Murphy's Multiverse

Tag: Disney

  • RUMOR: ‘Star Wars’ Animated Series Based on ‘The High Republic’ In Development

    RUMOR: ‘Star Wars’ Animated Series Based on ‘The High Republic’ In Development

    Star Wars has been introducing a brand new era that has yet to be explored, the High Republic. The new series was unveiled alongside a bunch of comics and books that will explore a time where the Jedi Knights had to face a threat that may change the Force as they know it. We haven’t heard any official word if they would also start adapting the new era in other mediums, as it primarily was called a publishing project. Unlike The Mandalorian and other Star Wars franchises, this takes place a couple of hundred years before the events of the films. So, they don’t have to adapt the storylines to fit within the existing timeline. It offers creators more freedom than before, which would make it a perfect era to adapt as a film or TV series.

    Cinelinx has heard rumblings that there are plans to adopt the new era in live-action and animation. Lucasfilms has seen quite the success in the medium after The Clone Wars and Rebels. There is even a spin-off for The Bad Batch planned to release at one point. There were rumors of other animated projects being in development, so this is our first real hint that they aren’t just focused on live-action moving forward. There is a good chance that this show won’t enter production for quite some time, as they might focus on getting the High Republic branding out first. Hopefully, we might get an official announcement in the future that showcases the various shows and films that are planned. We still have no idea what the Obi-Wan Kenobi and Cassian Andor series will be officially titled. So, maybe Lucasfilm will give us an overview soon, or at least during Disney’s Investor’s Day.

    Source: Star Wars, Cinelinx

  • Disney May Combine Disney+ and Hulu

    Disney May Combine Disney+ and Hulu

    Disney+ is an interesting streaming service. Instead of taking on the streaming giant Netflix directly, it focused its efforts on family-entertainment. That decision paid off immensely, as they were way ahead of their early estimates. Yet, there is one confusing aspect of what Disney offers when it comes to streaming. The House of Mouse has three core streaming services that each have a different audience. So, they are splitting quite a variety of content across Disney+, Hulu, and ESPN+. Now, the issue is that Hulu is only available in the US.

    So, they can’t pull in their international audience that is interested in content beyond PG-13. Well, rumors started to go around that they would rectify this by utilizing the existing Indian brand Star. They would expand it into Europe after already rebranding it Disney+ Star. Now, the question was if it would be its streaming service or combined into Disney+. Well, a recent rumor by Collider may confirm the direction they are heading for. The move makes sense to strengthen a singular streaming platform to be able to compete with Netflix. It would combine Disney+’s 73.7M with Hulu’s 36.6M. That does not yet consider how many subscribers the service could make once Disney+ Star is rolled into the service internationally.

    Yes, they do offer these services currently through bundles, but they are still separate services. Even better, they can combine some of the design elements of both to upgrade Disney+’s rather simple template, which I hoped to see in an article you can find here. Plus, we’ll see a streaming war next year, especially now that Warner Bros. has decided to air their films next year on HBO Max. Disney’s Investor’s Day is only a few more days away, so maybe they’ll make the big announcement by then.

    Source: Collider

  • ‘DuckTales’ Ending With a Three-Season Run in 2021

    ‘DuckTales’ Ending With a Three-Season Run in 2021

    Looks like the popular Disney XD series is coming to an end, as DuckTales will not return beyond its current third season. It may have been one of my favorite reboots of a classic animated series. Similar to 2012’s Teenage Mutant Ninja Turtles, the show combined every aspect of the franchise. It paid tribute to the original Uncle Scrooge comics while also combining it with elements of the original 1987 series. It even paid tribute to the iconic video games, such as the moon melody making an appearance. We had an amazing overarching secret that finally let us meet Della Duck, the triplet’s mother. Sadly, the series is ending its run with the current season with the following statement by Disney XD:

    “The talented creative team, led by Matt Youngberg and Francisco Angones, have delivered exceptional storytelling with uniquely reimagined characters for three seasons of 75 episodes and more than 15 shorts. While physical production has wrapped, ‘DuckTales’ continues to be available on Disney Channels and Disney+ around the world and fans will get an epic season finale in 2021.”

    Sadly, Disney is known to cut many series short. It is sad, as the updated cast of characters truly made them their own, especially David Tennant as Scrooge McDuck. There is one glimmer of hope as the series introduced a variety of minor characters that could spin-off into a series. There is already a Darkwing Duck reboot in the works, so that will hopefully continue where this series started the character. Especially, their unique take on Negaduck set up quite a lot of potential. Gizmo Duck is also a perfect character to give his series that could have our favorite icons to make their return.

