Tag: The Sandman

  • Connecting Imaginary Dots: When to Expect ‘One Piece’s Promotion

    Connecting Imaginary Dots: When to Expect ‘One Piece’s Promotion

    A new rumor has hit the web, hinting that Netflix’s upcoming live-action adaptation of One Piece may not release until August 31st. The news dropped just a week after we got our first official look at the adaptation, which gave us a simple tease of the main cast from behind; a perfect way to hint at what’s to come. The biggest confirmation from the first look was also the fact that we’ll be getting the series at some point in 2023. Now, with a new rumor hinting at when it might release, maybe some old releases may help point to when we can expect more news throughout the years.

    Cowboy Bebop’s Rush

    At first, the closest comparison would be the live-action anime adaptation from 2021, Cowboy Bebop. Yet, that series actually raised some concern about how exactly Netflix would try to market the series, as its entire marketing runtime started with the first look on August 23rd. Not just that, they showed the cast in a simple set photo and already confirmed the release date of November 19th. We didn’t get an actual poster until September 24th alongside the remade opening for Geeked Week of that year.

    Our first actual footage of the show arrived on October 19th with the “Lost Session” teaser. In retrospect, it was a great little teaser that was closer to what Cowboy Bebop feels like than the actual show itself, which had a much slower pace in comparison. Ironically, we still wouldn’t get an actual trailer of the show until October 27th; only 21 days before the actual release.

    Given we got the first poster before even a cast image, it seems like One Piece is getting more attention than the previous Tomorrow Studio collaboration. Given it was only truly promoted for less than three full months, it almost seems like Netflix was desperately trying to hide the show and it never got a chance ahead of its cancelation on December 9th.

    The Sandman’s Drag-Out

    So, there’s another major release and adaptation that may offer a hint at how we can expect the release window for the future. Taking a glance at The Sandman, however, it seems like some marketing ploys can even drag out a bit longer than one might expect. We got our first look at the adaptation back in 2021; September 25th to be exact with a variety of character posters and first footage as part of Geeked Week of that year.

    Yet, we wouldn’t really get anything else out of the series until a new key art poster was released on June 6th that confirmed a release on August 5th. We also got a few new character posters. So, we got the exact release date around two months ahead of its premiere with the trailer following on July 24th. So, Netflix once again held onto that full look at the series until the last possible second even as we already got footage the year before.

    https://www.youtube.com/watch?v=83ClbRPRDXU

    Netflix really likes to keep a more intense promotional window for a series shortly before its release. There are some similarities with One Piece given that we got some behind-the-scenes footage for the new series during Geeked Week on June 6th, 2022. So, the early showcase isn’t too different but this time we had to wait half a year before we got any key art for the adaptation.

    Wednesday’s Balance

    The Sandman isn’t the only major 2022 release, as we also have the massive success of The Addam’s Family remake focusing on Wednesday Addams. Ironically, Wednesday has the perfect balance between the two with a shorter promotional window but adding quite a few smaller snippets to promote the adaptation before we get our first actual teaser or trailer.

    Back in May of this year, we got a poster for the series hinting at a Fall 2022 release that gave us a tease of what to expect with a caricature of Wednesday Addams. That was swiftly followed by a teaser on June 1st giving us our first look at Thing before Jenna Ortega was unveiled just five days later. It was our first look at the series and was given quite the highlight during Geeked Week with a still image and small teaser video. We would have to wait until August 17th before we got a teaser trailer.

    The fact that we had a trailer without a specific release window is quite curious as we wouldn’t find out its release date was November 23rd with the second poster that was released on September 23rd. So, the two-month window is still there for the release date but this time we saw footage around three months before. This time around we didn’t get any character posters until November 2nd though, as the focus was mainly on Wednesday; it’s titled after her.

    It’s no surprise that the series would go on to break viewership records, as the series had the most stretched-out advertising campaign with a steady build-up towards its release and giving viewers a bit more time to build up interest in its release. It’s curious how that release date confirmation is always around two months ahead of its release and something that Cowboy Bebop surprisingly unveiled the earliest out of all projects with the shortest marketing campaign.

    One Piece’s Potential

    So, we have very distinct pieces of a puzzle to potentially connect when we may expect a release for One Piece. As it stands now, we only know that the series will “set sail in 2023” and we got not one but two key visuals for the live-action adaptation. There is one similarity with The Sandman stretch-out as we got a first tease all the way back in 2022 just as they were filming the project, but it wasn’t as extensive.

