Tag: TV

  • Updated ‘She-Hulk’ Trailer on Disney+ Teases Improved CG

    Updated ‘She-Hulk’ Trailer on Disney+ Teases Improved CG

    It’s an understatement to say that the CG of She-Hulk’s first trailer was quite controversial. The timing of CinemaCon seemed like Marvel Studios may have had no real choice but to release something while Disney+ embraces an ad-supported model. Yet, it seems that some more work is being shown off with a brand new trailer that has been made available through Disney+, as first noticed by The Direct.

    There have been many that worried they might not truly improve upon the CG, but the new look highlights what may have been its underlying issue. Unlike Mark Ruffalo‘s returning Professor Hulk, the model used for She-Hulk had a lack of texture. Her body seemed too smooth in a way, which adds to the Uncanny Valley effect that it was out of place with its environment. Plus, it doesn’t feel as real as it could given how it stands out from the background.it brings Tatiana Maslany to life.

    via The Direct

    The close-up might be the best showcase of just how much adding texture to the model makes a difference. The version on the right highlights pores on her face with more detailing added that highlights what was “missing” in the initial trailer release. Naturally, low-resolution footage doesn’t help matters and just adds to the issue while watching.

    via The Direct

    The difference in the amount of time since the initial trailer release is impressive, but the trailer hasn’t been made available in all markets yet. They are very likely still actively working on the effects, which may become one of Marvel Studios’ most expensive series but it does help add some relief for those that wondered if the CG wouldn’t be reworked over time. It’s unclear just how much work went into this version and the next trailer release might help some get a better feeling for how the CG might end up being.

    Source: Disney+ via The Direct

  • ‘Somebody Feed Phil’ is More Relevant Than Ever

    ‘Somebody Feed Phil’ is More Relevant Than Ever

    It’s a rough world out there. I’d just have to tell you to think of what has happened recently and no matter when someone reads these lines, they will find something to connect it with. Even as the pandemic is seemingly “calming” down, we’re still readjusting to a whole new world. Industries are still in a form of constant flux, no matter how many would talk about “what it used to be” as we all know: it’ll never be that ever again. In a world of constants and variables, it becomes harder to sometimes connect with things. As discussions online remain heated over any minute detail of no significance, you start finding yourself lost in it all.

    Luckily, there are still some things that give you a perception that seemed lost in the online world of cynicism, clout-chasing, and god knows what else. Netflix’s Somebody Feed Phil feels like the perfect antidote to the bubble that we live in. Take yourself out of that world to join Phil Rosenthal on his journey of just enjoying life. Traveling the world, meeting interesting people, and enjoying some delicious food. It’s just refreshing and reminds you that most of what happens online doesn’t matter. It’s a world created by those in it, but it doesn’t really reflect the world out there as much as one would think.

    The new season has just dropped and it was an instant must-watch because, with each new season, you feel like Phil is taking you along as part of his newfound family. He shares his delight and excitement no matter what. An optimism very missing from today; not overanalyzing anything but just enjoying it. Take a look at its history and story, not criticize what it stands for, what should or shouldn’t be the way it is but rather just accept and enjoy it at that moment. Somebody Feed Phil has grown beyond just its initial premise, it’s about life and the many people that live it. The episode on Maine has him visiting this family and spending time with people in their everyday life; even if just for a bit.

    Every location visited is a new adventure, be it locally or far abroad. You’re taken along with that adventure and you just feel at home. You meet people you might never meet in your life, but you feel welcomed. They all have passions of their own and even with unique backgrounds, the sweetest moment is when they all come together at the end. Phil brings these unique individuals together and they all are having such a blast. At that very moment, they all just share what they’re doing, eating, and talking about. Something that’s gone lost throughout the pandemic, as we were locked at home.

