Author: João RP

  • Zack Snyder Hints at Ludwig Dieter’s Return in His ‘Army of the Dead’ Sequel Now Titled ‘Planet of the Dead’

    Zack Snyder Hints at Ludwig Dieter’s Return in His ‘Army of the Dead’ Sequel Now Titled ‘Planet of the Dead’

    Zack Snyder‘s deal with Netflix will continue to bring more content to audiences in the forthcoming years. After this year’s Army of the Dead and the upcoming prequel titled Army of Thieves, which Snyder respectively directed and produced, we are now entering sequel territory with the newly named project, Planet of the Dead. This in-development sequel, that Snyder teased back in May 2021, does not, as of yet, have a release date nor has its production schedule been announced. In an interview, Snyder offered one glimpse into the upcoming sequel with the potential return of Ludwig Dieter. 

    But the real adventure would be to see what happened to him when that safe door closed. Did he get killed by Zeus or not? What happened? We don’t see him die on camera, and there’s still some time left. I won’t tell you what happens in Army of the Dead 2 — aka Planet of the Dead — but let’s just say that there’s a chance Dieter survives.

    Zack Snyder

    With the wait for Planet of the Dead only just beginning, audiences can catch Dieter’s return in the prequel Army of Thieves, which releases tomorrow, October 29, on Netflix. Matthias Schweighofer, who plays the German safecracker, also took over the directing role. Snyder is currently working on his Rebel Moon feature film for the streaming service, a sci-fi adventure inspired by Akira Kurosawa and Star Wars. So, the sequel might not enter production until he wraps up work on it.

    Source: Inverse

  • The Pulse: Collecting the Biggest News of the Week of October 17th-23rd

    The Pulse: Collecting the Biggest News of the Week of October 17th-23rd

    ‘Y: The Last Man’ gets canceled but might find a new home

    y last man fx

    FX’s Y: The Last Man, the adaptation of the iconic comic book series by Brian K. Vaughan and Pia Guerra got canceled before its first season came to an end. Showrunner Eliza Clark announced it through her Twitter account, all while maintaining hope that this wouldn’t be the end of it. Just a couple of days later a rumor emerged that the show might find its next home at HBO Max, something that, in a way, would bring the show back under the Warner Bros. umbrella, as the source material was published through DC’s Vertigo imprint.

    Marvel Studios reshuffles upcoming theatrical release dates

    Marvel Studios, hopefully for the final time, decided to push back a few of its upcoming theatrical releases. Every movie starting with Thor: Love and Thunder was moved forward by a few months, with a couple of the previously announced 2023 dates removed altogether from the schedule. Kevin Feige referred to these changes as being due to “production shifts and changes” and since Marvel has several slots at their disposal it’s something that can easily be decided upon.

    Harry Styles joins the MCU

    Variety senior writer Matt Donnelly confirmed that Harry Styles had joined the Marvel Cinematic Universe on a viral tweet posted the night of the Eternals World Premiere. Styles is said to be playing Eros, the brother of the Mad Titan Thanos on a post-credit scene in the upcoming MCU feature. It came as a surprise to most that someone working for a major trade could so carelessly spoil such an important introduction, depriving fans of the surprise they would surely get at the end of their first Eternals viewing.

    Thanagarians to appear in new CW series ‘Naomi’

    Naomi seems to be adapting the Raanian / Thanagar War plotline from the comics. A recent clip from Naomi has made its way onto the internet giving us our very first look at Alexander Wraith as Dee, the mysterious mechanic in town who Naomi believes is holding a secret the could solve the mystery of her origin. Dee is a Thanagarian war deserter, who planned to run from the conflict with his wife who didn’t make it to earth. Naomi’s adoptive father is the one who came to earth in search of Dee but ended up falling in love and staying on Earth.

    Netflix’s ‘Squid Game’ continues its meteoric rise

    After just four weeks in release, Netflix’s Korean drama Squid Game pulled in a stunning 142 million views by member households globally. The numbers were released by Netflix on Tuesday as part of its third-quarter earnings report in a letter to its investors. “A mind-boggling 142m member households globally have chosen to watch the title in its first four weeks. The breadth of Squid Game’s popularity is truly amazing,” the letter read.

    ‘World War Hulk” project in development at Marvel Studos

    It’s been thoroughly reported that Mark Ruffalo has, over the years, often pitched Hulk solo storylines to Marvel Studios’ president Kevin Feige. Even though World War Hulk probably won’t turn out to be a Hulk solo outing, you can’t get more Hulk-centric than this. Fans rejoiced at the prospect of bringing the iconic comic storyline to the big screen where the MCU will have to deal with the implications of such a world-altering event.

