Murphy's Multiverse

Tag: Netflix

  • New Batch of ‘One Piece’ Set Photos Teases Luffy’s Flashback

    New Batch of ‘One Piece’ Set Photos Teases Luffy’s Flashback

    We’ve long wondered how the live-action adaptation of One Piece is tackling in its adaptation of the original manga. When production started, not much was known with Nami actress Emily Rudd being the first to join the production. Now, a slew of new set photos is finding their way online featuring the Marines and even our first look at Shank’s ship, the Red Force. The latest addition of flashbacks may hint that they are currently preparing to film the flashback to Luffy’s childhood.

    @OP_Netflix_Fan has shared a new batch of set photos that tease various windmills in the background. Now, fans of the original manga will instantly recognize it as the small village known as Foosha Village – better known for the West as Windmill Village. It’s part of the Goa Kingdom and was first introduced in the Romance Dawn arc when we first meet Luffy and Shanks.

    It’s further proof that they might be tackling his origin story next. As we’ve seen Alvida’s ship, the series isn’t shooting everything in order but they don’t have to restrict themselves to a specific order. So, the origin could be explored in a second or third episode. Hopefully, it doesn’t closely follow Netflix’s conventions of having an entire episode that mainly focuses on flashbacks ahead of the finale.

    What’s uncertain is if the series might take inspiration from the Post-War arc and also include references to the Goa Kingdom, or even Sabo and Ace. For now, it’s quite fun to speculate even if there’s still some time until the series will probably release on Netflix. Still, these set photos are quite promising and it will be great to see how they bring this series to life.

    Source: Twitter

  • Latest ‘One Piece’ Set Video Reveals Shank’s Ship

    Latest ‘One Piece’ Set Video Reveals Shank’s Ship

    We just recently shared a first look at the One PIece’s Marines as set photos have found their way online. Yet, it seems that wasn’t it, as @DesneCitrus has also shared a rather curious video that hints at another ship that is currently under construction. What stands out is that the red coloring and the size of the head – even if incomplete – would hint at Shank’s famous Red Force.

    The give-aways that this is his Red Force are mainly the size of the head, which was strongly inspired by Norse ships from the Vikings in the manga, as well as the general red coloring of the rest of the ship. It’s not a confirmation in case we get a full look at the figurehead, but it’s an easy guess given what we know from the manga and anime.

    A full look at the ship was shared by @OP_Netflix_Fan, which shows that the ship is right next to the Golden Merry, which we have seen quite a bit of in the past.

    The designs are a bit more muted, but there’s a chance they might add some designs in post-production. Shank’s ship is missing the ornaments on the side as well as the golden circle on the front, but they are also still working on it. So, it may get added on later, as the Going Merry went through a few changes since the first time it was spotted.

    Source: Twitter, Twitter

  • Leaked ‘One Piece’ Set Photos Offer First Look at the Marines

    Leaked ‘One Piece’ Set Photos Offer First Look at the Marines

    So far, we know very little about the upcoming live-action adaptation of One Piece that is in the works for Netflix. We did get a few set photos but they mainly focused on the massive ships that are being built for the series. Luckily, it seems that even more photos from the set have leaked which offer our first look at the designs for the Marines.

    @DesnesCitrus took to Twitter to share the first look with a closer zoom in to the patches that confirm the iconic symbol from the manga will also be used in the live-action project. They even have the “Marine” bade on their hat and it does seem like the design is quite close to that from the manga. You can check them out here:

    @OP_Netflix_Fan has also shared a set photo featuring the Marines’ in their costume gathered for some kind of assembly.

    The scene could either take place at the Marines’ headquarters with Garp rumored to have a larger role in the East Blue saga. Yet, there’s also the sequence where Luffy and Zoro say farewell to Coby, where the MArines gathered for a final salute. We still know very little bout what to expect from the project, or how they’ll structure it but it’s great to see these iconic designs brought to life.

    Source: Twitter, Twitter

  • New Disney+ Listing Hints Netflix’s Marvel Shows May Not Release Worldwide Simultaneously

    New Disney+ Listing Hints Netflix’s Marvel Shows May Not Release Worldwide Simultaneously

    There’s been a lot of debate about when and where we might see the Marvel Netflix shows finally appear on Disney+. Suddenly, Canadian subscribers were sharing a newsletter that revealed that Daredevil, Luke Cage, and more were heading to the streaming service. There was no mention of the Star branding, which gave hope that it may also appear on the US subscription model with some rumors even adding fuel to the fire. Yet, the official listing from Disney+ Spain may have put a wrench in those hopes.