    In a world filled with cynicism and negativity, Somebody Feed Phil is that light of hope that no matter what hardships one faces in their private life, work-life, or anything that seems to just slam down on one’s head, it’s going to be okay. There’s always something out there to enjoy, and it’s up to us to find it. It’s in our hands to break away from that what drags us down, because it doesn’t define us. There’s a lot to enjoy out there, it’s just waiting for us to grasp it. What can one say but thank you Phil for taking us on your journey and letting us be part of something special.

  • J.J. Abrams’ DC Projects Future Uncertain Due to Warner Bros. Discovery’s Restructure

    J.J. Abrams’ DC Projects Future Uncertain Due to Warner Bros. Discovery’s Restructure

    In 2019, J.J. Abrams signed an overall deal with HBO Max that cost the streaming service $250 million. Since then, Abrams’ Bad Robot has yet to actually produce anything under the said deal, which is leading Warner Bros. Discovery to question what the holdup is.

    Ever since Discovery completed its acquisition of WarnerMedia from AT&T in April, WBD CEO David Zaslav has been going over projects in various stages of development to try and determine whether or not they are worth continuing. One project that has already received the axe is the recently announced Wonder Twins film. The project was originally announced in February, then the project cast its leads in April, only for the film to be halted in early May. Unfortunately, Wonder Twins looks to be only the start of Zaslav’s changes. It’s expected that the newly merged studio will continue to crack down on projects in development – potentially even those being developed through Abrams’ overall deal.

    One of many projects announced as part of Abrams’ overall deal was Demimonde, a science fiction drama set to star Watchmen alum Danielle Deadwyler. The project was expected to consist of 10 episodes, but it might now be on the bubble with Bad Robot reportedly eyeing a budget north of $200 million for the series. As if that isn’t bad enough, Abrams is also developing HBO Max’s DC Comics-based Justice League Dark franchise, which will include shows like Constantine and Madame X. According to The Hollywood Reporter, it is possible to even those projects could come under scrutiny from Zaslav.

    Part of the frustration is said to be that Abrams has “laid claim” to numerous DC characters but has yet to see a project through to fruition. While Warners has seen scripts for Constantine and the pilot of Madame X, the lack of movement could result in action from Zaslav as the streaming service is said to be dealing with a pipeline issue. As it stands, there is reportedly no delivery plan for any of the projects being developed under Abrams’ Bad Robot banner.

    It is of note that, along with producing a new Star Trek movie for Paramount, Abrams was just announced to be producing a Speed Racer series for Apple TV+ through his Bad Robot banner. That project is actually being produced as part of his overall deal with Warner Bros. Television, which is also producing the project.

    Source: The Hollywood Reporter

  • J. J. Abram’s ‘Demimonde’ on the Bubble Due to Budget Concerns

    J. J. Abram’s ‘Demimonde’ on the Bubble Due to Budget Concerns

    Not everything is going smoothly for J.J. Abrams with his new HBO deal, as it seems at the series Demimonde is facing some trouble. The series has been in production since 2018 and was part of Bad Robot’s deal with HBO. Yet, the issue seems to be that the project is looking at a budget beyond $200M, which is less than the upcoming Game of Thrones‘ spinoff, House of the Dragon. Naturally, as nothing of the $250M deal has come to fruition just yet over the years, it’s been becoming antsy over at HBO.

    The future of Demimonde is seemingly dependent on a decision by the end of this week. It recently cast Watchmen’s Danielle Deadwyler and eight of the ten episodes’ scripts are currently being supervised by Warner Bros. TV. It should be pointed out that the overall deal isn’t in jeopardy, but it could have a lasting effect on other projects, especially as HBO Max is getting impatient with the lack of output while Abrams seemingly makes external deals.

    Earlier, news hit that he was executive producing a series for Apple that would bring the classic anime Speed Racer to live-action once again. So, it’s not hard to see that HBO is starting to question how they truly benefit from the deal that was made in 2019 if they still haven’t seen anything produced since. So, there’s a lot riding on Demimonde and if they continue the production as planned, or decide to move away from it to lower risks.