    Of course, any of this is just speculation based on behavior partners on how Netflix promotes its series. There’s a lot of optimism if a series is given time to breathe ahead of its release, as rushing it out and not giving anyone time to really take it all in like with Cowboy Bebop just dooms a project from the get-go. It’s why many movie trailers drop six months in advance and we don’t hear anything until we’re actually closing in on the release date.

    The best comparison is likely Wednesday with the teaser poster releasing early and no confirmed release date. While it would’ve been nice to get a “Summer 2023” inclusion, it does seem that Netflix wants to keep some flexibility on when exactly it’ll drop but with the rumored release date, we may have some potential wiggle room on when we could expect something.

    There is one major anchor that gives us some orientation on when we can expect a major drop for the series and that is Geeked Week. It has taken place at the beginning of June 2021 and 2022. So, it may be safe to assume it’ll once again take place around that same time window and Netflix will definitely want to promote one of its biggest releases during that event.

    Wednesday had the benefit of having its first poster drop around the time Geeked Week took place, so for that time window we’d have to consider the time window is a bit longer but not as out-there as The Sandman was. Still, it makes it challenging to figure out just how much they’ll plan around that event and try to keep everything for the “big reveal” during Geeked Week or not.

    Potential Marketing Roadmap

    So, after all that deduction: here’s a potential timeline based on previous projects on when we might expect teases to promote the One Piece series:

    • January – Teaser Poster & Key Art
    • April/May – New Poster, First Full Look at Cast
    • June – First Trailer and Release Date (Geeked Week 2023)
    • July – Second Trailer, Character Posters
    • August – Release on Netflix

    It’s a very rough estimate but it’s hard to say if we’ll see anything before May, even if it would be great to drip-feed at least something. Still, an optimistic look would be to see a photo of the cast in their outfits around April, as they start promoting the series through a variety of interviews with showrunners, and the cast. Perhaps we’ll even have a statement from Eiichiro Oda; whose support may push this series into the spotlight it needs. The time window would also match the two-month wait between Geeked week and the first trailer. Still, it doesn’t seem likely we’ll get any real information for a few months given there’s no time window included with the posters.

    Where the optimism comes in is the expectation to really see the ball rolling as of May with something new hitting every month if they truly are going for that 31st August release date. A series based on pirates is perfect for a summer release and with their two-month rule, we’ll likely see a trailer around June. What is in June? Geeked Week, of course, if they remain consistent with the last few years. So, we may get a poster either shortly before to promote its appearance or worst case alongside the trailer.

    If we get any tease for One Piece in June, we can safely bet on an August release. Netflix really likes building around that event and it would seem fitting if they get their own segment and plenty of promotion. Wednesday‘s success may also play a factor in their hopes to replicate that same momentum to break more records with a series that is based on the most popular manga.


    Of course, this isn’t something one should take as a definite time window, as anything related to the project could shift any of these predictions. They are mainly based on what has come in the past and how Netflix seemingly operates with its biggest releases. One thing is certain: this isn’t another rushed drop like with Cowboy Bebop and Netflix may be wanting to make this as big as they can to ensure its success to establish the next Stranger Things level series.

    Source: IGN, Den of Geek, Comic Book Movie, The Illuminerdi, Deadline, Twitter, ScreenRant, PureWow, Netflix, YouTube

  • ‘The Sandman’ Season 2 Eyeing Summer Production Start

    ‘The Sandman’ Season 2 Eyeing Summer Production Start

    Netflix hasn’t been doing its best at keeping enthusiasm alive for the streaming service. After canceling quite a few shows, it almost feels like a rarity when one does eventually make its return. Luckily, the ambitious and beautiful The Sandman was able to get that rare Season 2 renewal and is already preparing to start production on its second season according to Mason Alexander Park, who recently offered some insight into what’s heading our way during the Fan Expo in San Francisco.

    Park plays Desire in the DC series, who has a big role going into the next part of the series. During the panel, they highlight though that there’s a reason this won’t be called “Season 2” as it traditionally would. So, we’ll have to see what they’ll title this continuation but they do highlight that production is set to start this summer.

    There is more Sandman coming in a really cool way and it can take many forms, so we’re starting shooting in the summer and we’re gonna tackle the next huge chunk of stories in however long that might take. And I’m really excited to share the format of what that might be with everybody eventually.

