Tag: TV

  • ‘She-Hulk: Attorney at Law’ From Page to Screen: Episode 8

    ‘She-Hulk: Attorney at Law’ From Page to Screen: Episode 8

    Welcome back to yet another From page to Screen focusing on She-Hulk: Attorney at LawIn the show’s first week, we looked at the differences between the comics’ and series’ versions of Jennifer Walters’ origin story. The following week, viewers got a live-action introduction to Jen’s new legal job, taken straight out of Dan Slott’s and Juan Bobillo’s 2004 She-Hulk run—Goodman, Lieber, Kurtzberg & Holliway (GLK&H). Episode 3 introduced a reimagined version of comic book villains, in its fourth week, the show decided to focus on Jen’s love life and, the following week, on Jen’s nemesis, Titania. Episode 6, being a “self-contained wedding episode” was approached as its own thing while referencing a lackluster comic arc where Jen ended up being engaged herself. As for episode 7, with the introduction of Man-BullEl Águila, and Porcupine, we took a look at other She-Hulk villains that could be showing up down the line.

    Episode 8 gave us the long-awaited Matt Murdock / Daredevil appearance, which bore some similarities with The Good Old Days story arc featured in the 2014/15 Charles Soule She-Hulk run. Soule, who like Walters and Murdock is an attorney himself, got both characters meeting on opposing sides of the court with a slightly different setup than what we got in She-Hulk: Attorney at Law.

    Marvel Studios’ She-Hulk: Attorney at Law Episode 8
    Marvel Studios’ She-Hulk: Attorney at Law Episode 8

    In the show, Jen was oblivious as to who Murdock was, to the point of directing a “Who is this asshole?” to the camera. She later looked him up ahead of their meeting at the bar, but not only was she initially unaware of who Matt was, but she also had no idea Daredevil was even a thing. In the comic, they were already familiar with each other, so much so that even previously in the same run, Jen had gone to Matt looking for some legal advice when dealing with a case involving Doctor Doom and his son, Kristoff Vernard. She then sought to do the same when defending Captain America only to be turned down in a way that only made sense a few pages ahead when she enters the courtroom and finds Matt as the opposing counsel. Unlike in the show, the shock of him being there isn’t only on the reader/viewer but especially on her.

    She-Hulk #8 (2014)

    There is a lot more lawyering in the comic than in the show, with Jen’s client being a bit more high profile than Leapfrog. Captain America, who had recently seen the Super-Soldier Serum within his body being neutralized (in the Rick Remender run that would lead to Sam Wilson becoming the new Captain America), was being charged with wrongful death in a civil suit and had approached Jen to be the one to represent him. Murdock was then the attorney for the plaintiff, looking to get Steve Rogers convicted of the role he played in the death of his friend Samuel in the 1940s, a few years before Rogers was even Captain America.

    Marvel Studios’ She-Hulk: Attorney at Law Episode 8
    Marvel Studios’ She-Hulk: Attorney at Law Episode 8

    Little did both Walters and Murdock know that Steve Rogers was (sort of) playing both sides. With his old age, he had enemies that would want to tarnish his legacy once he’d be gone, and that meant setting up the whole lawsuit situation. It wasn’t like he could just send in the Avengers to punch their way out of it since that would make it seem that he was indeed guilty of all charges. He had to find another way to not only avoid a conviction but to completely discredit the entire case. He then managed to get Murdock involved so that, in the public eye, everything was being done in order to convict him since Matt was regarded as being one of the best. As for Jennifer, as hard as he wanted Matt to go, he also needed someone equally as good on his side since, in his own words “I didn’t want to lose, you know.”

    She-Hulk #9 (2014)
    She-Hulk #9 (2014)

    Outside the courtroom, their late-night encounter also played a bit differently. In She-Hulk: Attorney at Law Jennifer left her apartment when trying to protect her client from being attacked, leading to her first confrontation with Daredevil and the eventual disclosure that Murdock was behind the mask.

    Marvel Studios’ She-Hulk: Attorney at Law Episode 8
    Marvel Studios’ She-Hulk: Attorney at Law Episode 8

    In the comic, it was Matt that came to Jennifer in order to get her out of the house and into the Los Angeles night sky. But even if he felt that they both should unwind following an entire day stuck in a courtroom, dealing with a case that both were having a bit of trouble adjusting to, his true purpose was to try and free Jen of the feeling that Cap should be above the law, and that his conviction should be taken as a real possibility. It is here that Matt tells Jennifer that when he was asked to step into the role of prosecutor, Cap was the one who ok’d it, making Murdock promise not to pull any punches. This made it seem, for both Jen and Matt, that Cap might actually be guilty after all, and that it was all a weird way of him finally coming clean about past mistakes.