    Source: Hollywood Reporter

  • Live-Action ‘Speed Racer’ Series Heading to Apple, J.J. Abrams on as Executive Producer

    Live-Action ‘Speed Racer’ Series Heading to Apple, J.J. Abrams on as Executive Producer

    In the age of Netflix’s strong focus on bringing iconic anime and manga franchises to live-action, it seems that Apple is the next to throw its hat into the ring. It looks like Apple is working on a live-action adaptation of Speed Racer with J.J. Abrams set as its executive producer. It already got a series order with Ron Fitzgerald and Hiram Martinez writing, as well as executive producing the series. They will also act as showrunners.

    It’ll be part of Bad Robot’s deal with Warner Bros. Television. It’s the second live-action adaptation of the franchise with The Wachowskis still being a cult favorite from back in 2008. While not a financial success, the film found a new life online with its unique visuals. It’s unclear if that’ll be a more grounded take on the franchise, or if it’ll keep its more out-there concepts.

    It’ll be interesting to see how they embrace the anime’s roots as we meet a man whose actual name is Speed Racer, who takes on anime’s original Wacky Races with a Mach 5. He works with his girlfriend Trixie, his father, little brother, and their pet chimpanzee, Chim-Chim, to take on the world. It would be great to see if they pay tribute to some of the cast from the original film, who might be open to returning.

    Source: Variety

  • Three Ways ‘Ms. Marvel’ Will Tie Into ‘The Marvels’

    Three Ways ‘Ms. Marvel’ Will Tie Into ‘The Marvels’

    Now that Doctor Strange In The Multiverse of Madness has released on the big screen, and Moon Knight has concluded its 6-episode run on Disney+, eyes have naturally pivoted to the next double entry in the MCU: Thor: Love & Thunder and the introduction of Kamala Khan in Ms. Marvel. Ms. Marvel is about three weeks away from dropping, and as we have seen, the Disney+ shows are FIRMLY connected to the wider MCU (even Moon Knight had a reference to the GRC that debuted in The Falcon and The Winter Soldier). Ms. Marvel will be no different, forging ties to the 2023 theatrical release, The Marvels.

    The 1-2 punch of Ms. Marvel/The Marvels seems in line with WandaVision/Doctor Strange In The Multiverse of Madness. As such, the speculation train is rampant as to how this story about a young hero from New Jersey can connect to the sequel for one of Marvel’s highest grossing films ever. We can start to answer that by going back to the source: the comics.

    Based on the trailer, Kamala Khan’s power source seems incredibly reminiscent of the Quantum Bands. The Quantum Bands, gifted in the comics to Mar-Vell as he became Protector of the Universe, may offer us our first connection to Carol Danvers.

    In the MCU, the Bands are likely Kree tech with a connection to the Quantum Realm. The Kree came to Earth-616 to bring Carol Danvers back to Hala, and it is entirely possible that they left some tech that Kamala Khan stumbles upon. The last time we saw Carol, in the post-credit scene for Shang Chi and The Legend of The Ten Rings, where she was quickly distracted and had to run off. It’s incredibly likely that will coincide with the timeline of The Marvels.


    The Disney Plus streaming series Hawkeye may also provide a template for a connection to form between Kamala and Carol. In that, we see a young Kate Bishop inspired by Hawkeye after watching him from her parents’ apartment as he fought off the Chitauri. In the comics, Kamala looks up to Carol in the same way, and you see hints of that transferring over from the page to the screen in the footage that Marvel has released. Kamala idolizes Carol, and it wouldn’t be too surprising to see a similar scene in Ms. Marvel that allows for Kamala to develop a deep respect for Carol. Keep in mind that, at this point in the MCU, Carol’s adventures have taken place off-world, so Marvel is going to have to show why Kamala feels this deep connection to Carol.