    Denis Villeneuve’s ‘Dune’ might get its expected sequel

    dune sequel

    Dune: Part One is already being described and one of the biggest cinematic achievements of the past decade. Many have left theaters clamoring for the studio to deliver the sequel, as the future of the franchise seems brighter than ever before. Following the massive positive reaction to part one of director Denis Villeneuve‘s passion project, WarnerMedia Studios CEO seemingly confirmed that plans for a ‘Dune’ sequel are already being put into place.

    Anakin Skywalker returns. Again.

    ahsoka darth vader

    After confirmation that Hayden Christensen would return to the Anakin Skywalker/Darth Vader role in the Obi-Wan Kenobi series, a trade report announced that he would also make an appearance in the upcoming The Mandalorian spin-off, Ahsoka. Star Wars continues to move forward while leaning on a number of characters from its past, from Anakin to Kenobi and Boba Fett.

  • Report: Production on Lucasfilm’s D+ Series, ‘The Acolyte’ On Track for Early 2022 Start

    Report: Production on Lucasfilm’s D+ Series, ‘The Acolyte’ On Track for Early 2022 Start

    Production on Lucasfilm’s upcoming Disney+ exclusive series, The Acolyte seems to be on track. According to the Bespin Bulletin, the series will indeed begin shooting in the UK in February 2022, at Pinewood Studios. This fits with a previous report, and even though it’s now new information, it does bode well towards the expected 2023 release as everything seems to be on schedule.

    The London setting is seemingly justified by the tremendous success of shooting The Mandalorian with the help of StageCraft technology in Los Angeles. Something that lead Lucasfilm to later announce that three new StageCraft stages were being built around the world. A new one in California, one in Australia (used while shooting Marvel’s Thor: Love and Thunder), and another one in London, at Pinewood. This means that even though production might move to the UK, audiences can be assured of the same production value.

    The Acolyte will be led by Leslye Headland (Russian Doll), who will serve as showrunner, producer, and writer on the show. Details regarding casting are as of yet unknown, something that will probably change in the upcoming months as principal photography nears. Back in May 2021, production was searching for a female POC as the lead, as the series has been described as a “female-driven action thriller with martial arts elements”. The show will be set during the late High Republic era something that could mean that the events of the series might be set a mere 50 years before The Phantom Menace, making it possible for several characters known to be alive at this time to make an appearance.

    Source: Bespin Bulletin

  • Carl Weathers’ Greef Karga Set to Return for Season 3 of ‘The Mandalorian’

    Carl Weathers’ Greef Karga Set to Return for Season 3 of ‘The Mandalorian’

    With reports coming out that season 3 of The Mandalorian has begun shooting, we now have news of returning actors arriving on set. With Lucasfilm usually keeping most production details under wraps, it’s likely this won’t be the case for most new cast members, but someone like Carl Weathers isn’t to be deterred by those concerns. The actor, who famously played Apollo Creed in the Rocky franchise and Colonel Al Dillon in Predator, is set to return to a galaxy far, far away as Grief Karga, as he begins his on-screen work today.

    Karga, who we last saw in the second season’s Chapter 12: The Siege, is now one of the leaders behind the rehabilitation of a settlement on the planet Nevarro. The character remained on the planet alongside Cara Dune, who we won’t see returning following the issues actress Gina Carano dealt with leading up to her leaving the show altogether. So being, Weathers will, as of now, be joined by Pedro Pascal and Giancarlo Esposito who will be reprising their roles as Din Djarin and Moff Gideon, respectively.

    With Weathers back, it also shouldn’t be off the table having him direct an episode or two. He already has directed several TV episodes spread out through a number of shows (Hawaii Five-0Pensacola: Wings of GoldChicago Med) even doing so in the aforementioned Chapter 12. With The Mandalorian creator and executive produced Jon Favreau being a big proponent of bringing different visions to each of the show’s episodes (9 different directors in 16 episodes), it’s probably a safe bet to imagine Weathers will return to the director’s chair.

    Season 3 of The Mandalorian doesn’t yet have an official release date, but all signs point to a 2022 premiere. After having its first season released in 2019, with the second coming in the following year, 2021 will become the first year without a new episode. This opened things up for The Book of Boba Fett, a spin-off of the show following both the title character and Fennec Shand, which will premiere on Disney+ on December 29, 2021.

    Source: Twitter

  • Image’s ‘Saga’ is back in 2022!

    Image’s ‘Saga’ is back in 2022!