    Mason Alexander Park

    The highlight of the format of this continuation does sound interesting and perhaps they will split the seasons up according to various story elements to keep the tale of Morpheus coming out in multiple steps. We had the additional episodes that expanded the original series and there’s also the fact that Netflix experiments with establishing two distinct parts for some of their biggest releases. So, we might see this trend continue.

    Source: Fan Expo via Winter is Coming

  • David Zaslav Pauses Netflix Dealings Over ‘The Sandman’ Season 2 Renewal

    David Zaslav Pauses Netflix Dealings Over ‘The Sandman’ Season 2 Renewal

    At this point, it seems like a safer question to wonder who Warner Bros. Discovery CEO David Zaslav hasn’t pissed off in the industry. Not only did he just save money on taxes by scrapping finished films like Batgirl and a Scoob! Holiday Special, but now he seems to have been quite vocal about his displeasure with other streaming deals. Ironic given that he seemingly is moving away from HBO Max to focus on outsourcing what they have to offer.

    The reaction seems to come from the contract as part of Netflix’s renewal of The Sandman for a second season. Zaslav is seemingly unhappy with how the deal is structured in how producers are paid across multiple months. They have quite a few projects with Netflix like Sweet Tooth, Manifest, You, and more. Instead of re-evaluating the contracts for future projects, he just outright has paused for any further deals to be made for finished shows moving forward.

    It’s strange, as it’s not only a business practice at this point but just didn’t agree with the terms already agreed upon. Zaslav is very hands on in the deal-making, for better and for worse going by recent experiences. Warner Bros. is also no stranger to strange payment models, and it does raise the question why this wasn’t reviewed before moving away from its own streaming service to outsourcing their projects moving forward. Here’shoping this doesn’t end up leading to consequences on any of their co-produced projects.

    Source: Deadline

  • The Sunday Paper—November 6, 2022

    The Sunday Paper—November 6, 2022

    Welcome to another edition of Murphy’s Multverse’s Sunday Paper. With endless news and content coming to you throughout the week, the Sunday Paper is here for anyone who wants an overview of what happened in the past week. Whether you missed it all, or just want to catch up, this is the article for you. Remember to follow us on Twitter, subscribe to our YouTube channel, and check out our website to stay up to date. Check out last week’s Sunday Paper here.

    Perhaps some of the week’s biggest news comes from two upcoming Marvel Studios Disney+ series. Despite having no release date, Wonder Man has made headlines due to some major casting announcements. For starters, Yahya Abdul-Mateen II is in talks to star in the titular role. He is well-known for his roles DC’s Black Manta in the Aquaman films has also starred in HBO’s WatchmenThe Trial of the Chicago 7Nia DaCosta‘s Candyman, and The Matrix Resurrections where he played Morpheus. Not only that, but Better Call Saul’s Bob Odenkirk is also reportedly being eyed for a role in the series, and we have a theory as to who he could play.

    aubrey plaza mcu

    Agatha: Coven of Chaos continued to make news this week with casting announcements as well. Aubrey Plaza was confirmed to be joining the WandaVision spinoff, apparently as a villain. But who? Check out our look at five characters that could be perfect for Plaza. Heartstopper actor Joe Locke was announced to be part of the cast as well. While it is unknown who he is playing, it seems likely that it could be an aged-up Billy, aka Wiccan. It was also reported this week that Ali Ahn (Raising Dion) and Maria Dizzia (The Staircase) have joined the series. Lastly, the series reportedly will have a rare nine episodes on Disney+, and Jac Schaeffer and Gandja Monteiro may direct at least one episode each.

    Of course, in the final week before Black Panther: Wakanda Forever releases in theaters, there were plenty of news and interviews that dropped. Director Ryan Coogler discussed the original plot of the film before Chadwick Boseman passed away, and he opens up about the emotional journey on the new Wakanda Forever: The Official Black Panther Podcast. Interestingly, it seems as though Coogler long ago reserved the right to bring Namor into the Marvel Cinematic Universe, and Tenoch Huerta revealed that he could not swim before playing Namor in the film. Producer Nate Moore gave an update on the Wakanda spin-off project, and he suggested that it is not as far along as some fans might think. He also answered everyone’s favorite question: where is Wakanda Forever in the MCU’s timeline? Apparently, it is clear after Spider-Man: No Way Home and Eternals, and more or less concurrent with Thor: Love and Thunder and Ant-Man and the Wasp: Quantumania.