    Lastly, we can’t talk about how Ms. Marvel will connect to The Marvels without discussing the third “Marvel”: Monica Rambeau. Imbued with powers from thrice crossing “The Hex”, it is possible that Monica Rambeau will be the one to remind Kamala that Carol is not the hero that she thinks she is. Monica blipped when her mother was alive, returning only to have her mother pass and Carol, her mother’s best friend, nowhere to be found. In Wandavision, we see a Monica that is very clearly not too fond of Carol, and now she’s going to be with a person in Kamala who adores the person she cannot stand.

    Given that Carol didn’t Blip, and thus won’t understand why Monica is so pissed, it’s even likely that Kamala is who tells Carol that Monica has a reason to not be happy with her. Given Carol’s stubborn nature, this will most likely be needed. At the end of WandaVision, we also see that Monica is told by a friendly Skrull that someone wanted to see her, and that someone could be a Carol who has now recruited a kid into space (if Ms. Marvel ends with Kamala Khan being beamed up in order to be protected). Imagine her anger when seeing that Carol came to protect Kamala, but not her.

    With her power source potentially being Kree tech, the idolization of one of the heroes, and potential role as an intermediary between Carol and Monica, Ms. Marvel will most definitely be required watching for anyone preparing to watch The Marvels.



  • REPORT: Runtime for ‘Ms. Marvel’s First 2 Episodes Revealed

    REPORT: Runtime for ‘Ms. Marvel’s First 2 Episodes Revealed

    As first reactions are hitting the web from Ms. Marvel, we also get some teases on what the first two episodes have to offer for those excited to check out Marvel Studios’ latest project. There’s always some excitement, or even uncertainty, about the runtime of these episodes as Marvel Studios has not truly broken beyond the one-hour mark with its drama series. It looks like the same can be said for the

    The first episode of Ms. Marvel will be 47 minutes long with the sequel running for two minutes longer. As per usual, it also includes the usual credits that are different depending on what region you are from, as they also include the local dub actors. So, keep that in mind if the runtime is slightly off in your local region.

    The runtime discussion has been an interesting one, as many have gotten the feeling that Marvel isn’t using more time to fully explore these stories. As we’re seeing these projects as quite new for Marvel Studios, who mainly focused on three cinematic productions per year. As they expand, they likely have to adjust to it and we’ll see how they learn moving forward.

    Ms. Marvel will explore the story of Kamala Khan. A young teenager who looks up to the heroes she grew up admiring, only to suddenly gain a special ability of her own. As the Pakistani-American tries to find out what she is truly capable of, Khan also has to balance her studies, avoiding high school’s usual trappings and the watchful eye of her family.

    Source: Twitter

  • The Imperfections of a Jedi Master: The Duchess, The Apprentice, and Obi-Wan Kenobi

    The Imperfections of a Jedi Master: The Duchess, The Apprentice, and Obi-Wan Kenobi

    Duchess Satine of Mandalore is on the run, and Jedi Master Obi-Wan Kenobi has been assigned to save her. The two have a long history together, dating back to Kenobi’s time as Qui-Gon Jinn’s apprentice. For a moment, all feels right again. Remarks and retorts are thrown back and forth as they relive their glory days, nearly forgetting about the weight of their responsibilities. The same weight that crushed any chance they had at a life together all those years before. Then, suddenly, Senator Tal Merrik is unveiled as a traitor. His sights set on ending Satine’s life. Thinking this might be the end, the Duchess admits something she never thought she would. “I’ve always loved you“, she says to Obi-Wan. The Jedi responds with one of his classic quips, “This is hardly the time-“. Satine stops him with a furrowed brow. She knows something about him nobody else does, and no amount of wit will substitute the admission she’s looking for. Kenobi takes a moment, and then he says it. “If you had said the words, I would have left the Jedi Order.”

    Obi-Wan is a lot of things. To one generation, he’s remembered as the wise old hermit who set Luke Skywalker on the path toward becoming a legendary Jedi. To another, he’s seen as a valiant hero of the Clone Wars, who never faltered in the face of tragedy. He’s loved by legions of fans because he is brave, he is charming, and he always appears to do the right thing. He is Jedi Master Kenobi, a purveyor of righteousness and adept at all things not flying. What people tend to forget, however, is that he is also deeply human. Full of regret, sorrow, and longing. He knows where he’s made mistakes, and he knows where he will continue to make them. He’s just really hoping the next one won’t be as bad as his last.