    Almost three and a half years after the start of its hiatus, Saga is back. The epic space opera/fantasy series created by Brian K. Vaughan (Y: The Last Man) and Fiona Staples left us with probably one of the biggest cliffhangers in comic book history back in the summer of 2018. What initially seemed to be a relatively short break, something fairly common through the series’ run that started in 2012, turned into a very long wait. Thankfully, the wait will finally be over in January 2022.

    During the “In Conversation with Brian K. Vaughan” panel at New York Comic-Con, Vaughan confirmed that the series’ next issue comes out on January 26. Even better, it will be a double-length issue. With #54 issues behind them, Vaughan and Staples may only be halfway through the story they’re telling. After all, a Saga Compendium that collected the first nine volumes of the critically acclaimed series was released back in 2019, hinting at a second one, around the same size, in the upcoming future.

    Saga, a New York Times bestselling series, remains one of the most critically acclaimed series of all time, with a story that transcended its medium by bringing in new audiences to the comic book world. Saga #55 will be available at your local comic shop early next year, be sure to add it to your pull list as Hazel’s return and her reaction to the events of issue #54 will prove to be even bigger news than today’s announcement.

    Source: Twitter, NYCC

  • Marvel Studios: Viewing Orders

    Marvel Studios: Viewing Orders

    With over two dozen projects comprising the Marvel Cinematic Universe, it’s sometimes easy to lose track of the order through which audiences should experience them. It is, of course, something pretty fluid as personal preferences might have some skipping a couple of projects in favor of their favorite ones. All in all, there are two general viewing orders that contain the entirety of the MCU. A Release Order, which respects the order in which projects were made available through the years, and a Chronological Order, which takes into account when each project’s plot takes place.

    Personally speaking, the Release Order should be followed when watching all MCU projects for the first time, with the Chronological Order being something to use on rewatches. This is mostly due to the fact that major plot points would be spoiled if not watching the entirety of the franchise as it was released, similar to the way audiences watching Star Wars for the first time would be spoiled The Empire Strikes Back‘s major plot twist by having previously watched the prequel trilogy.


    CHARACTER VIEWING ORDERS

    When it comes to following specific characters, we got together individual viewing orders with their appearances through the years. These can be as a central character to the plot or as blink-and-you-miss type cameos, many on mid or post-credit scenes. Keep in mind this is a work in progress, as new characters will keep being added.


    Pages: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26

  • Diego Luna Teases “Familiar Faces” in ‘Andor’

    Diego Luna Teases “Familiar Faces” in ‘Andor’

    Following the ending of the Skywalker Saga on the big screen and The Mandalorian‘s tremendous success on Disney+, Lucasfilm is getting ready for one of its biggest years yet. Boba Fett’s return in The Book of Boba Fett will premier later this year and it will go well into 2022. As for Din Djarin, he will also be back in season 3 of The Mandalorian. But it seems to be the return of fan-favorite characters Obi-Wan Kenobi and Cassian Andor, last seen on the big screen, that keeps getting the biggest amount of attention.

    Both characters will lead their own Disney+ show, with Andor, a 12-episode series, set to debut earlier in the year. Lead actor Diego Luna, making his return to the Star Wars universe following 2016’s Rogue One, when addressing the show doesn’t shy away from just how excited he is to bring the character back, and the possibilities that might come with it. The interconnectivity we often witness in Star Wars, as previsouly reported, will most likely allow for several familiar faces to show up either in brief cameos or slighty bigger roles. Luna, while speaking to Deadline, seems to confirm just that saying, “you’ll definitely see familiar faces.”

    There have also been several reports dating back to January 2021 regarding who might and who might not be showing up on Andor, the first being that Alan Tudyk will unfortunatelly not be reprising his role as K-2SO. There are also some more positive rumours regarding special appearances. Ben Mendelsohn as Orson KennicForest Whitaker as Saw Gerrera (apparently leaked by Stellan Skarsgård), Rosario Dawson as Ahsoka Tano and even Ewan McGregor as the aforementioned Obi-Wan Kenobi. With Andor having 12 episodes, we wouldn’t put it past Lucasfilm to be able to incorporate into the show’s storyline a number of these names in order o bring in fans from all quadrants of the Star Wars fandom, something Luna is clearly hinting at.

    Andor doesn’t yet have an official realease date for its Disney+ premiere, but with filming done we should expect it to debut in the first half of 2022, after The Book of Boba Fett airs.