    I’d even want to see a story focused on Donald as he adjusts to his life without adventure. Maybe combine it with a Goof Troop reboot, especially after Goofy made his appearance in an earlier episode. I still want to see Duck Avenger, or Phantomias as he was called in Austria, get his series. Have to say, this getting canceled after only three seasons is sad, but it looks like the team is ending it on their note, so I cannot wait to watch the series’ finale next year.

    Source: Variety

  • Exploring ‘Daredevil’s Future Beyond Its Netflix Run

    Exploring ‘Daredevil’s Future Beyond Its Netflix Run

    For those out there hoping to support the return of Netflix’s Daredevil, be sure to check out the site SaveDaredevil.com. They’ve probably been campaigning for its return since its cancellation, so be sure to give them a visit while you’re at it!

     

    It is crazy to think that Daredevil‘s third season aired two years ago. Charlie Cox and Vincent D’Onofrio reminded us why they were the perfect duo to take on the dynamic between Matt Murdock and Wilson Fisk. The original Netflix deal was massive, as they signed up for four series consisting of 13 episodes. Not just that, they also made a deal to film most of the series directly in New York City, where it would all lead up to a The Defenders crossover. It was going to be the small-screen Avengers built on Marvel’s Television division. Right now, Netflix still held a tight grip on the rights to all franchisees that aired on the streaming service. So, many of us were waiting for the moment they could return. Supposedly, the rights return two years after it aired its final episode, and we are finally at that point. So, let us look at how exactly Daredevil could become part of the Marvel Cinematic Universe.

     

     

    Now, like many, I want the core cast to return. Charlie Cox, Deborah Ann Woll, and Elden Henson were outstanding. Matt Murdock is always conflicted between the devil calling him to defend the streets, but also his human need for a normal life. He is nothing without Karen Page and Foggy Nelson keeping him centered, as he balances being a lawyer and vigilante. Of course, there is also Vincent D’Onofrio‘s Wilson Fisk, who may be one of the best Marvel villains brought into live-action. Also, I hope we also see the return of Ayelet Zurer‘s Vanessa. Her relationship with Fisk elevated it in unique ways and managed to humanize all of Fisk’s actions in an interesting way. While we’re at it, Wilson Bethel deserves more time as Bullseye, just saying. Now that Jamie Foxx is going to return as Electro in Spider-Man‘s still-untitled third entry, there is no excuse that they can’t have the iconic cast return.

    There is, sadly, one major issue of continuing the series where it originally ended. I don’t believe that every part of The Defenders will remain the same. Most notably, there is a good chance that Iron Fist will get a complete reboot. Out of all of the Netflix series, it felt like it was trying its hardest to avoid the aspects that made the character unique, which may be something that Marvel Studios CEO Kevin Feige wants to change. Yet, a massive part of the crossover was how the main antagonists, the Hand, had strong ties to K’un-Lun, where Danny Rand gained his magical fist. Maybe this time we get to visit the hidden city. Daredevil‘s third season has built on the events that transpired during Netflix’s mini-series. If it weren’t for the four vigilantes taking on a group of supernatural ninjas, we wouldn’t have had Matt’s reawakening that would lead to him taking on his original mantle.

     

     

    As I write that, it doesn’t mean it is impossible, just that it may not fit into Feige‘s plans. Plus, they seem to have mapped out quite a bit ahead, as plenty of series and films are about to enter production. So, we might not see anything related to any of the Netflix series by the latest of 2023 or even 2024. Now, there is a way that it could work to integrate the events from all Defenders into the mainline MCU overarching storyline. The approach is simple: all of them are already active once we meet them again. It would be a similar approach to that of The Incredible Hulk. Yes, Mark Ruffalo looks nothing like Edward Norton, but the storyline mainly remained the same. So, why couldn’t everything from Daredevil‘s first season up until Jessica Jones‘ final season has taken place in the same timeline with some slight alterations?

    Even if someone else takes over the role of Iron Fist, Jessica Jones, or Luke Cage, the main events still occurred. Viewers are technically familiar with what transpired. They can make references to past events as an easy recap for newer viewers. They can also leave some aspects vague to adapt it to fit the new narrative. There is no need to rehash Murdock’s origin story again besides showcasing some of the emotional cores that defined him. Netflix could be part of a different dimension, as the mainline MCU’s events were similar in most places.