    She-Hulk #9 (2014)

    In the TV show, their late-night exploits lead them to Leapfrog’s secret-not-so-secret lair. After Matt explains that Patilio kidnapped Luke Jacobson the two work together to rescue the latter. They make quick work of the goons/henchmen defending the premises and get Jacobson to safety without breaking a sweat.

    Marvel Studios’ She-Hulk: Attorney at Law Episode 8
    Marvel Studios’ She-Hulk: Attorney at Law Episode 8

    There’s a very similar occurrence in the comics that happens once the case was settled (go read the comics to know exactly how that transpired). We also got a Daredevil / She-Hulk team-up when Steve Rogers seemingly figures who might have been the mastermind behind the entire lawsuit situation. Dr. Faustus, an Austrian specialist in psychological manipulation seemingly had access to old Nazi information from the ’40s and was able to explore the events in order to hurt Cap’s image. When faced with this information, Jen and Matt do not hesitate and, with the case already closed, have no issue with breaking into Faustus’ compound and, much like in the show, getting it done in the blink of an eye.

    She-Hulk #10 (2014)

    In She-Hulk: Attorney at Law, following their day together—first in the courtroom, then at the bar, and finally rescuing Jacobson—Jen and Matt start making plans to meet up again after he goes back to New York since that would be his last night in LA. But, unlike in the comic run, that night out never happened since they skipped all of that and just…

    Marvel Studios’ She-Hulk: Attorney at Law Episode 8
    Marvel Studios’ She-Hulk: Attorney at Law Episode 8

    In the book, it was almost the reverse situation. They also found themselves on the west coast (San Francisco, not LA, where Matt was living at the time) but it was Jen that had to go back to her practice in New York. When realizing that that would be her last night in town, Matt also asks Jen out, and they do end up going out, just not in the usual sense.

    She-Hulk #4 (2014)

    The first eight She-Hulk: Attorney at Law episodes are now streaming only on Disney+.

  • REVIEW: ‘Andor’ Episode 6

    REVIEW: ‘Andor’ Episode 6

    The idea that the collective nose of the Empire is so upturned that they can’t see what’s going on right beneath it has been a central theme through the first five episodes of Andor. Key members of the fledgling Rebellion, including Cassian, understand this perception and it’s become a crack in the Imperial armor that they’ve learned to exploit. Episode 6, “The Eye”, opens with a reminder of just how much disdain the Empire has for those they see as beneath them and ends with the Empire feeling for the first time just how dangerous these people they’ve regarded as inferiors can be. However, as the season progresses into its second half, the galaxy just became a much more dangerous place for those who wish to take down the Empire.

    “The Eye” was many things and chief among them was that it was the first time that Andor really leaned into being a Star Wars series while also continuing its expansion of what a Star Wars series can be. Seeing and hearing the Tie Fighters roar into action rang the Star Wars bell, but setting the familiar chase scene amidst the beauty and rarity of the natural phenomenon occurring on Aldhani continues the hot streak for this creative team. They continue to world-build in a world that’s been accused of being too small in a galaxy so large. Why does everything happen on Tattooine? Why is everyone a Skywalker or know one? Why does Luke have to be in everything? It would have been low-hanging fruit to have Palpatine cameo in the brief Senate scene. They chose to keep the focus on Mon Mothma, who will become central to the series and the growing rebellion. Andor continues to trend away from these issues and cameos, content to exist and be judged on its own merits rather than connect itself to familiar faces and places.

    Episode 6 works incredibly well as a conclusion not only to the first half of Season 1 but also to the four-episode arc that introduced Stellan Skarsgård’s Luthen Rael and to the three-episode arc that saw Rael’s scheme unfold and, ultimately be successfully completed. It works so well as a conclusion that if Episode 6 had been the end of Season 1 of Andor, it would be hard to argue that it had been anything other than a triumph. The mission is complete; Cassian did Cassian things; the Empire is now aware that there’s a stick in their eye. The closing shot of Rael, who feared he may have overreached in his efforts to attack the Empire, finally releasing the tension he expressed in the closing shot of Episode 5. So many of the storylines put into play were tied up neatly by the events of Episode 6 and that’s no easy thing to ensure. The team of director Susanna White, writer Dan Gilroy and creator Tony Gilroy could be commended for putting the finishing touches on what’s arguably the best streaming series Star Wars has released on Disney Plus. But the brilliance of the series lies in the fact that Episode 6 serves both as the end of one arc and the beginning of another.

