Murphy's Multiverse

Tag: TV

  • ‘The Last of Us’ From Game to Screen: Episode 2

    ‘The Last of Us’ From Game to Screen: Episode 2

    We are back with another edition of #GameToScreen, where we review the key differences between a video game and its adaptation. We continue with Episode 2 of The Last Of Us, Infected. You can read our veteran’s review here and our newbie’s review here, and you can yell at Charles if need be. Let’s dive right in!

    The Connection Between The Infected

    We alluded to this in Episode 1’s Game to Screen, but Episode 2 confirms the impact that the subtle change in how people are infected can have on this world. Since people are infected via the vines of other infected, then this means they are all theoretically connected. Now, this is obviously a drastic change from the games in that there is almost a symbiotic relationship between each of the infected. It, also, really gives us more questions than answers. Are they learning from each other? Is there an Infected Prime somewhere who is essentially Patient Zero?

    Tess’s Death

    We, also, alluded to this in last week’s Game to Screen, but changing Tess from Joel’s business partner to his business partner slash lover meant that things that were headed our way would have much different meaning. Tess dies off-camera in the games, choosing to sacrifice herself to ensure that Joel and Ellie live, though she makes sure to take everyone and everything she can with her in a flurry of gunfire. The show keeps the sacrifice, decides to remove the humans she encounters before dying, and instead sends in a mass wave of Clickers. Tess chooses to go down in a literal blaze of glory as she sets fire to herself and all the Clickers that surround her. We are, also, treated to what can only be described as a French kiss between a Clicker and Tess, which makes things very awkward. All jokes aside, having Tess die differently, albeit slightly earlier, really brings up so many questions about the fate of a lot of the characters we are going to meet. What changes to our characters await us down the road?

    Ellie’s Infection

    In the game, Ellie’s valuable in that she is immune from this airborne and by-the-bite virus. That’s right: she cannot become infected no matter how many times she’s bitten or, you know, breathes. In the show, they have already established that the way you are infected is different in the show. However, it is in Tess’s conversation with Ellie where something comes into focus: Ellie is actually infected. Tess tells Ellie, in fact, that even stepping on a vine draws the attention of multiple infected, which is fascinating considering that Ellie is very much infected in the show given that she has been struck with the vines before. Is Ellie not just the key to a cure, but also the key to finding the presumptive leader of the Infected?

    The First Clicker Encounter

    Ellie, Joel, and Tess first encounter the Clicker in the museum in Boston, during a dark night in Beantown. The show sets this encounter a little bit earlier, removes FEDRA’s presence from the encounter, and lets it play out in broad daylight. Considering this is one of the most tense situations in the game, setting it in the daytime would remove all tension, you would think, but not even a little bit: it is still very much unnerving to see Clickers for the first time, and to see them in the location you did not expect. One of the really great things about the Resident Evil remakes being released now is that they circumvent our expectations, and The Last of Us has found a way to do that in nice ways through two episodes. What other subtle changes are in store for us that change our expectations?

    Tess’s Dying Wish

    Tess, gearing up to sacrifice herself, tells Joel to take Ellie to Bill and Frank, and urges him to have them take her to the Fireflies: in the game, this just does not play out like that at all, and Frank is actually dead. Joel finds a corpse in the train station after Tess sacrifices herself, and you later discover that that was Frank who was dead. In the show, Frank is very much alive, and that introduces a new dynamic for the next episode. Tess’s instructions are for them to take Ellie to the Fireflies, while Joel can continue looking for the Ghost Rider Gabriel Luna. We will not get into Bill’s future given how spoilery it would be, but Frank’s future being re-written really has us excited.

  • HBO’s ‘The Last of Us’ Originally Gave Tess An Origin Story

    HBO’s ‘The Last of Us’ Originally Gave Tess An Origin Story

    HBO’s serialized take on the acclaimed video game The Last of Us has thus far been a hit with fans. The show has been praised for its ability to recreate key moments from the original game while also offering expansive new information about the origins of the fungal pandemic and its leading characters. This week, the series debuted its second installment, which featured a heavy focus on Anna Torv‘s Tess, the smuggling partner of Pedro Pascal‘s Joel and co-caretaker of Bella Ramsey‘s Ellie. While the episode mostly sticks to the same character arc Tess has had since 2013, showrunner Craig Mazin was quick to reveal this wasn’t always the case.

