company through the unprecedented challenges of the pandemic. The Board has concluded that as Disney embarks on an increasingly complex period of industry transformation, Bob Iger is uniquely situated to lead the Company through this pivotal period.

    Susan Arnold, Chairman of the Board

    What makes this announcement bizarre is that Chapek already signed a multi-year contract. So, he’ll definitely be leaving with a nice package as he leaves the role behind. Iger has already sent out an e-mail to employees and going by online reactions, there’s a certain excitement in the air.

    It should be noted that Iger’s new contract is only set for two years, as he prepares for a true successor; a highlight of why this decision was made. The controversies surrounding their digital expansion have definitely left a sour taste with the market’s boom, especially when Netflix hit a sudden ceiling; though has seen some more positive developments as of late.

    The issue on top of it all is also the controversy surrounding Florida’s “Don’t Say Gay” bill, which was a PR nightmare for the company and ended up souring its relationship with many. Add in some harsh quarter developments with heavy investments and not hitting profitability targets, and the board definitely has been concerned and took immediate action to correct the course, or rather find the man to steer a “complex period of industry transformation.”

    Source: The Hollywood Reporter

  • Jonathan Majors Teases the “Many Variants” of Kang

    Jonathan Majors Teases the “Many Variants” of Kang

    Jonathan Majors‘ memorable performance as He Who Remains in the Season One finale of Loki was a titillating taste of the type of talent the ascending actor brings to the ever-expanding Marvel Cinematic Universe. Though He Who Remains met his end at the hands of Sylvie, Majors isn’t done with the MCU. As teased in Loki, there are many Variants of Nathaniel Richards in the Multiverse, including “something worse” than He Who Remains.

    It looks like “something worse” will come in the form of Kang the Conqueror in next February’s Ant-Man and The Wasp: Quantumania. Both Majors and director Peyton Reed have described Kang the Conqueror as a warrior who looks poised to be a threat not only to Scott, Hope, Cassie, Janet and Hank in the Quantum Realm but also to Earth and its other heroes. The first look at the film makes it clear that this Variant of the character is nothing like his quirky doppelganger from Loki and according to Majors, the ability to create different versions of the character is exactly what drew him to the role.

    In an interview with THR, Majors was asked if the opportunity to never play the same Kang twice was what ultimately sold him on taking the role:

    Yeah, absolutely. That’s what’s on the page. That’s what the IP says. I was cool, very cool. Kang just lives in his own world in the MCU. No spoilers here, but there’s so many variants of him.

    Jonathan Majors

    Expanding on the thought, Majors pointed out that Marvel Studios’ “brain trust” is working hard behind the scenes to make the most out of one of Marvel Comics’ most fascinating villains.

    And with the powers that are the MCU, that intelligentsia and that brain trust there, they’re just really working to use the IP to its best ability, and it’s extremely humbling that they picked me to step into that. So I’m honored to do it, and I’m always excited to see what we’re doing…Kang is a career in itself. It’s either the cake itself or the cherry on top, I don’t know. But to play multiple versions, it’s just beautiful. It’s a workshop every day.

    Jonathan Majors

    Given Majors’ versatile talents, it’s easy to see why Marvel Studios went after him for the role and it’s also becoming increasingly difficult to imagine anyone else in the role.

    Source: THR

  • The Sunday Paper—November 20, 2022

    The Sunday Paper—November 20, 2022

    This week featured a smattering of news throughout the entertainment industry. With Black Panther: Wakanda Forever rounding out its second weekend in theaters, M’Baku actor Winston Duke confirmed his character’s ending in the film. Deadpool 3 continues to make steady news. Rather, Untitled Deadpool and Wolverine is making news, and the new working title seems to be a clear hint to how big Hugh Jackman’s role in the film is. A recent casting rumor also points to the iconic X-Men villain Danger as the antagonist of the film. In the comics, she is the physical embodiment of the training room known as the Danger Room, which became a massive threat to the mutants.

    It is now rumored that Harrison Ford’s Thaddeus “Thunderbolt” Ross will both be the President of the United States and Red Hulk in Captain America: New World Order. Casting for the Wonder Man series has begun, which is expected to begin production in the Spring of 2023. With that comes a description of the villain of the piece, who happens to be the agent of struggling actor Simon Williams, aka Wonder Man. The villain may well be based on a character first introduced in 1991’s Wonder Man comic book series, created by Gerard Jones and Jeff Johnson. That series introduced Simon’s agent, Neal Saroyan, who was ultimately revealed to be a supervillain in charge of a cadre of assassins known as The Nobility. Bob Odenkirk is rumored to be in talks for the role, though it is unconfirmed at this time.

    The upcoming Armor Wars remains intriguing, after having been announced as a streaming series but later revealed to be changing gears and being developed as a feature film. Producer Nate Moore this week explains that Armor Wars was simply “too big” to be a Disney+ series. It seems that Marvel Studios wanted to have a full budget for the armor, but bringing it to the big screen might mean the film’s story takes on a greater purpose in the Marvel Cinematic Universe.

    In Marvel television news, if new rumors are true, Marvel Studios’ animation department may be facing some layoffs and are actively waiting for their release to greenlight future seasons. Agents of SHIELD star Chloe Bennett posted a very daisy-inspired photo, prompting more speculation that she may make her formal debut to the MCU. It turns out that Matt Murdock will likely find a new love interest in Daredevil: Born Again, as Karen Page actress Deborah Ann Woll made it clear she has not been asked back for the Daredevil revival. Another Born Again rumor suggests that hero White Tiger will be joining the show’s roster.

    Peter Safran and James Gunn have only recently taken on the role of DC Studios’ co-CEOs. Warner Bros. Apparently, their long-term plans for the studio could be announced within the next couple of months, but all Henry Cavill and Man of Steel sequel plans have been stalled for the time being. Otherwise Warner Bros. is looking to adapt Harry Potter and the Cursed Child, Greta Gerwig might be directing Netflix Narnia films, Margot Robbie’s Pirates of the Caribbean film is no longer happening, and Disney is eyeing a The Princess Diaries revival.

  • Ncuti Gatwa’s ‘Doctor Who’ Run Finds its New Companion

    Ncuti Gatwa’s ‘Doctor Who’ Run Finds its New Companion

    Even in a world filled with time-wimey things, there are some rules that apply no matter what happens. One of those is that the Time Lord known as the Doctor always has a companion that joins him on his travels through time and space. With a new doctor on the horizon in Ncuti Gatwa, it always was the question of who might take on that very role. Perhaps we’ll see a familiar face or even someone completely new. As it turns out, it was the latter.

    Millie Gibson of Coronation Street fame has joined the upcoming 15th incarnation of the beloved Time Lord as his companion by the name Ruby Sunday. She’ll take on the role once the new season returns later next year. No details have been shared on what we can expect of her character or when she might show up in the story, especially with Gatwa not taking on the role directly after Jodie Whitaker‘s run.

    There have been many iconic companions in the past and it’ll be quite interesting to see what she’ll bring to the table. Hopes are high with the new season as well, as it might shake things up. Not only is David Tennant briefly returning to take on the role of the Doctor, but it’ll have ea new home internationally on Disney+. There have been hints that Disney is also adding some investment into the series to help it grow; crazy to think given it’s been running for over 50 years by now. So, we’ll see what this new season might do to mix things up.

    Source: Twitter, The Guardian