You’d think the news would stop coming for One Piece today, but that’s seemingly not going to end anytime soon. It was in the beginning of February when production finally started, especially as Emily Rudd, IñakiGodoy, and Mackenyu joined the production to bring their iconic characters to life. Still, there were some important members of the cast missing, but luckily Taz Skylar and Jacob Romero Gibson have joined in the tradition of showcasing their chair with their respective characters’ name on it.
Skylar was the first to share his, even jokingly pointing out that he’ll surely take it home after they wrap up production. To be honest, no one can blame him as it would make for a great keepsake looking back at taking on the iconic role of the Straw Hat’s chef.
Gibson took a few more photos by sharing a close-up of his chair and himself. What stands out is that not only does he call himself “Captain” Usopp which is perfect for the character, but he also included a photo of a rather curious forest. It does hint that they may have started work on Syrup village’s arc and that’s the forest they escape from Jacko in the manga.
With this, the Straw Hats are finally united on the set even if it’s curious how Sanji fits into the story if they are currently working on Syrup village. Of course, they may also shoot a few scenes with Sanji teasing his upcoming appearance or simply only recently uploaded the images and have already been on set for some time. Still, it’s great to have the confirmation that the Straw Hats are finally together on set now.
It looks like it’s a One Piece kind of day. We kicked off the day with a special streaming event to tease the future of the franchise and even included the casting announcement of Peter Gadiot as Shanks. It seems that secretly some actors have also shared some casting announcements on their personal Instagram accounts that some eagle-eyed fans have noticed pop up online.
South African actor Jean Henry has shared that he’ll take on the role of Marine lieutenant “Double Ironfist” Fullbody, who we first meet in the floating restaurant Baratie. Sadly, he doesn’t include a first look at his costume, but it’s nice to see the character making his live-action debut. Hopefully, it also means he might have his ongoing story alongside Jacko in a future season.
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That’s not all, as it seems that some time ago actor Len-Barry Simons also shared that he’ll take on the role of Arlong Pirate member Chew in the live-action series. Besides McKinley Belcher‘s Arlong, he’s the only other member of that Fishmen crew confirmed for the upcoming series. Here’s hoping he gets to keep the iconic lips.
https://www.instagram.com/p/CbdDjfHqNcM/
The characters had minor roles in the original story, but it’s unclear if they might have expanded upon them. Arlong’s early casting announcement may tease that he could have an appearance earlier in the story, especially if they potentially want to set up events for the latter half of the season. Fullbody doesn’t appear until Baratie and he could potentially be teased as a prominent member of the Marines earlier on. All we can really do for now is speculate.
The Oscars have been overshadowed by the many events that transpired throughout the night, but it looks like the upcoming live-action One Piece series heading to Netflix got a bit of a promotion during the event. In an interview with actress Jamie Lee Curtis, she openly talked about the current production and hopes to see people watch it. Especially as she hopes to take on the role of Dr. Kureha in the second season, as she might be a little to old to tackle Nico Robin. Though as her favorite character is Tony Tony Chopper, it’s a perfect choice for her to play the character’s mother figure in the live-action series. The video comes courtesy of @loidyors
Her daughter Ruby Guest has mentioned in the past that her mother is interested in tackling the role, especially with her friendship with the voice actress of Chopper’s English dub, Brina Palencia. As they’re still busy with the series’ production on adapting the East Blue Saga, these characters wouldn’t become relevant until the second season that jumps into the Alabasta Saga where we meet them on Drum Island.
It’s a bit cut off, but she does say that people should make sure they watch it so that they will definitely get a second season and give her a chance to make that dream come true. There’s a lot of potential with the series introducing new fans to the franchise, and they are using the 25th anniversary of the franchise to promote it quite a bit. We just got the casting announcement of Peter Gadiot in the role of Shanks, and there might be more on the horizon.
Not too long ago, we got the first supporting cast for the upcoming One Piece live-action series in development for Netflix. Yet, we’ve still being wondering what exactly the future has in store for the series and in a new live-stream event called News Coo Online, we got the official announcement that Yellowjacket‘s Peter Gadiot will take on the role of Shanks of the Red Hair Pirates. He’s the iconic mentor that passes on his signature Straw Hat to a young Luffy after he ate the Gumo Gumo no Mi and inspired him to chase his goals.
The actor might be a suprising choice for some, but he does radiate the kind of grounded energy that fits Shanks. Plus, he’ll have to carry a certain intensity later on when his role opens up and is highlighted as one of the strongest men in the Grand Line. We don’t know how they’ll tackle the character in the series and how big his role might end up being, but they could tease that there’s a lot more to him than one might expect at first. You really have to hand it to the actor though that he’s definitely excited and the fact he is currently filming makes sense after we spotted Shank’s ship being worked on not too long ago.
Netflix has been quite busy with their live-action adaptations of classic animated and Anime projects. Most notably, they are currently in production on an adaptation of One Piece and Nickelodeon’s Avatar: The Last Airbender. Especially the latter has been in production since last year, as it’ll tackle one of the most populated Western animated series. Luckily, we can offer an update on the project which is currently starting to cast some key members of the Northern Water Tribe.