    For all its brilliance so far, Andor is just getting off the ground. By tying up the intersecting storylines with the completion of the mission on Aldhani, the series activated other storylines that had been weaved into the first six episodes. Denise Gough’s Dedra Meero, who had warned her superior that a threat was growing, is now on the precipice of becoming a central part of the second half of the season. With Cassian now back on his own, it’s time for Kyle Soller’s Syril Karn to get off the bench and get into the action. The investment in introducing and developing so many characters made by Tony Gilroy is about to pay dividends. Cassian, Mon Mothma and Luten Rael have had their moment. It certainly feels like the Empire is about to strike back.

  • Disney+’s ‘Goosebumps’ Series Adds Isa Briones, Zack Morris and More

    Disney+’s ‘Goosebumps’ Series Adds Isa Briones, Zack Morris and More

    The cast for the upcoming Disney+ series adapting the iconic children’s horror books Goosebumps is growing, as the project has now added to its cast. Just recently, we learned that Justin Long was going to be part of the film’s cast and now they have added quite a few more. The cast now includes Zack Morris, Isa Briones, Ana Yi Puig, Will Price, and Miles McKenna.

    With the new cast announcements, we also got an expanded official logline that offers a closer look at what the main cast will be up to in this new take on the franchise:

    The series follows a group of five high schoolers who unleash supernatural forces upon their town and must all work together — thanks to and in spite of their friendships, rivalries and pasts with each other — in order to save it, learning much about their own parents’ teenage secrets in the process.

    Morris has been cast as the football player Isaiah while Briones takes on the role of Jane, who is the series’ bookworm. The roles for the rest of the cast have not been announced yet but it’s safe to say we might see some of the classic horror archetypes in this adaptation. Nick Stoller and Rob Letterman will act as the executive producers and are the co-creators of this adaptation. Neal H. Moritz is also attached as an executive producer, who also was a producer on the 2015 and 2018 films.

    Source: Variety

  • Paddy Considine Reveals What Killed King Viserys

    Paddy Considine Reveals What Killed King Viserys

    With the conclusion of the eighth episode of House of the Dragon came the conclusion of a season-long journey toward death for one of the series’ main characters. After a long and gradual decline in health over the first season, King Viserys I Targaryen died in his sleep in the final moments of Sunday’s latest episode. In an interview, actor Paddy Considine gave some insight into the cause of the suffering and death for the now-deceased King of Westeros.

    He’s actually suffering from a form of leprosy. His body is deteriorating, his bones are deteriorating. He is not actually old. He’s still a young man in there. He’s just, unfortunately, got this thing that’s taken over his body. It becomes a metaphor for being king, and the stress and strain that it puts on you, and what it does to you physically, what it does to you mentally.

    Paddy Considine

    This shouldn’t really come as a surprise to viewers based on the telltale signs of Viserys’ body gradually falling apart as the season progressed. It was certainly noticeable in this past episode in which the king had to wear a golden mask to hide the fact he had lost an eye due to the disease. Considine’s physical performance in struggling with leprosy and his overall portrayal of the character should place the actor high in award consideration in 2023.

    Ultimately, the death of Viserys is the gateway for the civil war brewing amongst the Targaryen family. The conflict between Rhaenyra Targaryan and Alicent Hightower has been the main storyline of House of the Dragon to this point and while this episode left the two characters at potentially the closest they’ve been since the premiere, the feelings of resentment have been passed down to their children which makes the upcoming boiling point all the more inevitable. With two episodes remaining, it certainly will be interesting where the status quo stands heading into the future of the series with the Dance of the Dragons.