     

     

    They did something similar with Spider-Man: Homecoming, where they built on everyone’s understanding of the character’s core principles. It was a popular show on Netflix, so there is no need to retread old ground. That would only be necessary if Feige had any plans to reuse the Hand in different ways. Even if they don’t continue the storyline set up by the first three seasons of Netflix, they can still use people’s understanding of the characters to move forward rather than retread familiar ground once again. We also saw the advantage of an ongoing format for the characters, so it would be a waste not to continue the series on Disney+, especially when they are exploring darker characters like Moon Knight on the platform. Their introduction though could open up the potential to having them crossover into films, which seems to be the plan for many of the streaming characters. Either way, if Marvel Studios decides to move forward, I hope to see this amazing cast return so that they can continue the story where they left off.

    Source: Digital Spy

  • Marvel Studios Pays Tribute to Chadwick Boseman with New ‘Black Panther’ Intro

    Marvel Studios Pays Tribute to Chadwick Boseman with New ‘Black Panther’ Intro

    Today is a sad day, as it would’ve been Chadwick Boseman‘s 44th birthday. It was still a shock to many when a few months ago he had tragically passed away after complications in his fight with cancer. Our hearts still go out to his friends and family, as it can’t be an easy time in an already turbulent year. It was revealed that he kept his cancer from many in the industry, so it had caught many off-guard when it was officially announced. Now, Marvel Studios prepared a touching tribute to the Black Panther actor by replacing the intro of his iconic film with a brand new one that showcases his legacy within the franchise.

    Marvel Studios has done something similar when Stan Lee passed away. His appeared during the opening for Captain Marvel and was just as heartbreaking as this. Right now, our mind should not be focused on the sequel but rather the legacy that the actor is leaving behind. His last film, Ma Rainey’s Black Bottom is scheduled to release on Netflix in mid-December. Here he plays the trumpeter Levee alongside Viola Davis‘ Ma Rainey. She previously played his mother in the James Brown biopic Get On Up, who probably summed up his legacy best in an interview with the Guardian back in October.

    Chadwick was an artist. That is just what he was … he loved it, he demanded it in every single way. For someone so young it was incredible to watch.

    Source: Twitter, The Guardian

  • Disney+ One Year Later: A Desire for Updates

    Disney+ One Year Later: A Desire for Updates

    It is hard to believe that Disney’s streaming service has already been around for over a year. As I live in Europe, we had to wait a bit longer to get our hands on it, but overall, I’ve been enjoying my experience with it. The service is still in its early phases of development. So, it would be unfair to compare it with Amazon Prime or Netflix directly. There are still some aspects I have been thinking about lately that would improve the overall experience, as well as add something unique to Disney+. We already heard the news of it being potentially expanded with R-rated content shortly, so I will not be tackling that here. Here are just some general issues I’ve had and hope to see adapted or added in the future.

     

    Time for a UI-Redesign

    I think the overall user interface is rather bland. It has all the main staples, such as a massive banner on the latest updates and different sections based on your interaction with the app. Of course, one of the earliest selling points were the unique banners highlighting the various major brands ranging from National Geographic, Star Wars to Marvel. Now, it is a great idea in concept, as it allows you to find the type of content you are looking for. Yet, it’s the only thing that stands out for the entire interface. It’s an odd juxtaposition between the vibrant blue of the Disney+ logo and the strangely dark and grey background of the app. I am generally a fan of flatter designs that could add some unique flourishes. Actually, why not just offer different design options to highlight one’s favorite brand. Marvel fans can highlight the films and shows like comic covers. Did you grow up with the Disney channel? Why not offer a design that pays tribute to that?

     

     

    Overall, I think as the subscriber numbers rise, it is time for a redesign. It was smart to make a basic design that people are familiar with so that they can easily find their way around the app. Now, Disney+ needs to stand out among the rest. They can keep the channel concept that was popularized by Netflix and Amazon but try to make it their own. They could make the shows stand out in a unique matter with short animations. Everything is tiny on my television. They have weekly release schedules for their Originals, but no information to showcase that directly in the app. Unlike Netflix, why not showcase upcoming releases so users can bookmark them on the front page. While the current season of The Mandalorian has no breaks, there is no issue but last year’s release did. So, making it easier to see various upcoming additions outside of Social Media for casual viewers could help the experience.