The series, which is currently in production under the working title Blue Dawn, is looking to cast recurring guest performers of Indigenous descent to appear in approximately two episodes. While the characters are being cast with code names, their descriptions give us hints on who exactly they are playing and confirm that they are key roles for the adaptation of the Sieg of the North storyline from Avatar: The Last Airbender‘s first season.
Let’s start off with a character by the name of “Chief Red Crow.” They are actively looking for an Indigenous actor in his 40s up to his 50s. As his name implies, he’s the leader of his tribe, and the description highlights that he’ll lead his people into a battle. He also has a daughter named “Grace” that is the most important thing to him, as he wants to make sure she is happy. The description matches the Northern Water Tribe’s Chief Arnook, especially with the mention of his daughter who is likely Princess Yue.
Yue’s code name is also once again mentioned with the character of “Henry.” Not only is the battle mentioned again, but he is highlighted as in love with Grace, while she has eyes for someone else. Henry isn’t too far away from the character of Hahn. He was a strong warrior that was arranged to marry Yue. The only difference is that the character was quite self-centered and egotistical in the original series, who was interested in Yue due to her being the chief’s daughter. He was constantly fighting Sokka, who is played by Ian Ousley, who is the “other” mentioned in the description.
The next major casting is for the role of “Brother Rain.” The character is the village’s “martial arts master” and the teacher of the village’s warriors. This description matches Pakku, who was the one to teach Aang (Gordon Cormier) how to master their waterbending techniques. There’s also a line that highlights he loves “adhering to tradition over progress” which would hint that Pakku’s storyline of only teaching male waterbenders will also have a role in the upcoming adaptation.
He’s not the only teacher in this village, as there’s also the character of “Ayana.” The description highlights her as a healer that teaches women of their tribe. The description perfectly matches Yugoda, who thought Katara (Kiawentiio) some healing techniques while she also continued to pursue Pakku to break his tradition to teach her. The castings are currently hinting that the Avatar Team’s visit to the Northern Water tribe will take place over approximately two of its eight-episode run, which is quite substantial and highlights we’ll get to see quite a bit of this cast.
One Piece is the series that keeps on giving, as more set photos have leaked online. This time around, we get a good look at another new ship under construction. While only parts of the ship are finished, the figurehead is quite telling on what they are working on. While we only see half, you can clearly recognize the dog’s ears and nose. Plus, we also get the spiked collar as part of its design. The only part that is unsure if it makes it into live-action would be the bone the dog head is holding in its mouth. The images come courtesy of @OP_Netflix_Fan.
— ONE PIECE NETFLIX FAN (@OP_Netflix_Fan) March 23, 2022
The biggest aspect of this reveal is that it further solidifies that the cover stories from the East Blue, most notably the one involving Helmeppo and Coby, are going to be part of the upcoming series. The upcoming live-action adaptation of One Piece will likely take liberties with how it approaches the original story. They may try to connect some story points to the overarching narrative, as they will adapt it to Western storytelling in some regards.
Garp’s casting did make some waves in the community, as he is a character that doesn’t have a real role in the East Blue Saga. Plus, he doesn’t become that relevant to the story of One Piece until the Post-Enies Lobby arc, where his identity and connection to Luffy are revealed. It’ll be interesting to see if they will hint at it, or be a bit more straightforward with his role in the story. The inclusion of his ship does hint that there are definitely are some plans.
According to Avatar News, the upcoming series will have a budget of $15M+ per episode. As the first season is set to run with around eight episodes, that would put it at around $120M+ total budget. They can’t share an exact number, but it would definitely put it on par with shows like The Mandalorian, which had around $100M for its eight-episode season. Though it eyeing beyond $120M, it’ll likely be closer to the budgets that Marvel Studios gives its Disney+ productions.
We still don’t know the exact budget for One Piece, but it’s also been speculated to be on a similar level. It was certainly higher than the one planned for Cowboy Bebop, which sadly ended up getting canceled. Netflix seems quite dedicated to these series and is planning high-budgets going in to build up a future season investment. Avatar: The Last Airbender is an extremely popular series and it makes sense they’d see the potential building upon the already existing fanbase. We’ll see if we get some teases from the ongoing production that hints at how they are tackling the adaptation moving forward.
The Addams Family is about to get a make-over with a new Netflix series that aims to reinvent the cooky family as part of a new murder mystery series focused on Wednesday Addams. Not only that, but it seems that the series has added Christina Ricci, who famously played the character in Barry Sonenfeld’s 1990 version of The Addams Family, has joined the series. Her role remains tightly under wraps, but she won’t be an older version of the character but rather a new one. She’ll join Jenna Ortega, who is taking on the titular role of the newest addition to Nevermore Academy. Catherine Zeta-Jones has already been cast as Morticia Addams and Luis Guzán is taking on the role of Gomez.
The addition of a series veteran is a great touch, especially with how Ricci defined our modern understanding of the character. Her wanting to also join the project is a sign that it’s acting like a passing of the torch between the generations of actors that brought the character to life. When the series was first announced, there was actually a fan petition for her to take on the role before Ortega was cast. The actress has been busy, she joined Showtime’s Yellowjackets and also appeared in The Matrix: Resurrections.