    Source: Comicbook.com

  • A Potential ‘Moon Knight’ Season 2 Could Feature ‘Werewolf By Night’ Characters

    A Potential ‘Moon Knight’ Season 2 Could Feature ‘Werewolf By Night’ Characters

    After the raging success of Marvel Studios’ first Special Presentation, Werewolf by Night, fans are anxiously awaiting Jack Russell’s, Ted Sallis’ (Man-Thing), and Elsa Bloodstone’s returns to the Marvel Cinematic Universe. The special itself appeared to open the door to the MCU’s monsterverse, but it has also been confirmed that Werewolf By Night has no intention of being a pilot for future series. Of course, there are Midnight Sons and Legion of Monsters rumors and theories. And there’s always Blade, though the film is in a rough spot after recently losing its director. But perhaps the answer—or one of the answers—is a bit less obvious. After star Oscar Isaac’s comments that there is more Moon Knight in the MCU’s future, it may not be too farfetched to think that characters from the monster special could appear in a potential second season of that series.

    The most obvious connection Moon Knight has to these characters is that his first appearance was as an adversary in Werewolf by Night #32 in 1975. Originally, Moon Knight was written as a mercenary hired to capture Russell, which explains his moon-themed persona and silver weapons. By the end of his original two-issue appearance, Moon Knight changes course and helps the titular werewolf instead. From here, the character went on to have his own solo and team-up careers unrelated to Werewolf by Night. Moon Knight’s connections to Man-Thing and Elsa Bloodstone are less obvious, though the three of them were all part of a relatively recent Midnight Sons lineup in the Damnation crossover event. Still, Man-Thing’s connection to the Nexus of All Realities makes his general presence in the MCU’s Multiverse Saga make sense, and Jack and Ted were set up as a pair in Werewolf by Night.

    While Marc Spector has a colorful resume, he is not particularly well known for his connection to monsters. As such, there are not many clear storylines from the comics that a Moon Knight Season 2 could adapt from the comics. But without a doubt, Moon Knight is the first character aside from Doctor Strange to truly open up the paranormal and supernatural worlds of the MCU. That aspect of the universe is gaining more steam, but in terms of seeing Werewolf by Night or related characters sooner rather than later, there do not seem to be a lot of obvious options at this moment. Phase 6 is almost entirely unannounced, and so is a second season of Moon Knight. Still, an appearance in the series might be fundamental to the steady rise of the monsterverse and its related projects.

    While Moon Knight is not generally found constantly battling or working with monsters, the vigilante is certainly not foreign to them. In the series alone, the character had to face some rather monsterous Ancient Egyptain-themed creatures, and the finale was aptly titled, “Gods and Monsters.” The supernatural angle of the character was definitively established in Moon Knight. In the comics, the actual existence of Khonshu is sometimes debated as the stories play around with Marc Spector’s unique mental state. But in the MCU, Khonshu’s presence and related supernatural truths are presented as fact. While, so far, the live-action of the character has been limited to the very specific Egyptian god-focused aspect of the supernatural, Moon Knight has ample reason to encounter more. After all, a key component of the vigilante in print is that, as the Fist of Khonshu, he is a protector of those who travel at night—and plenty of things go bump in the night.

    While nighttime is clearly special for Moon Knight and monsters alike, the concept also highlights the stylistic compatibility of characters like Werewolf by Night and Moon Knight. Both rely on supernatural themes, but the series and Werewolf by Night are noticeably some of the MCU’s darkest projects both literally and figuratively. The potential seedy and gritty vigilante life of Marc Spector, Khonshu’s ghostly presence, and surreal psychological components could easily accommodate some additional bizarre components. Even more, Moon Knight’s character and Werwolf by Night have a reputation of (by MCU standards) particularly brutal or gruesome violence.

    For these reasons, it would not be entirely surprising if Werewolf by Night, Man-Thing, or other related characters made some type of appearance in a second season of Moon Knight. They likely would not be a major part of the full season, but rather could be integrated in a similar way to Moon Knight’s comics introduction. If the MCU’s Marc Spector does take on the vigilante lifestyle as expected, perhaps he has run ins with various beings causing havoc, including an out-of-control Werewolf by Night. It is easy to picture Marc Spector being hostile to monster-type creatures before understanding that they are not necessarily villains, which could be a vital moment in the building of teams like the Midnight Sons or Legion of Monsters or crossover of related characters. Or, perhaps the hero gets caught up in the Bloodstone’s longer narrative in the MCU, as the likely alien relic ties together the MCU’s supernatural side before the big events of Avengers: The Kang Dyanasty and Avengers: Secret Wars.

    Only time will tell if Marvel Studios announces a second season of Moon Knight. Either way, fans will get much more of all of these characters in the MCU’s future.