    The listing, as shared by The Direct, includes all the series and films that are heading to the streaming service in March. As you can see clearly, Turning Red and Moon Knight are listed with their respective international release dates. Yet, the Marvel Netflix shows are nowhere to be found, which may hint that this isn’t a straightforward international release.

    Disney+ Spain

    It’s kind of a surprise that it wouldn’t get an international release, especially if you consider that the series is leaving Netflix worldwide around the same time. There’s still no official word from Disney+, which may signal they can’t really talk about it until it has left Netflix. Either that or they are still figuring out distribution plans and timing windows for the various series. We’ll have to wait and see until an official word drops just what the future has in store after all.

    Source: The Direct

  • RUMOR: Netflix’s ‘Daredevil’, ‘Luke Cage’ and More Will Remain Unedited on Disney+, Even in the US

    RUMOR: Netflix’s ‘Daredevil’, ‘Luke Cage’ and More Will Remain Unedited on Disney+, Even in the US

    Netflix’s Marvel series, which includes Daredevil, Luke Cage, Jessica Jones, and more, are only a few days away from leaving the streaming platform to find a new home. Just earlier today, we’ve learned that the new home would end up being Disney+ after all. What has any confusion is that the announcement is purely through Canada, which offers the Star branding for mature content. Well, a new report by That Hashtag Show hints that there’s a chance that not only will they also release in the US version but also unedited.

    Disney has made some bizarre choices by editing and censoring some of its films. Yet, it seems that they might luckily leave these projects untouched, something even the showrunner of Luke Cage, Cheo Hodari Coker, feared in a recent Twitter thread discussing the history of the project before it leaves Netflix. The US version will release around the same time as the announced March 16th date. So, violence and language will remain the same.

    The way Disney+ will handle these more mature projects is through the new Parental Guidance content warning. It may also open up the path for other projects like Deadpool or Logan finding their way to the regular Disney+. There is currently no word if we should expect these projects to retain their “Marvel” logo and end up alongside other Marvel TV projects, or with the recent appearances of Charlie Cox and Vincent D’Onofrio as part of the Marvel Cinematic Universe timeline. We’ll have to wait a few more weeks until we find out.

    Source: That Hashtag Show

  • REVIEW: Netflix’s ‘Worst Roommate Ever’ Feels Like a Rehash

    REVIEW: Netflix’s ‘Worst Roommate Ever’ Feels Like a Rehash

    True crime documentaries are always a must-see. They’re thrilling and terrifying, but most importantly, they’re captivating because it’s more often than not, the circumstances behind the crimes are things we try to tell ourselves do not happen. Unfortunately, though, as true crime continues to become more popular, most big stories have already been covered in detail through other streamers or networks. In fact, true crime is what Investigation Discovery has built its entire brand on. So, it can be hard for shows like Worst Roommate Ever to feel fresh. This is, ultimately, what keeps it from being must-see television.

    While Worst Roommate Ever is a thrilling watch, one that’ll surely keep viewers hooked until the end, it’s nothing new. These stories – especially the first two – have been featured on Investigation Discovery, and Netflix’s approach offers little new for those that are familiar with these stories. It’s unfortunate, really, as the concept of Worst Roommate Ever is a great one. It just feels like a long rehash, making it hard to understand why it was greenlit to begin with.

    One subject featured in Worst Roommate Ever is Dorothea Puente. Those that follow true crime stories have probably heard about Puente. Throughout her life, she was responsible for committing numerous crimes against those she was meant to help. To say she is a monster would be putting it lightly. The problem with using Puente for the first episode, though, is that her story has been told time and time again. There’s The House is Innocent, World’s Most Evil Serial Killers, and The Boarding House all of which have tackled Puente’s crimes, so by the time “Call Me Grandma” comes around, viewers have probably already been made aware of the terrible things she has done.