    Moore was also kind enough to specify that the upcoming Ironheart series takes place after Wakanda Forever, rather than as a prequel. In other Ironheart news, a set photo adds to speculation that a Doctor Strange comics character will appear in the series, and the series appears to have wrapped production.

    For final Marvel news, a new rumor suggests that Sony and Disney have apparently been at the negotiating table and are closing in on a new collaborative arrangement for Spider-Man films. The rumor states that once closed, the two studios could then begin working with Holland on sorting out the terms of his deal, which would likely consist of another Spider-trilogy of Sony films produced by Marvel Studios in addition to scheduling him for appearances in Marvel Studios films.

    Warner Bros. Discovery CEO David Zaslav had some things to say this week. While he teased the “united creative approach” of the two new co-CEOs of DC Studios, he also made an odd comment about how Warner Bros. Discovery will be focusing on franchises in the future by incorrectly stating how long it has been since a Superman or Harry Potter film. While that has yet to be seen, we do know that Stargirl has been canceled, The Sandman has been picked up for a second season on Netflix, Cristin Milioti has been cast as Sofia Falcone in The Penguin series, Dead Boy Detectives added Caitlin Reilly and Max Jenkins to its cast, and Joker: Folie á Deux is set to start production next month.

    This week a rumor circulated that Logan star Dafne Keen will join the cast of the upcoming The Acolyte. It was revealed that Ariel KleimanJanus Metz, and Alonso Ruizpalacios will direct episode blocks of Andor for the show’s second season. They’ll take over for Toby HaynesSusanna White and Benjamin Caron who directed episode blocks of the show’s first season. It also looks like Andor Season 2 will revisit the planet Yavin, a primary location for the climax of A New Hope. Disney+ Italy also accidentally leaked a future The Mandalorian short film focused on Grogu.

    Murphy’s Multiverse exclusively reported this week that Amazon Studios is developing Jeff Lemire’s The World of Black Hammer into a shared cinematic universe. Also this week, the Russo Brothers suggested that they will not work on another Marvel Studios project until the end of the decade, and they also made a disturbing comment that Disney’s upcoming live-action Hercules remake would be inspired by TikTok. HBO canceled Westworld after four seasons, The Last of Us is eyeing a January premiere, and Peacock is developing a Friday the 13th prequel series.

    Raya and the Last Dragon director Carlos López Estrada set to direct a Your Name live-aciton remake. Meanwhile EA and Marvel are collaborating and working on three new games, one of which is the already-announced Iron Man game. The live-action One Piece series added a key Arlong Park character, and One Piece Film Red more than tripled 2019 Stampede’s entire U.S. domestic box office on opening day.

  • ‘The Sandman’ Officially Renewed for a Second Season

    ‘The Sandman’ Officially Renewed for a Second Season

    After accidentally leaking in a tweet by DC Comics earlier today, the official announcement has finally dropped that Neil Gaiman‘s adaptation of The Sandman is indeed returning for a second season. The wait has been a long one, as there was some uncertainty due to how exactly Netflix determines what show returns and what doesn’t. The series has pulled in an impressive 69.5M hours viewed in its first week and even went on to double it in its second. With those numbers and the series even getting a surprise episode, it did seem strange that Netflix wasn’t moving forward already with an announcement.

    Funny thing is, DC Comics still hasn’t tweeted out the official announcement that leaked earlier. So, we might have to wait for whatever visual was prepared for the original announcement. Netflix hasn’t shared an official tweet either, which is curious given that normally they time these official announcements. Either way, it’s great to see that our time with Morpheus will continue and who knows if we might get another bonus episode the second time around.

    Netflix did only recently start sharing information on how these projects perform, but sadly it doesn’t truly give us an idea of what is and isn’t worth a renewal. With their hope to push subscriber growth alongside ensuring their retention, the balance has become tough with many shows getting lost in the amount they release on a weekly basis. Whatever may lead to them renewing projects, here’s hoping it keeps The Sandman going for quite a few years moving forward.

    Source: Deadline

  • Now-Deleted Tweet May Have Confirmed ‘The Sandman’ Season 2 Renewal

    Now-Deleted Tweet May Have Confirmed ‘The Sandman’ Season 2 Renewal

    Netflix isn’t the safest streaming service nowadays, as we’ve long waited for any news on the renewal of The Sandman. The series saw one of the biggest growths from its initial viewing over time, and it made many wonders how it hasn’t been given a second season yet. As it turns out, a now-deleted tweet by DC Comics revealed that Netflix’s adaptation of The Sandman was renewed for more episodes.