     

    Need for UX-Optimization

    Now that we discussed the visual changes, some usability aspects have been rather frustrating at times. I’ll start with a personal issue I’ve stumbled upon quite often. There is a strange restriction on how I can rewind what I am watching. Instead of selecting a specific time, it seems to allow me to fast-forward or to skip by 10 seconds, but that is it. Now, this could be a restriction by the app on my television but it still at times gets frustrating when it doesn’t remember where I left off. Also, if I select a show that I have currently watched, it jumped directly into the episode. Now, it didn’t remember that I finished it, but if I press to go back into the content-specific menu, I always end up back on the main menu. Now, I have to find the show I was watching to select the correct episode or check how many are potentially left. They don’t take away from the actual content that is offered but hampers the overall experience.

     

     

    My last gripe is connected to various shows that are available. Some shows’ broadcasting schedule did not match the chronological one. It is something that was shared online, especially with shows like Star Wars: The Clone Wars. Its actual pilot was a film that is a separate option. So, if you are jumping into the series for the first time, you don’t realize that you’re missing an essential aspect of it. Marvel Rising consists of multiple short films that are all separately available properties. Instead of just offering them in chronological order, you have to look up a list online to figure out which one is the one you are looking for. This problem isn’t unique to Disney+, as Netflix has a similar approach with the Christmas special of Aggretsuko, which is canon, being a separate entity from the rest.

    I am curious what the future holds for Disney’s first venture into streaming. It isn’t perfect and has some potential to grow, especially if they add more mature content through Disney+ Star. There are other elements I would love to see added, such as a Marvel Cinematic Universe showcase, which could adapt the various films and upcoming original shows in the order of the official timeline. The same would be helpful for the Star Wars franchise, which consists of three unique time periods and may only expand in the future. I’d be happy enough if they give us some options to individualize our set-up. It is family-friendly content, so why not offer some fun before checking out the latest DuckTales reboot?

  • ‘Marvel Disk Wars’: That Time Japan Turned the Avengers Into Pokémon

    ‘Marvel Disk Wars’: That Time Japan Turned the Avengers Into Pokémon

    Sometimes you start going down a strange rabbit hole. You get curious and think to yourself: “I wonder if there is an Avengers anime out there.” At that moment, you remember that they had one focused on Iron Man, Wolverine, the X-Men, and Blade. All of a sudden, you realize there is a strange show called Marvel Disk Wars. So, you start looking up what this could be. What hooks you in isn’t the premise but the odd designs of the characters. Unlike the previously-mentioned shows, this took a much more stylized approach with the iconic Marvel characters. It was a kid’s show with a limited budget that introduced us to a unique take on the Marvel universe. So, let’s jump into the story about how Japan saw a group of heroes and thought about sticking them into tiny collectible disks. What can go wrong?

    The series picks up with a young Akira, who is the son of Dr. Nozomu Akatsuki. His father was developing a device called the Digital Identity Securement Kit alongside Tony Stark. Of course, as is Marvel tradition, it was shortened to D.I.S.K. and was made to keep supervillains trapped within these containment DISKs. On the day of the announcement, Loki had other plans, as his goons the Celebrity Five unleashed a variety of villains, who escaped from the raft through the very DISKs that was supposed to contain them. Everything backfires when our Avengers team gets trapped within their tech, and only those imprinted with a Bio-Code can unleash them again. You might have guessed that Akira would be one to receive this gift. He is joined by his brother Hikaru, a bad boy with a soft heart cliché Chris Taylor, shy Edward Grant, and rich Jessica Shannon. 

     

     

    The series ran for 51 episodes that would feature a variety of villains and heroes from Marvel history. At one point, even Deadpool makes an appearance throwing the entire series into his usual chaos. The show revolves around these DISKs. Once one of our main characters needs a hero, they just throw this device on the floor, and it summons them. Yeah, it sounds a lot like Pokémon but with superheroes. It’s a kids’ show, so the focus is on introducing as many characters as possible so you too can purchase the Abomination DISK. Their designs are unique, so I’d be happy to see them adapted into other media like Marvel’s Avengers.

    Sadly, it also kind of shows in the series’ overall quality. They are dragging out quite a few episodes, especially early on as they introduce the kids. It starts strong with a showcase of various heroes that will appear throughout the show, but it takes a while for them to get the team together. The focus is mainly on the kids, so our favorite Avengers are mere holograms until they are summoned. It’s not a terrible concept, but it does drag on at times that I wasn’t able to force myself to finish the series. Yet, I’ll say it is something entertaining for kids that are into Anime like Digimon or Pokémon, who are also Marvel fans. I’ll say the most memorable aspect is just how handsome Hulk is in this series.

