Tag: One Piece

  • One Cancelation After Another: Netflix May Be Pushing Subscribers Away

    One Cancelation After Another: Netflix May Be Pushing Subscribers Away

    There’s something bizarre about the streaming age. We’ve hit a point where some aspects are being dialed back to make it more financially safe. Up until now, Netflix had free reign over the industry and could invest wherever they see fit. We commonly could always expect a second season for any project no matter how good or bad it was. They also became the home for many series that ended up getting canceled; some even hoped that their favorite show could get picked up to this day as Lucifer did some time ago.

    Yet, we’re not in that same era anymore. There’s so much competition out there with heavy hitters like Disney+, Hulu, Amazon, and HBO Max; the latter imploding in its own way. There are also various smaller offerings on the table trying to establish their own market with Peacock Paramount+, ESPN+, and many more. Even internationally some networks are establishing their very own streaming options to build their own markets. It’s slowly turning into a free-for-all that is making the investment quite a bit more difficult.

    So, the question becomes how Netflix can establish itself in that market. Would they innovate to offer something unique like their attempt to try interactive games in the platform? Would it be to invest in more unique IPs like a Power Rangers cinematic universe or other popular IP like Avatar: The Last Airbender or even One Piece? They are doing all that but it’s being overshadowed by one simple fact: most of their new shows don’t survive beyond a single season.

    We just got the news that 1899, a supernatural mystery series by the creators of Dark, has been canceled after one season. While some smaller releases simply don’t pull in an audience like Blockbuster and are more flexible with their format, it’s bizarre to see a high-investment like 1899 not even being given a longer run to truly bank on its entire mystery concept. The show was pitched with multiple seasons in mind and it pulled in an audience going by its performance on the streaming service. Yet, there’s no clear reason given on why the series was passed on.

    Netflix seemingly wants to recreate the virality they’ve seen with select projects. To some degree, their strategy seems to be to throw out as many shows to ensure that one or the other manages to pull in some massive viewership numbers. Wednesday was a huge success, even managing to compete with Stranger Things. Yet, it’s an external production and may even end up on a new platform if they don’t invest enough money; adding more pressure to the series to keep up its high viewership with future seasons.

    There is the other issue that Netflix doesn’t own all rights to their projects. There’s a reason that the various Marvel series left the streaming service with them having a prominent placement on Disney+. Wednesday even currently sits in an uncertain spot as MGM is now owned by Amazon and they could end up losing the rights to what would’ve been their next major hit franchise. Even The Sandman was on shaky ground due to it being a DC project and requiring Warner Bros. Discovery’s approval to move forward.

    So, Netflix is slowly losing the projects that would make it stand out while nuking anything that would have a chance to grow throughout multiple seasons. But that’s not all, as viewers are slowly losing interest in whatever they are offering if this trend continues. Why even invest any time into watching their newest series if the chances of a show surviving are so slim? There’s also the fear that shows one is invested in like the live-action One Piece or Avatar: The Last Airbender if their chances to survive are so minimal.

    Netflix opened up for transparency in how shows perform, but their actions don’t seem to fully reflect what they are looking for in how a series performs. Unlike Disney, they are far more dependent on the success of their series as they don’t fully invest in the merchandise until after it was proven successful; see how long it took before Squid Game or Stranger Things offerings found their way out into the market. Their wait-and-see approach goes against their high-investment gamble, as it creates a bizarre mixture of risk-averse actions with money being thrown out left and right.

    Some franchises are given quite a bit of time such as One Piece being in some form of production since 2017. A Power Rangers cinematic universe is being developed for quite some time now as well, which would indicate they are in for the long haul. Yet, their recent actions don’t seem to truly match some of their investment choices. It creates this feeling of a lack of commitment to these projects they invest in, which reflects upon the viewers as well.

    We also can’t forget Netflix’s desperate attempt to keep users from password sharing, which they hope would lead to an increase in subscribers. Yet, it doesn’t truly ensure any churn for the streamer, and may likely lead to some not wanting to return. It’s been ingrained into our culture by this point that it would push away subscribers without any true benefit for them to sign-up. At this rate, Netflix is becoming its own worst enemy and may push people away, as enough alternatives are on the market.