    While DC has taken the tweet down, @OneTakeNews luckily has managed to save it and shared it on Twitter. As of now, it’s unclear why it was deleted, but there’s a chance that perhaps it went online too early as tweets are commonly scheduled in advance. Of course, there’s also the chance it was prepared just in case of a renewal and wasn’t meant to go online.

    Whatever may be the reason, it definitely feels right that there’s a second season of this Netflix series. The visual may have also been used to hint at the renewal but we’re going to have to anxiously wait a bit longer until the official announcement drops. So, here’s hoping it just leaked a little early and we can expect an announcement in the near future.

    Source: Twitter

  • Netflix Still Hasn’t Renewed ‘The Sandman’ But Work Has Already Started

    Netflix Still Hasn’t Renewed ‘The Sandman’ But Work Has Already Started

    The Sandman has become one of Netflix’s biggest hits as it dominated the top spot for quite some time on the streaming service. Yet, we still haven’t gotten any word on an official confirmation for a second season. While the wait still continues, it does seem like the team behind the production are confident they’ll get to continue work on the series. In an interview with ScreenRant, VFX supervisor Ian Markiewicz has hinted that they’ve already prepped the scripts and are even looking into how to tackle the VFX as they wait for a confirmation.

    We have a really wonderful framework for what we think season 2 looks like. Allan is still touching up scripts and reworking things, but we have an arc. Up until pretty recently, I think maybe even two weeks or so, Gary, our production designer, myself and Allan meet over lunch, and we will do a script over that meeting. It’s like, “Okay, let’s look at 201,” and we’ll do our breakdowns together, where we do page turns on 201, and we say, “Okay, what do we think? Where can we film this? Can we film this in a real space? If not, what do we need to build, if we need to build it?

    Ian Markiewicz

    He also reveals that they’ve been trying to adapt their approach for the second season, as they decide what can be tackled through VFX and what would make use of a practical set. The work on the first season definitely helped them shape their approach.

    Are we building this as a physical set, or can it be a building as a virtual set or a combination thereof? Is it physical to a certain extent, and then digital beyond that?” Just trying to break each one down to be like, “What’s the most value for this, what’s the most sensible way that covers the need for what we need it to be?” That process is happening now, which is great, and it’s really fun and exciting to be able to sort of have season 1 and behind us to know what we feel worked there, things that we wanted to sort of finesse further, and how that impacts our approach for season 2.

    Ian Markiewicz

    The team certainly sounds confident even as Neil Gaiman has been hesitant regarding the missing confirmation by Netflix itself. Here’s hoping that the wait isn’t much longer and we’ll finally get a confirmation in the coming weeks.

    Source: ScreenRant

  • Michael Jackson Wanted to Play Morpheus in ‘The Sandman’

    Michael Jackson Wanted to Play Morpheus in ‘The Sandman’

    Michael Jackson is, without a doubt, one of the most famous people to ever live. Yet, with all his success, there also came a hefty amount of failure. The pop icon was best known for his career in music, but also famously attempted to make a name for himself in the world of acting. While Jackson did land a few roles during his lifetime, in films like The Wiz and Men in Black II, his on-screen filmography has quickly become more well-known for the projects he couldn’t make happen. Legend tells of numerous occasions when the Thriller star tried using his fame and fortune to cast himself as characters that creatives didn’t necessarily see as a good fit. This includes the time he thought of purchasing Marvel so he could wear Spider-Man’s mask, and when he told George Lucas he wanted to play Jar Jar Binks in the Star Wars prequel trilogy.

    Now, over a decade after Jackson‘s death, writer Neil Gaiman has revealed the singer also made a play for the lead role in an early attempt at adapting The Sandman. Speaking with Josh Horowitz on the Happy Sad Confused podcast, Gaiman explained that a live-action television series based on his acclaimed graphic novel was being developed in the late 1990’s, and Jackson wanted in:

    By 1996, I was being taken to Warners, where the then-president of Warner Bros sat me down and told me that Michael Jackson had phoned him the day before and asked him if he could star as Morpheus in ‘The Sandman’. So, there was a lot of interest in this, and they knew that it was one of the Crown Jewels, and what did I think? And I was like, ‘Ooh.’