     

  • Disney Preparing for Disney+ Star Announcement

    Disney Preparing for Disney+ Star Announcement

    A while back, we got the news that Disney was looking into expanding into European territories with a brand new brand. In their acquisition of Fox, they also gained the brand Hotstar, which is an Indian streaming service. Instead of having to establish Hulu outside of the U.S., they seemed to decide to use an existing streaming service branding to offer content for 18+ audiences. Disney+’s biggest issue is that it is purely restricted to PG-13 as it has a family-friendly focus. You can actually check their official site hotstar.com which confirms that they are expanding into Europe.

    This expansion was teased by CEO Bob Chapek a while back, but it was uncertain if Hotstar would just be known as “Star” and act as an independent streaming service. Yet, the question got answered once Disney+ Hotstar became the new branding for the original service. We were waiting for some announcement as most hints pointed to the upcoming Investor’s Day event being their target. Well, it looks like they are already preparing for the upcoming event. They have already set-up their Social Media accounts, our very own John Sabato found it on Instagram.

     

     

    It is great to see this story finally pan out. We first heard the news of this development back in August. We put together some of the pieces of the puzzle, as Disney+ was implementing a PIN code of some kind. This development also confirms that Star will potentially replace Hulu in non-US territories. The only question remains if this is a unique streaming service or something you can access as someone who owns Disney+. There is still a good chance they are just preparing everything for Investor’s Day, so we won’t have an official word until then. It’ll be really interesting to see what this means for the streaming service’s future. It has seen exponential growth with 73 million subscribers, which is beyond their early estimates. Once they add a new layer of content for older audiences, they might see another push. It will all depend on how exactly they market it, and if you have to pay extra to access it.

    Source: Hotstar, The Verge, TechCrunch

  • Disney May Premiere Future Tentpole Films on Disney+

    Disney May Premiere Future Tentpole Films on Disney+

    The pandemic has hit the film industry in many ways. Film productions had to close down prematurely once the first lockdown hit. Cinemas across the world got shut down. Many production firms were considering moving their theatrical releases to streaming services. Universal was the first to test it only to get banned by AMC. They have reconciled since, but that was only the beginning. Now, as many countries entered their second lockdown, even Warner Bros has decided to move their last tentpole film of the year, Wonder Woman 1984, to their streaming service HBO Max alongside its theatrical release. Now, this move opened up the question if other studios would follow, especially Disney, who tested out a premium service with Mulan a few months ago.

    It looks like Disney has at least been considering putting the option on their table. According to Deadline, the mouse-led company is considering launching a variety of their tentpole films on their service. These films consist of Craig Gillespie’s Cruella, Robert Zemeckis‘ Pinocchio, and David Lowery‘s Peter Pan and Wendy. They haven’t decided yet if they will go down the route with Soul, which will release for free, or take the Premium Access route once again.

    Disney+ has seen a massive increase in subscribers over its first year. The addition of high-profile films could get people’s attention and increase that number. Yet, there is an important franchise missing from that list. It seems that they are hellbent, for now, to see the Marvel Cinematic Universe remain in cinemas. They might still be testing the profitability of such ventures before risking losing Box Office numbers off of their cash cow franchise. The upcoming release of WandaVision could also be a test to see how many subscribers join with the addition of MCU content to the platform. Whatever Disney ends up deciding, the cinema landscape will not be the same as it used to be.

    Source: IndieWire, The Atlantic, Deadline

  • Theory Thursday: Breaking Down the Latest ‘WANDAVISION’ Teaser

    Theory Thursday: Breaking Down the Latest ‘WANDAVISION’ Teaser

    Breaking out that 20/20 Vision for 2021.

     

    After months of speculation, Marvel Studios finally revealed the release date for the upcoming Disney+ series; WandaVision. Along with that release date announcement, came a short teaser:

     

    Now at first glance, this looks like a normal moving poster or just a small teaser that you’d see on their Instagram stories just to promote the show. But we all know Marvel Studios better than that. Sometimes, they’ve been known in the past to sneak some secrets or teases here and there. So, let’s take a look at this small teaser for a moment and notice what we see.