  • Netflix’s ‘One Piece’ Finds its Belle-Mere

    Netflix’s ‘One Piece’ Finds its Belle-Mere

    We’re still waiting for an update on the upcoming live-action adaptation of One Piece. We haven’t had an official casting in some time but luckily enjoyed a recent update by the manga’s creator Eiichiro Oda himself teasing that the project is going to be “amazing” or “great” depending on the translation. Still, the CVs of various actors have given us a few teases of actors that were cast in various smaller roles from the production.

    The same has just happened with actress Genna Galloway, who revealed in her CV that she’s playing the role of Belle-Mere as first shared by @OP_Netflix_Fan on Twitter. For those that might not know the character, she’s the adoptive mother of Nami (Emily Rudd) and Nojiko (Chioma Umeala). She plays an integral part in the development of Nami’s character and the famous Arlong Park Arc.

    That is not all though, as her Spotlight CV also includes a rather curious detail. Josef Kubota Wladyka directed the episode(s) she was a part of. The Tokyo Vice director was rumored to have a role in the production all the way back in June. We still don’t know how many episodes each director tackled but it definitely has been quite interesting getting these tidbits.

    We might have to wait until 2023 to get an official update on the production but these tidbits have been great to hold us over until we finally got an update. Conway is no stranger to working with Netflix, as she was involved with this year’s Resident Evil. So, it’ll be interesting to see what she brings to her next project.

    Source: Spotlight via Twitter

  • Marineford and Dressrosa Confirmed for ‘One Piece Odyssey’

    Marineford and Dressrosa Confirmed for ‘One Piece Odyssey’

    January will finally see the release of One Piece‘s most ambitious project yet, One Piece Odyssey. The game will explore our favorite Straw Hat pirates revisiting their own history through memories with slight changes adding never before seen challenges. While we still don’t have all the details on the game, Jump has been busy promoting the various storylines that’ll be featured and it seems Jump Festa was used to confirm two more new additions.

    It’s unclear if this includes all storylines, but it looks like One Piece Odyssey will include two new additions to its stories, Marineford and Alabasta. Most of the showcases seem to closely follow the stories we know with some rather curious additions such as Sabo joining the confrontation against Donquixote Doflamingo, or Corazon taking Luffy’s place in stopping him from stomping on Trafalgar D. Law.

    They shied away from teasing any new events during Marineford, but it’ll be interesting to see how closely they stick to the original tales or how they try to twist them in new and interesting ways. Marineford saw Monkey D. Luffy face the marines on his own with some unlikely help form his time in Impel Down.

    Now, he has his crew with him that could make all the difference even if they are powered down due to JRPG logic. One Piece Odyssey is shaping up to be quite an interesting entry in the franchise and might offer something unique even to long-time fans of the franchise. Here’s just hoping they haven’t revealed everything and we also have some East Blue stories in there as well.

    Source: Twitter

  • ‘One Piece’ Creator Offers Update on the Live-Action Netflix Series

    ‘One Piece’ Creator Offers Update on the Live-Action Netflix Series

    Jump Festa has finally arrived and many have wondered if we’ll get any updates on Western productions regarding some of the popular Shonen Jump storylines. One in particular was the Netflix adaptation of One Piece that has the challenging task of bringing the iconic story of Monkey D. Luffy to live-action. With its cartoony world, it seems like a daunting task for anyone to tackle but showrunners Matt Owens and Steve Maeda have been all-in ever since the production started back in January. We didn’t get any trailer or first look during Jump Festa, but a message from One Piece creator Eiichiro Oda has given us an update and it looks like he’s excited about the adaptation.

    Oda leaves a message for all attendees every year and this one was no different. In it he reflects on the last 25 years, the upcoming game adaptation One Piece Odyssey and highlights the “Hollywood Live-Action” series. @Orojapan1 has been kind enough offer a rough translation of the statement shared by Oda, where he goes into some detail about the series and potentially hints at a 2023 release.

    And the Hollywood Live-Action is also in production! We’re currently going through the rough drafts for Season 1. Tehre’s been a lot of work behind the scenes, but I was the most worried one during the process…But it’s really great!!!

    Eiichiro Oda translated by Orojapan

    another translation from @newworldartur rephrases it a bit, as he states they “have the base footage of Season 1” and once again highlights that he was nervous about the production but instead of great he calls it “actually looks amazing.” Until an official tranlsation is released, we can only use these fan translatinos that offer a glimpse on what was discussed or revealed during the panel. Still, it does seem like a reassuring trend is that he’s seemingly quite happy with the production.