    Source: Deadline

  • Ranking ‘STAR WARS: VISIONS’ Episodes

    Ranking ‘STAR WARS: VISIONS’ Episodes

    The anime anthology series ‘Star Wars: Visions’ premiered earlier this week to generally favorable reviews (you can read ours here). With seven studios developing nine shorts between them, audiences were due for lots of variety in what concerns to tone, animation style, and overall feel for each of the episodes. Even the two repeating studios (Studio Trigger and Science SARU) managed to deliver immensely different projects, making this first batch of Visions (hopefully) feel fresh with every page turn.

    With each short being its own thing some clearly stand out, and even though ranking art of any sort sometimes feels a bit wrong, here is a ranking of our most enjoyable episodes:


    8 – 9

    With Star Wars being all about family, both the one you are born into and the one you find along the way, both The Village Bride and Lop & Ochō offer us different perspectives on such matters. Ultimately doing right by what you believe in, and not complacently accepting the ground rules you are presented with. Even if that means fighting your family or meddling in issues not your own. What both these episodes seem to lack is a sense of wonder, which makes you want to know more about the characters and locations we are shown.


    7

    The mystery ambiance is quick to grab the attention of the viewer, as we are left to wonder what sort of evil might be around the corner for the Jedi protagonists. The action set pieces aren’t all that inspired and thematically we left with the exploration of what the Prequels expanded upon, the smugness and lack of vision the Jedi demonstrated, something that allowed for a long-lost evil to resurface. It’s a pretty straightforward episode, one that doesn’t seem to lead anywhere, past its ending.


    6

    Feeling like a snapshot taken from a crazy Dragon Ball Z episode, The Twins gives us God-like force powers in Karre and Am (the Twins), where one can split an entire Star Destroyer using just a lightsaber. The entire episode is focused on their battle and how absolute power corrupts absolutely. Sadly, a lot of the emotional heft gets lost in the crazy spectacle which makes this episode feel a bit less special than the rest.


    5

    What’s not to like about a Jedi that decides to go into hiding only to try and turn himself into the biggest rockstar the galaxy has ever seen? Keeping in mind the tradition that all anime series should come with a kickass opening track, we are presented to a musical act hardly ever seen in the Star Wars universe. With special appearances by both Jabba The Hut and Boba Fett, we realize that music can ultimately save the galaxy. It may not be the best episode of the season but inarguably is the best representation of what Visions could be, unique perspectives and all.


    4

    One of the darker Star Wars: Visions shorts, Akakiri takes inspiration from Kurosawa‘s The Hidden Fortress, something Lucas also did in the late 70s when developing the first chapter of the Skywalker Saga. The ominous (but brilliant) soundtrack and animation style help to present the viewer an epic tragedy that echoes Anakin Skywalker’s fall from grace, with a likewise heartbreaking end.


    3

    In terms of visuals alone, this was the most intense episode, with its charcoal drawing look, that managed to bring to life the franchise’s Kurosawa DNA in an extraordinary way. This combined with the hints of brights lights and the dynamics of lightsaber fighting made for what is surely the poster child of the entire project. The story behind the main character only referred to as Ronin, can be further explored this October in its own novel written by Emma Mieko Candon.


    2

    Star Wars isn’t just the cool lightsaber fights, the technology, and aliens. While most of this is present in T0-B1, the feeling of pure happiness, the sense of wonder, hopefulness, and discovery, all distinctive Star Wars features, is what makes this particular episode stand out. Astro Boy and Le Petit Prince are both very much present in the exploration of the Star Wars universe we are taken on, personified in the title character.


    1

    Turning lightsabers into mood rings has never seemed like a better idea. Sure, it’s not exactly how we’ve learned lightsabers to work but the way it allows for a wonderful narrative to develop is not something to sneeze at. One of the biggest tells this was my favorite episode is that it’s, of all 9 of them, the one I wished could be continued in some shape or form.

  • From Ta Lo to Atlantis: How Marvel Studios Might Introduce Namor’s Home

    From Ta Lo to Atlantis: How Marvel Studios Might Introduce Namor’s Home

    Following the release of Shang-Chi and the Legend of The Ten Rings, the Marvel Cinematic Universe has become home to yet another fictitious location, Ta Lo. With Namor scheduled to make his MCU debut as early as next year in Black Panther: Wakanda Forever, it’s likely that audiences will get to see yet another mythical location, the undersea kingdom of Atlantis. While little is known regarding how the studio will introduce Atlantis on the big screen, it’s fair to assume that its upcoming introduction may take some hints from Shang-Chi. Like with Ta Lo, Atlantis will need to touch on how it’s imprinted with its cultures’ mythology, how it has managed to stay hidden up until now and even its access points.