     

    SHOT 1: 1960s

     

    The teaser opens up with a pretty straightforward shot. The scene is in black and white and it showcases Wanda and Vision in their 60s phase. This portion of the show is the one that we’ve seen the most of in teasers. It’s also been the segment of the show that we know more details about. We know it’s inspired by comedy classics from the ’60s like The Dick Van Dyke Show, Bewitched, The Twilight Zone, and I Love Lucy. We also know that it was filmed in front of a live studio audience. And it been the source of much of WandaVision’s promotional materials.

     

    SHOT 2: 1970s

     

    The next shot fast forwards to the next decade which would be the 1970s. While we know little about this era in particular, we know that at some point during this portion of the show we might see Wanda’s pregnancy start here and develop further along during this specific episode. We expect this era might be inspired by The Brady Bunch & All in the Family.

     

    SHOT 3: 1980s

     

    We eventually transition to the 1980s, where we see a standard 80s double knob TV, the color is finally present in the entirety of the room and the potted plant on the left changed. We know little about this era for the show but I predict this might be the part of the show where Wanda’s pregnancy is near her final trimester and she may give birth by the time we end our 80s tribute. I envision this era taking inspiration from Happy Days & The Golden Girls.

     

    SHOT 4: 1990s

     

    The 1990s is the other era that’s been heavily teased in the teasers. We know from this era that we’re going to see an episode centered around Halloween. We also expect the twins to have been born by this point in the series. This is also the segment in the series where i expect things might start to unravel for our two main heroes. I am definitely sensing a heavy reference of Full House for this episode in particular.

     

    SHOT 5: MULTIPLE ERAS (HIDDEN DETAILS)

     

    This is more of a “blink and you’ll miss it moment” in the teaser, where the TV starts spiraling out of control between images and it showcases all the eras in the TV that we had already seen previously, except 2 shots in particular. The one on the left looks to be from the 90s, when Wanda and Vision’s kid have already been born and the one on the right bears a resemblance to when Wanda and Vision start seeing the world change around them from black and white to color.

     

    You also take notice of a couple of things in those shots. Primarily, when the 90s era tries to go to the next era, as we mentioned before, the TV starts spiraling out of control between images and it showcases all the eras in the TV that we had already seen previously. But while it’s spiraling out of control, you notice a couple of key details in the surroundings that start to fade in, but are immediately pushed back and kept hidden. So, let’s look closer at the image and look at the things that stand out.

     

     

    You’ve got:

     

    • The Victorian Wallpaper and Rose Painting: That Victorian wallpaper and Rose painting resembles the wallpaper and painting from the image above on the right.  The one where Wanda and Vision start seeing the world change around them from black and white to color.

     

    • The weird lamp dangling above the TV: Notice that weird, teardrop lamp on top of the TV? Interesting lighting choice. Wanda Maximoff in particular has been known to have strange-looking lamps, particularly we can see them during the 1960s portion of the show, where we have a middle-eastern style lamp next to the front door. These styles of lamps also used to decorate Wanda’s room back in the Avengers Complex in Captain America: Civil War (2016). Fun detail no?

     

    SHOT 6: FINAL SHOT

     

     

    The final shot in the tease happens after everything went haywire and it just goes back to normal, revealing the release date of the show and the title card. A fun little detail about this shot is if you notice on the top left corner, the wall starts to peel off, revealing tv static. Very intriguing. Perhaps the teaser as a whole represented a metaphor for what might happen in the series.

     

    BONUS: THE TVs

     

    All of the TVs shown in the teaser are representative of their eras. But there was one TV that popped up for only about 5 frames before disappearing again.

     

    What’s interesting about this tv? Well, it’s actually not the TV itself, but rather what it’s on. This old TV stand on wheels is something commonly seen in hospitals. Interestingly enough, Charles talked about WandaVision filming inside a hospital about a year ago. So I’d check up on that if you need a refresher.

     

    Official Plot Synopsis: Starring Elizabeth Olsen and Paul Bettany, “WandaVision” is a blend of classic television and the Marvel Cinematic Universe in which Wanda Maximoff and Vision—two super-powered beings living idealized suburban lives—begin to suspect that everything is not as it seems. The show features the return of Kat Dennings as Darcy Lewis & Randall Park as Agent Jimmy Woo, as well as the introduction of new faces, such as Teyonah Parris as an adult Monica Rambeau and Kathryn Hahn as the nosey neighbor, Agnes.

     

    WANDAVISION PREMIERES EXCLUSIVELY ON DISNEY+ ON JANUARY 15TH.