    But it’s also not surprising that he was nervous during production, as it is his creation that is being adapted in a new medium under the supervision of others. Not too long ago, we learned just how involved he is with the project and the fact they are already working on the rough drafts for the first season might hint that they are further along in production. So, here’s hoping that a first look isn’t too far anymore and it’s reassuring to know that the franchise’s creator is calling this adaptation “great”.

    Source: Twitter, Twitter

  • Cryptic ‘One Piece’ Tweet Teases an Upcoming Announcement

    Cryptic ‘One Piece’ Tweet Teases an Upcoming Announcement

    One Piece may have one last announcement before it wraps up its 25th anniversary. While we haven’t heard much on the various projects that are currently in development outside of a few trailers building up momentum for One Piece Odyssey’s release in January, it does seem like one more announcement is heading our way. The best part: it seems we’ll find out what it’s all about by tomorrow.

    A new cryptic tweet from the official account has included a “Coming Soon on 12 Dec 2022” tagline alongside.an image teasing a new logo that is close to the design of the original combined with a few changes alongside what seems to be Luffy’s straw hat below. It does include a link to “toei-anim.com” which may hint at something related to the anime.

    It seems highly unlikely that this is in anyway related to the live-action series or even the manga. There’s a good chance that this might be some new collaboration for some merchandise or even special art pieces based on the popular manga and anime series. They might also share some news on the next arc for the anime that is likely going to introduce a filler arc to let the manga run a bit longer so it doesn’t catch up too fast. Of course, it’s just speculation at this point but it’ll be interesting to see what is heading our way.

    Source: Twitter

  • Netflix’s ‘One Piece’ Finds its Lucky Roux

    Netflix’s ‘One Piece’ Finds its Lucky Roux

    It’s been quite the dry period since Tudum gave us table scraps on what the future has in store with Netflix and Tomorrow Studios’ live-action adaptation of One Piece. We did get a tease of the impressive practical sets during Geeked Week, it has calmed down quite a bit. Luckily, there are still some castings that manage to find their way online, such as the first member of the Red-Haired Shanks’ crew being revealed, the iconic Lucky Roux.

    As first shared by @OP_Netflix_Fan on twitter, actor Ntlanhla Kutu has shared on his CV that he is set to play Lucky Roux in Project Panda, the name the production had for quite some time during its time filming in South Africa. He’s included as “Support” without any further details on how many episodes he’ll be a part of or even which director he worked with.

    Roux has a very small role in One Piece, as while he’s an important member of Shank’s crew, he doesn’t appear often throughout the story. To be fair, that is the case for everyone in Shanks’s crew and even their captain. So, we may only get a short appearance early on in the series’ flashback to Luffy’s youth. Maybe the series will give us a glimpse of his dynamic with Yellowjackets Peter Gadiot, who will play the man who will give Luffy his iconic Strawhat, and the rest of the crew. He also played an important part on showcasing just how dangerous pirates can be if they are underestimated, and hopefully Kutu gets his time to shine in the role.

    Source: Twitter via Authentik

  • Netflix’s ‘One Piece’ Will Feature Plenty of Easter Eggs

    Netflix’s ‘One Piece’ Will Feature Plenty of Easter Eggs

    The upcoming One Piece adaptation heading to Netflix will explore the East Blue saga, the early days of Monkey D. Luffy setting out to sea to become the pirate king. When the manga first was released in 1997, the world wasn’t quite set in stone when Eiichiro Oda started working on a manga that would end up running for over 25 years. So, a lot has happened and evolved ever since.

    In a new video, showrunner Matt Owens got a chance to tease a bit of what’s to come with the franchise while also reflecting on previous attempts at adaptation. While highlighting they won’t force any new additions that fundamentally change the characters, he did end the video highlighting his favorite part: Easter eggs.

    This is my favorite part of my job. Pay attention because the Easter eggs! Look at everything we know about the One Piece world now versus when the East Blue was being done. Watch for Easter Eggs! Pay attention to any wanted poster, newspaper, or a bit of dialogue. Pause things, screenshot!

    Matt Owens

    As he points out, we know a lot more now about where the franchise would head and it opens up many avenues to include small references to future events or characters. The inclusion of wanted posters while highlighting the Easter eggs means that we’re going to have to keep a very close eye on what this series might be hiding. Here’s hoping that we don’t have to wait too long until we get the first glimpse.