    In the latest edition of HBO’s The Last of Us Podcast, an official weekly companion series in which Mazin and franchise creator Neil Druckmann discuss adapting the game to live-action, the former explained that the second episode nearly gave Tess a full-blown backstory. After being asked by podcast host Troy Baker about the character’s vulnerability and willingness to feel hope, Mazin stated they had actually written an origin for her that would have expanded upon the complex emotions she displays throughout the episode:

    There is something we had talked about, and we wrote it. We never shot it. It was a little bit of a backstory for Tess, and the fact that Tess had a kid. She had a husband and she had a son, and they were infected and she had to kill them. She killed her husband, but she could not kill the son. She couldn’t do it. She locked him in the basement, where theoretically, he’s still a Clicker.

    Craig Mazin

    Druckmann then elaborated further, chiming in to give more details on how the backstory would have been told and why it didn’t make the episode’s final cut:

    We had a cold open where we just like, the camera pushed on this door and you just hear this pounding coming from this basement and then we cut out. Then later, Tess would tell the story of how she couldn’t kill her son…it didn’t fit, but it was fun to think about.

    Neil Druckmann

    Whether or not fans choose to take this as the canon origin story for Tess is up to them. It hasn’t actually been included in any official in-world content, so it could be altered in the future if the creatives decide on something else. Or, as is often the case with The Last of Us, Tess’ history before Joel could remain a mystery forever. Either way, like Druckmann said, it’s still fun to think about.

    Source: HBO’s The Last of Us Podcast

  • What in the End of the World Is Happening in ‘The Last of Us’?-Infected

    What in the End of the World Is Happening in ‘The Last of Us’?-Infected

    Fans of the award-winning video game franchise, The Last of Us, have been anticipating the arrival of the HBO Max streaming series since word of the project first circulated in late 2020. Led by Pedro Pascal, Anna Torv (oops), and Bella Ramsey, the adaptation kicked off with an 80-minute first episode that covered a lot of ground (55 years to be exact), most of which was incredibly familiar to fans of the game and has fans of the game pretty fired up for more. But what about your average outsider? As a certified outsider, I have a lot of questions about just what the hell is happening at the end of the world in The Last of Us.

    More Damn Science

    The Last of Us is two-for-two on cold opening full of science stuff and both have done a fantastic job of foreshadowing the horrors faced by the characters that inhabit the world. The terror on the mycology professor’s face when she learned the impossible had happened and cordyceps fungi had learned to live in humans was nothing compared to the emotions of her realization that the world as she knew it was over. Amazing cold open!

    Boston

    Ellie, the Mycelium Messiah,is a mycological miracle! Once bitten, twice shy I suppose. The distrust on Joel’s part, the unwillingness to let himself believe in hope, is pretty fantastic! And I don’t know that I blame him because until we understand why Cordyceps Christ doesn’t turn into a monster, it’s easy to keep imagining she will! How does this work? The science lady said no medicine and no vaccine!

    Two things stood out to me during the time in Boston and both were very cool. First of all, even as someone who has never played the games nor seen them played, I could feel the video gaminess of the hotel and museum scenes but they were also very well done. Moving through the gross water, the dead body jump scare and crossing the wooden plank to find a new path all seemed like things ripped right from gameplay. Also, I have no idea, but I’m guessing the museum is a pretty major stop in the early part of the game. And I had no idea they were going to kill Andrea like that! Wow! This is starting to feel very, very Game of Thrones-y in that I don’t know if I want to get attached to anyone other than Joel and Ellie.

    In addition to the great job the creatives did in bringing video game stuff to the screen, the description of the fungus as one large organism followed by the demonstration of the way it works was incredible! Is that from the game? Or is that something they made up or expanded on for the series? What an element of danger it brings to everything you do. If they’re all crispy, no big deal…but if you touch even the smallest bit of one that’s still kicking, those crazy Croakers and the fungal fiends come for you. Absolutely terrifying!

    Two episodes in and I’m loving it. This feels like a story worth watching despite knowing everyone is going to die…and they probably should if they leave the safe places! Morons.

  • REVIEW: ‘The Last of Us’ Splits Heads and Builds Tension in Subtle Second Episode

    REVIEW: ‘The Last of Us’ Splits Heads and Builds Tension in Subtle Second Episode

    The Last of Us is a storytelling machine fueled by nuances. So much of its plot, and consequently, its character development, plays out in the form of sudden movements and stilted glances. In its original video game format, the traumatic tale of Joel and Ellie was allowed to be immersive, executed as something experienced by both the protagonists and the player controlling them. On television, this can’t be the case, so formerly passive moments of world-building become incredibly deliberate choices, and once-lively sequences of gameplay transform into subtly intense scenes on camera. It’s not an easy transition to pull off creatively, but this tight-rope act is the name of the game in Infected, the second episode of HBO’s newly acclaimed adaptation.