    That isn’t to say the interviews don’t make the stories fascinating. In most instances, the interviews do enhance the stories being told. It’s just that most of them are so familiar, even those being interviewed have been showcased in previous documentaries or episodes on these terrible crimes. If Worst Roommate Ever took the same concept and, instead, opted to focus on smaller stories for a potential second season, it would only be beneficial. As it stands, though, Investigation Discovery has already tackled these stories and, honestly, it makes Netflix’s Worst Roommate Ever feel outdated.

    All in all, Worst Roommate Ever is still worth a watch — solely for the latter episodes. Beyond that, though, it feels like its trying too hard to do what has already been done. If the series should return for any future installments, it should opt to seek out smaller tales if it wants to rightfully claim its space among other great true crime.

  • Regina King Almost Directed an Episode of ‘Luke Cage’

    Regina King Almost Directed an Episode of ‘Luke Cage’

    Looking back at any series or film, it’s sometimes the things that didn’t end up happening that catch our curiosity the most. Cheo Hodari Coker, the showrunner of Netflix’s Luke Cage series, has taken to Twitter to share some memories from bringing the cultural landmark to life. Not only did he reveal that Iron Fist was originally going to film before their project did, it seems that they also had plans for Regina King to tackle an episode. Sadly, it seems that he was outvoted on her inclusion. Sadly, it didn’t happen but that didn’t stop the actress from leaving quite an impression, especially with her directorial work on One Night in Miami… back in 2020.

    From the sound of it, she would’ve joined Lucy Liu, who was also a fantastic get for the project, in its second season. Besides the already mentioned film, King has also been known for her work on pürojects like the animated The Boondocks series, The Strain, and taking on the main role for Watchmen. She also sat behind the director’s chair for projects like This is Us, Scandal, and more. Her directorial debut also led to her becoming the second African-American woman to get nominated for a Golden Globe for Best Director. She is certainly on the radar for a new project, and we’ll see if Marvel Studios may make up for the fact the Netflix series missed out on her.

    Source: Twitter

  • Netflix’s ‘Luke Cage’ Originally Was Set to Film After ‘Iron Fist’

    Netflix’s ‘Luke Cage’ Originally Was Set to Film After ‘Iron Fist’

    Here’s an interesting reveal, it seems that Netflix’s Luke Cage series was originally going to film after Iron Fist. As all Marvel series are about to leave the platform in a week, showrunner Cheo Hodari Coker used the chance to revisit the cultural landmark series and shared some details from behind the scenes. Among the many astounding insights into what was cut or added into the project, Coker revealed that Luke Cage was originally going to shoot much later and it was due to his inspiration to write up a draft for the series’ bible after a spark of inspiration.

    It’s always incredible to think about what one spark of inspiration can do to a project. Here’s hoping we get to see that bible one day, and learn more about what rules the project set itself to bring the character to life. Here’s hoping that Coker may have a chance to return to the character and continue his story through Marvel Studios. These cultural storylines are even more important as the franchise continues to explore different corners, and it makes you hope Mike Colter’s take on the character gets a chance to interact with Sam Wilson. There’s a lot to explore here and hopefully, we’ll find out more soon.

    Source: Twitter

  • REVIEW: ‘Vikings: Valhalla’ is a Slow Burn With Potential

    REVIEW: ‘Vikings: Valhalla’ is a Slow Burn With Potential

    Vikings: Valhalla is technically a spinoff to the original Vikings series, which ran from 2013 until 2020, but isn’t burdened by its legacy. The story takes off a century after Ragnar’s legacy and further explores the aftermath and history that surrounds the characters of Leif Eriksson (Sam Corlett), Freydís Eríksdóttir (Frida Gustavsson), and Harald Sigurdsson (Leo Suter). Not only does it explore the invasion of London but also the inner conflict between Christian and Pagan beliefs within the Viking community. Does it manage to offer a compelling story while continuing what made the Vikings franchise popular?

    I’ll confess that I’ve not seen the original series. So, I went into this blind and without much knowledge, but luckily the 100-year gap made it quite easy to jump in as a newcomer. You are quickly caught up with the main story, an opening text does hint at Ragnar and his story from the original before jumping directly into the conflict that defines this spinoff. The English royals betray the Vikings that lived in their land. As they gather for vengeance, the conflict between their changing culture also reaches a boiling püoint. In a way, it allows for an ongoing conflict within and outside of their ranks.