    Source: YouTube

  • ‘One Piece’ Showrunner Teases a “Flirtatious” Sanji

    ‘One Piece’ Showrunner Teases a “Flirtatious” Sanji

    Things change in adaptation, but a good adaptation still stays true to the characters and their world. Yet, there are some aspects that don’t quite translate, especially when one takes cultural differences into account with manga or anime adaptations. Even with a popular franchise like One Piece, there are some aspects that might just not work when translated.

    While discussing if they’ll add romance elements to the series, showrunner Matt Owens also discussed how they approached the character of Sanji. He’s pretty much someone that does anything for a woman and has even been seen as a more controversial character with some moments souring his development; Thriller Bark comes to mind. So, the question was how would they bring this to live-action and it seems they are focusing more on the character simply being “flirtatious” according to Owens.

    In a way. Sanji is very flirtatious, he loves women but […] he’s not as much of a simp. He’s more a flirt than a simp.

    Matt Owens

    He highlights that they “tweaked it a little bit” and actor Taz Skylar will likely still keep the charm that made the character popular, but we shouldn’t expect his usual antics from the manga. They do also jokingly reference that we definitely won’t be seeing his usual heart-shaped eyes which are a classic manga trope. While Owens doesn’t give away too many details on how they approached the character, it definitely feels like they are keeping the spirit of the character alive but also toning down some aspects.

    Source: YouTube

  • Netflix’s Live-Action ‘One Piece’ Won’t Force Romance Between the Straw Hats

    Netflix’s Live-Action ‘One Piece’ Won’t Force Romance Between the Straw Hats

    Many adaptations make changes or add elements that try to enrich the world, or simply adapt them to the new format. We’ve seen in the past how Dragonball Evolution turned Goku’s relationship with Chichi into a high school romance early on in the film. While that adaptation is widely hated for straying completely away from the material, it wasn’t the last to make changes that alter facets of the project it’s adapting.

    In the case of Tomorrow Land and Netflix’s adaptation of One Piece, there was also some concern that we’d see new elements get added to this adaptation. Luckily, showrunner Matt Owens opened up on the fact that the show will not force romantic interests into the series, as he believes “that kills the characters” and equates the Straw Hats pirates to siblings in a video with influencer Nux Taku.

    The Straw Hats if you want to qualify their relationships in any way, are all siblings. It’s a family. There’s no romance between Straw Hats.

    Matt Owens

    They do jokingly reference Sanji, a character that seemingly has a crush on Nami and Robin throughout the original’s run, but it never leads to anything romantic. It’s refreshing to see Owens want to preserve the relationship of the Nakama aboard the Going Merry as it was in the original, especially not trying to force a romantic subplot into the story that doesn’t truly add anything outside of conflict. Shippers will still have their headcanons but it seems the show isn’t going to stray from the dynamic of the original manga.

    Source: YouTube

  • ‘One Piece’ Showrunner Reveals How He Pitched the Live-Action Show

    ‘One Piece’ Showrunner Reveals How He Pitched the Live-Action Show

    One Piece is celebrating its 25th anniversary in a big way. We’ve finally wrapped up the Wano arc and have entered the “final saga.” That isn’t all, as showrunners Steven Maeda and Matt Owens have also been actively working on a live-action adaptation of the long-running manga series by Eiichiro Oda. With live-action anime adaptations rarely hitting the mark, there’s the question if a cartoony series like One Piece could be adapted.

    It seems that Owens shared that concern when he pitched to Tomorrow Studios, who hold the rights to the franchise. In an interview with influencer Nux Taku, they watched failed adaptations in the past, where he also shared his initial pitch for the project. He shares that he wanted to make sure if anyone screwed up adapting One Piece, he wanted to make sure it was at least someone who loved the original.

    The thing that got me this job was when I first met with Tomorrow Studios when they had the rights, I said to them in my first meeting: “I don’t know if this can be done, but I also know if this is going to get fucked up, I have to be the one to try and fuck it up. Cause you’re not going to meet anybody in this industry that knows or loves One Piece more than me. That was the pitch that I made.

    Matt Owens

    He also highlights the challenge of adapting anime, such as how Netflix’s Cowboy Bebop leaned too heavily into Ed’s out-there personality that doesn’t translate effectively into live-action. Even long before production started, Owens has been quite active within the One Piece community to share his views on the best way to adapt it, and we also recently learned that Oda is heavily involved to ensure the spirit of the original remains alive in this adaptation. The more we hear about this project, the more one can believe they’ll truly pull it off this time around. The only thing missing is some actual footage to go along with it.

    Source: YouTube