    It’s this trait, perhaps his most crucial, that endears him so completely to so many, even if they aren’t aware of it. Duchess Satine would end up surviving that terrifying brush with death, but Kenobi’s reputation as a by-the-books mentor did not. Suddenly, fans across the globe were aware of Obi-Wan’s true self. Free of obligation and duty, for just one moment, Kenobi became every bit the emotional puppy he had spent years telling his apprentice it was unacceptable to be. This is because, as much as he tries to hide it, Obi-Wan Kenobi and Anakin Skywalker are one and the same. They just have different coping mechanisms.

    Kenobi spends most of his time in the prequel trilogy scolding Anakin. The young Jedi feels so much at any given moment, and he feels it genuinely. When a person is constantly bombarded with that level of emotion, it begins to manifest in one of two ways. It either numbs itself, or it boils to the point of outward reaction. Anakin reacts, and Obi-Wan numbs. The Jedi Master’s way of dealing with his own trauma is to stuff it down and live by his code, in much the same way a real person might bury themselves in work after a bad breakup. He never truly believed in the code as an end-all-be-all solution. It was just easier to cite a rule of “no attachments” than it was to confront his own feelings. Life is less complicated when you’re not allowed to do things anyway.

    During the Clone Wars, Jedi Master Luminara Unduli spoke to Anakin about his love for padawan Ashoka Tano. With both Tano and Barris Offee presumed dead, Skywalker became frantic. Unduli remained calm. Searching desperately for his learner, Anakin was told by Luminara that it was not the Jedi way to feel so strongly for his apprentice. He refused to comply. The moment is played as an indicator of Anakin’s future, but it plays surprisingly well into his own master’s future as well. This same type of emotional denial would emerge again in one of the franchise’s most iconic moments. Faced with losing his apprentice to the Dark Side amidst the fall of the Republic, to which he dedicated so much of his life, Kenobi says something that flies in the face of everything he’s told Anakin since their partnership began. “You were my brother, Anakin. I loved you!”. This, good folks, is attachment. Unbridled attachment, showing Kenobi’s true colors in the same way they emerged when he thought Satine would be gone forever.

    Unfortunately, with the untimely death of Qui-Gon, Kenobi was forced to begin raising Anakin way before he was ready. At such a young age, the Jedi Knight was still learning who he was, and the Jedi Code was simply sitting there like the galaxy’s warmest comfort blanket. Qui-Gon never got the chance to teach Obi-Wan how to love himself, and he was never allowed the time to sort that out himself. Being then tasked with the emotions of a young, wildly Force-sensitive boy likely stunted his own emotional growth, and in turn, negatively impacted the way he was able to deal with Anakin’s own needs. He wanted to help, but he just couldn’t understand the way Anakin would respond to the same scenarios as himself. Both cared, both wanted nothing but the best, and yet they always argued over how to solve the problem. One reacts, one numbs, and neither is able to comprehend the other. This is the true tragedy of Star Wars, a catastrophic lack of communication.

    It doesn’t help that, typically, when confronted with accusation or pressure, Kenobi will respond with some sort of cheeky comment. For him, it makes it easier to sidestep the admittance of his own faults. Earlier in the same aforementioned adventure with Satine, the Duchess mentioned having a scar to prove she spent time with Kenobi in the past. “I remember carrying you to safety“, the debonair Jedi claims. “That’s from when you dropped me“, she informs him. The visual feedback on Obi-Wan’s face seems to communicate something along the lines of, “Why would you say that in front of my friends?”. In actuality, what Satine has done is cut through the teacher’s façade. In front of everyone, she has revealed him to be fallible. No matter how many cool moments he’s had in the past, everyone now knows that Obi-Wan Kenobi once dropped the damsel in distress. He is imperfect, and it’s beautiful.