    With over a decade of movies under its belt, Marvel Studios will need to take a new approach when introducing fantastical new locations in the Marvel Cinematic Universe. Part of Marvel’s problem is that, after twenty-five films, audiences may be confused as to why a location is only recently being referenced. And even though there are locations that could have only gained relevance due to The Blip, not all can fit those criteria. Due to this, many, especially ones that have been around for millennia, need a more careful approach regarding their MCU debut, and Ta Lo is a perfect example of that.

    What is Ta Lo?

    In the comics, Ta Lo was a small “pocket” dimension adjacent to Earth, and it appears to be something quite similar in the MCU. It is described as a mystical dimension, inhabited by Chinese mythological creatures, that have managed to stay hidden not only by being difficult to access but especially by making it unclear to the outside world if it’s even a real place or not.

    It can be accessed from Earth through a portal located in China, which is shielded by an enchanted bamboo forest, that only allows safe passage on the first day of the fifth solar term of the traditional Chinese lunisolar calendar, the first day of the traditional Qingming Festival. Besides The Great Protector, its giant guardian dragon, several other Chinese mythological creatures are shown to live inside Ta Lo. From Dijiangs (Morris’ kind) to several Phoenix and Nine-tailed Foxes, Guardian Lions and Qilins.

    The way Marvel Studios managed to enrich the movie by embedding it with the spirit of such a vivid concept of what Chinese mythology should be about, managed to take the project to a whole new level. By intertwining these ideas with a real-world setting, they became a more credible concept within the MCU, contributing to the world-building Phase 4 seems to be all about. And this is where one is left to wonder if, knowing what Marvel Studios might be hinting at by casting Tenoch Huerta as Namor, and Mabel Cadena as Namora, Kevin Feige and his team are preparing to do something similar in its approach towards Atlantis.

    How does it relate to Atlantis?

    Following Ta Lo’s example, Marvel could treat Atlantis as a place beyond earth’s dimension. Doing so would allow for an easy explanation as to why it hasn’t been addressed previously. The founders of Atlantis, as some write, were half-god and half-human, so it wouldn’t be unheard of to make it a mythological place of its own, almost inaccessible, rooted in the mythology of a civilization. With both Huerta and Cadena both having distinct central American heritage, that seems to be playing a part in the uniqueness Marvel should want for its take on Atlantis, something like the Aztec Empire serving as the grounded real-world connection to a fictional lost underwater city sounds like a possibility.

    Tlālōcān

    When diving into Aztec history, one learns of their ancestors’ (the Olmecs) presence in the Yucatan Peninsula. Lying between the Gulf of Mexico to the west and north and the Caribbean Sea to the east, it’s a place said to have a profound connection with the Aztec water Gods, who ruled over a paradise world called Tlālōcān. This world is said to be the home of those who died through drowning or lightning, ruled over by the rain deity Tlāloc. In the present day, it’s more of a concept embracing the subterranean world and its denizens. Aztec shamans were supposedly able to access this otherworldly realm through whirlpools, something very similar to the way Ta Lo was accessible to Shang-Chi.

    To understand how those whirlpools might come into play, we should remember that the Yucatan Peninsula is, amongst other things, famous for its cenotes, a.k.a. sinkholes. These were likely to have been formed several million years ago through the impact of an incredibly large meteor in the region. As a result, they are filled with shocked quartz, a byproduct of the extreme impact. One of the characteristics of this type of pressurized quartz is that it can convert Earth’s natural electrical vibrations into a form of energy, and it’s been theorized that it could be used in the creation of wormholes, through an electromagnetic reaction called the Casimir effect.

    A modern take on Atlantis

    Cenote Angelita

    We now have the idea of a mysterious location, deeply rooted in Aztec mythology, much like Ta Lo. We also have clearly defined access points. These access points prevent accidental outside access, defined by the geomorphology of the region. By taking a realistic approach to Atlantis, Marvel Studios can introduce its own fresh take on the world. More importantly, though, it also allows Marvel to preserve the verisimilitude of its universe by grounding it in real-world cultural concepts going back generations.

    Could we have found or Atlantis in Tlālōcān? Going back to Shang-Chi and the Legend of The Ten Rings, Michelle Yeoh’s character, Ying Nan, suggests that there might be other cities in pocket dimensions. Will this be how audiences come to meet the kingdom of Namor the Sub-Mariner?

    Shang-Chi and the Legend of The Ten Rings is in theaters now, while Black Panther: Wakanda Forever is in production and expected to hit theaters on July 8, 2022.