  • Hulu’s ‘Devil in the White City’ Loses Director

    Hulu’s ‘Devil in the White City’ Loses Director

    Hulu’s ambitious adaptation of The Devil in the White City is facing some trouble at the moment. Right after losing its leading star Keanu Reeves, it seems that it has now also lost its executive producer and director Todd Field. It doesn’t look like the streamer is backing down and is actively looking for someone to take over from the Tár director, which recently received rave reviews at the Venice International Film Festival.

    The project has been in development since 2019 and was ordered to series back in August. Erik Larson wrote the original book that the series is based on, which would explore the story of 1893’s World’s Columbian Exposition in Chicago from the views of the various designers that attended. It also explores the story of H. H. Holmes who many believed was America’s first serial killer.

    Reeves leaving the project already was a bad omen, especially with it being shortly after he was even cast. It may be hinting at some creative differences that are adding some difficulties in bringing the work to life. Leonardo DiCaprio famously purchased the rights in 2010 and Martin Scorsese was originally attached to direct it back in 2015 based on a script by Billy Ray. Yet, the project continues to have problems and we’ll see how long it might take before they find a new director to take over.

    Source: Variety

  • ‘Brown Girls’ Actress Sonia Denis Joins Marvel Studios’ ‘Ironheart’

    ‘Brown Girls’ Actress Sonia Denis Joins Marvel Studios’ ‘Ironheart’

    Ironheart‘s cast continues to grow as time goes by. Once again, our latest update to the upcoming Disney+ series from Marvel Studios includes a new cast addition. This time around the Brown Girls actress Sonia Denis has seemingly joined the cast, which will see Dominique Throne return to the role of Riri Williams after her Marvel Cinematic Universe debut in Black Panther: Wakanda Forever next month.

    Story details on the sequel are still scarce, as it’ll explore Riri’s time building the most advanced suit of armor that the MCU has seen since Iron Man. Yet, we do get hints at her already doing so in the Black Panther sequel, which raised many questions if this might act as a prequel series. Of course, there’s also the chance that she might not have the energy source capable of keeping a new suit going, which leads to her experimenting.

    Tony Stark was no stranger to building a massive amount of suits for different situations. So, why wouldn’t Riri Williams do the same? The only tease we got from the series was the confirmation that Anthony Ramos is taking on the role of The Hood, which may add a magic vs. technology angle to the series. It definitely would make it stand out from other projects and offer a new perspective on how to tell a story about high-tech suits.

    Source: Variety

  • ‘Interview with the Vampire’ Episode 2 Teases One of the Immortal Universe’s Most Powerful Vampires

    ‘Interview with the Vampire’ Episode 2 Teases One of the Immortal Universe’s Most Powerful Vampires

    AMC’s Interview with the Vampire is only two episodes into its first season but it has already begun building out what promises to be an expansive world. The studio has plans to use Rice’s Vampire Chronicles and Lives of the Mayfair Witches novels to develop their own shared universe, called the Immortal Universe. Interview with the Vampire is the first of what could be many adaptations of the Vampire Chronicles and it will be followed in January by the Alexandria Daddario-led Mayfair Witches series. Episode 1 of Interview with the Vampire briefly teased the family of witches being present in New Orleans when Louis and Lestat were active there; now a name drop in Episode 2 could start the process of detailing the very long and twisting history of vampires in the Immortal Universe.

    In the opening minutes of Episode 2, “After the Phantoms of Your Former Self”, Daniel Malloy inspects one of Louis’ “rare” relics: a painting from an artist named Marius de Romanus. When Malloy mentions he’s never heard of the artist, Louis’ assistant mentions that little of his work survived and both Malloy and the audience moved on. However, if AMC’s plans for the Immortal Universe play out as expected, it’s likely the audience will hear much more about and from Marius at some point in time.

    One of the oldest vampires in existence, Marius is over 2,000 years old, having been born as a bastard in 30 B.C. Turned by a vampire named Teskhamen, who served the first two vampires, Akasha and Enkil, Marius was immediately an incredibly powerful vampire whose strength grew over time. Eventually, Marius came to be the caretaker of Akasha and Enkil, known as Those Who Must Be Kept, who he looked after for centuries. Marius made several fledgling vampires, most notably Armand, whose path is destined to intersect with Louis’, perhaps even in this first season.

    Marius plays a major role in many of Rice’s sequel novels to Interview with the Vampire and it would be shocking if he didn’t appear in some form in the first two seasons before taking on a major role down the road. So far, AMC has done a fantastic job of planting the smallest of seeds and giving them time to grow and bear fruit down the road. Will the trend continue in Episode 3?