    This divide was the most compelling storyline throughout the season, especially with how its portrayed. It never is a simple “good or bad” view, but two beliefs at a constant front. We regularly see members of both sides pick a fight because of their difference, while the leadership struggles to keep them in line. It establishes a constant tension between the parties, which makes you wonder when or how people will try to take it out on each other. Yet, it also feels oddly held back by the series trying to juggle more than it can chew at times.

    In a way, the show drags early on and also rushes through storylines. There’s a lot of history here that is complex and worth exploring, but the way it goes from one plot point to the next, it kind of feels like a cliff notes version. You could perfectly split this season into two halves without really changing much, as it suddenly introduces new characters late into the game. While one of them might be my personal favorite just for his general attitude – I don’t want to spoil who that is – it still feels like some of these conflicts could’ve used more time.

    Leif Eriksson, whose history is very much defined by his discovery and not his war prowess, is certainly a kickass character but just along for the ride. His main storyline ties into the overall conflict but it feels somewhat unrealized. Outside of a literal symbol and a heartfelt goodbye, we don’t spend too much time with his conflict. This is war and it takes sacrifices. One of the highlights was seeing him come to grips with the loss and his potential new belief does make a very compelling storyline. Yet, it feels convenient when the story needs it rather than an actual arc throughout.

    Even Freydís’ storyline focused more on build-up than the end execution. Though I will say, I felt like she had the stronger arc throughout this season in comparison to everyone else. I especially loved exploring the Pagan culture and mystical elements surrounding her character. It helped her path stand out from the rest, as the actual England invasion was a bit rushed to get everyone to where they needed to be. They tried to tell so many storylines that it comes to the detriment of its pacing

    I quite enjoyed the back half – even if I believed it should’ve been its season overall to flesh it out more – and it made me happy that I sat through it. Yet, I struggled to get through the earlier episode. There are quite a few characters to keep track of, and it ends up overshadowing our main cast which should be the guiding light throughout the story. We not only have to keep up with our main cast, the Viking royalty, their goals, those that are Pagan and Christian, a side story with a compelling villain played by Asbjørn Krogh Nissen, and the English royalty.

    It’s this weird effect where a lot is happening yet it feels dragged out until suddenly it’s just resolved. Everything else about the series is well-made. The costume design is fantastic, even as many Vikings are similar in design, you can still pick out Leif from the crowd. It doesn’t shy away from brutality from that time, even as we’re watching Pagan rituals. It all comes together at the end, but some might’ve jumped ship as the series doesn’t truly get going until quite a few episodes in. As a weekly release, it could’ve been its detriment but the Netflix binge model may help it out. And with a second season on the horizon, perhaps the best parts are yet to come.

  • Original ‘Power Rangers’ Cast Not Involved With Upcoming Netflix Reboot

    Original ‘Power Rangers’ Cast Not Involved With Upcoming Netflix Reboot

    We’ve heard very little about the upcoming Power Rangers series that is currently in development for Netflix. Jonathan Entwistle was hired to create not only a new film but also various TV series that would establish a Power Rangers Cinematic Universe for the streamer. We’ve heard very little about it since, or even any timings for when we can expect its release, but a recent tweet may have hinted that the new adaptation won’t include the original cast.

    Amy Jo Johnson, who played the original Pink Ranger when Mighty Morphin Power Rangers was released in 1993, took to tWitter to complain that a new “Power Ranger universe” wasn’t including the original actors. In a way, it implies that none of the original actors from the series that started it all have been contacted to consult on the project.

    It’s strange they wouldn’t consult them at all, especially Jason David Frank who has stuck with the franchise for quite some time now. Yet, there’s also the possibility they are trying to go in fresh as this might be a more adult take on what’s come before. It seemed like they may be adapting the Shattered Grid storyline, which re-popularized Power Rangers in the modern consciousness but that multiverse storyline would benefit from the original actors’ involvement.

    Her tweeting it is certainly strange, and we’ll see if more comes out of this, but for now, we can only speculate. Amy Jo Johnson has been busy as of late, as she made a name for herself as a director, most notably directing an episode of Superman and Lois. So, it would be a shame if she didn’t get a chance to direct an episode of the new Power Rangers franchise and leave her stamp on the new generation.

    Source: Twitter