    Picking up where the premiere left off, Infected sees Joel, his smuggling partner Tess, and their new cargo Ellie fleeing from the Quarantine Zone and traversing a post-apocalyptic Boston. Their goal is to drop Ellie off with the Fireflies and go their separate ways, but the path to the designated meeting point is blocked by a horrifying horde of the fungally infected, and not everybody is going to survive the alternate routes. This episode is, perhaps, a slower burn than the last, but works insanely well as a masterclass in creating tension. From beginning to end, the stakes feel high, and the expert pacing leads to truly awe-inducing payoffs that firmly cement The Last of Us as a terrifying, heartbreaking new world of monsters.

    Much like the first episode, Infected begins with a cold open set before the events of Outbreak Day. A scientist in Jakarta is tasked with inspecting the body of a freshly infected person, quickly coming to the realization that society, as humanity knows it, is about to end. While striking, the scene at first feels repetitive of what was already presented in the pilot, an almost unnecessary addition to the story when Joel and Ellie’s journey is begging to continue rolling. There’s an extreme sense of foreboding, a deeper look into how the fungus began spreading, and a reminder that people won’t be able to win this battle before cutting to the opening credits. However, as the rest of the episode unfolds, it starts to become clear just how brilliant the cold open actually was.

    As its title implies, Infected does a lot of leg work when it comes to explaining how The Last of Us’ zombie-like plant baddies function. The information given to viewers in the episode’s first few minutes is expanded upon as the remaining hour ticks away, with each new detail creating a higher sense of danger than the last. As the stand-in for the audience, Ellie gives all the correct reactions, ranging from disgust to strange admiration. Like anything humans may fear in nature, there’s an innate level of respect for the fungus and its unstoppably connective nature, but it doesn’t make the simultaneous pain and destruction its growth results in hurt any less. Tendrils, for example, finally have a purpose, and the show’s manner of presenting them as both deliciously creepy and oddly beautiful makes for a wonderful mixed bag of emotions for those watching at home.

    Like the cold open itself, most of the horror in Infected comes from what the audience doesn’t see. Viewers are told what could kill them, and they’re told how dire the situation has become, and then they’re left to imagine what that might look like for the large majority of the episode. Characters peer through collapsed buildings, walk past craters in the street, hear screeches come from the distance, and see far-off, ant-sized bodies roll in a giant mass along the ground. It feels like anything could come crashing through the wall at any moment, and it causes every action the protagonists take to feel like a life-or-death decision. All this, so when the Clickers finally make their live-action debut, it’s worth every second of agonizing anticipation that came before it.

    Avid fans of The Last of Us have heard the sound of Clickers a million times in the past, yet somehow, HBO’s latest series manages to bring a fresh kind of fright to the first time that guttural noise comes around the corner. It’s not the action-packed museum fight sequence from the game, but it doesn’t have to be. The point is to experience the terror of the infected, and director Neil Druckmann only needs two of them to get the job done. Every motion of the camera while Joel and Ellie hide (in a surprisingly game-accurate way) is genius. A continued play on the phobia of the unknown. They, and the viewers, only get glimpses of a living nightmare that forces them to play by its rules. If Clickers weren’t already part of the classic horror villain lexicon, they will be now.

    This unique sense of dread extends to the episode’s closing moments, which find Anna Torv‘s Tess sacrificing herself in a bittersweet effort to save the planet. This, too, is made better by the beginning of the episode, acting as a hopeful bookend to an hour of empty loss. In Jakarta, it’s made perfectly clear that there is nothing people can do to stop the fungus. The only option, according to a tearful scientist, is to take lives away. Here, after discovering Ellie as a potential solution, Tess realizes the answer may actually be keeping a life intact. Again, after a long subtle build, the payoff comes due in a gorgeous, intimate moment of humanity, surrounded by the bizarre parallel of the fungus – now spreading into Tess – also doing what it can to stay alive.

    Of course, none of these nuances could possibly work as well as they do without the pure talent of the cast. Bella Ramsey comes to life as Ellie in this episode, and it becomes apparent by the end exactly why they were chosen for the role. A perfect blend of vulnerable and tempestuous. Specifically, a moment between Ellie and Joel in the lobby of a flooded hotel feels ripped straight from the game, with Pedro Pascal also embodying the latter character with immaculate accuracy. Somehow, The Last of Us has been reborn on HBO, and with time, it may even prove to be a better version of the story than the original model. At the very least, these first two episodes have been nothing short of amazing, and hopefully, are enough to bring viewers back for more.