The live-action adaptation of One Piece has started production some time ago after a long wait, but we’ve only gotten our real first look at the production through some leaked set photos. While we did get a first look at the Marines, the main cast has been hidden quite well so far. Many have been hoping to see what the cast would look like in their costumes, especially with how they’d tackle bringing their designs to live-action. Perhaps the latest tease by the official One Piece Twitter account may hint at some reveal heading our way.
It first started off with a cryptic tweet stating “confidential” and the date of March 28th. While it didn’t say anything else on it, most speculated it might connect to the recent reveal from chapter 1043, as Luffy seemingly awakened his fruit to a new form. Speculation went wild on what exactly it might be, such as a potential figurine on Luffy’s new design or maybe something connected to it, as the date would match with the usual reveal.
— ONE PIECE スタッフ【公式】/ Official (@Eiichiro_Staff) March 20, 2022
That all changed when a second tweet dropped. Not only did it confirm we are probably getting daily updates, as it is advertised as the second of six tweets, but also what it’s about. If you look closely, we have a picture of a real straw hat alongside what seems to be a part of some kind. Eagle-eyed fans were quick to point out that the location shot is definitely from South Africa, where the series is currently filming.
— ONE PIECE スタッフ【公式】/ Official (@Eiichiro_Staff) March 21, 2022
While we may only get brief glimpses as the rest of these tweets release, it seems like we might get our first look at the series or maybe even the cast in their costumes by March 28th. The timing seems fitting, as 2022 marks the 25th anniversary of the series, and it would make sense to build up the production with a first look at the cast. It may also be the first “selling point” for many doubting the project and how faithful it might be to the original series. It’s unclear what exactly they might reveal, and it could also just be the first look at Iñaki Godoy‘s Luffy. Whatever it may end up being, it’s going to be fun to speculate as the week goes on.
Set in a quaint vacation home where an embittered man robs the home of a mogul, Windfall proudly touts itself as a Hitchcockian thriller and does its damnedest to feel like one. The opening credits alone, where cinematographer Isiah Donte Lee’s motionless image of a lavish patio conspires with the thumping Bernard Hermann-inspired score and vintage typography fading on-screen, paints an eerie picture of the suspense creeping up in this vacation home. As the camera dollies closer to Jason Segel‘s character named Nobody enjoying the panoramic view of a lush orchard, Danny Bensi and Saunder Jurriaans‘ score fades out, tethering dread and silence together. And when the owners discover the Nobody robbing their home and are held hostage, director Charlie McDowell begins to slowly appoint the audience as voyeurs in this uncanny unraveling of marriage, wealth, and power.
Contrary to McDowell’s Hitchcockian virtues is Andrew Kevin Walker‘s screenplay co-written with Justin Lader, which is low on plot but heavy on themes. Walker’s celebrated screenplay for Se7en pings back-and-forth from scene to scene, building a mystery that asks audiences to connect the dots alongside its characters. Windfall, on the other hand, simmers mostly in thought, leaving wide-open spaces in the storytelling that feels too loose. The mystique the screenplay tries to construct by having all three leads unnamed and their backstories obscured mostly fails to materialize in any meaningful way. Walker’s script reckons heavily with populist views of excess and capitalism and uses it to subtly define the characters. The character referred to as the CEO, played by Jesse Plemons, rambles about hustle and opportunity while the disenfranchised Nobody preaches equality. These traits wouldn’t be so bad if the characters weren’t just those identifiers; Plemons and Segel end up caricatures rather than autonomous, with nothing else to say beyond class arguments progressives and conservatives argue about daily on Twitter.
The Nobody may be a tiresome character but Segel’s performance is not. Segel does decent work as he aptly embodies a man clinging to what dignity he has left. Segel’s pathetic bumbling may seem like a fumble on the actor’s part but in the little we learn from his disputes with the CEO, it’s evident that the pathos comes from conviction. Plemons, on the other hand, borders on generic as an unapologetically rude man of wealth. There’s fun to be had in seeing Plemons chew up the scenery with jackassery but the performance feels uninterested in leveling itself with the taciturn of the film.
Ironically, the character we end up learning about the most ends up the most engaging. As the Wife, Lily Collins gets to define her character in a way that isn’t encumbered by Walker’s social commentary. Little is explicitly said about the Wife but Collins fills in the gaps with hefty anecdotes that hint at a backstory that is pained and at odds with her current disposition. While the Nobody rants about the vague and cruel ramifications of the CEO’s technology, the Wife is unconcerned with neither and is musing about her own past and future. When her marriage with the CEO is put into question along with her autonomy as their cozy hostage situation draws on, Collins embraces the noirish ambiguity of it all and displays a subdued darkness. Collins’ performance is emblematic of the potential of a script concerned with character more than proving a point.
Windfall ultimately works thanks to Collins’ enigmatic presence, McDowell’s precise understanding of Hitchcock’s work and his deftness in distilling that influence into a rambling script. With a meticulously constructed atmosphere and a haunting conclusion, Windfall is a thriller rife with noir prestige.
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