    Neil Gaiman

    Obviously, this version of the show never came to fruition, and it would take almost another 30 years before The Sandman saw the light of day. Tom Sturridge would ultimately be the one to bring Morpheus, Dream of the Endless, to life on screen, as the series finally found a home on Netflix earlier this month. Jackson ending up away from the role might have been best for the project as well, as the musician was arrested on charges of child molestation only a few years after his bid for Morpheus ended. Despite an eventual acquittal, the accusations against him never quite went away, and a career in film and television went completely down the drain.

    The Sandman is now streaming on Netflix.

    Source: Variety

  • Neil Gaiman Purposefully Leaked ‘The Sandman’ Script to Ensure it Wouldn’t Be Filmed

    Neil Gaiman Purposefully Leaked ‘The Sandman’ Script to Ensure it Wouldn’t Be Filmed

    Neil Gaiman is living the life as he’s had one successful adaptation after the other. Netflix has just recently released the live-action adaptation of The Sandman, something many believed was unadaptable. It’s been quite a success for the streamer and Gaiman has been busy promoting the release. Yet, in a recent interview, the writer revealed that he purposefully leaked the script of an earlier Hollywood adaptation to ensure that it wouldn’t be adapted. According to Gaiman, he believed “it was the worst script” he’s ever read.

    It was the worst script that I’ve ever read by anybody. A guy in Jon Peters’ office phoned me up and he said, ‘So Neil, have you had a chance to read the script we sent you?’ And I said, ‘Well, yes. Yes, I did. I haven’t read all of it, but I’ve read enough.’ He says, ‘So, pretty good. Huh?’ And I said, ‘Well, no. It really isn’t.’ He said, ‘Oh, come on. There must have been stuff in there you loved.’ I said, ‘There was nothing in there I loved. There was nothing in there I liked. It was the worst script that I’ve ever read by anybody. It’s not just the worst Sandman script. That was the worst script I’ve ever been sent.

    Neil Gaiman

    There’s a hilarious trend in the one he mentions, as it was by infamous Wild Wild West producer Jon Peters, who almost tried to force a giant spider into an earlier draft of a Superman pitch by Kevin Smith before a mechanical spider made its debut in the Will Smith film. It seems that it had its origins in The Sandman adaptation that Gaiman sent to Ain’t It Cool New.

    It had giant mechanical spiders in it… Lucifer, Morpheus and the Corinthian were identical triplets. They were a family of identical brothers, and it was all a race to see who could get the ruby, the helm and the bag of sand before midnight on 1999, before the new millennium started, because whoever got it would be the winner. That was the plot.

    Neil Gaiman

    It’s not every day that you see someone takes matters into their own hands to avoid an obvious trainwreck but Gaiman wasn’t going to let his franchise be dismantled this way. There’s also something hilarious about Peters‘ obsession with a giant mechanized spider being in one of his films. Luckily, his action did end up avoiding it getting made.

    Source: Variety

  • ‘The Sandman’ Creator Hints It Being No. 1 on Netflix “May Not Be Enough” for Season 2 Renewal

    ‘The Sandman’ Creator Hints It Being No. 1 on Netflix “May Not Be Enough” for Season 2 Renewal

    Netflix is the home of many franchises and there have been quite a few that went on for a surprising amount of time. It seemed as if the company was finally moving away from its two-season death streak but it seems that even getting. multiple seasons are quite the challenge now. Neil Gaiman, the mastermind behind The Sandman comic book series and its Netflix adaptation, has revealed that while the series is in the Top 10 list globally for a third week in a row, it “may not be enough” to secure a second season.

    The reveal comes in a tweet by Gaiman when a fan asked for a potential second-season announcement. He also goes on to reveal that the show was quite expensive and that may be one of the reasons the viewership numbers need to continue to grow to truly get that boost for a renewal. We’ve recently seen it with a high-budget production that was Cowboy Bebop that even seemingly had its second season already planned out.

    So, if there’s a show you’re excited about then make sure that you are watching it. Netflix has an issue with some stand-out projects potentially diluting their expectations for most projects to achieve. Squid Game managed to pull some massive viewership numbers worldwide but it also raises the expectations for others. Here’s hoping that they might see the potential of a growing viewership for future seasons instead of expecting a Squid Game every time.

    Source: Variety