  • Alden Ehrenreich Teases a “Very Personal” ‘Ironheart’

    Alden Ehrenreich Teases a “Very Personal” ‘Ironheart’

    Marvel Studios is still hard at work on its upcoming Disney+ projects that are set to release in 2023. While they revealed their plans back during San Diego Comic-Con, a lot has changed since, and who knows when we can truly expect any of the series to drop. While we continue to wait on an update for Secret Invasion, which would be the next in line to release, it seems we’ll have a little update on Ironheart to tie us over.

    In a brief interview with Solo star Alden Ehrenreich, the actor got a chance to tease what it was like working on the Disney+ series. He doesn’t give away any details, as per usual, but he does hint that this story is “big” but still feels “very personal.

    Ironheart is big but also feels very personal. I really appreciate that about it. And it was fun, it was nice to go back and do a big one like that.

    Alden Ehrenreich

    From set leaks and rumors, we know that the series will tackle a very different kind of storyline, as the tech-based hero will face some rather magical enemies. So, there definitely might be a big-scale action if we’ll see young Riri Williams fly around in her latest suit of armor to take on enemies that have some dangerous abilities at their fingertips.

    There’s also the question of who exactly Ehrenreich might be playing and if he might be on the technological or magical side of this Disney+ series’ story. We might have to wait a little bit longer to find out, but perhaps he has a bigger role beyond just this series as well.

    Source: Twitter

  • ‘Doom Patrol’ Season 5 Renewal in Doubt After New Post by DC Series Star

    ‘Doom Patrol’ Season 5 Renewal in Doubt After New Post by DC Series Star

    DC Studios is the new future of all projects under the DC Comics banner for Warner Bros. Discovery. We knew that there will be a selection of what projects currently in development remain canon to the ambitious goal of establishing a new DC Cinematic Universe under new leadership. Yet, this exciting new direction won’t come without some sad losses along the way. It was just unclear how much would remain and what won’t, but a recent Instagram story shared by actress Diane Guerrero may have shed a dark light on the future of Doom Patrol.

    The series followed a group of unlikely characters that would end up working together to solve whatever chaotic mess was heading their way. They weren’t really superheroes in the classic sense, but they definitely were a family worth following. There was hope that the series may still get a fifth season to wrap up any potential plotlines or get one last hurrah even as the DC universe is being reshuffled.

    Sadly, Guerrero posted an image in her Instagram stories with an image from Doom Patrol featuring her character Jane. While that isn’t unusual, the inclusion of the words “Goodbye my beloved” raises some concerns that they have already canceled the show and informed those involved with the production.

    There was some expectation that the current HBO Max shows would get canned, especially the live-action ones like Titans and Doom Patrol, but given their popularity could at least still get a final additional season. This post doesn’t confirm that the show is truly over, but it does seed some thoughts of concern about the series making an eventual return. Here’s hoping that an eventual positive update follows.

    Source: Instagram via The Direct

  • Rearview Mirror: A Phase 4 Retrospective-The Year with No Marvel

    Rearview Mirror: A Phase 4 Retrospective-The Year with No Marvel

    With Ant-Man and The Wasp: Quantumania set to kick off Marvel Studios Phase 5 in February, what better time to take a comprehensive look back at the ups, downs, ins and outs of Phase 4. First up, the year that wasn’t.

    Long before Avengers: Endgame hit theaters in 2019, Marvel Studios was already well into the planning stages of the Multiverse Saga. Disney Plus was set to play a major role in said saga, which looked set to introduce a slew of new heroes and villains. James Gunn’s Guardians of the Galaxy Vol. 3 was originally expected to kick off the new saga but after that went off the rails for a bit, exactly what to expect and when to expect it was a mystery until October of 2018 when the 2020 film slate was exclusively revealed to consist of only Black Widow and Eternals. When Murphy’s Multiverse went live in November of 2019, Marvel Studios had officially confirmed the news about the two films and also slated the first Disney Plus series, The Falcon and The Winter Soldier for a Fall 2020 release. 2020 wasn’t set to be the big, blockbuster opening year to Phase 4 that fans may have expected but it looked the be the calm before the storm as 2021 was set to feature 3 big films and 4 streaming series including the first animated series made by Marvel Studios…and then, before anyone could process it, Marvel Studio’s very 2020 existence was gone.