  • Charlie Cox Calls ‘Daredevil: Born Again’ a “Whole New Deal”

    Charlie Cox Calls ‘Daredevil: Born Again’ a “Whole New Deal”

    Even in the midst of the Multiverse Saga, accepting Multiversal Variants continues to prove difficult for fans. While an entire series can be built around a Variant of a dead character hanging out with a genderswapped Variant of himself and meeting a villain who defends the timeline against Variants of himself, apparently there can only be one Daredevil. An All-New, All-Different Daredevil recently appeared in the eighth episode of She-Hulk: Attorney At Law, full of new tricks, a new personality and a new suit, but the debate as to whether or not this MCU Daredevil is the same guy fans met in Netflix’s Defenders-verse continues.

    However, as fans of the Netflix series continue to search for definitive evidence, star Charlie Cox continues to make it sound as though it’s going to be harder and harder to find. In an interview with ET following D23, Cox seemed pretty firm in his belief that this Matt Murdock isn’t EXACTLY that Defenders-verse guy. When asked about the recently announced Daredevil: Born Again, Cox spoke pretty plainly, saying, “Kevin has been very clear about it being Season 1, not a Season 4, so it’s a whole new deal.” Fans shouldn’t need enhanced senses to hear what’s being said by Cox there. Even so, Cox continued on indicating that he’d like to see Murdock’s journey retold back to the origin, as often happens in the comics.

    What’s great about that is that we potentially get to tell some of the stories over and over again, in the same way that they do in the comics. Every now and then they start back in the beginning of Murdock’s journey as a little boy and they tell the whole origin story again, so maybe we’ll get to do that. I don’t know.

    Charlie Cox

    Not even Peter Parker got his origins retold as he joined the MCU and given the way the concept of Variants works, it’s hard to imagine a new Matt like the one seen in She-Hulk: Attorney at Law diverged from Netflix Matt as far back as the hero’s origin story. Cox’s words paint a pretty clear picture of where he believes Feige stands, who would of course have FINAL say on just how different the anyo one Variant is from another. However, until Feige says it to a camera, plenty of fans will be reticent to believe Cox’s words. Whatever the case, Daredevil is in the MCU and Cox is having a blast in the role. So no matter which Variant you think you’re getting, you should be happy!

    Source: ET

  • REVIEW: ‘Interview with the Vampire’ Episode 2

    REVIEW: ‘Interview with the Vampire’ Episode 2

    If Episode 1 of Interview with the Vampire served to introduce Louis and Lestat and their immortal bond, Episode 2, “After the Phantoms of Your Former Self”, served to introduce their tempestuous relationship. The Louis who narrates his tale to Daniel Malloy isn’t much of a vampire, choosing not to hunt but rather to take small drinks from willing familiars or drink blood stored in bags. How he came to be the Louis in the present day has nearly everything to do with how his relationship with Lestat ebbed and flowed and this episode provides the earliest inklings of how things will progress.

    From Louis’ first, awkward kill in the episode’s opening half, Lestat’s nature as a killer begins to come into contrast with Louis’. Though Lestat tells his pupil that murdering his victims will get easier over time, the truth is that Louis never took to it as his mentor did. Over the course of the episode, Louis becomes appalled first with himself after finding himself tempted to drain his sister’s baby and then later with Lestat who views his kills as an expression of his inner artist. Their debate over how to properly dispatch their food ends in Lestat screaming at Louis, imploring him to embrace his new powers: “you’re a killer, Louis!” While these words are among some of the more famous from Anne Rice’s novels to be quoted in this episode, rather than put Louis on the course Lestat hopes they will, they set him instead on the one that makes him evolve into the present day version willing to tell his story to Malloy. Louis and Lestat’s love-hate relationship drives so much of Rice’s novels and it seems that the series is willing to spend time developing it, rather than rushing it, meaning the payoff down the road should be all the better.

    By spending so much time developing the relationship between the two leads, the episode left itself little time to do much else. A little world-building early on (Louis explains to Malloy that one of his paintings is by Marius de Romanus, one of the world’s oldest vampires) and a subtle hint to just how strong Louis is for having been made by Lestat (his trip into the sun, while painful does little damage) stand out, especially to those familiar with Rice’s works. But beyond that, the episode does exactly what it seems it was intended to do: put the drama between Louis and his maker on full display, setting up a season’s worth of conflict.