    If you had said the words, I would have left the Jedi Order“. Potentially the most important sentence Obi-Wan Kenobi said in his entire life. Only moments after speaking it, the Jedi Master would be given a near-impossible choice. Senator Merrik holds Satine at gunpoint, taunting Kenobi with the power he now holds. If Kenobi kills him in cold blood, he will betray his order and lose Satine’s respect, but if he doesn’t, Satine will die. Obi-Wan stands his ground as music swells, raising anticipation for the decision everyone hopes he’ll have to make. He grips his lightsaber, scowls, and prepares to do what must be done. Then, a blue-colored blade runs Merrik through. While Kenobi numbed himself and weighed his choices, Anakin reacted to save those he loved. “What“, Anakin says jovially, “He was gonna kill her“. The crisis is averted, and everyone involved is able to maintain the status quo. Life goes on, and nobody learns anything. This is the way of the Jedi, and its eventual demise. The rest is history.

  • ‘Echo’ Head Writer Shares Set Photo With First Look at New Logo

    ‘Echo’ Head Writer Shares Set Photo With First Look at New Logo

    It’s not uncommon that Marvel Studios’ projects go through a variety of logos while they go into development. Initial announcements tend to use a logo strongly inspired by the character’s comic runs before starting to evolve into its own unique design. While we knew long before Hawkeye entered production that the character of Echo (Alaqua Cox) would get her own Disney+ series.

    It wasn’t until Disney+ Day that we got our first look at its logo, which took a very simple design approach that isn’t new with any of the Marvel films. Yet, it looks like production has recently updated that they’ve updated the logo once again, as shared by the series head writer, Marion Dayre, on Twitter. While we don’t see anything from the actual production, we do get the series’ production name Solidarity alongside the new Echo logo.

    The design seems a bit more steeped in what the series represents, and we may hopefully also get that in the eventual updated design for the logo, which has become part of their usual development cycle. The logo showcased above is very likely not going to be used outside of the production.

    Ant-Man and the Wasp: Quantumania had a unique logo design that was hard to decipher at first but was only meant for the production team. So, this design is very likely also following that very rule. Still, it’s always great to get an update, no matter how small it is and there’s a lot of promise to explore a smaller scale story with this series.

    Source: Twitter

  • ‘Cobra Kai’ Season 5 to Introduce a New Sensei

    ‘Cobra Kai’ Season 5 to Introduce a New Sensei

    According to Deadline, Alicia Hannah-Kim has joined the series as a South Korean Sensei named Kim Da-Eun who is a part of Terry Silver’s (Thomas Ian Griffith) plans to quickly grow the Cobra Kai franchise. Along with the addition of Hannah-Kim, Season 4 newbie Dupree Young, who portrays Kenny Payne, has been upgraded to a series regular for Season 5.

    Given how the end of Season 4 played out, with Martin Kove’s John Creese being arrested, it seems likely Da- Eun will play a leading alongside Silver. We know that Daniel LaRusso (Ralph Macchio) has already brought in his former enemy, Chozen (Yuji Okumoto), to help out Miyagi-Do as William Zabka’s Johnny Lawrence took off to Mexico in search of Miguel (Xolo Maridueña). Da-Eun looks to be filling the shoes of Creese for Cobra Kai. Whether or not Da-Eun becomes another victim of Silver remains to be seen.

    Hannah-Kim recently appeared in HBO Max’s Minx as Wendy Mah. She has also appeared in Freeform’s Alone Together and ABC’s Grey’s Anatomy. As for Payne, outside of Cobra Kai, he has appeared in Nickelodeon’s Cousins for Life.

    The fifth season of Cobra Kai wrapped production back in December. The creator of Cobra Kai, Josh Heald, has previously teased that the series would run for six seasons. As of this writing, Netflix has not confirmed the sixth season, but scripts are already being written.

    Season 5 of Cobra Kai hits Netflix on Sept. 9th.

    Source: Deadline