    Things started off calmly enough in January 2020 as production on The Falcon and The Winter Soldier resumed following their holiday break. The production shot scenes involving the Flagsmashers at a State Park in Georgia, did some work in the downtown Atlanta location that served as Madripoor and was scheduled to head to Puerto Rico. Then, things started to get weird.

    On January 9th, director Scott Derrickson and Marvel Studios amicably parted way on Doctor Strange in the Multiverse of Madness, which was set to begin principal photography in May. Just a couple of days later, before a second earthquake in Puerto Rico altered the course of the production of The Falcon and The Winter Soldier. By mid-January, production on one of Marvel’s 2021 streaming series, Hawkeye, which was scheduled to begin in July, had been delayed indefinitely.

    Even as all that unfolded, Shang-Chi and The Legend of the Ten Rings began filming in Australia in February and productions in Atlanta for Loki, Ms. Marvel, She-Hulk and the untitled third Spider-Man film were all on track and Thor: Love and Thunder, which Christian Bale had just joined, was set to get underway down under in October.

    By early February, Sam Raimi emerged as the front runner to take the reigns on Doctor Strange in the Multiverse of Madness as the studio remained committed to beginning production in May. Then, Hawkeye got back on schedule, booking a September start of production in Atlanta. With Puerto Rico off limits, The Falcon and The Winter Soldier was headed to Prague. All seemed good in the world…

    On March 3rd, 2020 the following information was shared to supporters of Murphy’s Multiverse Patreon:

    I expect production delays to happen. Things may begin shooting, stop shooting and begin again later. They may get pushed several weeks entirely. I believe it’s possible, even probable, that some projects may see release dates shifted. I believe it’s possible, though I can’t speak to probability here, that some projects may not release at all. I believe Disney may have to consider shutting down their U.S. parks for as little as a few weeks and as long as a couple of months (they’ve already closed parks in Hong Kong, Shanghai and Japan to the tune of a $175 M loss). None of this is good. Not even Disney can afford to keep losing money at this rate.

    By March 10th, rumors or release dates shifting started to pick up steam and by March 13th, word reached Murphy’s Multiverse that The Falcon and The Winter Soldier would not make its intended Fall 2020 release. By March 21st, Marvel Studios shut down all of its productions indefinitely (the linked article was published and available for some time before we were asked to take it down as many of the members of various crews had not been informed of the pauses on productions). The COVID-19 pandemic was in its earliest and most frightening days and like everything else, the world of Marvel Studios stopped in its tracks.

    With nothing but uncertainty staring them in the face, Marvel Studios had no choice but to start making movies. In early April, they made the first in a series of delays to their film slate pushing Black Widow from its intended May release to November and pushing Eternals into 2021. Additionally, with no clear answers about the safety of the production crews, Marvel Studios production stoppage continued with the studio eyeing a September restart.

    In early May, the Czech Republic opened back up to film crews, giving fans hope that The Falcon and The Winter Soldier might just make its 2020 release date after all. By June, things started to slowly heat up again as Hollywood and the rest of the world grew accustomed to working remotely. News of Evan Peters role in WandaVision proved to be the biggest news in months, Marvel Studios continued to search for the perfect Kamala Khan and production on The Falcon and The Winter Soldier resumed.

    As productions got back on track, so too did casting, hiring and planning for the future. Hailee Steinfeld landed the role of Kate Bishop in Hawkeye, director Nia DaCosta landed the Captain Marvel 2 gig and there was finally some movement on Marvel Studios’ Fantastic Four. Then, just as Ant-Man 3 got put on the 2022 slate, Jonthan Majors was cast in it as Kang and fans started to think just maybe they’d see Black Widow in November, the winds shifted once more. In September, as all of Hollywood shifted dates and release platforms, Disney became aware that a November release was not possible for Black Widow and began to search for a new date.

    As confidence in a theatrical release for Black Widow plummeted, hope arose that WandaVision would skip over The Falcon and The Winter Soldier and release in 2020, perhaps as early as Thanksgiving. A trailer for the project was released in late September, marking the first new Marvel marketing material of the year. Just a few days later, however, Marvel Studios officially pulled the plug on the 2020 release of Black Widow, pushing it 6 months further down the road into May 2021.

    Productions resumed and began and, alas, WandaVision didn’t quite make into 2020. By October, production had gotten underway on Spider-Man: No Way Home and in December word of Charlie Cox‘s role in the film was shared to the disbelief of pretty much everyone. A year that began with so much hope and saw so much struggle ended with the promise of Cox’s return.

    For those that remember it well, 2020 was all about the news and rumors as any little tidbit gave fans something to cling to while we waited to understand what was happening around us. While it was expected to be slow year for Marvel Studios, nobody could have expected it to be the year with no Marvel Studios presence.

  • ‘The Mandalorian’ Season 3 Trailer Overtakes ‘Obi-Wan Kenobi’ As Most Viewed Star Wars Disney+ Trailer

    ‘The Mandalorian’ Season 3 Trailer Overtakes ‘Obi-Wan Kenobi’ As Most Viewed Star Wars Disney+ Trailer

    The Mandalorian is about to make its grand return. The series that not only started Disney+ but also Star Wars‘ first venture into live-action is almost upon us. Now, it’s about to enter its third season with a grand scale being teased in the trailer with a long-awaited return to Mandalore. Within 24 hours, the trailer has pulled in 83.5M views, which makes it the most-watched Star Wars Disney+ series.

    It has now overtaken Obi-Wan Kenobi, whose trailer was viewed 58M times. That series had the nostalgia of seeing Ewan McGregor back in the role but there’s still something special about seeing Din Djarin reunite with Grogu once again in the upcoming Disney+ series. We haven’t seen them since the finale of The Book of Boba Fett back in January.

    It’ll be interesting to see how long-time viewers will jump into the series’ return, especially with one of the main plot points from the last season having been resolved in a spinoff series. Grogu left to become a Jedi with Djarin taking off his helmet to say farewell to his adoptive child. Yet, now their already reunited going into the third season.

    Still, there’s something exciting about seeing what the future has in store for Star Wars. The Mandalorian had that perfect mix of nostalgia with enough new to make it stand out. It also feels like a callback to the original trilogy with how it uses similar shot techniques. It’ll be interesting to see what we’ll see in the third season and what it’ll be like with more Mandalorians running around.

    Source: The Hollywood Reporter

  • Lars Mikkelsen Addresses Thrawn Rumors

    Lars Mikkelsen Addresses Thrawn Rumors

    Over the course of two seasons of the animated Star Wars series Rebels, Danish actor Lars Mikkelsen was the voice of Imperial Grand Admiral Thrawn. A brilliant strategist, Thrawn was an ongoing thorn in the side of the group of Rebels before disappearing along with Ezra Bridger in the series’ final episode. Both characters are set to make their live-action debuts in the upcoming streaming series Ahsoka and it was recently rumored that Lucasfilm had cast Mikkelsen in the role of Thrawn, much to the delight of fans who grew to love Mikkelsen’s signature cadence. As with the role of Ahsoka Tano, however, it looks like fans may have to get used to someone new.

    In an interview with Express UK, Mikkelsen revealed he has not been contacted about joining the cast of Ahsoka, casting doubt on those recent rumors. Mikkelsen admitted that he was aware of the rumors and that he’d love to take on the role in live-action should he be offered before adding “I haven’t had the offer.”

    Though it isn’t quite at the level of absurdity that surrounds every casting made by Marvel Studios, actors cast in Star Wars projects aren’t always truthful when addressing potential roles in films. At this point, it’s nearly impossible to take any actor’s words at face value when they deny involvement with a project, so until another actor’s name becomes attached to the role, fans are likely to hold out hope that Mikkelsen will be painted blue and return to thwart the plans of Ezra and his Rebel friends.

    Source: Express

  • Joe Locke, Kathryn Hahn Spotted in BTS Photos from ‘Agatha: Coven of Chaos’

    Joe Locke, Kathryn Hahn Spotted in BTS Photos from ‘Agatha: Coven of Chaos’

    Production has begun on Marvel Studios Agatha: Coven of Chaos and so have the leaks. A series of set photos have revealed Joe Locke‘s character out for an afternoon in the Westview Mall with Kathryn Hahn‘s Agatha.

    While the photos don’t seem to give much away as far as plot or reveal Locke’s character, they do show that he will have some relationship with Hahn’s Agatha/Agnes in the show. While it’s never been confirmed, it’s widely believed that Locke will be portraying Billy Kaplan, aka Wiccan, a founding member of the Young Avengers and the son of Wanda Maximoff. With Agatha: Coven of Chaos just kicking off production, we’ll continue to keep an eye out for set photos that may provide clues to the identity of Locke’s character.